Comics Round-Up – Constantine & Lucifer (DC, Vertigo)

Still haven’t been reviewing as many comics as I had been earlier in the year, but I recently started reading two very good series – one brand new and on-going (Constantine), one already completed (Lucifer). I enjoyed them both very much, so I thought I’d show them some brief love on the blog.

CONSTANTINE #1-4

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Writer: Jeff Lemire & Ray Fawkes | Artist: Renato Guedes (#1-3), Fabiano Neves (#4) | Colors: Marcelo Maiolo

Liar, cheater, manipulator… John Constantine is all of these, and yet he uses these skills and more to protect the world from the darkest corners of the DC Universe.

Spinning out of both Hellblazer (which spanned 300 issues, and was Vertigo’s longest-running series) and also Justice League Dark, this series gives John Constantine its entire attention. I’ve only dipped in to Hellblazer, and certainly haven’t read nearly enough to consider myself overly familiar with the character or conversant with his part, but I enjoyed what I had read. The dark focus on the occult and supernatural were like catnip to me, and they were also what made me try Justice League Dark (which I have been enjoying quite a bit, too).

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This series is written by Jeff Lemire, who also recently took over JL Dark. It’s a really good opening to the new series, I think, and we get a good introduction to Constantine’s character. It’s dark, deliciously so, and Constantine is his charming-anti-hero-self throughout. He’s not afraid of sacrificing others for the “greater good”, either – making him not a whole lot better than his antagonists. The end of #1 was particularly gruesome and startling, but these four issues are filled with visually and narratively stunning work. The main villains in this particular story (still incomplete at this stage) is the Cult of the Cold Flame, who have cropped up in JL Dark, too. I’ll certainly be reading more of this series. Recommended.

(Issue #5 is part of the Trinity War story-line, so I’ll be reviewing that as part of an Event review, in a few weeks’ time.)

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Lucifer-Vol.01LUCIFER, Vol.1 – “Devil at the Gates”

Writer: Mike Carey | Artist: Scott Hampton (Sandman Presents…) & Chris Weston | Inks: James Hodgkins | Colors: Daniel Vozzo

From the pages of THE SANDMAN, Lucifer Morningstar, the former Lord of Hell, is unexpectedly called back into action when he receives a mission from Heaven. Given free reign to use any means necessary, Lucifer is promised a prize of his own choosing if he fulfills this holy request. But once he completes his mission, the Prince of Darkness’ demand shakes the foundation of Heaven and Hell. Now as his enemies unite to stop his reemergence, Lucifer gathers his forces as he prepares to launch his new revolution.

Collects: Sandman Presents Lucifer #1-3, Lucifer #1-4

This is an excellent, independently intelligible spin-off from Neil Gaiman’s Sandman (of which I have only read the first book).

In the first of these two story-arcs, we join Lucifer at his Los Angeles club, Lux. I’m not really sure how to review this book. It’s excellent, certainly, and wonderfully dark. It reminded me of Richard Kadrey’s Sandman Slim series (which is excellent and highly recommended). Lucifer is called up to help out Heaven one last time, in return for a particularly generous reward. The former Lord of Hell sets off on a very strange, dream-like journey. People’s wishes are coming true, and the consequences are starting to become devastating. Teaming up with a “victim” of this plague of wish-granting, Lucifer needs to get to the bottom of the mystery, before the world wishes itself into chaos.

In the second story, the first of Lucifer proper, we begin in Hamburg, where a set of mystical Tarot cards tries to influence the world around it. We get some neo-Nazis, hate crimes, and all of the seven deadly sins exaggerated and enhanced by the influence of the Tarot cards. Lucifer intervenes, in order to bring balance back to the world.

I really liked the alternative location – for once, we weren’t in the USA or UK, which I certainly welcomed. It’s still early days, but we start to see how the series will shape up in the future. I don’t want to spoil things (from either of the two stories), so this is perhaps a rather thin, unsatisfactory review. Nevertheless, I think this is an essential read for anyone with a taste for the darker sides of fiction and comics. Heaven and Hell are popular tropes in speculative fiction, but Lucifer Vol.1 offers a genuinely original spin, and is both written and visualised brilliantly.

I liked this so much, I bought volume two before I had even finished it. I’ll be starting that very soon indeed, so will hopefully have a review up in the next week or two. Deliciously dark, this is a must-read.

Lucifer-01-Interior1

“House Odds” by Mike Lawson (Atlantic)

Lawson-08-HouseOddsThe Latest Joe DeMarco Political Thriller

Washington D.C. fixer Joe DeMarco has been asked to handle a lot of difficult situations over the years for his boss, congressman John Mahoney. But nothing has ever been quite so politically sensitive, or has hit so close to home, as the task Mahoney hands DeMarco now.

Mahoney’s daughter, Molly, has been arrested and charged with insider trading. An engineer with a high-flying technology firm, she allegedly placed a half-million dollar bet on one of the firm’s clients. DeMarco’s job is to clear Molly’s name and keep his boss clean. But how did Molly get her hands on so much money to invest in the first place? Before long, DeMarco uncovers that there’s far more to Molly’s case than meets the eye, and the risk to Mahoney is more than just a little political embarrassment.

In this eighth novel featuring Congressional fixer Joe DeMarco, we get a look at the sordid underbelly of Beltway politics, complete with manipulative gangsters and politicians, crooks and thieves. I’m a big fan of this series, ever since I read the first in the series, The Inside Ring in a single day. Each new novel has been an addictive, well-written and expertly-plotted thriller. House Odds is no exception.

The synopsis does a great job of providing all of the information you need, so I’m not going to go any deeper than that, and keep the review short. House Odds hooked me from the start, and yet kept me guessing until the end. Things do not play out at all as I expected, as DeMarco comes across a number of liars, conflicting agendas, hidden motives, and the desperation of a powerful family brought low. It’s a novel filled with grey, and very little black or white. Lawson isn’t afraid to let the muck stick to both his protagonists and antagonists, which makes this a very satisfying and more realistic read.

Throughout the novel, as DeMarco tries to first get to the bottom of what Molly allegedly did, to then trying to get her off the hook, he is left questioning who, in fact, are the good guys. The plot is winding, and perhaps more so than previous books in the series, as Lawson keeps us guessing. The first half deals with one mystery, and the second half another, as our hero is faced with a near-impossible job. Strange alliances will be forged, threats will be made, and leverage will be exercised. House Odds shows us just how dirty politics can be.

As with Lawson’s previous DeMarco novels, there’s plenty of good commentary on the American political system – especially the egos involved. In addition, his characters are well-rounded and realistic. The author’s prose is stripped down, streamlined, and well-composed. The plotting is excellent, too, and I blitzed through this.

I really can’t recommend this series enough. If you have any interest in thrillers set in and around the world of American politics, then Mike Lawson is a must read. House Odds is excellent. Very highly recommended.

Short Story Reviews, Flintlock Fantasy Edition: HOPE’S END by Brian McClellan & THE PENITENT DAMNED by Django Wexler

Two new short stories from the new wave of flintlock fantasy authors

McClellanB-HopesEndHOPE’S END by Brian McClellan

Captain Verundish has two problems. On campaign with the Adran army and far from her homeland, she is helpless when the young daughter she left at home is threatened. To make matters worse, General Tamas has put her lover in command of a Hope’s End — the first charge through a breach straight into the teeth of enemy cannon and sorcery. To save the people she loves, Verundish will have to come up with a deadly solution…

This is a pretty interesting story. A “Hope’s End” is the first charge against a fortress or other reinforced emplacement. It is pretty much guaranteed death. Tamas likes to select those who bought their commissions to lead these hopeless endeavours. In this case, however, Captain Verundish is in love with the man chosen to lead the next Hope’s End. With trouble back home (her husband is an asshole, and threatening the welfare of her daughter), the story actually opens with her contemplating suicide. Instead, she decides to volunteer to take over the Hope’s End, with the expectation of dying and guaranteeing her daughter’s financial future. Naturally, not all plans go according to plan.

Anyone who was disappointed at the lack of female characters in Promise of Blood will be pleased with Captain Verundish. She’s an interesting character, and I like the way she handles the personal and professional tests she’s presented with. The battle scene is pretty good, too – it’s focused, tightly-plotted, and not over-written. It is followed by an example of how good a leader Tamas is off the battlefield. It’s nice that McClellan has actually paid attention to developing our understanding of why Tamas is such a beloved leader – rather than just telling us that he is, and letting that be the end of it. It’s a good story. (This is set when Tamas’s son, Taniel, is only two years old.)

Well written, this is another good introduction to McClellan’s writing and fantasy world. I really like the way the author has been releasing these short stories to add more to our overall picture and understanding of the pre-coup world. Certainly recommended, and a must-read for fans of the novel. This has only increased my anticipation for The Crimson Campaign

Also on CR: The Girl of Hrusch Avenue Review, Interview with Brian McClellan, Guest Posts Favourite Novel and Protagonist Ages in Epic Fantasy

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Wexler-PenitentDamnedTHE PENITENT DAMNED by Django Wexler

Alex is a master thief, with dark magic to give her an edge. When she goes up against Duke Orlanko’s Concordat secret police, though, she may have taken on more than she bargained for…

I read Wexler’s The Thousand Names recently, and thought it was a very interesting start to a new series. In The Penitent Damned, the author takes us far from the location of his novel, and back to a city under control of Duke Orlanko. Alex, the protagonist, has always had special abilities which have given her an edge in her chosen profession. Schooled by a former master-thief, she has taken a job in the city. Frustratingly, to go into much more detail about the story will ruin it (it’s a very short story). We get a glimpse of more of what is going on behind the scenes. We learn just a little bit more about certain events at the end of The Thousand Names, which opens up some intriguing possibilities for the next book in the series. All very cryptic, but I think if you read the novel, and then this short story, you’ll see why I don’t want to go into too much detail. We get to see more magic in action, this time around (which didn’t feature as much in Thousand Names). And it was very cool, giving rise to some good action scenes.

Even if you haven’t read the novel, though, this is a pretty good introduction to Wexler’s writing style and fantasy world. I’d recommend it to anyone who hasn’t yet decided if they want to read The Thousand Names, as well as fans of the novel. Wexler is, I believe, definitely an author to watch. A very satisfactory short story, discussed in a rather unsatisfactory review. Sorry about that.

Also on CR: Interview with Django Wexler, Guest Post on Terry Pratchett

On “OLYMPUS HAS FALLEN”, “TRANSFER OF POWER” & an Author Appreciation

OlympusHasFallen-TransferOfPower

Director: Antoine Fuqua | Writers: Creighton Rothenberger, Katrin Benedikt | Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Dylan McDermott, Rick Yune, Angela Bassett

I finally Watched OLYMPUS HAS FALLEN, tonight. I thought it was really good, too. A political Die Hard for the modern age, perhaps? The movie is action-packed, very well-paced (I never got bored, and never felt like the screenplay or movie as a whole was padded with anything that was unnecessary). It is quite brutal, though – but in a “realistic way”, if that makes sense? Gerard Butler (the hero, and a member of the Secret Service) offers a very good portrayal of a hyper-efficient, highly-trained killer (former special ops, etc.). There’s no “flash” to the fight scenes, he doesn’t suddenly break into any wire-work or seamless, stylised martial arts. It’s quite chilling, in its brutal directness. Here’s the extended trailer…

So. Why is there a picture of Vince Flynn’s TRANSFER OF POWER? Well, because there are some startling similarities. Transfer was the first Flynn novel I read, and introduces readers to Mitch Rapp, the CIA’s best operative (translation: assassin). Here’s the synopsis:

What if America’s most powerful leader was also its prime target?

On a busy Washington morning, the stately calm of the White House is shattered as terrorists gain control of the executive mansion, slaughtering dozens of people. The president is evacuated to an underground bunker, but not before nearly one hundred hostages are taken. One man is sent in to take control of the crisis. Mitch Rapp, the CIA’s top counterterrorism operative, determines that the president is not as safe as Washington’s power elite had thought. Moving among the corridors of the White House, Rapp makes a chilling discovery that could rock Washington to its core: someone within his own government wants his rescue attempt to fail.

As I subscribed to the author’s newsletter, I received the email with Flynn’s comment about Olympus Has Fallen (which was, actually, also the first time I heard about the movie). Dated on March 25th, 2013, here is part of “Vince’s Statement On Olympus Has Fallen”, in which he addresses the similarities, mentions White House Down, and also offers some information about the forthcoming American Assassin movie adaptation:

Many of you have emailed me, messaged me on Facebook, posted on my Facebook page and tweeted about the similarities between the new movie Olympus Has Fallen and my book Transfer of Power. My team and I have noticed the similarities as well and know of a second movie coming out this summer also about an attack on the White House. Neither of these movies are Mitch Rapp movies nor do I have any involvement in either project. It is very difficult to prove where a producer, director or screenwriter gets an idea, or to prove how their ideas may have been inspired.

It is exceptionally difficult to prove in court, costs lots of time and money and usually amounts to a great deal of frustration. My team and I have decided to stay focused on the Rapp Franchise – writing one great Rapp novel a year and getting American Assassin made into a movie.

With Bruce Willis signed and on board to play the surly Stan Hurley, a character that I created with him in mind, things are looking good for a fall shoot. Things will start to move quickly in the coming months as Rapp, Kennedy, Stansfield and others are cast. It will be a very exciting time.

I appreciate you looking out for me, and your concern for my intellectual material. In many ways your comments have allowed me to stay calm and focus on what I love most, which is writing a kick ass Rapp novel. For that I offer you my sincere thanks.

I loved Transfer of Power, and blitzed through it in record time. I read it when I hadn’t quite fallen down the Reading Rabbit Hole I obviously inhabit today, but it certainly marked a shift in my reading tastes – after this, I caught up with Flynn’s other books (at the time, only three others had been released), and have read all of Flynn’s novels since, always picking them up on release. That being said, I let things slip for his last two novels, and have been really slow about getting around to The Last Man. Sadly, earlier this year (June 19th) the author lost his three-year battle against cancer. He was only 47. And so The Last Man is also his final novel. There had been plans to publish his work-in-progress, but those plans seem to be on indefinite hiatus. I suppose the publisher and his estate will find someone to finish it off, at some point.

Each of Flynn’s novels has been a tightly-plotted action thriller, firmly rooted in what became the post-9/11 tradition (so yes, the villains are often Middle Eastern terrorists, but a couple of times they are American). Transfer of Power was actually published in 1999, though, which showed a creepy prescience. He was certainly, in my opinion, the best writer among his genre-peers. He was a conservative, politically, but unlike some of his contemporaries, he was always fair in his portrayal of politicians in his novels who held opposing positions to his own or his protagonists’. He was always able to present both sides in an even way. [Some liberal authors could learn something from him on this score – *cough* Eric van Lustbader in The President’s Daughter *cough*]

I will miss having new Rapp novels to read, but I am grateful to have so many to re-read over and over again.

Vince Flynn’s Novels (chronological): American Assassin, Kill Shot, Term Limits, Transfer of Power, The Third Option, Separation of Power, Executive Power, Memorial Day, Consent to Kill, Act of Treason, Protect and Defend, Extreme Measures, Pursuit of Honor, The Last Man

If you like Flynn’s novels already, but want more authors who write in the same (sub-)genre and are worth your time, be sure to check out: Kyle Mills, Andrew Britton (R.I.P.), Alex Berenson (these three are my favourites), Brett Battles, Olen Steinhauer, John Gilstrap (who I’ll be trying out very soon), Daniel Taylor, Brad Thor, Marc Cameron, Tom Cain, Dick Wolf. There are, of course, many others, but these seem to be the best. [Hm. Anyone know any female authors who write in this genre…?]

In case you are interested, here is the trailer for White House Down – which stars Channing Tatum and Jamie Foxx:

An Interview with TONY BALLANTYNE

Ballantyne-DreamLondon

I’ve been aware of Tony Ballantyne’s novels for quite some time, now. I read some of his Penrose novels when they first came out, and have been eagerly awaiting something new. Next month, Solaris will be publishing Dream London, which I will be reading very soon. Graced with a stunning cover by the ever-excellent Joey Hi-Fi, the novel promises to be rather excellent. I had the opportunity to interview Ballantyne, about his work past and present…

Let’s start with an introduction: Who is Tony Ballantyne?

Tony Ballantyne is an SFF writer. His short stories have been published around the world and translated into many languages. The first three were the Recursion Series, the next two part of the robopunk Penrose series. Dream London is his sixth novel.

Your latest novel, Dream London, is published by Solaris in October. How would you introduce the novel to a potential reader? Is it part of a series?

Dream London is a standalone novel, although I do have plans for Dream Paris, a loose sequel. Dream London is rooted in our London, but a London which has been sold to someone or something who is slowly changing the city to suit themselves. Streets change course overnight, buildings grow and shrink and personalities gradually change over time. Captain Jim Wedderburn, the anti hero, is trying to find out who caused these changes.   

Ballantyne-DreamLondon

What inspired you to write the novel? And where do you draw your inspiration from in general?

The novel was inspired by ten years living in London. I had notebooks filled with scenes and ideas, but I had no overall story until a chance conversation provided the spark that pulled the whole thing together. That conversation is basically the opening page of the book – something that happened to my friend whilst on holiday in India. The longer I’ve been writing, the more I’m coming to realise just how much I am inspired by random conversations.

How do you enjoy being a writer and working within the publishing industry?

Being a writer is something that I am: I think most writers would say the same. My wife says that I get naggy when I don’t get to write. I have a very tangential relationship with the publishing industry. I send them stories, they send me rejection slips or cheques. Occasionally we meet in a pub and chat about beer, TV shows and computer games.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I think I wanted to be an author about the same time as I started to read. My first foray into writing was writing jokes for Private Eye and romantic fiction for women’s magazines. I still recommend trying romantic fiction to all aspiring writers. It teaches you everything you need to now about the structure of a good story.

BallantyneT-Penrose1to2

Penrose 1 & 2 (Published by Tor)

What’s your opinion of the genre today, and where do you see your work fitting into it?

I am very excited by the genre today. I believe SFF has a wider scope than ever before. I also think that the most exciting and cutting edge work in writing is being produced here. If you look at mainstream literature, it’s about twenty years behind what we’re doing now.

What other projects are you working on, and what do you have currently in the pipeline?

I’m currently working on Cosmopolitan Predators! for Aethernet Magazine. Cosmopolitan Predators! is being written as a piece of serial fiction, as have all the stories in Aethernet. It’s been a fascinating experience, exploring a way of writing that had practically died out. It’s definitely changed me as a writer: you can read more about that here.

After that, it’s back to the long-delayed Penrose 3 novel, some short stories set in the Recursion Universe and, just maybe, Dream Paris.

What are you reading at the moment (fiction, non-fiction)?

Fiction: I’ve just finished the excellent Gone Girl by Gillian Flynn. Non-Fiction: The fascinating Perfect Rigour by Masha Gessen – the story of Grigori Perelman’s contribution to the solution of the Poincaré conjecture.

BallantyneT-Reading

What’s something readers might be surprised to learn about you?

I’m rather good at Ballroom and Latin dancing.

What are you most looking forward to in the next twelve months? 

Worldcon. It’ll be great seeing old friends again.

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To find out more about Tony Ballantyne’s writing and novels, be sure to visit his website, and be sure to follow him on Twitter. Dream London is published by Solaris Books in the UK and US on October 10th, 2013.

Graphic Novel Round-Up (September)

GraphicNovelsRead-201309-1

I’ve not been keeping on top of graphic novels and comics as I had been – just been too busy and distracted. Nevertheless, this weekend I was able to catch up on some, so I decided to write very quick reviews of those that stood out.

Reviewed: East of West, Vol.1; Wolverine & the X-Men, Vol.3; Astro City, Vol.1, Archer & Armstrong, Vol.1

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EastOfWest-Vol.01East of West, Vol.1 – “The Promise” (Image)

Writer: Jonathan Hickman | Artist: Nick Dragotta

This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.

Collects: East of West #1-5

This is a pretty interesting series. It was much-hyped when it was first published, but I nevertheless waited for the first story-arc/volume to be available. It is a dystopian future, where much of life seems to have been consolidated onto the American continent. There is an apocalyptic storyline that keeps you guessing, as three of the four horsemen ride out (after being reborn) to track down their missing fourth. Death, as it happens, is the MIA horseman, and he is pursuing his own agenda and mission. Specifically, to find his missing love.

EastOfWest-Vol.01-Interior6

There’s a fair mount going on in the first issues that make up this opening story-arc. It’s well-written and very well-rendered. The artwork is superb, with not a few arresting pages and panels (see, for example, above and below). The story has a lot of influences that one might be able to spot (I couldn’t say for definite if they are genuine influences, or just things I spotted and have associated with my own science fictional/dystopian favourites).

EastOfWest-Vol.01-Interior4

It’ll certainly be interesting to see how this series shapes up in both the short and long-run. Count me in for the long-haul. This is a must-read for anyone who likes dystopian futures, apocalyptic stories, with a healthy dose of futuristic politics, technology, weirdness, and an expertly written story. The artwork complements Hickman’s narrative excellently. Plenty of surprises, but pleasantly familiar at the same time. Recommended.

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Wolverine&XMen-09Wolverine & the X-Men, Vol.3 (Marvel)

Writer: Jason Aaron | Artists: Chris Bachalo & Nick Bradshaw | Colors:

AvX tie-in! Wolverine is torn between two teams! Cyclops comes to the Jean Grey School to extend an olive branch, but will Wolverine’s X-Men join their estranged ex-teammates against the Avengers? And even if they do, will the students follow their lead? After seeing the events of AvX, the kids have a choice to make – but it may not be what you expect!

Plus: Iceman vs. Red Hulk! Kid Gladiator goes after the Avengers single-handedly! The Shi’ar Death Commandos take on the Phoenix! And the secret history of Warbird!

Collects: Wolverine & the X-Men #9-13

I enjoy this series a lot, actually. At first, I had been left a bit wary by the sense of humour, but it has leveled out very well – it’s quirky, funny, and well written. This volume, however, while still enjoyable, also highlights all of my issues with Marvel’s near-endless cross-title Events. In this case, the too-long-running Avengers vs. X-Men. Now, I was lucky that I had read the AvX twelve-issue mini-series, which meant I did have an overall idea of what was happening. However, without that, this book would have come across bitty and confusing: the characters jump about too much, not to mention suddenly, and it feels very much like only a small part of a larger story. There were also a few moments of fast-forward in order to prepare the characters for the massive Event. This grates, because it means Marvel consciously forced writers to refer everything back to the larger event. Therefore, this is not so much a “tie-in” but a “companion”. A pity. For those who have read the main mini-series, though, this book will give you more context and added depth to the conflicts of the central characters – particularly Wolverine. I also really liked the final chapter/issue collected here, and the background we got for Warbird, Kid Gladiator’s bodyguard. Really good issue – the art, story, everything. Excellent.

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The whole book is brilliantly rendered, actually. The contrast between Bachalo’s and Bradshaw’s artwork, while stark, does not jar when we do shift. Instead, they somehow manage to complement each other rather well. It’s vibrant, eye-catching, amusing, filled with detail and sometimes subtle. Superb support for Aaron’s writing and story, which they both really manage to bring to life.

Volume 4 is also connected to AvX, but I’ll be reading it anyway, given my fondness for the characters involved. The first two volumes focused more on the school and the new students (and the runaway bamfs, who are always amusing, as is Broo), which I hope we’ll return to in the very near future.

Wolverine & the X-Men is one of the few series that continued post-AvX basically unchanged, for which I am glad. I’ll probably read volume 4 this coming week(end).

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AstroCity-Vol.01-ArtAstro City, Vol.1 – “Life in the Big City” (DC Comics)

Writer: Kurt Busiek | Artist: Brent Anderson

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city’s leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

I’m not really sure what to write about this book. It is certainly interesting and worth reading – especially if you are a fan of comic-book heroes in general. The first chapter focuses on a very busy super-hero: he’s super-focused on saving as many people as possible, while also keeping down his job as a fact-checker at a publication. Unfortunately, he never seems to have the time to enjoy his super-powers. Like flying. It’s a very nice story, and the character is re-visited later in the book, when he goes on a date with a heroine of the city. This was an interesting chapter, which looked at the motivations of super-powered vigilantes, and also touched upon some of the classic clichés and patronizing tone leveled at female characters (which is, of course, the point).

The book is filled with nostalgic touches, from the use of a newspaper office as a location (a nod to Superman), but also the “$” signs on the swag bags from the robbery. It’s really quite fantastic. True, I think much of the attraction comes from nostalgia and a wish to peal back the curtain on the lives of super-heroes and those their actions impact.

If you are familiar with classic super-hero tropes, and are looking for both a nod to nostalgia and a development of the lives of these heroes, then Astro City is a must read. This is a really interesting introduction to the series, and I look forward to reading more of it. Certainly recommended.

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Archer&Armstrong-Vol.01Archer & Armstrong, Vol.1 – “The Michelangelo Code” (Valiant)

Writer: Fred Van Lente | Artist: Clayton Henry, Pere Peréz (#3-4) | Colors: Matt Milla

It’s history in the breaking! After years of meditation and training, 18-year-old Obadiah Archer has been dispatched to New York City to carry out the sacred mission of his family’s sect – locate and kill the fun-loving, hard-drinking immortal known as Armstrong! But as this naive teenage assassin stalks his prey, he’ll soon find that both hunter and hunted are just pawns in a centuries-old conspiracy that stretches from the catacombs beneath Wall Street to the heights of the Himalayas. And Archer & Armstrong will have to work together if the future is to stand any chance of surviving the past’s greatest threat!

Collects: Archer & Armstrong #1-4

This is my second Valiant collection, after the somewhat disappointing Bloodshot (sorry, it just didn’t click with me, despite my past fondness for the author’s work). After reading this collection, I must say I remain on the fence. The two protagonists had a lot of potential. Archer is the brain-washed son of a crazy, right-wing, creationist power-couple – the opening pages of the book leave little doubt as to how we’re supposed to think about them (if any member of the GOP needs ‘proof’ that publishing were an anti-conservative brand of the liberal media…). Armstrong is the immortal, and shares not a few characteristics with Obelix. This does not make Archer an Asterix analogue, but their relationship does have shade of the Gaulish favourites. Archer is tasked with killing He Who Must Not Be Names (Armstong), and to that end is shipped off to New York City, that hive of villainy and sin. But, our young crusader quickly comes across evidence that his parents are actually the crazy, evil bastards that he has been brought up to abhor. Naturally, this comes as something of a shock to our highly-gifted, rather deadly young hero. Together with Armstong, he sets off on a mission to save the world from the evil machinations of the Sect, who know nothing of the forces with which they are meddling.

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I’m not sure if this was meant to be taken at all seriously. I get the feeling that Van Lente and Co. are aiming for truth-through-farce, which is something they have certainly managed to achieve. The tone is light throughout – sometimes too light. True, I do like a bit of darkness in my comics, but this title seemed to not quite get the appropriate balance – when a supposedly ‘serious’ scene came along, it was overshadowed by something silly that happened either just before or immediately after. The “commentary” was at times rather forced, blunt, and simplistic, which weakened the impact. The humour ranged from smile-worthy to meh. (That really should be a technical term… Sadly, it just just an onomatopoeic way of indicating my lack of enthusiasm.)

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The story was a bit run-of-the-mill, focusing on one-percenters led mega-conspiracy to keep the masses poor and downtrodden. And yet, despite the unevenness, the lack of preparedness for the tone… I kept reading.

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I really couldn’t say for sure if I thought this was actually good or just so bad it went out the other side and became readable. There are certainly things I didn’t like, and yet it seems to be knowingly poking fun at all of the things I like to poke fun at, too. It’s left me rather unsure what I think. I hate that…

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Will I be reading the next story-arc? Well… maybe. I’m not in any hurry to do so, but given the frequency with which Valiant Comics offers sales on ComiXology, I will probably be tempted in the not-to-distant future.

“Floating City” by Sudhir Venkatesh (Allen Lane)

VenkateshS-FloatingCityA thoroughly engaging study of hustlers, strivers, dealers, call girls and other lives in illicit New York

After his insider’s study of Chicago crack gangs electrified the academy, Columbia University sociologist Sudhir Venkatesh spent a decade immersed in New York’s underbelly, observing the call girls, drug dealers, prostitutes and other strivers that make up this booming underground economy.

Amidst the trust-funder cocktail parties, midtown strip clubs, and immigrant-run sex shops, he discovers a surprisingly fluid and dynamic social world – one that can be found in global cities everywhere – as traditional boundaries between class, race and neighbourhood dissolve. In Floating City, Venkatesh explores New York from high to low, tracing the invisible threads that bind a handful of ambitious urban hustlers, from a Harvard-educated socialite running a high-end escort service to a Harlem crack dealer adapting to changing demands by selling cocaine to hedge fund managers and downtown artists. In the process, and as he questions his own reasons for going deeper into this subterranean world, Venkatesh finds something truly unexpected – community.

Floating City is Venkatesh’s journey through the “vast invisible continent” of New York’s underground economy – a thriving yet largely unseen world that exists in parallel to our own, at the heart of every city.

I first came across Sudhir Venkatesh’s name in Freakonomics – as, I’m sure, did many non-sociologists. In Levitt’s book, Venkatesh contributed a small selection of his work with the crack gangs in Chicago. This study would go on to form much of Gang Leader For A Day, the author’s previous book. Venkatesh is a rare academic: he can write in such an engaging, riveting style, that his books read almost like novels. In Floating City, the ethnographer turns his gaze on New York City and its underground economy. This is, while flawed in minor ways, easily one of the best non-fiction works I’ve read in a number of years.

It would be easy to share quotations and detailed descriptions of so much of this book and the people Venkatesh got to know. It is a wonderfully-told narrative – from the first chapter, in which he discovers a long-time acquaintance from Harvard is also a high-class New York madam, to the final chapter in which he effectively bids farewell to his contacts and, in truth, new friends. I read the book in three days, blitzing my way through the chapters.

Venkatesh touches not only upon the criminal activities his contacts take part in, but also the economic and social repercussions of the lives they find themselves living. It is sometimes inspirational, but often it is also heart-wrenching, seeing the damage (personal and collateral) that the lives of call-girls, drug smugglers, illegal immigrants, and so forth can cause. True, one must have been living under a rock (or, perhaps, the rarefied penthouses along Central Park) to not be aware, even superficially, in the plight of the poor, the difficulties that face those who are forced by situation to operate in the black markets. Venkatesh is a sympathetic, eloquent guide to the New York underbelly.

The author writes with an almost cheeky sense of humour, too. Amused at the situations he finds himself in, and also the system in which he is operating – from the academic strictures of Columbia University to the illicit systems he sees at work during his fieldwork – which include strip clubs, porn stores in Hell’s Kitchen, Midtown bars in the company of escorts and ‘managers’, to name but three. He doesn’t glamorize what he is reporting on, but nor does he inflect his words with judgement. In fact, as he admits, he

There are a fair few poignant moments, and events that Venkatesh witnesses which are near-universal experiences for those from broken or unhappy homes. For example, he joins a contact’s family for dinner. Because of their difficult situation, however, a fight breaks out, and Venkatesh says he’ll put their awakened son back to bed. The scene is very affecting:

“Joshi refused my offer to read and got down on the floor and took a plastic soldier in each hand, speaking to them softly while moving them across his raised knees. The sight shot the ache of an old memory through me. So many times I did the exact same thing, hiding in my room while my mother raised her voice against my father… With the raised voices of his parents beating through the door, Joshi put his soldiers on sentry duty and got into bed. Would he | remember this moment for the rest of his life? Would part of him always be ten years old and anchored to the battlefield of his bedroom floor, fighting an imaginary war to distract himself from the source of pain?”

VenkateshS-FloatingCityUSThe author frequently mentions and discusses his struggles against academia’s, and especially Columbia’s disdain for “popular” sociology books and articles, aimed at reaching wider markets. If not targeted solely at fellow academics, a study will be dismissed as “journalistic”, as if that were the height of criticism. As someone who very much does not write in a conventional “academic” style, partly due to journalistic training, and partly my belief that hoarding knowledge is a guaranteed path to academic and professional destruction and irrelevance, I found Venkatesh’s style refreshing and quite brave. (True, the events and research he details in the book are from a decade and more ago, but still.) At one point in the book, the author recounts a conversation with the chair of Columbia University’s sociology department, who cautioned him, “It will never take the place of real, deep sociology… Just don’t be confused about that.” Nevertheless, I am very grateful that Venkatesh chose to aim for a broader audience.

His inviting style and approach does often place him at the centre of certain scenes. That does pose issues of academic and/or scientific detachment (recognised by the author), but also move this book beyond pure, accessible sociology and somewhat into the memoir genre. As he says at the end, the book is intended as a research memoir of sorts. It works, in my opinion, and I welcomed the personal reflection, and the Schrödinger-effect his participation clearly created in certain situations. If not for his research, for example, would his drug dealer contact have ever met up with his secretly-a-madam acquaintance at the art gallery? You get a sense of his professional anxieties, how his desire to really pull back the curtain of New York’s illicit subculture for a wider audience, hamstrung by some of his tenured colleagues’ disdain for letting non-academics getting a look at the goods (if you will).

“… tale[s] of improvisation in a world of shifting values and social roles. And if the upper-end madam and the ghetto thug were both improvising their supposedly fixed social-roles, if their way of relating and even their styles were subject to such rapid revisions – as if they were merely a fiction agreed on between two people – then it was a short step to admitting that succeeding in a life of crime wasn’t so different from making art. The global city, like the canvas, provided the structure, but the rest was in the individual’s hands, making each [person]… a kind of artist whose art and job consisted in crafting the latest, most up-to-date version of themselves and offering it to a city for final judgement. Is this the ‘me’ that will finally make it?”

To observe something is to change it. Through Venkatesh’s observations, and the wealth of detail and data he has compiled, perhaps we will see a genuine and positive change in the way society, city and national governments address and understand criminal activity, the ‘war on poverty’, and also the American Dream in the ever-changing, ever-more-complex 21st Century city.

Very highly recommended.

***

Floating City is out now – published by Allen Lane/Penguin in the UK, and Penguin Press in the US.

Upcoming: “The Dark Blood of Poppies” by Freda Warrington (Titan)

Warrington-BW3-DarkBloodOfPoppiesI’m intrigued by Freda Warrington’s Blood Wine series. It was first released near the height of the vampire vogue – authors such as Anne Rice had established the genre as far more varied and ambitious that mere heaving bosoms and strained bodices. This year, Titan Books began re-issuing the series, which started with A Taste of Blood Wine (A Dance in Blood Velvet is due to hit shelves in October 2013). Last week, this cover for the third novel in the series was unveiled. And it’s another stunning, attention-grabbing one, too.

Here’s the original synopsis, from the 1996 edition (which I nabbed from the author’s website) – I don’t know if Titan will be changing it for their 2014 edition, but I assume it won’t be too different:

The ballerina Violette Lenoir has fallen victim to the bite of the vampire Charlotte. Her fire and energy have fuelled a terrifying change and a dreadful realisation; that Violette has become Lilith, the demon mother of all vampires.

Haunted both by what she has done and by Violette’s dark sensuality, Charlotte and her immortal lover Karl are drawn towards the dancer and the terrible destiny that has fallen on her shoulders.

But other, far more dangerous shadows are gathering around Violette. To the vampire Sebastian and to the dark heirs of Kristian, she threatens to wreak havoc with their plans to bring all of mankind under their dark wings.

Innocently embroiled in the endgame, courtesan extraordinaire Robyn Stafford finally meets her match as she is torn between the two ultimate lovers: Sebastian, and Violette …

As someone pointed out on Twitter, that is a very Black Metal cover – everything from the title to the model’s make-up does remind me of band photos from Terrorizer and Metal Hammer… It also has a smidgeon of Black Swan in there (ok, a fair bit…). I’m intrigued to read this series, and luckily I have the first book on my tottering TBR Mountain. I’ll hopefully get to it at some point in the not-too-distant future.

The Dark Blood of Poppies is due to be published by Titan Books in April 2014. A new, fourth novel in the series – The Dark Arts of Blood – is also meant to be coming out next year (October).

Recent Acquisitions…

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It’s been another bumper month for intriguing titles. I sometimes wonder if there’s really any point in offering an introduction to these posts… It’s kind of obvious what they’re all about. There have been other books acquired, of course, and this doesn’t include the comics or graphic novels (would including those be of interest?), nor eBooks (of which there is an ever-growing number).

AdamsG-ClownServiceGuy Adams, The Clown Service (Del Rey)

Toby Greene has been reassigned.

The Department: Section 37 Station Office, Wood Green.

The Boss: August Shining, an ex-Cambridge, Cold War-era spy.

The Mission: Charged with protecting Great Britain and its interests from paranormal terrorism.

The Threat: An old enemy has returned, and with him Operation Black Earth, a Soviet plan to create the ultimate insurgents by re-animating the dead.

I like the cover. This sounds like it could be interesting. Could be rather like The Rook or spy-set Rivers of London, but I’m going to give it a try at some point.

*

BrownP-RedRisingPierce Brown, Red Rising (Hodder)

Darrow is a miner and a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he digs all day, believing that he and his people are making the surface of the planet livable for future generations. Darrow has never seen the sky.

Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better future for his children.

But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow and Reds like him are nothing more than slaves to a decadent ruling class.

Inspired by a longing for justice, and driven by the memory of lost love, Darrow joins a resistance group in order to infiltrate the ruling class and destroy society from within. He will stop at nothing to bring down his enemies… even if it means he has to become one of them to do so.

I have seen only hints and teases about this book before the ARC arrived. I’m intrigued, certainly. I’ll try to get to this one pretty soon, I think.

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CareyMJ-GirlWithAllTheGiftsM.J. Carey, The Girl With All the Gifts (Orbit)

Melanie is a very special girl. Dr Caldwell calls her “our little genius”. Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don’t like her. She jokes that she won’t bite, but they don’t laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children’s cells. She tells her favourite teacher all the things she’ll do when she grows up. Melanie doesn’t know why this makes Miss Justineau look sad.

Ok, that synopsis is very tantalising. Doesn’t really give anything away, so I am going to try to get to this pretty soon.

*

EriksonS-DevilDeliveredSteven Erikson, The Devil Delivered & Other Tales (Bantam Press)

The Devil Delivered: In the breakaway Lakota Nation, in the heart of a land blistered beneath an ozone hole the size of the Great Plains of North America, a lone anthropologist wanders the deadlands, recording observations that threaten to bring the world’s powers to their knees.

Revolvo: In the fictitious country of Canada, the arts scene is ruled by technocrats who thrive in a secret, nepotistic society of granting agencies, bursaries, and peer review boards, all designed to permit self-proclaimed artists to survive without an audience.

Fishing with Grandma Matchie: A children’s story of a boy tasked with a writing assignment becomes a stunning fantastical journey with his tale-spinning grandmother.

I have never read anything by Steven Erikson. Last year (I think) I received a review copy of one of his Malazan books, but having read none of the rest of the series, I’m afraid I didn’t feel compelled to dive in. This book seems to be a completely unrelated collection of novellas/short-stories, so I think I’ll read this as a way to try out Erikson’s work. Looking forward to it, certainly.

*

GibsonG-Marauder2013Gary Gibson, Marauder (Tor)

Megan has a mission. But must she sacrifice herself to save a world? Pilot Megan Jacinth has three goals, and they all seem unattainable. She must find her friend Bash, who she’d left for dead to save her own life. Then she needs Bash’s unique skill-set to locate an ancient space-faring entity. Lastly she must use this Wanderer’s knowledge to save human-occupied worlds from an alien incursion. The odds seem impossible, but the threat is terrifyingly real. Megan finds Bash, but the person she’d known and loved is a husk of his former self. Bash is also held captive by her greatest enemy: Gregor Tarrant. Tarrant wants the Wanderer too, even more than he wants her life, with motives less pure than her own. And he’s close to finding Megan’s most closely-guarded secret. A race across space to reach the Wanderer seems Megan’s best option. But this entity is also known as the Marauder, and is far from benign. The price for its secrets may be just too high. Megan should know, as she still bears the scars from their last encounter…

Another great SF author who I’ve never read. Tor have been doing a wonderful job of re-issuing Gibson’s books with fantastic covers (Marauder is a new title, however). They all sound really interesting. And yet… I’ve never really been a big sci-fi reader, unless I’m already familiar with the setting (Black Library, Star Wars, etc.). I’m not really sure why I’ve never tried more.

*

Gimenez-ConLawMark Gimenez, Con Law (Sphere)

John Bookman – ‘Book’ to his friends – is a tenured professor at the University of Texas School of Law. He’s thirty-five, handsome and unmarried. He teaches Constitutional Law, reduces senators to blithering fools on political talk shows, and is often mentioned as a future Supreme Court nominee.

But Book is also famous for something more unusual. He likes to take on lost causes and win. Consequently, when he arrives at the law school each Monday morning, hundreds of letters await him, letters from desperate Americans around the country seeking his help. Every now and then, one letter captures his attention and Book feels compelled to act.

In the first of a thrilling new series from the author of international bestsellers The Colour of Law and Accused, Book investigates a murder in the corrupt world of deepest, darkest Texas.

It should come as no surprise to long-time readers of CR that I am a fan of Gimenez’s novels. I’ve read almost all of them, and each one so far has been an addictive legal thriller. I will, therefore, be reading this as soon as possible.

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KeneallyT-AmericanScoundrelThomas Keneally, American Scoundrel (Chatto & Windus)

Hero, adulterer, bon vivant, murderer and rogue, Dan Sickles led the kind of existence that was indeed stranger than fiction. Throughout his life he exhibited the kind of exuberant charm and lack of scruple that wins friends, seduces women, and gets people killed. In American Scoundrel Thomas Keneally, the acclaimed author of Schindler’s List, creates a biography that is as lively and engrossing as its subject.

Dan Sickles was a member of Congress, led a controversial charge at Gettysburg, and had an affair with the deposed Queen of Spain—among many other women. But the most startling of his many exploits was his murder of Philip Barton Key (son of Francis Scott Key), the lover of his long-suffering and neglected wife, Teresa. The affair, the crime, and the trial contained all the ingredients of melodrama needed to ensure that it was the scandal of the age. At the trial’s end, Sickles was acquitted and hardly chastened. His life, in which outrage and accomplishment had equal force, is a compelling American tale, told with the skill of a master narrative.

I mentioned this book a little while ago, on Tumblr. I stumbled across a mention of Dan Sickles in John Taliaferro’s superb biography of John Hay, All the Great Prizes. Intrigued by the very brief description of this… character, I had a quick look for a Sickles biography, and found this one. Thomas Keneally is best known for his book Schindler’s List, so I have very high hopes that this will be excellent.

*

Kristoff-2-KinslayerUKJay Kristoff, Kinslayer (Tor)

A SHATTERED EMPIRE

The mad Shōgun Yoritomo has been assassinated by the Stormdancer Yukiko, and the threat of civil war looms over the Shima Imperium. The Lotus Guild conspires to renew the nation’s broken dynasty and crush the growing rebellion simultaneously – by endorsing a new Shōgun who desires nothing more than to see Yukiko dead.

A DARK LEGACY

Yukiko and the mighty thunder tiger Buruu have been cast in the role of heroes by the Kagé rebellion. But Yukiko herself is blinded by rage over her father’s death, and her ability to hear the thoughts of beasts is swelling beyond her power to control. Along with Buruu, Yukiko’s anchor is Kin, the rebel Guildsman who helped her escape from Yoritomo’s clutches. But Kin has his own secrets, and is haunted by visions of a future he’d rather die than see realized.

A GATHERING STORM

Kagé assassins lurk within the Shōgun’s palace, plotting to end the new dynasty before it begins. A waif from Kigen’s gutters begins a friendship that could undo the entire empire. A new enemy gathers its strength, readying to push the fracturing Shima imperium into a war it cannot hope to survive. And across raging oceans, amongst islands of black glass, Yukiko and Buruu will face foes no katana or talon can defeat.

The ghosts of a blood-stained past.

This series really does have nice covers… I have read the first book, Stormdancer, yet. It was another of the (too many) books that suffered because of one of my frequent moves. The premise sounds interesting, and as someone with a bachelor’s degree in East Asian History (and a minor in Japanese Language), I’m certainly interested in seeing what Kristoff has done with the world-building, society, etc. I’m sad to report that I haven’t heard great things on this score, but at the same time I’ve heard many people say they enjoyed reading it. I’ll try to get to the two novels at some point, but I’d be lying if I said they were a high priority.

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Marmell-W3-LostCovenantAri Marmell, Lost Covenant (Pyr)

It’s been six months since Widdershins and her own “personal god” Olgun fled the city of Davillon. During their travels, Widdershins unwittingly discovers that a noble house is preparing to move against the last surviving bastion of the Delacroix family.

Determined to help the distant relatives of her deceased adopted father, Alexandre Delacroix, she travels to a small town at the edge of the nation. There, she works at unraveling a plot involving this rival house and a local criminal organization, all while under intense suspicion from the very people she’s trying to rescue.

Along the way she’ll have to deal with a traitor inside the Delacroix family, a mad alchemist, and an infatuated young nobleman who won’t take no for an answer.

Another Widdershins Adventure? Count me in. That’s really all there is to my decision – I thoroughly enjoyed the first novel, Thief’s Covenant. While the second, False Covenant, wasn’t quite as good, it nevertheless was a great read. This has been put very high on my TBR mountain.

*

McNabA-RedNoticeAndy McNab, Red Notice (Bantam Books/ Transworld)

A train hijack in the Channel Tunnel is the starting point for the electrifying new thriller from Number One bestseller Andy McNab.

Deep beneath the English Channel, a small army of Russian terrorists has seized control of the Eurostar to Paris, taken 400 hostages at gunpoint – and declared war on a government that has more than its own fair share of secrets to keep. One man stands in their way. An off-duty SAS soldier is hiding somewhere inside the train. Alone and injured, he’s the only chance the passengers and crew have of getting out alive. Meet Andy McNab’s explosive new creation, Sergeant Tom Buckingham, as he unleashes a whirlwind of intrigue and retribution in his attempt to stop the terrorists and save everyone on board — including Delphine, the beautiful woman he loves.

Hurtling us at breakneck speed between the Regiment’s crack assault teams, Whitehall’s corridors of power and the heart of the Eurotunnel action, Red Notice is McNab at his devastatingly authentic, pulse pounding best.

Despite my overall interest and fondness for thrillers, I’ve never read anything by McNab. True, I tend to prefer US-based political thrillers (for example, Mike Lawson, Vince Flynn, et al), but Red Notice sounds pretty interesting – and, perhaps more importantly, it seems to be a stand-alone novel. I’m certainly intrigued.

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SomperJ-1-Allies&AssassinsJulian Somper, Allies & Assassins (Atom)

They killed his brother. Now they’re coming for him. . .

As the second prince of Archenfield, Jared never expected to rule. But behind the walls of the castle is a dark and dangerous court where murder and intrigue are never far below the surface.

Now his older brother is dead. The kingdom is his. And the target is on his back. Can he find the assassin before the assassin finds him?

More assassins? Well, yes. But I don’t mind that at all, as I really like assassins and thieves as protagonists. I loved Brent Weeks’s Night Angel Trilogy, Jon Sprunk’s Shadow trilogy (well, the first two novels – I still need to read the third), and many others. Somper is the author of the Vampirates series of YA novels. I’ve never read those, either, but that is a pretty cool premise: vampires and pirates? I wonder why I haven’t read them, actually… Anyway, Allies & Assassins is the start of a new series. I’ll probably read this rather soon.

*

WilliamsT-HappyHourInHellTad Williams, Happy Hour in Hell (Hodder)

Bobby Dollar has a problem or four of epic proportions. Problem one: his best friend Sam has given him an angel’s feather that also happens to be evidence of an unholy pact between Bobby’s employers and those who dwell in the infernal depths. Problem two: Eligor, Grand Duke of Hell, wants to get his claws on the feather at all costs, but particularly at all cost to Bobby. Problem three: Bobby has fallen in love with Casimira, Countess of Cold Hands, who just happens to be Eligor’s girlfriend. Problem four: Eligor, aware of Problem three, has whisked Casimira off to the Bottomless Pit itself, telling Bobby he will never see her again unless he hands over the feather.

But Bobby, long-time veteran of the endless war between above and below, is not the type of guy who finds Hell intimidating. All he has to do is toss on a demon’s body, sneak through the infernal gates, solve the mystery of the angel’s feather, and rescue the girl. Saving the day should just be a matter of an eon or two of anguish, mutilation and horror.

If only it were that easy.

Good lord, that is a great cover… In fact, so is the cover for the first book in the series, The Dirty Streets of Heaven. While I did pick up a copy of the first novel at BEA 2012, I never got around to reading it (yup, because of another move). I’m not entirely sure where it is, now… I’ll have to hunt down a copy of the UK edition, to complement this one. Sounds like it would appeal to fans of Richard Kadrey and other series in that ilk. Count me in. I’ll be inching this up my TBR pile as soon as I can locate the first book.

Review: THE VIOLENT CENTURY by Lavie Tidhar (Hodder)

Tidhar-ViolentCenturyUKA strange-yet-brilliant blend of Watchmen-style Super-Heroes and John le Carré Spy Fiction

They’d never meant to be heroes.

For seventy years they’d guarded the British Empire. Oblivion and Fogg, inseparable at first, bound together by a shared fate. Until a night in Berlin, in the aftermath of the Second World War, and a secret that tore them apart.

But there must always be an account… and the past has a habit of catching up to the present.

Recalled to the Retirement Bureau from which no one can retire, Fogg and Oblivion must face up to a past of terrible war and unacknowledged heroism, a life of dusty corridors and secret rooms; of furtive meetings and blood-stained fields, to answer one last, impossible question: What makes a hero?

The Violent Century is, much to my shame, the first novel of Tidhar’s that I’ve read. And it’s quite the impressive accomplishment. Tidhar is not a stranger to pushing the envelope – see, for example, his World Fantasy Award-winning Osama – and in The Violent Century, he has created an original, engrossing fusion of noir-ish super-heroes and gritty espionage thriller. The publicity material that came with the ARC managed to capture it very well – “Watchmen meets John le Carre”. This is a very good novel. Continue reading