Quick Review: LEARNING TO FLY: LEARNING TO FLY (Orion)

WallM-FooFightersA quick biography of Nirvana Dave Grohl and the Foo Fighters…

The definitive, no-holds-barred biography of one of the biggest-selling rock bands in the world, the Foo Fighters.

Everyone from Sir Paul McCartney and Jimmy Page to Queens of the Stone Age now relishes the chance to share a stage with Dave Grohl and his legendary Foo Fighters. The question is: why? Musical depth? Not really. Major success? Well, yes. Despite no longer shifting albums in the same quantity as they did twenty years ago, this band can still fill stadiums the world over (when Dave’s not breaking his leg, of course).

Long before Kurt Cobain blew his brains out in 1994, Dave Grohl was planning for a life after Nirvana. The unflinching bright sunlight to Cobain’s permanent midnight darkness, Grohl had come from a similar broken home to his erstwhile band leader, but came out of the experience differently – brimming with positivity and a shrewd grasp of opportunities in the music industry.

Did Grohl merely take the sonic blueprint of Nirvana and embellish it with a more life-affirming pop sheen? Of course he did. Every band in America that sold over a million records in the post-grunge 90s did the same. The difference was that Grohl had real credibility. And he knew it.

With exclusive testimony from true insiders (including Krist Novoselic, Grohl’s bass-playing partner in Nirvana, ex-girlfirends, record company executives, tour photographers and confidantes), this book is an exploration of the real story behind Grohl and the Foo Fighters — the only serious literary biography of the group and its leader, one of the most famous and critically bulletproof rock figures of the 21st century.

I waited a long time to pick up this book. I sadly cannot say that it was worth the wait. This is, at best, a mediocre re-hash of information you’ll find elsewhere from more-informed and better writers. Yes, it covers everything important in Dave Grohl’s musical career. But it’s not particularly enlightening, nor is it gripping. It is not definitive. It is by no means “literary”, either — the interpretation and analysis is simplistic and not particularly deep. At least, not that provided by Wall. He does interview some people who know what they’re talking about. Continue reading

Guest Post: “The NOMAD Soundtrack” by James Swallow

SwallowJ-AuthorPicI’m always in two minds about music when I’m writing. Some days, when my focus isn’t where it needs to be, I have to have as near to absolute silence as I can get in order to zero in on what I want to get down on the page. Other times, a little musical accompaniment is exactly what I need to prime the pump and get me writing.

I tend not to listen to songs when I’m writing scenes, because I find myself paying too much attention to the lyrics, and sometimes subconsciously assimilating the words into my own work. Orchestral and thematic stuff works a lot better. I have a massive collection of classical music and soundtracks that I will queue up into five-hour-long playlists. For example, working on my new thriller novel NOMAD, my working score included Salt (James Newton Howard), Inception (Hans Zimmer), Tron Legacy (Daft Punk), The Sweeney (Lorne Balfe), Watch Dogs (Brian Reitzell), Bangkok Dangerous (Brian Tyler) and The International (Tom Tykwer, Johnny Klimek & Reinhold Heil). Continue reading

Interview with ANDREW CARTMEL

CartmelA-AuthorPicLet’s start with an introduction: Who is Andrew Cartmel?

A question I often ask myself on my bleaker days. The answer is, I’m a writer. Ever since I could read I’ve wanted to write books. I thought an easy way to support myself while breaking through as a novelist would be to write TV scripts. The word “easy” is not a good choice in that context. But I did end up working as a script editor/show runner on Doctor Who for three seasons.

Your new novel, The Vinyl Detective: Written in Dead Wax, is published by Titan Books. It looks rather interesting: How would you introduce it to a potential reader? Is it part of a series?

The book is called Written in Dead Wax, and the Vinyl Detective is the title of the series. It’s a murder mystery in the classic mould, with our sleuth being a record collector hired by a beautiful mysterious woman and embarking on a quest for a desirable object which people are willing to kill to obtain. In this case (and in the future books) the object is a rare record. Three books in the series have been written so far and are scheduled for publication. Continue reading

Review: DARK DAYS by D. Randall Blythe (Da Capo Press)

BlytheDR-DarkDaysUSBlythe recounts his arrest, time in a Czech prison, and offers plenty of thoughts on life, music and sobriety in the process

Lamb of god vocalist D. Randall Blythe finally tells the whole incredible story of his arrest, incarceration, trial, and acquittal for manslaughter in the Czech Republic over the tragic and accidental death of a concertgoer in this riveting, gripping, biting, bold, and brave memoir.

On June 27, 2012, the long-running, hard-touring, and world-renowned metal band lamb of god landed in Prague for their first concert there in two years. Vocalist D. Randall “Randy” Blythe was looking forward to a few hours off — a rare break from the touring grind — in which to explore the elegant, old city. However, a surreal scenario worthy of Kafka began to play out at the airport as Blythe was detained, arrested for manslaughter, and taken to Pankrác Prison — a notorious 123-year-old institution where the Nazis’ torture units had set up camp during the German occupation of then-Czechoslovakia, and where today hundreds of prisoners are housed, awaiting trial and serving sentences in claustrophobic, sweltering, nightmare-inducing conditions.

Two years prior, a 19-year-old fan died of injuries suffered at a lamb of god show in Prague, allegedly after being pushed off stage by Blythe, who had no vivid recollection of the incident. Stage-crashing and -diving being not uncommon occurrences, as any veteran of hard rock, metal, and punk shows knows, the concert that could have left him imprisoned for years was but a vague blur in Blythe’s memory, just one of the hundreds of shows his band had performed over their decades-long career…

This is a really interesting memoir. It was also not what I was expecting. I’ve been reading a fair few music biographies and memoirs, recently, and this one is a stand-out. It is by turns engaging, insightful, funny, and even heart-wrenching. I am not as familiar with lamb of god’s music as I am most of the other bands/musicians I’ve been reading about, but they have been popular so long, that to be even a little interested in metal, I’ve frequently come into contact with their albums and read stories about them in the many magazines I read. That being said, the events covered in Dark Days happened during a time when I wasn’t really following music news at all, and I only heard of his arrest and, later his release. So, I was eager to give this a read to learn the full story. Continue reading

Review: ALICE IN CHAINS by David de Sola (Thomas Dunne)

DeSolaD-AliceInChainsUntoldStoryThe tragic tale of one of America’s most influential bands of the 1990s

Alice in Chains were one of the loudest voices out of Seattle, iconic pioneers who mixed grunge and metal in ways that continue to influence today’s artists. Theirs is a story of hard work, self-destruction, rising from the ashes and carrying on a lasting legacy.

Four years after their first meeting at a warehouse under Seattle’s Ballard Bridge, Alice in Chains became the first of grunge’s big four — ahead of Nirvana, Pearl Jam, and Soundgarden — to get a gold record and achieve national recognition. With the charismatic Layne Staley behind the microphone, they became one of the most influential and successful bands to come out of the Seattle music scene. But as the band got bigger, so did its problems. 

I am a big grunge fan. Ever since I took notice of music, and especially the guitar-driven genres, I have listened to Alice in Chains. Given my relative youth, though, I only discovered them shortly before Nothing Safe: Best of the Box came out (I picked it up in LA during my first visit to the city). This, naturally, led me to delve into their back catalogue of albums, and I quickly became hooked on Dirt and Facelift. Then, only a handful of years later, Layne Staley’s death was reported in the various music magazines I religiously read at the time. It is quite strange, as de Sola mentions in this book, that no proper biography of the band has been written until now. I’m happy to say, though, that de Sola’s book is a great tribute to Alice in Chains, and a must-read for any fan of their music and the scene they helped create and nurture. Continue reading

Review: SLASH by Slash, w. Anthony Bozza (Dey Street Books)

SlashMy second Guns ‘n’ Roses autobiography

Guns ‘n’ Roses’ Use Your Illusion I was the first album I ever bought for myself. It remains one of my favourite albums. I have always been interested in Guns ‘n’ Roses. After the initial break-up of the original line-up, I followed and waited for news about what the band would get up to. As with many fans, though, I eventually lost interest in waiting for new GnR music and found more enjoyment in following the members’ other bands — for example, Velvet Revolver and Slash’s Snakepit and, now, Slash’s eponymous solo-project (R&F’nR is one of my favourite albums of his music).

I recently read and loved Duff McKagan’s autobiography, It’s So Easy, which gave a fantastic, readable account of Guns ‘n’ Roses (relatively) short rocket to fame and stardom from the perspective of a single member. McKagan was respectful of others’ perspectives, and never guessed his bandmates’ opinions or positions, nor spoke for them. As soon as I finished It’s So Easy, I went out and picked up Slash. I think it’s safe to say that Slash is one of the greatest living guitar players, and I was eager to learn his side of the G’n’R story, and also read about his other music endeavours (Velvet RevolverSlash’s Snakepit, for example). This eponymous memoir is very good, quite exhaustive (without being exhausting), brutally honest, and accessibly written. It has a few minor flaws, but it was certainly a good read. Continue reading

Review: ROCKS by Joe Perry (Simon & Schuster)

PerryJ-Rocks“My Life In and Out of Aerosmith” – A superb rock memoir

Before the platinum records or the Super Bowl half-time show or the Rock and Roll Hall of Fame, Joe Perry was a boy growing up in small-town Massachusetts. He idolized Jacques Cousteau and built his own diving rig that he used to explore a local lake. He dreamed of becoming a marine biologist. But Perry’s neighbors had teenage sons, and those sons had electric guitars, and the noise he heard when they started playing would change his life.

The guitar became his passion, an object of lust, an outlet for his restlessness and his rebellious soul. That passion quickly blossomed into an obsession, and he got a band together. One night after a performance he met a brash young musician named Steven Tyler; before long, Aerosmith was born. What happened over the next forty-five years has become the stuff of legend: the knockdown, drag-out, band-splintering fights; the drugs, the booze, the rehab; the packed arenas and timeless hits; the reconciliations and the comebacks.

Rocks is an unusually searching memoir of a life that spans from the top of the world to the bottom of the barrel — several times. It is a study of endurance and brotherhood, with Perry providing remarkable candor about Tyler, as well as new insights into their powerful but troubled relationship. It is an insider’s portrait of the rock and roll family, featuring everyone from Jimmy Page to Alice Cooper, Bette Midler to Chuck Berry, John Belushi to Al Hirschfeld. It takes us behind the scenes at unbelievable moments such as Joe and Steven’s appearance in the movie of Sgt. Pepper’s Lonely Hearts Club Band (they act out the murders of Peter Frampton and the Bee Gees). 

This is an excellent memoir. After a somewhat shaky start in Johnny Depp’s introduction, Perry (with the help of David Ritz) gets on with telling his story. It’s quite the story, too: Perry takes us through his childhood in (upper-)middle class Massachusetts, his difficulties at school, his love for the outdoors, and eventual discovery of music and guitars. It’s a fascinating look into the life of a rock megaband, and one of the creative minds behind it. I really enjoyed this. Continue reading

Review: IT’S SO EASY (AND OTHER LIES) by Duff McKagan (Touchstone)

McKaganD-ItsSoEasyUSA superb memoir of Guns ‘n’ Roses and more

A founding member of Guns N’ Roses and Velvet Revolver — and Rock & Roll Hall of Fame inductee — shares the story of his rise to the pinnacle of fame and fortune, his struggles with alcoholism and drug addiction, his personal crash and burn, and his phoenix-like transformation.

IN 1984, AT THE AGE OF TWENTY, Duff McKagan left his native Seattle — partly to pursue music but mainly to get away from a host of heroin overdoses then decimating his closest group of friends in the local punk scene. In L.A. only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as “Slash.” Soon after, the most dangerous band in the world was born. Guns N’ Roses went on to sell more than 100 million albums worldwide.

In It’s So Easy, Duff recounts Guns’ unlikely trajectory to a string of multiplatinum albums, sold-out stadium concerts, and global acclaim. But that kind of glory can take its toll, and it did — ultimately — on Duff, as well as on the band itself. As Guns began to splinter, Duff felt that he himself was done, too. But his near death as a direct result of alcoholism proved to be his watershed, the turning point that sent him on a unique path to sobriety and the unexpected choices he has made for himself since.

I really enjoyed this book. Despite being a huge Guns ‘n’ Roses fan (my first CD was Use Your Illusion I), McKagan’s story was mostly unknown to me. The first music magazine I ever bought was an issue of Hit Parader which included a long interview with and feature on McKagan and his music, but beyond that I don’t believe I’ve read anything else about him. After finishing Billy Idol’s Dancing With Myself, I wanted to read another music biography, and this one came highly recommended. I can certainly see why: it’s gripping, extremely well-written, sometimes amusing, and brutally honest. Continue reading

Quick Review: DANCING WITH MYSELF by Billy Idol (Touchstone)

IdolB-DancingWithMyselfVital Idol reading…

“I am hopelessly divided between the dark and the good, the rebel and the saint, the sex maniac and the monk, the poet and the priest, the demagogue and the populist. Pen to paper, I’ve put it all down, every bit from the heart. I’m going out on a limb here, so watch my back.” — Billy Idol

An early architect of punk rock’s sound, style, and fury, whose lip-curling sneer and fist-pumping persona vaulted him into pop’s mainstream as one of MTV’s first megastars, Billy Idol remains, to this day, a true rock ‘n’ roll icon.

Now, in his long-awaited autobiography, Dancing with Myself, Idol delivers an electric, searingly honest account of his journey to fame — from his early days as front man of the pioneering UK punk band Generation X to the decadent life atop the dance-rock kingdom he ruled — delivered with the same in-your-face attitude and fire his fans have embraced for decades. Beyond adding his uniquely qualified perspective to the story of the evolution of rock, Idol is a brash, lively chronicler of his own career.

A survivor’s tale at its heart, this sometimes chilling and always riveting account of one man’s creative drive joining forces with unbridled human desire is unmistakably literary in its character and brave in its sheer willingness to tell. With it, Billy Idol is destined to emerge as one of the great writers among his musical peers.

Billy Idol’s music has been pretty much a constant in my life. His albums were among my father’s eclectic collection; “Dancing With Myself”, “Rebel Yell” and “Mony, Mony” were frequently on tapes he would put together for road trips. So, it was perhaps inevitable that Dancing With Myself caught my eye. It’s a great rock biography, one that charts the rise of not only the author, but punk in general. He was a pioneer of so many styles and quirks that we take for granted today. An essential read for all fans of his music, but also for anyone interested in the evolution of rock and punk music. Continue reading