An Interview with REBECCA ALEXANDER

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Rebecca Alexander is the author of the much-anticipated The Secrets of Life and Death, which was published today by Del Rey UK. I caught up with the author, and asked her about her novel, her writing practices, and more…

Let’s start with an introduction: Who is Rebecca Alexander?

I’m a writer with one foot in the occult and the other in crime. This is perfectly normal for a psychologist, I used to meet the most interesting people in my job. I’ve worked with people in all categories of prison; with people in the community who ought to be in prison; and some very intriguing people who explore the occult. I’m also fascinated by folk beliefs and magical thinking – the belief ordinary people have in magic that they are not always aware of. Once you’ve literally had tea and biscuits with a pair of heathens, a few druids and a chaos magician the lines between real life and fantasy get blurred.

Your latest novel, The Secrets of Life and Death, is published by Del Rey UK. How would you introduce the novel to a potential reader? Is it part of a series?

Secrets is the first book in a three book series about sixteenth century sorcery used to keep people alive (who should be dead). I’m a huge fan of Kelley Armstrong, and I loved her world of inter-related characters. Her first books were about werewolves, then the next about witches, and so on. I’ve written the first two books of the Secrets trilogy for Del Rey UK, and hope to complete book 3 this year. But I also have a prequel called A Baby’s Bones about the archaeological discovery of a dead baby in a well, and a plan of book 4 which focuses on one of the smaller characters, Pierce, who may or not be quite human.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

I was partly inspired by working with dying people who had outlived their expected life span, and would describe it as “living on borrowed time”. I also cared for my own daughter through a terminal illness and remembered that desperation to try something, anything that would save her. If someone had proposed a spell I would have tried it. At that point I probably would have sold my soul to save her, it’s what parents do. 

How were you introduced to genre fiction?

I fell in love with science fiction (H.G. Wells, Edgar Rice Burroughs) before my teens. I progressed through historical romance (Georgette Heyer), fantasy (Bram Stoker, Ursula Le Guin), and horror (Dennis Wheatley) before my brain really processed that it wasn’t all real. I have carried on reading across all sorts of genres, and find some of the best crossovers in children’s fiction (like Neil Gaiman’s The Graveyard Book and Patrick Ness’s The Knife of Never Letting Go). It’s not surprising that I write across a couple of genres at a time.

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How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I found transferring from a ‘hobby’ writer, to a professional writer quite easy, as far as the writing went. I had developed a writing habit of a minimum of 500 words a day when I started doing an Open University course a few years ago, and that built up to 1000 words a day during my MA.

But the publishing industry was completely different to any I’ve ever worked within. It turned out to be a very small world of people, many of whom have a lot of influence, and seem to know lots of other agents, editors, publicists etc. That’s not a bad thing, just strange to me. If I started a new job as a psychologist I would be employed, have a line manager, supervisor and strict hours and conditions, clinics and appointments. I have to be proactive and disciplined to write and edit the books, but I also have to be reactive to suggestions from the publisher. It’s all good, but it seems strange at first not to hear from people for weeks or even a month or two, then suddenly there’s a flurry of emails or calls about editing a book or the launch. It keeps the excitement levels up.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I can’t remember not wanting to be an author. Living within a world like Narnia or down the rabbit hole with Alice for hours at a time develops the imagination. I started writing books as soon as I could write (sadly, not legibly, so I don’t have any of my first stories).  I started writing seriously in my teens. I was also an insomniac, I still am, and started telling myself stories to get to sleep. I still do, I’m presently ‘working’ on a retelling of a legend of a ghostly hunt by bronze age people on Dartmoor. It may end up in book 4. Or I may get some sleep.

What’s your opinion of the genre today, and where do you see your work fitting into it?

WintersonJ-TheDaylightGateFantasy is a huge genre. I’m at the urban, realism end but it can go so far I wouldn’t know how to describe the breadth of it. I recently read The Daylight Gate by Jeanette Winterson – beautiful writing with a vein of poetry, but also a fantastical story (even more overt fantasy that mine) so even “literary” writers invest time in fantasy. I aspire to write something as imaginative and vivid as that. I love fairy tales, at the back of a lot of fiction are the stories we were told as children by authority figures. There’s a healthy dose of crime and historical fiction in my books – fantasy lends itself to many crossovers. I think fantasy is in a very exciting phase of development, and women writers are very prominent in it.

What other projects are you working on, and what do you have currently in the pipeline?

I have books 4 and 5 planned and because I can’t plot properly, I create scenes that are islands that I aim for as I write. I’m also writing a ghost story about the strange over-dependant relationship between twins. I write two books a year, and create odd characters and scenes for possible future books as I go along. I’m also writing a musical with my songwriter husband, just for kids, based on the four horsemen of the apocalypse. ‘Satan’s Song’ is coming along nicely.

What are you reading at the moment (fiction, non-fiction)?

I’m reading lots of non-fiction research into Dartmoor’s legends and about Barbary Coast corsairs for book 3. Who knew that pirates raided the Devon and Cornwall for thousands of slaves in the 1600’s, as well as capturing hundreds of ships? How can you read that kind of research and not want to create a story about it? Or at least dress up and buy a cutlass. The fiction I’m enjoying is partly crime by Lisa Gardner and also fantasy by David Wellington: 23 Hours. And Terry Pratchett’s The Long War is next.

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What’s something readers might be surprised to learn about you?

People think of me as a chatty, gregarious wife and mother of six, who teaches, participates in groups etc. but I have a streak of curmudgeon that means I love to be left alone – for weeks at a time. I used to sneak off to our caravan by the sea, just write, and not speak to anyone for days. Eating, sleeping, hygiene optional. Then I come back to full on family life, refreshed. I’ve also, except for the anomaly of being born in Malta, never used my passport.

What are you most looking forward to in the next twelve months?

More than anything, finishing the trilogy. Having created (or found) my characters, their story is so vivid and real I feel I may have just left them around the house. Sadie in front of the telly, Jack hiding in the study watching the crows, Kelley bigging up his adventures to the kids by the woodburner. I hate the idea of not completing strands I started way back in early drafts of book 1. I’d also like to do some research somewhere that requires a passport!

An Interview with PAULA BRACKSTON

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Paula Brackston lives in a wild, mountainous part of Wales. She is an author and Visiting Lecturer. Before becoming a writer, Paula tried her hand at various career paths, with mixed success. These included working as a groom on a racing yard, as a travel agent, a secretary, an English teacher, and a goat herd. Everyone involved (particularly the goats) is very relieved that she has now found a job she is actually able to do properly – and that is, write fiction. Her latest ‘series’ is The Shadow Chronicles, the second book of which – The Winter Witch – is published tomorrow in the UK.

Who is Paula Brackston?

A descendent of the Witches of the Blue Well, possessed of dangerous magic and ancient knowledge, cunningly disguised as an ordinary mortal, mother of two, walker of the dog, maker of meals, who also writes a bit.

The Winter Witch, the sequel to The Witch’s Daughter, will be published tomorrow by Constable & Robinson. How would you introduce the series to a potential reader, and what can fans of the first expect in the second?

BrackstonP-2-WinterWitchAh, well, you see, there are no sequels, as yet. Each book in The Shadow Chronicles is a stand alone. They have in common an exploration of witches through the ages, following the experiences of a witch as the main character. All kinds of witches, in different eras and settings, each with their own distinct magic and story.

What inspired you to write the novel? And where do you draw your inspiration from in general?

I live in the Brecon Beacons National Park, so I wake up each day to the most inspirational landscape you could imagine. That certainly formed the basis of not just the setting for The Winter Witch, but the characters such a place produces too. More generally, I am inspired by wilderness and wildness, by individuals who make their own way in the world, and by courage. Particularly courage, I think, as I am such a timid creature. I love inhabiting brave characters who overcome adversity. It makes me feel stronger, and I hope that works for my readers as well.

How were you introduced to genre fiction?

As a reader I have never made a distinction between categories of fiction. I struggle with the whole idea of literary and commercial being two different things – surely a good book is a good book? That books will be written about different things, in various styles, traditions and settings, is what makes reading such an exciting experience.

Which is how I feel about writing, too. When I’m working on a story I don’t think about how it will sit in a certain genre, or how it will be seen. I am interested only in the story, and I strive to find the best way I can to tell it. The placing, categorising, and marketing of the finished thing I leave up to people who understand such things far better than I do.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

BrackstonP-1-WitchsDaughterI have the best job in the world! Maybe not the most important, prestigious, or well paid, but still the best. I get to spend all day dreaming things up and then writing them down, creating my own little world and peopling it with characters that move me, having them dash about doing all manner of stuff I’d never dare do. All this and shortbread – what’s not to like?

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I’ve always written, but it took me years to believe I could actually Be A Writer. Still feels strange when I tell people how it is I make my living and what it is I do. The turning point came when I was living and working in London and missing the mountains very much. I came up with a plan to ride a horse around Wales for a month or so and write about it. I pitched the idea to some publishers and one commissioned it. I had to breathe into a paper bag for a bit when I realised this meant I had to give up my job and my home, leave the city, find a horse, do the actual trekking and then write a Proper-Book-Someone-Might-Actually-Want-To-Buy. It all turned out rather well. The trek was a blast, the book found a small but appreciative readership, I relocated permanently to Wales, and somehow I had become a writer. There seemed no going back after that.

What’s your opinion of the genre today, and where do you see your work fitting into it?

See above.

What other projects are you working on, and what do you have currently in the pipeline?

If I listed them all you’d mark me down as some sort of butterfly-brained lunatic, so I’ll cherry pick. I’ve just started another Shadow Chronicles book. I love this stage of the process, as it’s all hope and expectation and excitement and hasn’t yet had a chance to be nibbled at by doubt and uncertainty.

I’m also putting together ideas for books three and four in my fantasy-crime series, but that’s another interview entirely!

And I’ve just had one of my screenplays short-listed for some production funding, so there will be work to be done there, too.

What are you reading at the moment (fiction, non-fiction)?

I’m currently half way through The Luminaries (by Eleanor Catton) and loving it, though I am having to pay very close attention to keep up. It thoroughly deserves its place as a Booker Prize contender. Last month I read and enjoyed The Potter’s Hand (gorgeous) by A.N. Wilson, May We Be Forgiven (deceptively deep) by A.M. Homes, and An Evening of Long Goodbyes (brilliantly funny) by Paul Murray.

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What’s something readers might be surprised to learn about you?

In my twenties, I spent a year at an agricultural college learning how to drive tractors and train racehorses. Neither skill seems particularly useful at the moment, but I don’t like to think of time being wasted, so you can reliably expect both activities to pop up in my books at some point.

What are you most looking forward to in the next twelve months?

Ooh, what to pick? What to pick? There’s the publication of The Winter Witch in the UK right about now; The Witch’s Daughter coming out in paperback here in December; the German edition of the first in my fantasy-crime series due out just before Christmas; my next witchy book, The Midnight Witch, is out in hardback in the USA in March; I’m thoroughly enjoying writing the fourth book of The Shadow Chronicles at the moment…. I should imagine a little lie down sometime next summer would be very nice indeed.

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The Winter Witch is published by Corsair in the UK and Thomas Dunne Books in the US. To find out more about Paula Brackston and her novels, be sure to visit her website.

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Excerpt: THE WINTER WITCH by Paula Brackston (Constable & Robinson)

Very happy to be able to share this extract from Paula Brackston’s latest novel, The Winter Witch (the sequel to The Witch’s Daughter). The novel, part of the Shadow Chronicles series, is published today by Constable & Robinson in the UK.

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Chapter 4

How dare he touch my books! He was rifling through my possessions, as if they belong to him now. As, indeed, they do. As I belong to him, I suppose. Am I to be left nothing of myself ? I lift the lid from the crate once more, just to reassure myself that nothing has been taken. No, they are all here. He was looking at Pilgrim’s Progress. Has he ever read it, I wonder? Has he any interest in stories? I have seen no books in the house thus far. Perhaps he keeps them to himself, in his room. The room he will no doubt expect me to share with him one day. What would a man like Cai read? A man who has lived all his life in one place, save for droving, what would he choose to read?

Dada selected these books. Each and every one meant something to him; his choices were never whimsical or left to fate. He had his favourites. This one, with its fine red leather binding, he never tired of – Tales from the Thousand and One Nights. How he loved this book! And how I loved to hear him read from it, or to recount tales from memory, as he often did. The cover feels warm, as if my dada had just this minute left off reading it. As I run my thumb across it the title spells itself out to me, cut into the leather, even though the gilding has long been rubbed away by palm and lap. A heavy sadness settles upon me, as it so often does when I recall the pain of his leaving.

When I remember how he was one day there, and the next not. And how when he went away he took my voice with him.

Of a sudden I am overcome by weariness. The journey, the dragging sorrow of homesickness, this strange house, unfamiliar society, the heat… all have taken their toll so that now all I wish to do is sleep. And yet I fear still I will not be able to. If I clutch Dada’s book close against me, tight to my heart, it may be I can bring to mind some- thing of the warmth of his presence. Here, I will lay myself down on the rug in this pool of sunshine that brightens the colours of the woven wool. I close my eyes and wish I could go to where dear Dada is. But he is lost to me. So many times I have tried to find him, to travel as only I can to be near him. But he is gone. So completely. The only comfort left to me is to remember. To revisit those soft-edged images and rememberings of my time with him. To recall one of those precious moments my memory has entombed and preserved like an ancient treasure. A moment when he was close to me. I shut my ears to the cry of the serf ’s cuckoo outside. I curl myself around the book, burying my nose in the dry, powdery pages so as to keep away the bitter aroma of burnt vegetables and sulphurous coal fumes that drift up the stairs. I screw my eyes tight shut, allowing only the dappled dance of the sun on my lids. Slowly images appear. A dark night, still and warm. A fire, outside, at the far end of the garden. And at last, Dada, sitting beside it, his face illuminated by the flames. He always preferred to be out of the house, much to Mam’s displeasure. So long as the weather would allow it, after eating he would retreat to this quiet little place, assemble twigs and branches, and within minutes would be settled by a cheerful blaze, his clay pipe in his hand, an ease relaxing his shoulders. An ease which eluded him when he was forced to remain enclosed with slate or thatch separating him from the stars. I would clamour for him to tell me a tale and, after a token resistance, he would agree, sucking on his pipe, eyes raised to heaven as if looking for divine guidance for his story selection. And then he would begin. Oh, he was an excellent storyteller! My young mind, flexible as willow, would follow the twists and turns of the adventure, pictures flashing bright before my eyes, the howls of wolves or the singing of maidens filling the night sky around me. I was enthralled. Spellbound. Indeed, most of his best-loved tales turned upon some sort of magic. Magic, he told me, was some- thing to be taken seriously.

‘Travellers understand about magic,’ said he. ‘I’m not claiming they’re all sorcerers and such like, only that they know magic when they see it. Your Romany ancestors crisscrossed the globe, Morgana, and on their travels they saw many marvelous things and encountered many wonderful beings. That’s how they gained their knowledge, from distant lands and strange customs of even stranger people. Travelling was my habit, my natural state, you might say, until your mother caught me in her web.’ He laughed. ‘She’s a good woman, your mam, but she’s not like you and me, girl.’ He leaned forward, dropping his voice to a conspiratorial level. ‘You have the magic blood in you, Morgana. I’ve seen it. Do not fear it, as some do. It is a gift, though there are times you may not think it so.’ He sucked hard on his pipe, which had gone out. He paused to light a spill in the fire and touch the glowing end to the bowl of tobacco. Abundant smoke temporarily obscured him, slowly dispersing, wisps of it curling from his nose. I was seven years old and I had a dragon for a father.

‘If you are not able to travel,’ he told me, ‘the next best thing is to read. Read all you can, girl. And store up that knowledge, for you never know when you will need it.’ He paused, sitting straight, looking thoughtfully at me. I have often, over the years, tried to see what was behind that expression, what it was he was trying to tell me. ‘A person has to tread his own path, Morgana. Life will set things to pulling you in all directions, tugging you this way and that.’ He puffed once more, leaning back so that the light from the fire could scarcely reach him, two smokinesses rendering him faint, ghostlike. The only substantial thing about him was his voice. ‘Tread your own path,’ said he once more.

The next morning he was gone, and I never saw him again.

The memory lulls me to sleep and when I awake some hours have passed and the room is in darkness save for a short candle flickering on the windowsill. I am surprised to find the patchwork quilt has been taken from the bed and placed snugly over me. Cai must have done it. Must have come to speak with me, found me sleeping, and thought to make me more comfortable. The man is a riddle. I might sooner have expected him to wake me and tell me to make his supper. I rise and peer out of the window. The night is bright, constellations clear, the moon aglow. It is hard to judge the exact hour, but the house is quiet, as if I am the only one awake.

I drop the quilt on to the bed and snatch up my woollen shawl instead. I take the candle and lift the latch on my door carefully. Again, as I pass the door to Cai’s bedroom, I sense something out of kilter with the still silence of the night. I have the sensation of being observed. I pull my shawl tighter about me and continue downstairs. I have already identified those boards and stairs which complain at my footfalls, so I am able to descend to the kitchen quietly. The fire in the range is out. There is a faint smell of smoke lingering, but the unpleasant evidence of my calamitous attempt at cooking has gone. The table is cleared and everything returned to its proper place. Conflict unsettles me. I am glad proof of my clumsiness has been erased, but I am uncomfortable at the thought of my husband having to wash away the grime of my error. It should not fall to him. And now I feel strangely in his debt. Hunger rumbles in my stomach and I fetch a lump of cheese and a hunk of bread from the pantry. I am about to sit on the window seat when I see Cai is sleeping in the carver at the far end of the table. I wonder I have not woken him with my blundering about. How often, I wonder, has he fallen asleep down here? I remember after Dada went away I would sometimes find Mam in her chair by the kitchen range. She would explain it away as having been overtired and having drifted off. Only later did she admit to me she found her bed too lonely. Does he still miss his first wife so? Am I to compete with a ghost?

Now I notice the corgis curled at his feet. Bracken opens one eye, recognizes me, surely more by scent than sight in the dimly lit room, gives a half-hearted wag of his tail and goes back to his slumbers.

Hush, little one! Do not wake your master.

Cai is sleeping deeply. I am close enough to reach out and touch him. He looks younger, somehow. In repose his features lose something of the sternness that I see. Or at least, I see it when he looks at me. Am I so perpetually bothersome? His collarless shirt is of good quality, and that is a fine woollen waistcoat. I can see the fob and chain of a gold watch. He likes to look… respectable, I think. Even when at home, tending his livestock. Not the image some of the drovers have, with their long coats and rough ways. I admit, though, he has always presented himself well. On the occasions when I saw him at Crickhowell market he was well turned out, despite being on the move with the herds. Mam and I sold cheese there when we could, buying cheap milk from Spencer Blaencwm’s dairy where we worked. Mam would pick wild garlic and together we would churn it into creamy rounds to sell. Business was always good when the drovers came through. That is where Cai first saw me. He could have been under no illusions as to what I was. A dairy maid with a sometime cheese stall at the smallest market in the shire. He would come to inspect our wares on the evening of his arrival, and in the morning before the drove went on its way. Then he would visit on his return journey, when he was unencumbered by his many charges. A year and a half of passing through and pausing. Snatched moments in which to convince himself he had found a suitable bride. And to convince Mam my future lay with him. I will say, he purchased a large amount of cheese! Perhaps it was that which led him to believe I might be capable of cooking. I recall he did his best to look prosperous, sensible, dependable.

And now look at him. Longer eyelashes than a man should be blessed with. Skin tanned from the outdoor life, but not yet weathered. His hair is streaked gold by the summer sun. There are several years between our ages, yet as he sleeps I see the boy in him. Unsure of himself. Vulnerable. Oh! He is stirring. I have no wish to be found standing here, watching him. He mumbles something, his eyes still closed. Both dogs lift their heads from their paws. I hasten from the kitchen and back to my own room.

Interview with JAMES TREADWELL

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James Treadwell is the author of Advent and Anarchy, two novels that seem to have taken the UK (and perhaps the US?) by storm. In advance of my belated reading of the novels, Hodder were kind enough to hook me up with an interview with James. Read on!

Let’s start with an introduction: Who is James Treadwell?

I think he’s that tall confused-looking bloke in the back row, the one who needs a haircut. He also appears to have bad shoes.

Treadwell-AnarchyAnarchy, the sequel to Advent, was recently published by Hodder. How would you introduce the series and novel to a potential reader?

I’m very bad at these “elevator pitches” … I suppose one way I might do it is by asking someone if they’ve ever wondered what it would be like – what it would really, really be like – if something impossible happened to them.

But if I was trying to give a more general thumbnail description of the books, I’d probably say that they’re about the return of magic to the world. To our world, that is, the real world we live in; the one in which we all know there isn’t actually any magic.

What inspired you to write the novels? And where do you draw your inspiration from in general?

Advent is based on something that’s been in my thoughts for years and years, long before I ever thought there’d be a time when I could try making a book out of it. As far as I can remember it started with an image of a boy walking alone in a wood and meeting something inexplicable on the way. Why that particular image felt like it had a story in it I don’t know, but apparently it did.

Treadwell-AdventIt often seems to start with a small thing like that: a scene, or a particular character, or an event, which somehow feels like it has extra weight. But I don’t really know where stories come from. Philip Pullman once compared it to fishing from a small boat on a big lake. You just sit there, and – if you’re lucky – something eventually grabs the hook, down in that enormous and entirely invisible space beneath you. You can’t make it happen, though. All you can do is concentrate and be patient.

How were you introduced to genre fiction?

Good question. I wish I could remember. One of the very first things I remember reading – some kind of school reading book, I’d have been six or seven years old – must have been a version of the Nibelungenlied, because I remember the name Kriemhild, and a vague but powerful sense of being excited by dragons and heroes and strange quests. I definitely remember being addicted to a lovely paperback retelling of the Norse myths, a few years later, and I loved Narnia as soon as I discovered it. I can’t remember a time when I wouldn’t have chosen those kind of stories over any other. I’ve always wanted to be enchanted, I suppose.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I love being a writer, for all sorts of reasons. The publishing industry is an entirely different matter. Not in a bad way – I have a wonderful agent and editor, and whenever I go into my publishers’ office I’m astonished (and delighted) by how cheerful they all seem to be. But I know nothing at all about the whole business of printing, marketing and selling books. I do writing: anything beyond that is up to someone else.

Everyone has work habits, don’t they? What can I think of that might be a little unusual? I write using pen and paper, which probably counts as a quirk. I always leave the house. I treat first drafts as raw material rather than anything approximating a final product.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I suppose I’ve always liked the idea of trying to tell stories, but the prospect of actually being an author never seemed realistic until a quite unexpected combination of circumstances came about when I was in my mid-thirties.

I did write a sort of sprawling second-hand fantasy epic in my teens. It was inexcusably terrible last time I looked, so much so that I haven’t dared look again for a very long time. But I do have happy memories of the process itself: staying up late(-ish) in my bedroom, letting the imagination work and ignoring everything else.

What’s your opinion of the genre today, and where do you see your work fitting into it?

By “the genre” we mean fantasy, yes? That’s a big and interesting question.

I’m intrigued by the prevailing unseriousness of fantasy these days. A lot of the best work has a kind of knowing, sardonic cool in it somewhere, as if it’s written by a generation hugely influenced by Douglas Adams. I’m thinking of someone like Terry Pratchett, whose version of fantasy is openly satirical. But I’m also thinking of someone like Joe Abercrombie, where you have fairly conventional fantasy material, but treated in a highly ironic manner (like with the title of The Heroes). Even with Neil Gaiman – who I think is an authentic genius, one of the best writers alive – there’s a shimmer of witty brilliance over everything, a sort of dark sparkle. You see much less of the gentle earnest solemnity of Tolkien or Le Guin, these days. Another way of putting it: think about the difference between Frodo Baggins and Tyrion Lannister as fantasy protagonists. Or, think of how much more wisecracking and cheeky Dr. Who has become.

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Part of the reason this intrigues me is that I’m pretty sure my own writing entirely lacks this quality. But I don’t really want to talk about where I fit or don’t fit into a genre: that’s for others to discuss, if they want to. Besides, thinking about my work in relation to Gaiman’s or Le Guin’s is just going to make me sad.

What other projects are you working on, and what do you have currently in the pipeline?

I know what I’m going to do once the Advent trilogy is finished (which will be in a few months). It’s a project that has come about in an utterly extraordinary way, so extraordinary that I really can’t say very much about it. Sorry.

What are you reading at the moment (fiction, non-fiction)?

I’ve just finished Gossip From the Forest, Sara Maitland’s book about fairy tales, which is wonderful. I’m working my way through M John Harrison’s LightNova SwingEmpty Space trilogy, also very remarkable. I particularly like the fact that it features suburbs and streets and train stations from my patch of West London. I’ll never look at the roundabout in Mortlake quite the same way.

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What’s something readers might be surprised to learn about you?

I’m too chicken to read H.P. Lovecraft. It’s true. He gives me nightmares. Quite a few people have told me that my books are rather “dark”, but I’m a total literary coward. I can’t handle any sort of horror.

What are you most looking forward to in the next twelve months?

Probably watching the Winter Olympics on the BBC. Biathlon! Curling! It would be different if it was all the time, but when it’s once every four years you have to grab the opportunity with both fists. Carpe curling, as Horace might have said.

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James Treadwell’s Advent series is published by Atria in the US (artwork below). Advent and Anarchy are available now. Here’s the synopsis for Advent (from Goodreads):

“A drowning, a magician’s curse, and a centuries-old secret.”

1537. A man hurries through city streets in a gathering snowstorm, clutching a box in one hand. He is Johann Faust, the greatest magician of his age. The box he carries contains a mirror safeguarding a portion of his soul and a small ring containing all the magic in the world. Together, they comprise something unimaginably dangerous.

London, the present day. Fifteen-year-old Gavin Stokes is boarding a train to the countryside to live with his aunt. His school and his parents can’t cope with him and the things he sees, things they tell him don’t really exist. At Pendurra, Gavin finds people who are like him, who see things too. They all make the same strange claim: magic exists, it’s leaking back into our world, and it’s bringing something terrible with it.

First in an astonishingly imaginative fantasy trilogy, Advent describes how magic was lost to humanity, and how a fifteen-year-old boy discovers that its return is his inheritance. It begins in a world recognizably our own, and ends an extraordinarily long way from where it started – somewhere much bigger, stranger, and richer.

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US Covers

Review: THE MAGICIANS by Lev Grossman (Arrow/Plume)

GrossmanL-M1-MagiciansUKAn intriguing first volume in a new series

In a secret world of forbidden knowledge, power comes at a terrible price…

Quentin Coldwater’s life is changed forever by an apparently chance encounter: when he turns up for his entrance interview to Princeton he finds his interviewer dead – but a strange envelope bearing Quentin’s name leads him down a very different path to any he’d ever imagined.

The envelope, and the mysterious manuscript it contains, leads to a secret world of obsession and privilege, a world of freedom and power and, for a while, it’s a world that seems to answer all Quentin’s desires. But the idyll cannot last – and when it’s finally shattered, Quentin is drawn into something darker and far more dangerous than anything he could ever have expected…

I’m rather late getting to this novel. It’s been out for a while, and I actually have multiple copies of it – eBook, UK edition, and also a signed US edition (which I picked up in January 2013 in Boston, when Mr Grossman dropped by the MLA conference). There’s been a lot written about this novel already, but I’ve been studiously avoiding any and all reviews. I really enjoyed reading this. It’s not perfect, but it is both clever and engaging. Obviously the first part of something much larger, I would certainly recommend it. Continue reading

Guest Post: “After Apocalypse” by Gail Z. Martin

Martin,GZ-ReignOfAshMaybe it’s a sign of the times, but we seem to be obsessed with the end of the world.

Sure, such fascinations, both literary and religious, have come and gone in times past. It’s just our luck to live in the midst of a resurgence of end-of-the-world fatalism.

Pick your poison—climate change, asteroid collision, bio-warfare, zombies, or mad scientists, there are plenty of ways to die. Personally, I prefer magic.

In Ice Forged, and the upcoming Reign of Ash, Books 1 and 2 in my Ascendant Kingdoms Saga, mages on both sides of a devastating war use magic as their doomsday weapon. They manage to destroy civilization on their continent, and magic itself.

Apocalypse-by-mage was a twist that intrigued me. Magic, in the world of the Ascendant Kingdoms, does for them what technology does for us—heals the sick, makes routine tasks easier, reduces effort, and controls the environment. Long ago, people used to do those things without magic, but since the wild power was harnessed so that it could be controlled by humans, people have forgotten the old ways.

That makes it rough when the magic stops working.

There’s a fantastic TV series about “Life After People” that shows just how quickly the modern world falls apart—literally—when people are suddenly removed and no one is left to maintain what has been built. I watched those shows, riveted, as it speculated that in about 250 years after all people disappeared, the world would heal itself and most of our structures would be largely obliterated. We’re not as important as we think we are.

That concept served well as I imagined the apocalypse in Ice Forged. Not only do survivors of the war endure hardship because of the fire that rained down from the skies in a powerful magic strike, they also suffer because there is no magic. Few people know how to treat wounds, protect crops from pests, or do many other essential tasks. Where magic was used for infrastructure, either as a repair patch or to do something important, like keeping back the sea at the sea wall, magic’s failure results in additional disaster. Not only that, but the once-harnessed magic, returned to the wild, becomes a violent force of nature, creating dangerous storms and unnatural monsters.

So when exiled convict and disgraced lord Blaine McFadden discovers that he might be the only one who can restore the magic, the stakes are high. Trying to bring magic back might cause Blaine’s death, and there’s no guarantee the attempt will work. Even if he can restore the magic, it may not function the way it did before, and in any event, the kingdom is in rubble, its leaders dead.

It’s been said that “fortune” is the combination of “danger” and “opportunity.” If you define it that way, then Blaine McFadden is a very “fortunate” man.

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The Hawthorn Moon Sneak Peek Event includes book giveaways, free excerpts and readings, all-new guest blog posts and author Q&A on 21 awesome partner sites around the globe. For a full list of where to go to get the goodies, visit the Ascendant Kingdoms website.

Book Giveaway on Twitter: Every day from June 21-28, I’ll be choosing someone at random from my Twitter followers to win a free signed book. Invite your friends to follow me – for every new 200 followers I gain between June 21-28, I’ll give away an additional book, up to 20 books!

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Gail Z. Martin is the author of Ice Forged in her new The Ascendant Kingdoms Saga (Orbit Books), plus The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven and Dark Lady’s Chosen) and The Fallen Kings Cycle (The Sworn and The Dread). She is also the author of two series on eBook short stories: The Jonmarc Vahanian Adventures and the Deadly Curiosities Series. Her books are available in bookstores worldwide and on Kindle, Kobo and Nook.

Book Trailer: “The Bone Season” by Samantha Shannon (Bloomsbury)

I mentioned a few days back that a copy of The Bone Season had arrived unexpectedly. I’m looking forward to reading the novel, and may also host an interview with the author, closer to the release date. Check out the trailer (above), and the synopsis (below)…

Welcome to Scion, no safer place.

The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials. Her job: to scout for information by breaking into people’s minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing. It is raining the day her life changes for ever. Attacked, kidnapped and drugged, Paige is transported to Oxford – a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite creature with dark honey skin and heavy-lidded yellow eyes. He is her master. Her trainer. Her natural enemy. But if Paige wants to regain her freedom she must allow herself to be nurtured in this prison where she is meant to die.

The Bone Season will be published in the UK by Bloomsbury, on August 20th 2013.

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GIVEAWAY! Brandon Sanderson’s THE RITHMATIST (UK Only)

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I have an extra copy of the UK edition of Brandon Sanderson’s first YA novel to hit shelves, THE RITHMATIST. Being the sharing fellow that I am, I’ve decided to give it away!

Usual rules/guidelines apply – leave a comment (with some form of contact detail), or email me at civilian[dot]reader[at]hotmail.co.uk.

I’ll pick the winner on Monday (27th May), in the evening.

Here’s the synopsis for the novel…

More than anything, Joel wants to be a Rithmatist.

Chosen by the Master in a mysterious inception ceremony, Rithmatists have the power to infuse life into two-dimensional figures known as Chalklings. Rithmatists are humanity’s only defense against the Wild Chalklings—merciless creatures that leave mangled corpses in their wake. Having nearly overrun the territory of Nebrask, the Wild Chalklings now threaten all of the American Isles.

As the son of a lowly chalkmaker at Armedius Academy, Joel can only watch as Rithmatist students learn the magical art that he would do anything to practice. Then students start disappearing—kidnapped from their rooms at night, leaving trails of blood. Assigned to help the professor who is investigating the crimes, Joel and his friend Melody find themselves on the trail of an unexpected discovery, one that will change Rithmatics—and their world—forever.

The Sixth Gun, Vol.3 – “Bound” & Vol.4 – “A Town Call Penance” (Oni Press)

SixthGun-Vol.3&4

Volume Three. Still awesome.

Writer: Cullen Bunn | Artist: Brian Hurtt (#12-13, 15-17) & Tyler Crook (#14, #23) | Colors: Bill Crabtree

Traveling by secret railroad, Becky and Drake accompany an order of mysterious monks on a quest to bury General Hume’s body on holy ground. But malevolent forces spurred by a sinister necromancer stage a terrifying attack on the train. Drake vanishes without a trace. Alone, Becky continues her journey to a secluded mountain fortress where she discovers how deeply her fate is entwined with that of The Sixth Gun. Meanwhile, Gord revisits a haunted mansion from his past hoping to discover a means to destroy the Six, but the ghosts he stirs have no intention of letting his quest continue.

Vol.3 Collects: The Sixth Gun #12-17
Vol.4 Collects: The Sixth Gun #18-23

Ah, The Sixth Gun. Without a doubt, this is one of my favourite comics series. It blends Wild Western adventure with some supernatural shenanigans. There’s action, humour, spooky stuff, and a plot that will hook you from the very start. I loved both of these books.

In “Bound”, Drake, Becky and the fellas from the Sword of Abraham are taking the Six and the body of the dead evil general, via train… somewhere safer. Naturally, nothing can go smoothly, as a necromancer raises an undead posse to retrieve the guns and the body of Evil General Hume (he’s someone you just have to always include the “Evil” when you mention him…). We’re introduced to Asher Cobb – a big, fuck-off mummy. Sent by the same necromancer to retrieve the evil body, while the surprisingly-spritely undead posse take care of the living. However, Cobb has a history with Drake… We get his story in #14 – a really cool extra.

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The story then moves forward a few days, as Gord heads home to collect the books on the Six from his former owner, who was in league with the Evil General. This was a nice diversion, and added a lot more to the whole spooky-supernatural side of the story. Not that the, you know, mummies, undead and magic guns weren’t already pretty obviously in the Weird Stuff arena…

With Drake missing, Becky is taken to the Sword of Abraham’s keep, and told she can never leave. But, an old friend is at hand to help, and she learns more of the power of the Sixth Gun.

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In “A Town Called Penance”, we re-join Drake after his short-lived disappearance from the train assault. He’s been captured by the Knights of Solomon, who he joined after the war – they are also the enemies of the Sword of Abraham, before attempting (unsuccessfully) to prevent her from going to Drake’s aid. The Knights of Solomon want Drake back working with them. As well as the Six, of course. Becky comes to rescue him, but there’s something not right with the town called Penance…

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As with the previous two books, I zipped through these two books, unable to put them down. The story is gripping, fast-paced, and very well written. And the artwork is great, too – atmospheric, consistent and just all-round excellent. I particularly loved the “silent” chapter – Becky’s near an explosion, and bursts her eardrums. Then she goes on a bit of a rampage through the underground lair of the Knights of Solomon. She’s joined by Drake. They kill a LOT of people…

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There is a really interesting revelation at the end of chapter five in this second book. It bodes very well for the future, so I will definitely be coming back for more of this series. Final chapter of Volume 4 features Kirby Hale, who we first briefly met in Volume 2, when he seduced Becky. We’re caught up on his story, and there’s a really nice parallel between his new trajectory and Drake’s in issue #1. A nice bit of writing, I thought.

Both of these books expand and build on the series superbly. We get more character development and also more world-building. I can’t recommend The Sixth Gun highly enough. Love this series. An absolute must read series for fans of comics, Westerns, and speculative/genre fiction of all stripes. Superb.

“Necessary Evil” by Ian Tregillis (Orbit/Tor)

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The masterful conclusion to the Milkweed Triptych

12 May 1940. Westminster, London, England: the early days of World War II. Again…

The history of the Twentieth Century has been shaped by a secret conflict between technology and magic. When a twisted Nazi scientist devised a way to imbue ordinary humans with supernatural abilities – to walk through walls, throw fire and see the future – his work became the prized possession of first the Third Reich, then the Soviet Army. Only Britain’s warlocks, and the dark magics they yield, have successfully countered the threat posed by these superhuman armies.

But for decades, this conflict has been manipulated by Gretel, the mad seer. And now her long plan has come to fruition. And with it, a danger vastly greater than anything the world has known. Now British Intelligence officer Raybould Marsh must make a last-ditch effort to change the course of history – if his nation, and those he loves, are to survive.

In the final book in Tregillis’s awesome Milkweed Triptych, superhumans and dark magic collide once again in a secret, supernatural history of early Twentieth Century. A series that has consistently impressed me, and improved with each book, Necessary Evil brings the story to a close with aplomb. This is a superb conclusion, and Tregillis has pulled it off, managing to tie everything up skillfully. And I almost cried at the end…

This is a very tricky review to write (I’ve said that a fair bit, recently, but it’s always true). Not only is this the final part of a trilogy, but it also features some time-travel, which for the first one-hundred pages or so messes about with events from book one and two. I don’t want to spoil anything for anyone, so I am going to deal very briefly with the plot, and then move on to general impressions.

The novel starts off with a brilliant prologue: it’s a summary of Gretel’s story thus-far, told in a strange disassociated-yet-intimate manner. It’s from Gretel’s perspective, and she talks about her powers and when they awoke, how she came to understand them, and gives us a very brief catch-up, without being clunky. Really excellent to start to the novel.

Raybould Marsh, one of Britain’s best spies, has travelled to an alternate timeline, in a desperate attempt to save at least one future from destruction at the hands of the Eidolons – creatures older than time, and pure evil. They have have been observing our species from space, and harbor an incandescent hatred for humanity. In order to accomplish his mission, Marsh must remove all traces of the Nazi’s “Willenskrafte” experiments, and the supermen that were created by the mad genius Dr. von Westarp.

Marsh’s biggest challenge, his bête-noir, is the mad seer Gretel, one of the most powerful of von Westarp’s “children”. A version of Gretel is in this timeline. She has seen all possible future timelines, and in every single one, she dies at the hands of the Eidolons, and she is determined that this will not come to pass, even if it means destroying most of humanity to save herself. Struggling with Gretel’s hidden agenda, his need to keep his true identity secret from those around him – including a younger version of himself, his mentor, his family, and his best friend – and also his single-minded desire to protect his family in this timeline, Marsh discovers that his mission could be too difficult to complete.

That’s all I’m going to say about the plot. Going into any more detail would just ruin so many surprises and innovative developments. As with Bitter Seeds and The Coldest War, I was hooked from the very beginning of the book. Everything about the novel worked for me: Tregillis’s excellent prose style, the steady pacing, the gripping narrative, and fascinating supernatural elements just worked for me. Most of all, though, the characters are all compelling, realistic, and nuanced. This is a superb series.

The various questions raised by the end of The Coldest War are all answered, and the remaining loose ends are likewise tied up. I loved the way the characters changed under the different circumstances – sometimes dramatically, as events that would have redeemed or damned them do not come to pass. It was very believable, but also showed that Tregillis had considered all angles. There are so many small details throughout the book (and series as a whole, actually) that help make the characters more-real, and the time more vivid.

Gretel is an absolutely fascinating character, and one of my favourites in any book or series: she is both star and villain; Machiavellian in the extreme and ultimately tragic. Her story is as important, and perhaps more compelling, than Marsh’s. Their connection, their polar-opposite feelings for each other, and their near-constant conflict is brilliant. As Marsh’s actions start messing with the timeline, Gretel’s powers of precognition start to break, sending her on a steady decline that understandably has a devastating impact on her psyche – this is best reflected in a handful of Interludes, told from Gretel’s perspective.

Ultimately, Tregillis brings the novel and series to a brilliant close. The ending of Necessary Evil is heart-wrenching, as we learn what happens to Marsh the Elder (I almost cried), but it feels right, given what’s come before.

The Milkweed Triptych is one of my all-time favourite series. It is a must-read. Very highly recommended.

Also on CR: “The Origin of the Götterelektron” by Ian Tregillis (Guest Post)

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Necessary Evil will be published in April in both the US (Tor) and UK (Orbit). Bitter Seeds and The Coldest War are available in stores now.

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UK / US Covers

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UK / US Covers