Upcoming: “Fall of Macharius” by William King (Black Library)

KingW-MC3-FallOfMachariusThe epic conclusion to The Macharian Crusade trilogy.

Long-time readers of the blog will know that I’ve been a fan of William King’s fiction ever since I read his first Gotrek & Felix short story (now collected in Trollslayer and the First Gotrek & Felix Omnibus). I’ve fallen a bit behind, though, and I need to catch up with the previous book in the series, Fist of Demetrius.

For decades, Lord Solar Macharius and his loyal forces have crusaded across the stars, bringing the Imperial Truth to uncounted worlds and purging aliens and heretics from the dark places at the fringe of the galaxy. But all things must come to an end. His soldiers are weary, his generals fractious, and the legend of Macharius may no longer be enough to hold them together. Called by a representative of Terra to a council of generals, Macharius fears treachery – but will it come from closer to home than he could possibly imagine?

Fall of Macharius is due to be published in hardcover on July 22nd, 2014, by Black Library.

EVERNESS by Ian McDonald (Jo Fletcher/Pyr/Audible)

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A mixed-media reading experiment…

There is not one you. There are many yous. There is not one world. There are many worlds. Ours is one among billions of parallel earths.

When Everett Singh’s scientist father is kidnapped from the streets of London, he leaves young Everett a mysterious app on his computer. Suddenly, this teenager has become the owner of the most valuable object in the multiverse — the Infundibulum — the map of all the parallel earths, and there are dark forces in the Ten Known Worlds who will stop at nothing to get it. They’ve got power, authority, the might of ten planets — some of them more technologically advanced than our Earth — at their fingertips. He’s got wits, intelligence, and a knack for Indian cooking.

To keep the Infundibulum safe, Everett must trick his way through the Heisenberg Gate that his dad helped build and go on the run in a parallel Earth. But to rescue his dad from Charlotte Villiers and the sinister Order, this Planesrunner’s going to need friends. Friends like Captain Anastasia Sixsmyth, her adopted daughter, Sen, and the crew of the airship Everness.

Can they rescue Everett’s father and get the Infundibulum to safety? The game is afoot!

Ian McDonald’s science fiction YA series – comprised of Planesrunner, Be My Enemy and Empress of the Sun – has been widely praised across the SFF community and all over the press. Despite that, it has taken me a long time to get around to giving it a try. Needless to say, it’s a lot of fun, and deserves all of the glowing reviews it has received. A must-read sci-fi series.

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Everness US Covers

I am not much of an audiobook listener. Aside from a handful of Black Library audiodramas (usually clocking in at around an hour in length), I haven’t listened to many audiobooks since I was a kid – on our frequent, long drives between Germany and Austria, or Germany and the UK, we used to listen to The Lord of the Rings and Hitchhikers Guide to the Galaxy. However, I have received both printed and audio review copies of Ian McDonald’s critically-acclaimed Everness series. So, I decided to conduct an experiment, alternating between the print and audio depending on where I was – so, at the gym, on commutes, and walking into town, I would listen to the audiobooks; when I was at home, or in a café, I would read the books. This helped me get through them much quicker than I ordinarily would have (see below for more on this). This review will, therefore, be more of a comparison between the two mediums, rather than a book review proper.

Before I compare the audio- and print-book, however, I do just want to say that this series is really good. It’s action-packed, fun, well-composed and very well-written. Everett is a great protagonist, and I loved following his story. The book is filled with great observations, characters, and above all a great story. McDonald packs just as much science as action into his story, and, while there were a couple of moments when the explanations went on just a tad longer than the pacing supported, the author never talks down to his readers. It was great, fascinating stuff. Not only that, McDonald maintains the quality throughout, too – true, the first one has that New Series Fresh Feel, when everything is a new discovery. But, given the multi-dimensional storyline, each of these novels offers plenty of new discoveries and developments to experience and shape the characters (all of whom are developed well).

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Everness Audiobook Covers

So. The audiobooks. Narrated by Tom Lawrence, they are actually excellent. The production is clear and very good. Lawrence’s delivery was very good, and his voice – a mixture of Richard Hammond and Rupert Grint, I thought – conveys the story very well. I think there were only a couple of moments that didn’t work for me (some of his accents weren’t great, but this was easily forgivable). Lawrence didn’t emphasise or ham-up the witty asides, which made them all the better.

The thing that made the audiobooks less satisfying than the novels is something that is entirely my issue, rather than the quality of the audio versions: the pacing. I am someone who frequently devours novels, blitzing through those I enjoy as I become hooked and Must Find Out What Happens. With an audiobook, you’re stuck at the narrator’s speed, regardless of how much you enjoy it. This is probably obvious, but given my preference for reading quickly, my switching between print and audio did mean I got through the novels much quicker than the recorded length of the Audible editions. I also find it easier to keep track of what I’m reading, rather than listening to (unless it’s from repeat listens).

Overall, then, the Everness series is a must read (or listen), and both the print and Audible editions are fantastic. If, like me, you read very quickly, then I’d recommend the print editions. But, if you’ve recently over-dosed on reading (as I had, when I started listening to these), or want a change, then these Lawrence-narrated audiobooks are great, too.

Very highly recommended series.

***

The Everness series is published in the UK by Jo Fletcher Books, in the US by Pyr Books, and also by Audible. Be sure to check out Ian’s website and follow him on Twitter for more on his writing and novels.

Interview with SARAH LOTZ

SarahLotz-AuthorPicLet’s start with an introduction: Who is Sarah Lotz?

I’m a genre-crossing pulp-fiction writer based in South Africa. I’m addicted to coffee and collaborating, and write horror novels with author Louis Greenberg under the name S.L Grey; a ‘choose-your-own’ erotica series with authors Helen Moffett and Paige Nick (as Helena S. Paige), and a YA series co-written with my daughter under the name Lily Herne.

Your next novel, The Three, is due to be published by Hodder in May. How would you introduce the novel to a new reader?

I’m tempted to say it’s about plane crashes and (possibly) evil children – but I hope there is more to it than that! Here’s a brief description:

Four devastating plane crashes. Three child survivors. A fanatic who insists the survivors are possessed by the harbingers of the apocalypse. What if he’s right?

I’m fascinated by how quickly fear and paranoia can spread throughout society – especially during the aftermath of a devastating event – and the novel attempts to explore how this could potentially influence the political landscape. Continue reading

Suicide Risk, Vol.1 (Boom Studios/Titan Comics)

SuicideRisk-Vol.1-ArtWriter: Mike Carey | Artist: Elena Casagrande

Even when there are only villains, being a hero makes you a…

Super-powered people are inexplicably rising from the streets and there’s a big problem: Too many supervillains, not enough superheroes. Heroes are dying, and cops are dying twofold. Humanity is underpowered in the face of their onslaught, and people are suffering untold casualties trying to stem the flow.

After barely surviving a super-powered bank heist gone horribly wrong, beat cop Leo Winters vowed to try and find a way to stop them. Following a lead, he discovered two lowlifes who seemed to be able to grant a person powers… for the right price. Thing is: you don’t get to choose which power. It’s seemingly random, a crap-shoot, a risk. Will Leo decide to take that risk? And why is it that even the heroes in this world eventually break?

Collects: Suicide Risk #1-4

I have long been a fan of Mike Carey’s work – his comic-series The Unwritten and Lucifer (Vertigo) are easily among my top five favourites; and his most recent novel, The Girl With All the Gifts (Orbit) is one of my favourite reads this year. Carey’s new original ongoing series is a great one. Anyone interested in superheroes should check this out. Continue reading

Review: THE ACCIDENT by Chris Pavone (Crown Publishing/Faber)

PavoneC-TheAccidentUSAn engaging suspense, featuring a secret manuscript, a conspiracy, and unwitting pawns caught in the middle.

As dawn approaches in New York, literary agent Isabel Reed is turning the final pages of a mysterious, anonymous manuscript, racing through the explosive revelations about powerful people, as well as long-hidden secrets about her own past. In Copenhagen, veteran CIA operative Hayden Gray, determined that this sweeping story be buried, is suddenly staring down the barrel of an unexpected gun. And in Zurich, the author himself is hiding in a shadowy expat life, trying to atone for a lifetime’s worth of lies and betrayals with publication of The Accident, while always looking over his shoulder.

Over the course of one long, desperate, increasingly perilous day, these lives collide as the book begins its dangerous march toward publication, toward saving or ruining careers and companies, placing everything at risk—and everyone in mortal peril.  The rich cast of characters—in publishing and film, politics and espionage—are all forced to confront the consequences of their ambitions, the schisms between their ideal selves and the people they actually became.

The action rockets around Europe and across America, with an intricate web of duplicities stretching back a quarter-century to a dark winding road in upstate New York, where the shocking truth about the accident itself is buried.

Pavone’s The Expats was an international bestseller – one I seem to have missed almost entirely. When The Accident popped up on NetGalley, though, its synopsis sent it right to the top of my Must Read titles. The story is located at the confluence of a number of my key interests: politics, media, international relations/espionage, and publishing. While the novel is not perfect, it is nevertheless a gripping, fast-paced thriller that entertained and gripped me from the start. Continue reading

Interview with DANIELLE JENSEN

JensenD-AuthorPicLet’s start with an introduction: Who is Danielle Jensen?

Danielle is an unrepentant daydreamer, which is a highly undesirable attribute for most professions. Life might have gone quite poorly for her if she hadn’t discovered her knack for translating dreams into novels. 

Your debut novel, Stolen Songbird, is due to be published by Strange Chemistry in April 2014. How would you introduce the novel to a new reader? Is it part of a series?

Stolen Songbird is Book 1 in The Malediction Trilogy.  This is the blurb that will be on the back of the book:

For five centuries, a witch’s curse has bound the trolls to their city beneath the mountain. When Cécile de Troyes is kidnapped and taken beneath the mountain, she realises that the trolls are relying on her to break the curse.

Cécile has only one thing on her mind: escape. But the trolls are clever, fast, and inhumanly strong. She will have to bide her time…

But the more time she spends with the trolls, the more she understands their plight. There is a rebellion brewing. And she just might be the one the trolls were looking for…

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What inspired you to write the novel? And where do you draw your inspiration from in general?

Stolen Songbird was inspired by a dream I had about a city buried by rubble. Inspiration comes from everywhere: people I meet, things I see, movies I watch, books I read, etc., and it all sits in my brain waiting to bubble up as parts of plot.

How were you introduced to reading and genre fiction?

Tolkien-HobbitMy dad got sick of reading kid’s books to me when I was little, so he started reading me fantasy novels when I was in grade 1, mostly Tolkien and Eddings. I’m from a family of readers – it is what we do. 

How do you enjoy being a writer and working within the publishing industry?

It can be tough, but I love it. The people in this business are amazing.

What’s it like, being a (soon-to-be-)published author? Is it what you expected? Do you have any specific working, writing, researching practices?

It’s exciting, but very stressful. I didn’t expect for there to be so much work required of me that had nothing to do with writing another book. I write or do book related work every day, but I’ve learned to recognize when I’m getting an attack of the crazies and need a break.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I made my first attempts at writing a novel when I was in my mid-twenties, and I look back on my efforts with amusement. I realized I wanted to be an author in 2009, and that was when I decided I was going to throw every ounce of determination I had into getting published. Took a few years, but here I am. 

What’s your opinion of the genre today, and where do you see your work fitting into it?

It feels like epic/alternate world fantasy is in a stronger place than it was five years ago, which is obviously good for me. 

What other projects are you working on, and what do you have currently in the pipeline?

I’m currently working on Book 2 of The Malediction Trilogy, and after that’s done, I’ll immediately start working on Book 3. I do have other fantasy projects waiting for the day I have some spare time on my hands.

What are you reading at the moment (fiction, non-fiction)?

LarsonSB-DefyOther than the news, I don’t read much non-fiction. As far as fiction goes, I’m currently reading Defy by Sara B. Larson.

What’s something readers might be surprised to learn about you?

That I can’t sing or play a musical instrument.

What are you most looking forward to in the next twelve months?

I’m most looking forward to seeing the cover for the sequel, which I’m guessing will be around November.

***

Be sure to check out Danielle Jensen’s website, Twitter and Facebook for more information on her books and writing. Stolen Songbird is due to be published on April 3rd 2014.

Upcoming: “The Relic Guild” by Edward Cox (Gollancz)

CoxE-RG1-RelicGuild2014I’ve been lucky enough to read a (very) early draft of this, about a year and a half ago, before it was submitted to publishers for consideration. I can’t wait to see the final version. This cover, unveiled earlier this week, is awesome. The Relic Guild is, in my opinion, a must-read of 2014.

Here’s the synopsis:

Magic caused the war. Magic is forbidden. Magic will save us.

It was said the Labyrinth had once been the great meeting place, a sprawling city at the heart of an endless maze where a million humans hosted the Houses of the Aelfir. The Aelfir who had brought trade and riches, and a future full of promise. But when the Thaumaturgists, overlords of human and Aelfir alike, went to war, everything was ruined and the Labyrinth became an abandoned forbidden zone, where humans were trapped behind boundary walls a hundred feet high.

Now the Aelfir are a distant memory and the Thaumaturgists have faded into myth. Young Clara struggles to survive in a dangerous and dysfunctional city, where eyes are keen, nights are long, and the use of magic is punishable by death. She hides in the shadows, fearful that someone will discover she is touched by magic. She knows her days are numbered. But when a strange man named Fabian Moor returns to the Labyrinth, Clara learns that magic serves a higher purpose and that some myths are much more deadly in the flesh.

The only people Clara can trust are the Relic Guild, a secret band of magickers sworn to protect the Labyrinth. But the Relic Guild are now too few. To truly defeat their old nemesis Moor, mightier help will be required. To save the Labyrinth – and the lives of one million humans – Clara and the Relic Guild must find a way to contact the worlds beyond their walls.

Be sure to check out Edward Cox’s Tumblr and Twitter for more on his writing and exuberant personality (directly inverse to just how awesomely dark, atmospheric and Peake-ian his novel is). The Relic Guild is due to be published by Gollancz, on September 18th, 2014. It is also part of the publisher’s £1.99 Debut eBook promotion – which means there is no excuse for you to not check out this great new author. (At the time of writing, there weren’t yet any retail links to pre-order the novel, but I’ll be sure to share it ASAP.)

Review: THE RADLEYS by Matt Haig (Canongate Books)

HaigM-RadleysAn unconventional, intelligent vampire novel

Just about everyone knows a family like the Radleys. Many of us grew up next door to one. They are a modern family, averagely content, averagely dysfunctional, living in a staid and quiet suburban English town. Peter is an overworked doctor whose wife, Helen, has become increasingly remote and uncommunicative. Rowan, their teenage son, is being bullied at school, and their anemic daughter, Clara, has recently become a vegan. They are typical, that is, save for one devastating exception: Peter and Helen are vampires and have – for seventeen years – been abstaining by choice from a life of chasing blood in the hope that their children could live normal lives.

One night, Clara finds herself driven to commit a shocking – and disturbingly satisfying – act of violence, and her parents are forced to explain their history of shadows and lies. A police investigation is launched that uncovers a richness of vampire history heretofore unknown to the general public. And when the malevolent and alluring Uncle Will, a practicing vampire, arrives to throw the police off Clara’s trail, he winds up throwing the whole house into temptation and turmoil and unleashing a host of dark secrets that threaten the Radleys’ marriage.

I really enjoyed this. I also read it quite a while ago, which is why I’m going to keep the review rather brief. It’s a different and original take on vampires – one that blends commentary on contemporary British society, middle-class life and anxieties, and is presented with a deft, light touch. Continue reading

Guest Post: “Pantheon Inspirations” by James Lovegrove

LovegroveJ-AuthorPicSo far my Pantheon series extends to six novels and three novellas. What is it about these military-SF tales of gods and men that I seem to find so fascinating? Why do I keep coming back time and time again to this well of inspiration?

Partly it’s because the ideas embedded in polytheistic religious mythologies are so wonderfully rich and exploitable, like countless mines yielding up different seams of precious ore. I myself do not believe in deities of any kind, but the stories that others have came up with about them over the centuries are pleasingly intricate and complex, full of incident and nuance. Every Pantheon strikes me as being like a dysfunctional family. Their conflicts and passions echo those of their worshippers. Even though they’re gods, they’re eminently relatable. They banter and squabble, have affairs, plays tricks on one another, lose their temper, just as humans do. The aloof, monotheistic gods whose faiths prevail in the world today aren’t anywhere near as interesting. Those guys are like grumpy father figures you can’t get on with and have to tread carefully around but are still supposed to admire. Where’s the fun in that?

Lovegrove-AgeOfRaI didn’t set out to write a series. When Solaris, my publisher, commissioned Age Of Ra from me, I thought it would be a one-off, a slice of alternate history with a bit of Ancient Egyptian mythology thrown in to add savour. I certainly didn’t anticipate that I’d still be writing in the same subgenre seven years later, or even that that subgenre would have gained its own name, godpunk. But that’s me. I never plan things. Foresight is not my middle name.

The great thing about the Pantheon novels, as far as writing them goes, is that the tone of each is set by the individual tone of the myths which I’m dealing with. Age Of Odin, for instance, could only have taken place in a world caught in the grip of the Fimbulwinter, the three years of constant ice and snow that presage Ragnarok, and the bad guy could only have been Loki, the trickster, pitting himself against the other residents of Asgard as he does in the Sagas and the Skaldic poems. Likewise, Age Of Aztec just had to be about a high-tech, quasi-Aztec culture, full of human sacrifice, ziggurat temples, and flying saucers in the tradition of Chariots Of The Gods. Once I’ve started researching each book, the plot begins to suggest itself, arising organically from the background material. In a way, I have to do only half the work I otherwise might – half the backstory creation, half the worldbuilding. The other half has already been done for me by the people who dreamed up the original stories. You could even call this cheating.

Lovegrove-AgeOfOdin&Aztec

The latest volume in the series, Age Of Shiva, came about largely because I’ve long had a hankering to write a superhero tale, being the massive comics fan than I am. I perceived that the Hindu pantheon is, in many ways, a set of super-powered beings who battle demons, vampires and other monsters. They’re good guys with a clearly delineated set of bad guys ranged against them. That is, of course, a very reductive view of Hinduism, which is a great deal more complicated and beautifully arabesque and nowhere near as trivial as I’m making it sound. On the surface, however, at a purely primal level of storytelling, that is where it’s at. I thought to myself, “I could have some fun extrapolating a superhero story out of this mythology,” and so, as it proved, I did.

LovegroveJ-AgeOfShiva2014The plot focuses on a comic book artist who is employed by a multinational consortium to help on a secret project to create a real-live superhero team. Ten super-powered characters, based on the Ten Avatars of Vishnu, emerge into the glare of the media spotlight, and rapidly make a name for themselves, saving civilians from snake-men, sewer-dwelling vampires and the like. Things, however, get gnarlier and more complicated from there, and it isn’t long before the world’s balance of military power is destabilised and the threat of nuclear Armageddon looms.

That may all sound very serious, but as with the other Pantheon novels, Shiva is all about the action and the fun. The violence is over-the-top, and the protagonist’s narrative voice is, I hope, witty and wry.

I’m not sure what my next Pantheon novel will be, which set of gods it will concentrate on, what shape it will take. I’ve three other books to write first before I seriously have to start thinking about it. The joy of the concept, though, is that whichever pantheon I choose to exploit, I’ll be as surprised by the outcome as any reader.

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Also on CR: Interview with James Lovegrove, Guest Post on Age of Godpunk, Excerpt (Age of Shiva)

Guest Post: “On Change, Blood and Iron…” by Jon Sprunk

SprunkJ-AuthorPicHello everyone. I’m Jon Sprunk, the author of Blood and Iron (which came out last week) as well as the Shadow Saga, both from Pyr Books. I’m so glad to have this chance to speak to you. Today I’d like to talk about change.

Whoa, whoa. Don’t click away yet! I know everyone has a healthy mistrust for change, but I’ll keep it painless. Scoundrel’s honor.

What I mean by change are the differences between writing my two series. For those who don’t know my work, the Shadow Saga trilogy was about a lonewolf assassin named Caim. The new series, The Book of the Black Earth, follows the stories of three people caught up in the machinations of an empire ruled by sorcerers.

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Besides the obvious story differences, I had a completely different experience writing these series. The Shadow books were all kinetic energy, with the characters bouncing from one perilous danger to the next. I likened it to the Bourne movies, but with more swords and arrows.

With Blood and Iron, I took a more deliberate approach. Does that mean it’s boring? I hope not. But it means that the action (and there is a lot of action) serves the story, rather than the other way around. I don’t believe one way is better than the other, but I’d done the “slash first and ask questions later” routine, so with the new books I wanted to try something different.

Speaking of action. Fight scenes. I love them and I’m not ashamed to admit it. And I love writing them. The biggest change in fight scenes between the two series is perhaps found in the mindsets of the major characters. As I said, Caim from the Shadow books is an assassin. He’s an expert knife-fighter, and killing is his business. The main character in Blood and Iron is a former shipwright and carpenter named Horace. While not a coward, Horace isn’t accustomed to confrontation. When he is taken captive by his enemies, it seems he doesn’t have any tools with which to fight them… until he discovers a latent talent for sorcery. Yet, even once Horace begins to learn about his new power, he isn’t as cutthroat (pardon the pun) or proficient in combat as Caim the Knife. Like most of us “real people,” fights typically happen to Horace, whereas Caim has no problem looking for trouble.

One thing I’m commonly asked is what I’ve learned since writing my first book. That’s not easy to answer. It’s a difficult thing to gauge your own progress. I feel more in control of my stories now, that I’m in a better position to try new things and push my personal envelop. As a lifelong lover of old-school sword & sorcery, the Shadow books were right in my wheelhouse. I also read a lot of epic fantasy, but I have to confess I was a little anxious approaching the new series. Epic usually means a bigger story world, a larger cast, more emphasis on the big picture. Big everything! But what I attempted to do (and perhaps some of you who read Blood and Iron will tell me if I’ve succeeded) was to take the cut and thrust dynamics of S&S and apply that to an “epic” setting and “epic” themes. In short, I wanted to have the best of both worlds.

Well, that’s it for today. I hope I was at least marginally entertaining.

Be well and keep reading.

***

Also on CR: Interview with Jon Sprunk, Guest Post (Lessons Learned)

Jon Sprunk is the author of Blood and Iron as well as the Shadow Saga (Shadow’s Son, Shadow’s Lure, and Shadow’s Master). He’s also a mentor at the Seton Hill University fiction writing program. Be sure to check out his website and follow him on Twitter and Facebook.

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