In 2021, Stacey Swann‘s “bighearted debut”, Olympus, Texas will arrive on shelves in North America and in the UK. I spotted it in a catalogue, and I’m very intrigued by it — it has “technicolor characters, plenty of Texas swagger, and a powder keg of a plot”, and has been described as “Wildly entertaining” by Richard Russo, who happens to be one of my favourite authors. So, yeah. Very much looking forward to giving this a try. here’s the synopsis:
The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother’s wife. His mother, June, hardly welcomes him back with open arms. Her husband’s own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March’s arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down.
An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don’t we all wonder: What good is this destructive force we call love?
Stacey Swann’s Olympus, Texas is due to be published by Random House in North America and Weidenfeld & Nicolson in the UK, on May 4th, 2021.
There have been quite a few novels released in the past couple of years (and upcoming) with music at the heart of them. Taylor Jenkins Reid’s
Elizabeth Knox‘s The Absolute Book generated quite a bit of positive buzz when the publisher(s) sent out the advance review copies. It kept popping up in my Twitter feed, typically accompanied with a positive review or response. Now that we’re getting closer to its publication, I thought it was time to write a quick post about it. Pitched as a contemporary fantasy that is a “spellbinding mix of Jonathan Strange & Mr Norrell, American Gods and His Dark Materials” (quite an interesting mix), here’s the synopsis:
A policeman, Jacob Berger, questions her about a cold case. Then there are questions about a fire in the library at her grandparents’ house and an ancient scroll box known as the Firestarter, as well as threatening phone calls and a mysterious illness. Finally a shadowy young man named Shift appears, forcing Taryn and Jacob toward a reckoning felt in more than one world.
With the considerable (and deserved) success of Silvia Moreno-Garcia‘s
An intriguing, varied collection of short fiction
An interlinked tour through the New York music industry, and some of the lives it intersects with…
Taylor Jenkins Reid‘s
The only person not looking forward to the party of the year is Nina herself, who never wanted to be the center of attention, and who has also just been very publicly abandoned by her pro tennis player husband. Oh, and maybe Hud — because it is long past time for him to confess something to the brother from whom he’s been inseparable since birth.
An intriguing collection of speculative, creepy stories
I spotted The Four Winds in a Macmillan catalogue, and my eye was caught first by the cover — doing its job, and making me stop to read the synopsis, which only increased my interest in reading Kristin Hannah‘s upcoming novel. Due to be published by
An interesting, timely debut novel