Short Review: THREE (Image Comics)

cover2_altWe are SPARTA!

Writer: Kieron Gillen | Artists: Ryan Kelly, and Jordie Bellaire

In ancient Sparta, three Helot slaves run for their lives.  Pursuing them are three hundred of their Spartan masters.

Collects: Three #1-5

This is a pretty interesting, short graphic novel. The artwork is fantastic, and the storytelling is extremely well-done. Not only have the writer and artist done their research, but the story just flows. After a massacre at a village, a rather mysterious ‘cripple’ and two companions find themselves hunted by an army of snubbed Spartans. Chased across the country, they must keep their trail as hidden as possible, placing their fates in the hands of the oh-so-fickle (not to mention absent) gods. This is a really good book.

I liked the way the history was portrayed. While I can’t say for certain if it is entirely accurate or not (as it is not my area), the book contains a discussion at the end by the creative team about how they went about recreating the time, society and country of the age. Really interesting extra. The Spartan society, in particular, is portrayed without the benefit of rose-tinted glasses (or, I suppose, the sepia ones of 300). They are blindly macho, fatally short-tempered, and arrogant in the extreme. Also, as we learn later, they are not at all above cheating to protect their honour and over-blown reputations…

Overall, this is a really good comic. The artwork throughout is great – vivid, colourful, clear and yet not too clean. The ending is not what I was expecting, but in a really good way. It’s brutal, but not gratuitously so. The action is driven by the story, rather than the other way around. The dialogue is realistic, as are the characters. If you have any interest in history, the Greeks, and so on, then you really should check out this book.

Highly recommended.

Yet More Books Received…

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I appear to have published the previous post a little prematurely, as yet more awesome books have recently come in the mail.

Featuring: David Annandale, Monica Byrnes, C. Robert Cargill, Steven Erikson, Ari Marmell, Josh Reynolds, Rob Sanders, & graphic novels

Annandale-Yarrick3-ImperialCreedDavid Annandale, Yarrick: Imperial Creed (Black Library)

Yarrick: the very name carries the weight of legend, of great deeds and of wars won for the Imperium. But Sebastian Yarrick, who fought on Armageddon, who Space Marine Chapter Masters show their fealty to on bended knee, was not always Lord Commissar. He was once just a man, a newly minted officer from the ranks of the schola progenium.

His first mission under the tutelage of Lord Commissar Rasp was on Mistral. Here, an uprising of barons had upset the delicate balance of power. But, as Yarrick was soon forced to learn, Mistral and Imperial politics are often murky, the truth seldom clear cut. As war engulfs the world, a plot unravels that pits old friends against one another and fashions unusual alliances. Chaos cults, the fanatical Adepta Sororitas and clandestine inquisitors all stand between Yarrick and his mission. Here is where the legend began. In this crucible was Lord Commissar Sebastian Yarrick forged in blood.

I’ve mentioned before on the blog how much I enjoy Annandale’s writing. Having especially enjoyed his two previous Yarrick works (a novella and a short story), I’m itching to get started with this.

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ByrneM-GirlInTheRoadMonica Byrne, The Woman in the Road (Crown)

When Meena, a young woman living in a futuristic India, gets out of bed with mysterious snake bites on her chest, she decides India has become too dangerous. As she plots her exit, she hears of The Trail and knows this is her salvation. The Trail is a bridge that spans the Arabian Sea, connecting India to Africa like a silver ribbon extending to the horizon.  Its purpose is to harness the power of the ocean – “blue energy” – but it also offers a sub-culture of travelers a chance for escape and adventure. Meena gathers supplies – a pozit GPS system, a scroll reader, a sealable water-proof pod – and embarks on a journey to Ethiopia, the place of her birth.

Mariama, a girl from a different time, is on a quest of her own. Forced to flee her home, she joins up with a caravan of strangers heading across Saharan Africa. She meets Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. Yemaya tells Mariama of Ethiopia, where revolution is brewing.

As one heads east and the other west, Meena and Mariama’s fates will entwine in ways that are profoundly moving and ultimately shocking.

Spotted this on NetGalley. Looked interesting and something a little different. So I was very glad when my request was approved.

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CargillCR-QueenOfTheDarkThingsUKC. Robert Cargill, Queen of the Dark Things (Gollancz)

Six months have passed since the wizard Colby lost his best friend to an army of fairies from the Limestone Kingdom, a realm of mystery and darkness beyond our own. But in vanquishing these creatures and banning them from Austin, Colby sacrificed the anonymity that protected him. Now, word of his deeds has spread, and powerful enemies from the past-including one Colby considered a friend-have resurfaced to exact their revenge.

As darkness gathers around the city, Colby sifts through his memories desperate to find answers that might save him. With time running out, and few of his old allies and enemies willing to help, he is forced to turn for aid to forces even darker than those he once battled.

This is the sequel to Dreams of Shadows, which I shamefully have not got around to reading, yet. Now that this has arrived, though, I think there’s no time like the present.

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EriksonS-DevilDeliveredSteven Erikson, The Devil Delivered and Other Tales (Bantam)

The Devil Delivered: In the breakaway Lakota Nation, in the heart of a land blistered beneath an ozone hole the size of the Great Plains of North America, a lone anthropologist wanders the deadlands, recording observations that threaten to bring the world’s powers to their knees.

Revolvo: In the fictitious country of Canada, the arts scene is ruled by technocrats who thrive in a secret, nepotistic society of granting agencies, bursaries, and peer review boards, all designed to permit self-proclaimed artists to survive without an audience.

Fishing with Grandma Matchie: A children’s story of a boy tasked with a writing assignment becomes a stunning fantastical journey with his tale-spinning grandmother.

The paperback release – still have the hardcover, sadly yet-unread. I’ve never read anything by Erikson, but a lot of people have been telling me in the last couple of months that his Malazan series is superb. It’s also a considerable reading commitment, to I will read this collection as a more-manageable introduction to his writing.

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MarmellA-HotLeadColdIronUKAri Marmell, Hot Lead, Cold Iron (Titan)

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he’s got pointy ears and he’s packing a wand.

Oberon’s used to solving supernatural crimes, but the latest one’s extra weird. A mobster’s daughter was kidnapped sixteen years ago, replaced with a changeling, and Mick’s been hired to find the real child. The trail’s gone cold, but what there is leads Sideways, to the world of the Fae, where the Seelie Court rules. And Mick’s not really welcome in the Seelie Court any more. He’ll have to wade through Fae politics and mob power struggles to find the kidnapper – and of course it’s the last person he expected.

I actually read a very early version of this novel, a couple of years back, when I was reading some submissions (at a work experience placement). I really liked it then, and I’m hoping I really like this final version. Generally speaking, I’m not a fan of fae-related stories. I find them pretty limited in scope. Nevertheless, having read a number of Marmell’s previous novels, I have high hopes that this won’t disappoint as others in the sub-genre have. The 1930s time-setting is a nice alternative touch, too.

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ReynoldsJ-G&F-SerpentQueenJosh Reynolds, Gotrek & Felix: The Serpent Queen (Black Library)

Gotrek and Felix: unsung heroes of the Empire, or nothing more than common thieves and murderers? The truth perhaps lies somewhere in between, and depends entirely upon whom you ask…

Travelling to the mysterious south in search of a mighty death, the Slayer Gotrek Gurnisson and his human companion, Felix Jaeger, find themselves caught up in a battle between warring kingdoms. Captured by the sinister Queen Khalida and forced to do her bidding, the adventurers must brave the horrors of the sun-soaked Land of the Dead… And the dead do not rest easy.

The fan-favourite characters return, in the last stand-alone novel (as far as I can tell) before BL returns to the chronology started by Will King and continued by Nathan Long. Fans have been clamouring for a direct follow-up to Zombieslayer for years, and we will finally be getting it! I used to eagerly buy each new G&F novel on the day of release and devour it immediately. However, for the last few years I haven’t been doing that. I have somehow failed to read any of the three stand-alone novels (Road of Skulls and City of the Damned being the other two). I think this is just because they’ve come out right in the middle of one of my recently-all-too-frequent fantasy apathy patches. Other reviewers have said this novel and the others have been fantastic, so I shall try to get caught up with plenty of time before David Guymer’s Kinslayer arrives, later this year.

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Sanders-Archaon-EverchosenRob Sanders, Archaon: Everchosen (Black Library)

In the north of the world the forces of Chaos gather, awaiting their moment to strike. At their head is the Everchosen, the warrior who will lead the final, cataclysmic assault that will usher in the End Times and the reign of the Ruinous Powers. But he was not always thus – he was once a man, a devout servant of the warrior-god Sigmar. What could cause such a soul to fall to the worship of the Dark Gods? What dark events could have put a knight of the Empire on the path to becoming the harbinger of the world’s end? And just who was the man who will become known to all as Archaon?

The digital edition of Archaon: Everchosen also includes the short story Archaon: The Fall and the Rise.

I’ve had a mixed experience with Sanders’s full length Black Library fiction. I thought Redemption Corps was brilliant, but found Atlas Infernal a little disappointing (it’s a novel I intend to go back and re-read at some point in the not-too-distant future, as I think my mood at the time reduced my interest and enjoyment in it). I have, however, really liked his short fiction. Here, he tackles the backstory of one of my favourite Warhammer Chaos characters, and so I’m really hoping he pulls it off. I’m sure he will.

This also reminds me that I have Ben Counter’s Van Horstmann still to read…

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Graphic Novels

ExtinctionParade-Vol-1Extinction Parade, Vol.1 (Avatar)

Max Brooks, the best selling Zombie writer in history, unleashes an all-new horror epic!

As humans wage their losing fight versus the hoards of the subdead, a frightening realization sets in with the secretive vampire race: our food is dying off.

This is the story of the vampire’s decent into all-out war with the mindless, hungry hordes of the zombie outbreak as humanity tries to survive them all!

This collected edition contains the entire first chapter of Extinction Parade (issues #1-5) and a massive undead cover gallery!

Max Brooks’ best-selling novel, World War Z, has been adapted into one of 2013’s biggest blockbuster movie releases, bringing increased media attention to this acclaimed author. Legendary Pictures announced they have optioned Extinction Parade for a TV series.

Somewhat confusingly, this is an “intentionally incomplete manuscript” (missing, I think, the final issue and a bit). So it doesn’t contain the whole story. This is slightly annoying, but I’ll give it a read anyway. As someone who hasn’t read World War Z, I didn’t find the movie as objectionable as some. It’ll be interesting to see what this is like. If I like it, I’m sure I’ll buy the published version, so I can finish off the first story arc.

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ManifestDestiny-Vol.1Manifest Destiny, Vol.1 (Image)

In 1804, Captain Meriwether Lewis and Second Lieutenant William Clark set out from St. Louis, Missouri with the intent of blazing a trail to the western coast of North America – a trip that would set the foundation for the future of the United States of America.

But what the history books don’t tell you is the true purpose of Lewis and Clark’s journey to the west…

In this imaginative retelling of their famous trek, Lewis and Clark embark on a secret mission under direct orders from President Thomas Jefferson.

They are going to do more than explore the wild frontier: they’re going to catalog exotic life and eliminate the monsters that stand in the way of the safe and rapid expansion of the United States.

Collects: Manifest Destiny #1-6

I’m fascinated by American history, and particularly early history. I do like comics very much. And I like weird, supernatural retellings of history. So this sounds pretty much cater-made for one of my genre tastes. Hopefully get it reviewed very soon.

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Mini-Review: Sex Criminals, Vol.1 – “One Weird Trick” (Image)

PrintWriter: Matt Fraction | Artist: Chip Zdarsky

Suzie’s just a regular gal with an irregular gift: when she has sex, she stops time. One day she meets Jon and it turns out he has the same ability. And sooner or later they get around to using their gifts to do what we’d ALL do: rob a couple banks. A bawdy and brazen sex comedy for comics begins here!

This is a very unconventional, amusing and even ground-breaking book. It is also one I’m not entirely sure how best to review. Is it funny? Absolutely. And not just because it’s sex-related, and because that can often be very funny – especially when it’s about weird stuff, or people’s anxieties about it. This is a great book, and it’s no wonder that it has been taking critics and comic fans by storm.

Fraction’s story is multi-layered – it looks at sex, and how young people’s experiences can be varied, great, uncomfortable, misunderstood, and complicated. It is not preachy, nor is it flippant. It also has some great moments that are about reading and the imagination. And our protagonists are plotting a bank heist (in order to save a library). There is some pretty weird stuff near the end – which diminished the impact for me just a little, but by no means completely. I will absolutely be back for volume two.

The book is filled with some great background gags, and there were plenty that had be giggling for pages to follow (and also a couple that resurfaced in my mind at odd moments, setting me off giggling again). Sex Criminals is a series that really needs to be read and experienced for yourself – to review it at length would kind of ruin its magic, I think.

Zdarsky’s artwork is great throughout – and I love the way he’s added all the details and background stuff, without clobbering the reader with it. The sex-time graphics are really interesting and well-done, too.

With its great storytelling and superb artwork, not to mention its interesting and welcome message, and colourful well-drawn characters, this is a very highly recommended collection.

Rat Queens, Vol.1 – “Sass & Sorcery” (Image Comics)

Writer: Kurtis J. Wiebe | Artist: Roc Upchurch

Who are the Rat Queens?

A pack of booze-guzzling, death-dealing battle maidens-for-hire, and they’re in the business of killing all god’s creatures for profit.

It’s also a darkly comedic sass-and-sorcery series starring Hannah the Rockabilly Elven Mage, Violet the Hipster Dwarven Fighter, Dee the Atheist Human Cleric and Betty the Hippy Smidgen Thief. This modern spin on an old school genre is a violent monster-killing epic that is like Buffy meets Tank Girl in a Lord of the Rings world on crack!

Collects: Rat Queens #1-5

In the tradition of Skullkickers (also published by Image) and Princeless, Rat Queens is a tongue-in-cheeky, funny take on traditional sword-and-sorcery tropes. We have the classic fantasy band of adventurers, with an amusing dynamic. That they happen to all be women is a nice touch, too, and Wiebe clearly shows (without any type of preaching) that there’s no reason why only big, hulking male barbarians or wizened, white-bearded sages have to be at the centre of fantasy adventures. Someone in the Rat Queen’s home town is setting up the local mercenary bands – engineering deadly assignments intended to eradicate them entirely. Unfortunately for the conspiracists, the Rat Queens won’t go down without a fight, a lot of killing and plenty of raucous fun.

RatQueens-01-Prev2

As the first volume, we’re still only just getting to know the characters by the end, but I am very eager to read more of their adventures. There is a perfect balance between action, story, and just plain fun in this first volume. At the same time, Wiebe does not ignore the importance of character development, and we start to see them develop a good deal over the course of this collection – there’s still plenty of scope for expansion, which I have no doubt the creative team will firmly exploit in the future.

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There were so many great touches throughout that just made me like the characters more – the unusual, perhaps conflicting character traits and mannerisms they have round them out wonderfully (one, for example, has extreme social anxiety, despite being able to throw down with a troll – below), and even after this short introduction to them, we start to see them as fully-rounded, three-dimensional characters. The dialogue and interaction between the cast is sharp and funny. There are a fair few background gags and asides that a quick read might miss (poor, put upon Dave, for example).

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The artwork is clear, if slightly cartoony. This does not detract from the story, rather it enhances and complements it perfectly – Upchurch realises the action and visual gags extremely well. Like my other favourite artists, Upchurch has a gift for drawing and presenting facial expressions, and conveying so much with a simply smirk, raised eyebrow, or knowing glance. It really adds an excellent, bonus nuance to how the characters interact with each other.

A must-read for fantasy and comics fans. Long live the Rat Queens! Can’t wait to read book two.

RatQueens-Vol.1-Content

Lazarus, Vol.1 – “Family” (Image)

Writer: Greg Rucka | Art: Michael Lark, w. Stefano Gaudiano & Brian Level | Colors: Santi Arcas

Forever Carlyle, the Lazarus of the Carlyle Family.

In a dystopian near-future, government is a quaint concept, resources are coveted, and possession is 100% of the law. A handful of Families rule, jealously guarding what they have and exploiting the Waste who struggle to survive in their domains.

Forever Carlyle defends her family’s holdings through deception and force as their protector, their Lazarus. Shot dead defending the family home, Forever’s day goes downhill from there…

Collects: Lazarus #1-4 & “Family: Prelude”

Prior to this, I was perhaps most familiar with Rucka’s first two, excellent Punisher volumes (must remember to finish off that series at some point). On the strength of just those books, I knew I wanted to read more of his work. That’s when I started to read and hear about Lazarus. As soon as this collection was available, I snapped it up and read it in one sitting. All I can say is that the hype is justified. While short, this is a very strong beginning.

The story opens with a pretty long, brutal scene that gives us an eye-popping, wince-inducing introduction to the nature of a Lazarus:

Lazarus-01-Interior1

Despite the above attempted-murder, Forever has plenty of… gumption left in her, and isn’t averse to doling out her blunt Family Justice:

Lazarus-01-Interior8

Over the course of these four issues, we learn about Forever’s psyche – she is unsure about the society in which she lives. She feels disconnected from her family, uncomfortable with her purpose, her nature. One gets the feeling that she’s headed for a break with the Family. It’s going to be an explosive journey, I’m sure.

The book offers a short, tantalizing taste of the Lazarus world, the dystopia controlled by a select few Mafia-on-steroids-like families. We’re not overburdened with world-building, but Rucka gives us just enough in the story to get situated, leaving breadcrumbs for us to follow and keep us guessing and get us hooked. This book is a perfect example of how comics can be used to show us new worlds and stories, without resorting to telling (which I still find strangely common for a visual medium). Forever is sent to parlay with a rival family, the Morrays. We learn through her mission that there is at least one other Lazarus, a member of the Morray family. They have met before, and share a deep affinity for each other’s situation and understanding of their lives – given their nature who else, really, could related? Meanwhile, Forever’s family members, her “brothers and sisters”, are plotting against her, each other, and their father. This does not bode well for the future.

Lazarus-01-Interior7

The pacing is fast but not rushed. It’s a dystopian world, the families appear in total control of the Americas, in a neo-feudal system that benefits the Families, while everyone else is categorised as either “Serfs” or “Waste”. It’s the argument against tyranny and the 1% writ large, exaggerated into a truly crushing social order.

Overall, this book is really quite excellent. I would have preferred a bit more world-building, sure, but I have a feeling this will be unrolled slowly and when necessary over the course of the series. The book is rather slim in length, which might leave people dissatisfied. I certainly would have liked more, but I see why the story was stopped here for the first volume. I can’t wait to read Volume 2. It’s not difficult to see why it has received so much praise. Very highly recommended, but if you need your comics more substantial in length, you may want to wait until the second collection is released/available before diving in them both together.

Lazarus-Vol.01-Interior1

You just might just like it…

Witchblade: Rebirth, Vol.1 – “Unbalanced Pieces” (Top Cow/Image)

Witchblade-Rebirth-Vol.01Writer: Tim Seeley | Art: Diego Bernard | Inks: Fred Benes, Alisson Rodrigues | Colors: Arif Prianto of IFS

In the wake of Top Cow’s Rebirth, Sara Pezzini has relocated from New York to Chicago and struggles to adapt to being a private detective. Pezzini quickly discovers that a change of scenery and occupation hasn’t changed one thing… the Witchblade is still a magnet for the supernatural Quickly drawn into a conflict between two mystical gangs, she must once again balance her responsibility as bearer of the Witchblade with her personal life.

Collects: Witchblade #151-155

I haven’t read a great deal of Witchblade comics, or other comics in Top Cow’s universe (Artifacts, The Darkness), but I’m somewhat conversant in the mythology. I read the first book by Ron Marz, which was itself a reboot/jumping-on-point, but then became distracted by the New 52 and a selection of other books (I’m not proud of it, but… Batman, baby!). After it was announced that Tim Seeley was taking over writing duties, my interest was piqued once again, having rather enjoyed his Hack/Slash horror-comedy series. So I dove in… And rather liked what I found.

I’m not sure that this needs a particularly long review. People who know the series already will know pretty much what to expect – it’s dark, gothic, but also slick. The only major difference is the location, as Sara has moved to Chicago (interestingly, that’s also where Dick “Nightwing” Grayson just moved to in the DC New 52). For new readers, this book has a lot of extra material that gives you some background. It’s not essential to read in order to enjoy this, though, as the concepts are pretty tried-and-true, but with some well-conceived and original developments.

Seeley blends a private investigator storyline and feel with just the right amount of weird in the first issue/chapter to get us intrigued. But then things get really weird – Sara tangles with biker witches, age-sucking creatures with a very strange version of their own ‘Witchblade-armour’, and a strange, supernatural beastie with a long history of fighting bearers of the Artifacts…

Things are not going well for Sara in her new environment, and her sense of displacement and ennui is well written. She’s finding her place, and it’s not going particularly well – on the social, financial, and divine purpose fronts. Add to this a policewoman who has it in for Sara, and a rather unsatisfying romantic (un)attachment with a stage magician harbouring an ulterior motive.

The story is well-written, well-paced and well-realised. Despite my aforementioned lack of fore-knowledge of the extended Witchblade mythos, I didn’t have any trouble following this. It’s weird, it’s sometimes amusing, it’s often creepy. The art team does a great job of bringing Seeley’s story to life on the page in crisp, sharp artwork. It’s eye-catching and vivid. I’m very glad I picked up volumes two and three in the ComiXology sale the other day, as I think I’ll be sticking around for a lot more of this series. I may have to try out the Rebirth The Darkness series, too.

If you are a fan of supernatural stories, filled with the occult, magical and gothic weirdness – not to mention a few gribbly beasties – then Seeley’s Witchblade is absolutely for you. Definitely recommended.

Graphic Novel Round-Up (September)

GraphicNovelsRead-201309-1

I’ve not been keeping on top of graphic novels and comics as I had been – just been too busy and distracted. Nevertheless, this weekend I was able to catch up on some, so I decided to write very quick reviews of those that stood out.

Reviewed: East of West, Vol.1; Wolverine & the X-Men, Vol.3; Astro City, Vol.1, Archer & Armstrong, Vol.1

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EastOfWest-Vol.01East of West, Vol.1 – “The Promise” (Image)

Writer: Jonathan Hickman | Artist: Nick Dragotta

This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.

Collects: East of West #1-5

This is a pretty interesting series. It was much-hyped when it was first published, but I nevertheless waited for the first story-arc/volume to be available. It is a dystopian future, where much of life seems to have been consolidated onto the American continent. There is an apocalyptic storyline that keeps you guessing, as three of the four horsemen ride out (after being reborn) to track down their missing fourth. Death, as it happens, is the MIA horseman, and he is pursuing his own agenda and mission. Specifically, to find his missing love.

EastOfWest-Vol.01-Interior6

There’s a fair mount going on in the first issues that make up this opening story-arc. It’s well-written and very well-rendered. The artwork is superb, with not a few arresting pages and panels (see, for example, above and below). The story has a lot of influences that one might be able to spot (I couldn’t say for definite if they are genuine influences, or just things I spotted and have associated with my own science fictional/dystopian favourites).

EastOfWest-Vol.01-Interior4

It’ll certainly be interesting to see how this series shapes up in both the short and long-run. Count me in for the long-haul. This is a must-read for anyone who likes dystopian futures, apocalyptic stories, with a healthy dose of futuristic politics, technology, weirdness, and an expertly written story. The artwork complements Hickman’s narrative excellently. Plenty of surprises, but pleasantly familiar at the same time. Recommended.

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Wolverine&XMen-09Wolverine & the X-Men, Vol.3 (Marvel)

Writer: Jason Aaron | Artists: Chris Bachalo & Nick Bradshaw | Colors:

AvX tie-in! Wolverine is torn between two teams! Cyclops comes to the Jean Grey School to extend an olive branch, but will Wolverine’s X-Men join their estranged ex-teammates against the Avengers? And even if they do, will the students follow their lead? After seeing the events of AvX, the kids have a choice to make – but it may not be what you expect!

Plus: Iceman vs. Red Hulk! Kid Gladiator goes after the Avengers single-handedly! The Shi’ar Death Commandos take on the Phoenix! And the secret history of Warbird!

Collects: Wolverine & the X-Men #9-13

I enjoy this series a lot, actually. At first, I had been left a bit wary by the sense of humour, but it has leveled out very well – it’s quirky, funny, and well written. This volume, however, while still enjoyable, also highlights all of my issues with Marvel’s near-endless cross-title Events. In this case, the too-long-running Avengers vs. X-Men. Now, I was lucky that I had read the AvX twelve-issue mini-series, which meant I did have an overall idea of what was happening. However, without that, this book would have come across bitty and confusing: the characters jump about too much, not to mention suddenly, and it feels very much like only a small part of a larger story. There were also a few moments of fast-forward in order to prepare the characters for the massive Event. This grates, because it means Marvel consciously forced writers to refer everything back to the larger event. Therefore, this is not so much a “tie-in” but a “companion”. A pity. For those who have read the main mini-series, though, this book will give you more context and added depth to the conflicts of the central characters – particularly Wolverine. I also really liked the final chapter/issue collected here, and the background we got for Warbird, Kid Gladiator’s bodyguard. Really good issue – the art, story, everything. Excellent.

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The whole book is brilliantly rendered, actually. The contrast between Bachalo’s and Bradshaw’s artwork, while stark, does not jar when we do shift. Instead, they somehow manage to complement each other rather well. It’s vibrant, eye-catching, amusing, filled with detail and sometimes subtle. Superb support for Aaron’s writing and story, which they both really manage to bring to life.

Volume 4 is also connected to AvX, but I’ll be reading it anyway, given my fondness for the characters involved. The first two volumes focused more on the school and the new students (and the runaway bamfs, who are always amusing, as is Broo), which I hope we’ll return to in the very near future.

Wolverine & the X-Men is one of the few series that continued post-AvX basically unchanged, for which I am glad. I’ll probably read volume 4 this coming week(end).

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AstroCity-Vol.01-ArtAstro City, Vol.1 – “Life in the Big City” (DC Comics)

Writer: Kurt Busiek | Artist: Brent Anderson

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city’s leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

I’m not really sure what to write about this book. It is certainly interesting and worth reading – especially if you are a fan of comic-book heroes in general. The first chapter focuses on a very busy super-hero: he’s super-focused on saving as many people as possible, while also keeping down his job as a fact-checker at a publication. Unfortunately, he never seems to have the time to enjoy his super-powers. Like flying. It’s a very nice story, and the character is re-visited later in the book, when he goes on a date with a heroine of the city. This was an interesting chapter, which looked at the motivations of super-powered vigilantes, and also touched upon some of the classic clichés and patronizing tone leveled at female characters (which is, of course, the point).

The book is filled with nostalgic touches, from the use of a newspaper office as a location (a nod to Superman), but also the “$” signs on the swag bags from the robbery. It’s really quite fantastic. True, I think much of the attraction comes from nostalgia and a wish to peal back the curtain on the lives of super-heroes and those their actions impact.

If you are familiar with classic super-hero tropes, and are looking for both a nod to nostalgia and a development of the lives of these heroes, then Astro City is a must read. This is a really interesting introduction to the series, and I look forward to reading more of it. Certainly recommended.

*

Archer&Armstrong-Vol.01Archer & Armstrong, Vol.1 – “The Michelangelo Code” (Valiant)

Writer: Fred Van Lente | Artist: Clayton Henry, Pere Peréz (#3-4) | Colors: Matt Milla

It’s history in the breaking! After years of meditation and training, 18-year-old Obadiah Archer has been dispatched to New York City to carry out the sacred mission of his family’s sect – locate and kill the fun-loving, hard-drinking immortal known as Armstrong! But as this naive teenage assassin stalks his prey, he’ll soon find that both hunter and hunted are just pawns in a centuries-old conspiracy that stretches from the catacombs beneath Wall Street to the heights of the Himalayas. And Archer & Armstrong will have to work together if the future is to stand any chance of surviving the past’s greatest threat!

Collects: Archer & Armstrong #1-4

This is my second Valiant collection, after the somewhat disappointing Bloodshot (sorry, it just didn’t click with me, despite my past fondness for the author’s work). After reading this collection, I must say I remain on the fence. The two protagonists had a lot of potential. Archer is the brain-washed son of a crazy, right-wing, creationist power-couple – the opening pages of the book leave little doubt as to how we’re supposed to think about them (if any member of the GOP needs ‘proof’ that publishing were an anti-conservative brand of the liberal media…). Armstrong is the immortal, and shares not a few characteristics with Obelix. This does not make Archer an Asterix analogue, but their relationship does have shade of the Gaulish favourites. Archer is tasked with killing He Who Must Not Be Names (Armstong), and to that end is shipped off to New York City, that hive of villainy and sin. But, our young crusader quickly comes across evidence that his parents are actually the crazy, evil bastards that he has been brought up to abhor. Naturally, this comes as something of a shock to our highly-gifted, rather deadly young hero. Together with Armstong, he sets off on a mission to save the world from the evil machinations of the Sect, who know nothing of the forces with which they are meddling.

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I’m not sure if this was meant to be taken at all seriously. I get the feeling that Van Lente and Co. are aiming for truth-through-farce, which is something they have certainly managed to achieve. The tone is light throughout – sometimes too light. True, I do like a bit of darkness in my comics, but this title seemed to not quite get the appropriate balance – when a supposedly ‘serious’ scene came along, it was overshadowed by something silly that happened either just before or immediately after. The “commentary” was at times rather forced, blunt, and simplistic, which weakened the impact. The humour ranged from smile-worthy to meh. (That really should be a technical term… Sadly, it just just an onomatopoeic way of indicating my lack of enthusiasm.)

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The story was a bit run-of-the-mill, focusing on one-percenters led mega-conspiracy to keep the masses poor and downtrodden. And yet, despite the unevenness, the lack of preparedness for the tone… I kept reading.

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I really couldn’t say for sure if I thought this was actually good or just so bad it went out the other side and became readable. There are certainly things I didn’t like, and yet it seems to be knowingly poking fun at all of the things I like to poke fun at, too. It’s left me rather unsure what I think. I hate that…

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Will I be reading the next story-arc? Well… maybe. I’m not in any hurry to do so, but given the frequency with which Valiant Comics offers sales on ComiXology, I will probably be tempted in the not-to-distant future.

Hack/Slash, Vol.9 – “Torture Prone” (Image)

Writer: Tim Seeley | Artist: Daniel Lester | Colors: Mark Englert

In a dark future ruled by the Murder Messiah, street witch Liberty Lochs is on a mission to change the past. Meanwhile, horror heroes Cassie Hack and Vlad must contend with an obsessive serial killer, and a duo of slashers they thought they’d already put down.

Collects: Hack/Slash (Image) #1-4

I heard about this series last year, when I saw the second, massive omnibus edition in The Strand in New York. I had no idea what it was all about, and didn’t have enough cash to buy it. Then, after Seeley was announced as the new writer for Witchblade, I decided to give his back catalog a look (I tend to do this sort of thing). I started with the mini-series published by Image, My First Maniac, which I enjoyed a great deal. Little did I know that none of the original, pre-Image series was available on ComiXology (please fix this soon…!). This is also why I am, quite inexplicably, willing to start with the ninth volume of a series. With the final issue now out, it seemed like a great time to dive in and read the whole lot (there were only 25 issues published by Image). All in all, this is a solid, quirky, original, slightly unsettling comic. Pretty cool, then.

[This is another review that has been languishing for quite some time. A lot more graphic novel reviews to come, as I power through in my catch-up.]

To kick things off, it might be a good idea  to share the synopsis from Volume 1, as it lays out the root premise of the series quite nicely:

“In every slasher movie, there’s one girl who makes it all the way to the end. She’s the survivor… the last girl. Meet Cassie Hack, the lone survivor of an attack by a vicious slasher called The Lunch Lady. Now Cassie, along with her monstrous partner, Vlad, travel the country, hunting down other slashers before they can leave a trail of blood and terror.”

In this book, we’re dropped right back into the already-established story, but I didn’t find myself particularly lost (there’s a handy dramatis personae at the start of each issue, which will help locate other new readers). The story sees Cassie and Vlad separated from their companions, drawn away by the Acid Lady – a lurker (catch-all term for the beasties and other supernatural antagonists) with the body of an implausibly sexy woman, and the ability to dissolve others with a mere touch, as well as the ability to control them through contact. The two sides have clashed before, in a previous story-arc.

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Those breasts are ridiculous!

Cassie and Vlad are forced to examine their situation and partnership – Vlad feels a little taken for granted. They decide to jettison their friends by the end, and to strike out on their own. Before that, though, they need to deal with the undead creatures who are attacking their friends… Revelations abound.

The humour in the series is pretty good. It sometimes errs a little too close to puerile/sophomoric for me, but I’d be lying if I said it never made me chuckle (see below).

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Ah, boobs-in-the-face. A winning strategy in motivating your monster sidekick…

The demon dog, for example, was quite amusing. And poor Cat Curio (“Girl Sherlock”)… her story was amusing because she was more hapless than not, yet surprisingly effective and capable in a really strange way…

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Those two middle panels made me chuckle.

Overall? This is quite fun. The artwork is reminiscent of Zenescope’s cover aesthetic, at times (including the bottom-accentuating cover visual), and some bodies are bizarrely shaped (particularly the women, all of whom are buxom and curvy – I wonder if this is part of the tongue-in-cheek, knowing nods to slasher movies, and the high number of gorgeous women in those, too…?). But, in general, this is a strange, slightly bonkers horror comic that is filled with tongue-in-cheek humour, bloody monster hunting, and a pretty good story.

I haven’t managed to get the next volume (“Dead Celebrities”), yet, but as soon as I have the available, disposable funds, I’ll be sure to expand my collection. I did, however, get hold of Seeley’s Revival, which was on sale through ComiXology a little while ago. I hope to review that very soon, as I’ve dipped in already and think it’s equally weird and cool. (Wow, that has got to be the least eloquent endorsement, true as it is…)

I’d recommend this for anyone looking for something a little different – a mix of horror, comedy, supernatural, and even a smidgeon of super-hero themes. Seeley’s a talented writer, and I look forward to reading a lot more of his work.

Mini-Review: Fatale, Vol.1 – “Death Chases Me” (Image)

CRIM008_cvrWriter: Ed Brubaker | Artist: Sean Phillips | Colors: Dave Stewart

In modern times, Nicolas Lash stumbles upon a secret that will lead him down the darkest path imaginable… to a seductive and ageless woman who’s been on the run since the 1930s.

And in 1950s San Francisco, reporter Hank Raines crosses paths with that same woman and gets caught in a vicious triangle between a crooked cop and a man who is more monster than man.

But who is Josephine and what is her secret? And how many men will die and kill for her?

Collects: Fatale #1-5

Brubaker and Philips’s Fatale is an interesting, if flawed blend of noir-ish thriller and horror suspense and weirdness. The series has enjoyed plentiful good and middling coverage in all comic-related corners of the internet. I’m not really sure I can add much to the discussion, to be honest. After finishing it, I found I had very little opinion on it – positive or negative.

The story is fine: there are corrupt cops; a rash of strange, “cult killings” all over San Francisco. This first volume follows a number of slightly-muddled story-threads, which all lead up to an underground confrontation with a cult-leader (who is a lot more than he appears to be). Josephine appears to have a strange, powerful allure for apparently all men she encounters – and, of course, a mysterious past. Despite my interest in such stories, though, Fatale never really managed to excite my interest beyond the cursory.

The artwork is good, and certainly enhances the atmosphere and noir-feel to the story, but it is sadly not a style I would spend much time lingering over.

I think Fatale would have worked much better as a prose-novel. It was too fast-paced near the end, despite an almost agonizingly-slow build up at the start. Despite my qualms and reservations, it will be interesting to see how the series develops in the second volume, but I wouldn’t rush to buy it. (Luckily, I recently got Volume 2 through NetGalley, so I could get to it a lot quicker than I otherwise would have done).

In conclusion, then, and coming from a huge fan of Brubaker’s other work – specifically his initial run on Marvel’s Captain America (and Winter Soldier), Gotham Central (review coming soon), and also Batman: The Man Who Laughs – I’m sad to say that this was a massive disappointment.

I borrowed Fatale Volume 1 from the local library.

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