Guest Post: “Writes & Wrongs” by Edward Cox

CoxE-AuthorPicIt’s time for me to admit that I might have taken the longest route possible to getting an agent. I’m something of a blunderer by nature, and learning the hard way is the theme of my life. So much so that I sometimes wonder how I managed to get an agent at all.

The original version of The Relic Guild is very different from the version that was signed by Gollancz. It was written for a Master’s degree that I concluded in in 2009. When I was coming to the end of that degree, I had been wondering if my work could hold its own with the bigger names in the publishing industry. I sent the first three chapters and a synopsis of the novel to the man who is now my agent. It impressed him enough to request the remainder of the book. However, although that early version of The Relic Guild gained me an MA, it didn’t quite make the grade with my agent.

For the sake of avoiding long and boring explanations, let’s just say that the original version was something akin to an academic exercise. The result fell somewhere between a fantasy adventure and a pseudo-intellectual dystopian wannabe. It was right for academic purposes, but wrong for the publishing industry. It had potential, but lacked focus and commercial value. Make it the fantasy adventure it wants to be, my agent said, and then we’ll do business. Continue reading

A Quick Comment on the Gemmell Award Shortlists, and One of the Nominees. Sort of…

This post is a bit of a break from the norm for me. I’m also not really sure what it’s meant to do. It’s a bit waffley, for which I apologise only slightly, and in not entirely a heartfelt manner. Fiction awards mean very little to me, being neither author, editor, publisher, nor agent. (At least, not yet…) This means I have never (to my recollection) written a post of any worth/note about shortlists or winners.

Brett-DaylightWarUKAward lists tend to pass me by without comment or thought. Invariably, this is because there aren’t any books featured that I’ve read – or, if there is, it is one that didn’t leave much of an impression one way or another. This year has been a bit different, however. For example, Kameron Hurley’s God’s War has been cropping up on a few shortlists, and it’s a book I rather enjoyed. So that made a nice change.

The shortlists for the Gemmell Awards were announced today at Eastercon. In a real break from the norm, the shortlist for the Legend Award (best fantasy) features not only five authors I have read, but also a book I feel particularly strongly about. So I thought I’d write a quick blog post about it. The book in question is Peter V. Brett’s The Daylight War, the third in his Demon Cycle series.

[Before I continue, let me just state that my focus on this book is not an indictment of the other authors nominated for the award. I just feel particularly strongly about this one. The other Legend nominees – Mark Lawrence, Scott Lynch, Adrian Tchaikovsky, and Brandon Sanderson – are great authors, too, whose works I have enjoyed very much. I just haven’t read their nominated novels.]

I’ve been experiencing a phase of fantasy disenchantment, lately. In fact, looking back over the past year or so, I’ve read far less (epic) fantasy than I would have expected. I have picked up and discarded more fantasy novels than I usually do, too. I just can’t get into anything, nor can I rustle up the enthusiasm to sit through hefty tomes.

Brett-DaylightWarUSThere is one clear exception to that, though, and that’s Brett’s series. Every time I think about reading a fantasy novel, I find myself wistfully wishing that the next novel in the Demon Cycle was already available. This is because there are very few authors who do it better. That’s not to say other fantasists writing today aren’t good, or are lacking in talent – far from it. But, really, I think the only epic fantasy series I would happily drop everything to read the next book in, is the Demon Cycle. Everything about the novels just works for me – the story, prose, characters… everything. I don’t think, across the three novels published so far, I’ve come across anything that gave me pause. I read the first, The Painted Man, in three sittings – the final sitting a 300-page marathon, which I finished at 4am. I read the second and third novels back-to-back (something I rarely do), eschewing everything else – true, I was unemployed at the time, and had little else to do; but nevertheless, all I wanted to do was read the books.

I haven’t experienced that level of Reading Insistence since I read Scott Lynch’s The Lies of Locke Lamora – the book that got me back into reading fantasy in the first place (as I think I’ve mentioned ad infinitum on the blog). In the case of Lynch’s series, I went straight out and bought Red Seas Under Red Skies when I was only two-thirds of the way through the first book – I even didn’t mind that it was the (frankly ghastly) shiny red-covered edition. Since then, and given the understandable delay before the third book came out, I have been almost afraid to go back and re-read the series to catch up.

Oh actually, that’s not entirely true – I was also incredibly impatient about getting hold of Brent Weeks’s Night Angel Trilogy. I must have pestered the Orbit publicist to the point of irritation, requesting the final two books… I was also really late to Abercrombie’s First Law trilogy, and I do consider Before They Are Hanged to be one of my favourite novels.

Regardless, the point I’m trying to make is that very few epic fantasy novels have really grabbed hold of my imagination and attention. And, I think, none more so than Brett’s Demon Cycle.

So, to bring this ramble back around to the topic at hand, I really hope The Daylight War wins the Legend Award.

***

The David Gemmell Awards ceremony will take place at London’s Magic Circle on June 13th, 2014.

***

Peter V. Brett’s The Daylight War is published in the UK by Voyager, and in the US by Del Rey. The first two volumes in the series – The Painted Man (UK)/The Warded Man (US) and The Desert Spear are published by the same publishers. Two novellas have also been collected into a single volume: The Great Bazaar and Brayan’s Gold. If you haven’t read them yet, and have any interest in fantasy, then I could not recommend them enough. You won’t regret reading them, I’m sure.

My reviews of the books: The Painted Man, The Desert Spear, The Daylight War and The Great Bazaar and Brayan’s Gold.

***

Regarding the Other Shortlists…

For the Morning Star category (best debut), I really enjoyed Brian McClellan’s Promise of Blood – it is also the only novel on the shortlist I’ve read.

In the Ravenheart category (best artwork), I actually like them all, and quite a lot. But I don’t understand why any of the covers for Elizabeth Bear’s Eternal Sky fantasy trilogy didn’t make it onto the final list… (I haven’t read any of the novels, but I want to, and those covers are frankly stunning.)

Interview with MARK SMYLIE

SmylieM-AuthorPicLet’s start with an introduction: Who is Mark Smylie?

Let’s see. I was born in Florida; my mother was Japanese, she had come to the States to study piano at Julliard, and my father is a Presbyterian minister who worked for the Church’s national body as their liaison to the United Nations (now long retired). I grew up in New Jersey and have lived there on and off for most of my adult life (with stints in New York and California). I’ve worked mostly in comics publishing, both as a writer/artist and as a publisher (I founded a company called Archaia that is now an imprint at BOOM! Studios).

Your debut novel, The Barrow, was published by Pyr Books last month in the US and this week in the UK. How would you introduce the novel to a new reader? Is it the first in a series?

The novel was written as a stand-alone but Pyr has agreed to publish two sequels so, yes, for better or for worse I’m afraid it’s yet another fantasy trilogy. The novel is part epic fantasy, part horror story, and I guess what could be termed part undercover detective story. At first glance it’s about a group of criminals and adventurers of few if any scruples that are following a map to find a fabled lost sword, but nothing is quite as it seems.

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The novel is, I believe, adapted from a comic series. What inspired you to write the novel, and what was it like adapting the world for fiction?

It might be more accurate to say that the novel is spun off from a comics series I (used to) write and draw, an epic military fantasy story called Artesia, but it’s actually an adaptation (and expansion) of a screenplay begun back in 2004 or so. I wrote the initial screenplay with my brother, John Smylie, and a friend of ours, Hidetoshi Oneda, who was a commercial director that worked mostly in Japan. We were working on the idea of creating a low-budget prequel to the comics series (which given its military content is something that would be very costly to try filming as is). The story was initially intended as a kind of metaphor for the search for weapons of mass destruction, as we were starting to get deep into the messy aftermath of the invasion of Iraq at the time. My brother and I had always talked about the idea of turning it into a novel at some point. In many ways the novel as a medium is much better suited for fantasy writing; you get more of a chance to fill in background and flesh out a world, I think, than you do in comics, where the format of panels and word balloons is much more restrictive.

Where do you draw your inspiration from in general?

LockStock&2SmokingBarrelsAll over the place. The setting is inspired by Greek, Roman, and Celtic mythology, late medieval and early Renaissance Europe, Marija Gimbutas’ writings on proto-European Goddess culture, Carlo Ginzurg’s work on shamanism and medieval witchcraft; there are bits and pieces of the poststructuralist analysis of mythology from writers like Vernant and Detienne, classic Joseph Campbell monomyth hero quests, years of roleplaying games and other fantasy novels. The underground scene of the main city in the story is modeled after some years spent living in New York City in the late ’80s and early ’90s when the city still felt a little dangerous, so there’s a kind of postpunk, transgender vibe going on as well which might seem odd for a fantasy setting to some readers (and the film script was originally conceived as Dungeons & Dragons meets Lock Stock & Two Smoking Barrels or The Usual Suspects). Horror films, military history, costume, cooking and cuisine; it all kind of gets thrown in a blender.

How were you introduced to reading and genre fiction?

My father used to read my brother and I stories when we were little kids; he read us the Chronicles of Narnia, and he was reading us Tolkien when my father realized we were finishing the pages faster than he was reading them aloud. So my brother and I went on to finish the Lord of the Rings on our own. I’ll read other genres and general fiction, but fantasy literature is where I come back again and again.

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How do you enjoy being a writer and working within the publishing industry?

I feel very, very lucky. I mean, it’s a difficult industry to work in with the rewards few and far between, but I’ve been very fortunate to do something that I love and to publish the works of a lot of writers and artists that I admire.

Do you have any specific working, writing, researching practices?

I’ve got a pretty large research library, it’s a reasonably specialized one built over 20+ years of book collecting, so a lot of the time I sort of wander over to my bookshelves with an idea in the back of my head – a remembered illustration, or a chart, or a line of text – and start flipping through pages. I’ll make notes to myself about something that I want to include in the story – a myth, a kind of pastry, a piece of costume – and use those notes to build the details of the world. I think a fantasy setting needs to feel real, like you can smell it, taste it. Though nowadays a lot of readers don’t seem to have much time for exposition; they just want to read dialogue, as though we’re now a nation of script readers. I try to have an outline that I’m constantly reworking as I write, so that I know how what I’m writing is going to tie into where I want to wind up. And then I reread and rewrite.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I don’t think I ever made a conscious decision to be an author. I took art classes in high school, drew comics, played a lot of roleplaying games; I took a creative writing class in college and found it kind of tough going, in part because I was always a genre guy and back then genre wasn’t something you were supposed to aspire to. I tried my first “official” comic book soon after college but couldn’t find a publisher for it; it wouldn’t be until my comic book Artesia came out, when I was thirty, that I would have my first published work as a writer/artist.

Artesia-01B

What’s your opinion of the genre today, and where do you see your work fitting into it?

We’re definitely living in a kind of geek Golden Age – whether it’s television, comics, film, novels, there’s an enormous variety in terms of the kind of material that’s out there and so much of it is being produced at a very high level of quality. I think that also makes it very competitive for those of us that are tying to get our work out in this kind of marketplace right now, which can be kind of tough. I’m not sure where my own work falls into it all; Artesia was sort of a pagan Joan of Arc military fantasy story, but The Barrow is more horror-oriented, very much grimdark, I suppose, though I didn’t discover that term until a few months ago.

What other projects are you working on, and what do you have currently in the pipeline?

Well, in terms of my personal work I’m currently working on the sequel to The Barrow, called Black Heart, along with a board game set in the world of the book and the comics, with an eye towards doing a second edition of an Artesia roleplaying game that I put out back in 2005. I’m still at Archaia as my day job, transitioning over to hopefully starting a games line for the company soon.

What are you reading at the moment (fiction, non-fiction)?

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For fiction I’m juggling Steven Erikson’s Gardens of the Moon (I’d never read Erikson before but several reviewers have compared my work to his so I figured I’d better get familiar with it), Scott Lynch’s Republic of Thieves, and Kate Elliott’s Cold Magic. For non-fiction research I’ve been glancing through City of Sin, a history of the underbelly of London by Catharine Arnold, and Israel’s Beneficent Dead: Ancestor Cult and Necromancy in Ancient Israelite Religion and Tradition by Brian Schmidt.

SmylieM-ReadingNonFiction

What’s something readers might be surprised to learn about you?

Given the sex and violence in the book I suspect some readers might be surprised to learn that I have a daily yoga practice (hatha raja vinyasa mixed with ashtanga). Or that I have a lot of cats (not on purpose).

What are you most looking forward to in the next twelve months?

World peace and a cure for cancer?

Excerpt & Giveaway: WORDS OF RADIANCE by Brandon Sanderson (Gollancz)

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Brandon Sanderson’s Words of Radiance is one of the most hotly-anticipated epic fantasy novels of the year. Published by Gollancz (UK) and Tor Books (US).

Thanks to Gollancz, who also provided this excerpt (Chapter 3), there is a copy of the book up for grabs! All you need to do to be in with the chance of winning it is to re-tweet this excerpt on Twitter, follow @civilianreader, and include the hashtag “#CRWoR”. Simples. If you are not on Twitter, then you can leave a comment at the end, and I’ll include you in the random draw, as well. The winner will be selected at the end of the day (9pm) – unfortunately, the giveaway is for UK only.

(See banner, below, for upcoming stops on the blog tour.)

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Soldiers reported being watched from afar by an unnerving number of Parshendi scouts. Then we noticed a new pattern of their penetrating close to the camps in the night and then quickly retreating. I can only surmise that our enemies were even then preparing their stratagem to end this war.

— From the personal journal of Navani Kholin, Jeseses 1174

Research into times before the Hierocracy is frustratingly difficult, the book read. During the reign of the Hierocracy, the Vorin Church had near absolute control over eastern Roshar. The fabrications they promoted — and then perpetuated as absolute truth — became ingrained in the consciousness of society. More disturbingly, modified copies of ancient texts were made, aligning history to match Hierocratic dogma.

In her cabin, Shallan read by the glow of a goblet of spheres, wearing her nightgown. Her cramped chamber lacked a true porthole and had just a thin slit of a window running across the top of the outside wall. The only sound she could hear was the water lapping against the hull. Tonight, the ship did not have a port in which to shelter.

The church of this era was suspicious of the Knights Radiant, the book read. Yet it relied upon the authority granted Vorinism by the Heralds. Th is created a dichotomy in which the Recreance, and the betrayal of the knights, was overemphasized. At the same time, the ancient knights — the ones who had lived alongside the Heralds in the shadowdays — were celebrated.

This makes it particularly difficult to study the Radiants and the place named Shadesmar. What is fact? What records did the church, in its misguided attempt to cleanse the past of perceived contradictions, rewrite to suit its preferred narrative? Few documents from the period survive that did not pass through Vorin hands to be copied from the original parchment into modern codices.

Shallan glanced up over the top of her book. The volume was one of Jasnah’s earliest published works as a full scholar. Jasnah had not assigned Shallan to read it. Indeed, she’d been hesitant when Shallan had asked for a copy, and had needed to dig it out of one of the numerous trunks full of books she kept in the ship’s hold.

Why had she been so reluctant, when this volume dealt with the very things that Shallan was studying? Shouldn’t Jasnah have given her this right off ? It—

The pattern returned.

Shallan’s breath caught in her throat as she saw it on the cabin wall beside the bunk, just to her left. She carefully moved her eyes back to the page in front of her. The pattern was the same one that she’d seen before, the shape that had appeared on her sketchpad.

Ever since then, she’d been seeing it from the corner of her eye, appearing in the grain of wood, the cloth on the back of a sailor’s shirt, the shimmering of the water. Each time, when she looked right at it, the pattern vanished. Jasnah would say nothing more, other than to indicate it was likely harmless.

Shallan turned the page and steadied her breathing. She had experienced something like this before with the strange symbol- headed creatures who had appeared unbidden in her drawings. She allowed her eyes to slip up off the page and look at the wall — not right at the pattern, but to the side of it, as if she hadn’t noticed it.

Yes, it was there. Raised, like an embossing, it had a complex pattern with a haunting symmetry. Its tiny lines twisted and turned through its mass, somehow lifting the surface of the wood, like iron scrollwork under a taut tablecloth.

It was one of those things. The symbolheads. This pattern was similar to their strange heads. She looked back at the page, but did not read. The ship swayed, and the glowing white spheres in her goblet clinked as they shifted. She took a deep breath.

Then looked directly at the pattern.

Immediately, it began to fade, the ridges sinking. Before it did, she got a clear look at it, and she took a Memory.

“Not this time,” she muttered as it vanished. “This time I have you.” She threw away her book, scrambling to get out her charcoal pencil and a sheet of sketching paper. She huddled down beside her light, red hair tumbling around her shoulders.

She worked furiously, possessed by a frantic need to have this drawing done. Her fingers moved on their own, her unclothed safehand holding the sketchpad toward the goblet, which sprinkled the paper with shards of light.

She tossed aside the pencil. She needed something crisper, capable of sharper lines. Ink. Pencil was wonderful for drawing the soft shades of life, but this thing she drew was not life. It was something else, something unreal. She dug a pen and inkwell from her supplies, then went back to her drawing, replicating the tiny, intricate lines.

She did not think as she drew. The art consumed her, and creationspren popped into existence all around. Dozens of tiny shapes soon crowded the small table beside her cot and the floor of the cabin near where she knelt. The spren shifted and spun, each no larger than the bowl of a spoon, becoming shapes they’d recently encountered. She mostly ignored them, though she’d never seen so many at once.

Faster and faster they shifted forms as she drew, intent. The pattern seemed impossible to capture. Its complex repetitions twisted down into infinity. No, a pen could never capture this thing perfectly, but she was close. She drew it spiraling out of a center point, then re- created each branch off the center, which had its own swirl of tiny lines. It was like a maze created to drive its captive insane.

When she finished the last line, she found herself breathing hard, as if she’d run a great distance. She blinked, again noticing the creationspren around her — there were hundreds. They lingered before fading away one by one. Shallan set the pen down beside her vial of ink, which she’d stuck to the tabletop with wax to keep it from sliding as the ship swayed. She picked up the page, waiting for the last lines of ink to dry, and felt as if she’d accomplished something significant — though she knew not what.

As the last line dried, the pattern rose before her. She heard a distinct sigh from the paper, as if in relief.

She jumped, dropping the paper and scrambling onto her bed. Unlike the other times, the embossing didn’t vanish, though it left the paper — budding from her matching drawing — and moved onto the floor.

She could describe it in no other way. The pattern somehow moved from paper to floor. It came to the leg of her cot and wrapped around it, climbing upward and onto the blanket. It didn’t look like something moving beneath the blanket; that was simply a crude approximation. The lines were too precise for that, and there was no stretching. Something beneath the blanket would have been just an indistinct lump, but this was exact. It drew closer. It didn’t look dangerous, but she still found herself trembling. This pattern was different from the symbolheads in her drawings, but it was also somehow the same. A flattened-out version, without torso or limbs. It was an abstraction of one of them, just as a circle with a few lines in it could represent a human’s face on the page.

Those things had terrified her, haunted her dreams, made her worry she was going insane. So as this one approached, she scuttled from her bed and went as far from it in the small cabin as she could. Then, heart thumping in her chest, she pulled open the door to go for Jasnah.

She found Jasnah herself just outside, reaching toward the doorknob, her left hand cupped before her. A small figure made of inky blackness — shaped like a man in a smart, fashionable suit with a long coat — stood in her palm. He melted away into shadow as he saw Shallan. Jasnah looked to Shallan, then glanced toward the fl oor of the cabin, where the pattern was crossing the wood.

“Put on some clothing, child,” Jasnah said. “We have matters to discuss.”

*

Sanderson-SA2-WordsOfRadianceUK-Banner“I had originally hoped that we would have the same type of spren,” Jasnah said, sitting on a stool in Shallan’s cabin. The pattern remained on the floor between her and Shallan, who lay prone on the cot, properly clothed with a robe over the nightgown and a thin white glove on her left hand. “But of course, that would be too easy. I have suspected since Kharbranth that we would be of different orders.”

“Orders, Brightness?” Shallan asked, timidly using a pencil to prod at the pattern on the floor. It shied away, like an animal that had been poked. Shallan was fascinated by how it raised the surface of the floor, though a part of her did not want to have anything to do with it and its unnatural, eye- twisting geometries.

“Yes,” Jasnah said. The inklike spren that had accompanied her before had not reappeared. “Each order reportedly had access to two of the Surges, with overlap between them. We call the powers Surgebinding. Soulcasting was one, and is what we share, though our orders are different.”

Shallan nodded. Surgebinding. Soulcasting. These were talents of the Lost Radiants, the abilities — supposedly just legend — that had been their blessing or their curse, depending upon which reports you read. Or so she’d learned from the books Jasnah had given her to read during their trip.

“I’m not one of the Radiants,” Shallan said.

“Of course you aren’t,” Jasnah said, “and neither am I. The orders of knights were a construct, just as all society is a construct, used by men to define and explain. Not every man who wields a spear is a soldier, and not every woman who makes bread is a baker. And yet weapons, or baking, become the hallmarks of certain professions.”

“So you’re saying that what we can do . . .”

Was once the definition of what initiated one into the Knights Radiant,” Jasnah said.

“But we’re women!”

“Yes,” Jasnah said lightly. “Spren don’t suffer from human society’s prejudices. Refreshing, wouldn’t you say?”

Shallan looked up from poking at the pattern spren. “There were women among the Knights Radiant?”

“A statistically appropriate number,” Jasnah said. “But don’t fear that you will soon find yourself swinging a sword, child. The archetype of Radiants on the battlefield is an exaggeration. From what I’ve read — though records are, unfortunately, untrustworthy — for every Radiant dedicated to battle, there were another three who spent their time on diplomacy, scholarship, or other ways to aid society.”

“Oh.” Why was Shallan disappointed by that?

Fool. A memory rose unbidden. A silvery sword. A pattern of light. Truths she could not face. She banished them, squeezing her eyes shut.

Ten heartbeats.

“I have been looking into the spren you told me about,” Jasnah said. “The creatures with the symbol heads.”

Shallan took a deep breath and opened her eyes. “This is one of them,” she said, pointing her pencil at the pattern, which had approached her trunk and was moving up onto it and off it — like a child jumping on a sofa. Instead of threatening, it seemed innocent, even playful — and hardly intelligent at all. She had been frightened of this thing?

“Yes, I suspect that it is,” Jasnah said. “Most spren manifest differently here than they do in Shadesmar. What you drew before was their form there.”

“Th is one is not very impressive.”

“Yes. I will admit that I’m disappointed. I feel that we’re missing something important about this, Shallan, and I find it annoying. The Cryptics have a fearful reputation, and yet this one — the first specimen I’ve ever seen — seems . . .”

It climbed up the wall, then slipped down, then climbed back up, then slipped down again.

“Imbecilic?” Shallan asked.

“Perhaps it simply needs more time,” Jasnah said. “When I first bonded with Ivory—” She stopped abruptly.

“What?” Shallan said.

“I’m sorry. He does not like me to speak of him. It makes him anxious. The knights’ breaking of their oaths was very painful to the spren. Many spren died; I’m certain of it. Though Ivory won’t speak of it, I gather that what he’s done is regarded as a betrayal by the others of his kind.”

“But—”

“No more of that,” Jasnah said. “I’m sorry.”

“Fine. You mentioned the Cryptics?”

“Yes,” Jasnah said, reaching into the sleeve that hid her safehand and slipping out a folded piece of paper — one of Shallan’s drawings of the symbolheads. “That is their own name for themselves, though we would probably name them liespren. They don’t like the term. Regardless, the Cryptics rule one of the greater cities in Shadesmar. Think of them as the lighteyes of the Cognitive Realm.”

“So this thing,” Shallan said, nodding to the pattern, which was spinning in circles in the center of the cabin, “is like . . . a prince, on their side?”

“Something like that. There is a complex sort of conflict between them and the honorspren. Spren politics are not something I’ve been able to devote much time to. This spren will be your companion — and will grant you the ability to Soulcast, among other things.”

“Other things?”

“We will have to see,” Jasnah said. “It comes down to the nature of spren. What has your research revealed?”

With Jasnah, everything seemed to be a test of scholarship. Shallan smothered a sigh. This was why she had come with Jasnah, rather than returning to her home. Still, she did wish that sometimes Jasnah would just tell her answers rather than making her work so hard to find them. “Alai says that the spren are fragments of the powers of creation. A lot of the scholars I read agreed with that.”

“It is one opinion. What does it mean?”

Shallan tried not to let herself be distracted by the spren on the floor. “There are ten fundamental Surges — forces —by which the world works. Gravitation, pressure, transformation. That sort of thing. You told me spren are fragments of the Cognitive Realm that have somehow gained sentience because of human attention. Well, it stands to reason that they were something before. Like . . . like a painting was a canvas before being given life.”

“Life?” Jasnah said, raising her eyebrow.

“Of course,” Shallan said. Paintings lived. Not lived like a person or a spren, but . . . well, it was obvious to her, at least. “So, before the spren were alive, they were something. Power. Energy. Zen-daughter-Vath sketched tiny spren she found sometimes around heavy objects. Gravitationspren — fragments of the power or force that causes us to fall. It stands to reason that every spren was a power before it was a spren. Really, you can divide spren into two general groups. Those that respond to emotions and those that respond to forces like fi re or wind pressure.”

“So you believe Namar’s theory on spren categorization?”

“Yes.”

“Good,” Jasnah said. “As do I. I suspect, personally, that these groupings of spren — emotion spren versus nature spren — are where the ideas of mankind’s primeval ‘gods’ came from. Honor, who became Vorinism’s Almighty, was created by men who wanted a representation of ideal human emotions as they saw in emotion spren. Cultivation, the god worshipped in the West, is a female deity that is an embodiment of nature and nature spren. The various Voidspren, with their unseen lord — whose name changes depending on which culture we’re speaking of — evoke an enemy or antagonist. The Stormfather, of course, is a strange off shoot of this, his theoretical nature changing depending on which era of Vorinism is doing the talking. . . .”

She trailed off . Shallan blushed, realizing she’d looked away and had begun tracing a glyphward on her blanket against the evil in Jasnah’s words.

“That was a tangent,” Jasnah said. “I apologize.”

“You’re so sure he isn’t real,” Shallan said. “The Almighty.”

“I have no more proof of him than I do of the Th aylen Passions, Nu Ralik of the Purelake, or any other religion.”

“And the Heralds? You don’t think they existed?”

“I don’t know,” Jasnah said. “There are many things in this world that I don’t understand. For example, there is some slight proof that both the Stormfather and the Almighty are real creatures — simply powerful spren, such as the Nightwatcher.”

“Th en he would be real.”

“I never claimed he was not,” Jasnah said. “I merely claimed that I do not accept him as God, nor do I feel any inclination to worship him. But this is, again, a tangent.” Jasnah stood. “You are relieved of other duties of study. For the next few days, you have only one focus for your scholarship.” She pointed toward the floor.

“The pattern?” Shallan asked.

“You are the only person in centuries to have the chance to interact with a Cryptic,” Jasnah said. “Study it and record your experiences — in detail. This will likely be your first writing of signifi cance, and could be of utmost importance to our future.”

Shallan regarded the pattern, which had moved over and bumped into her foot — she could feel it only faintly — and was now bumping into it time and time again.

“Great,” Shallan said.

***

The story continues in Words of Radiance…

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Upcoming: “Tower Lord” by Anthony Ryan (Orbit)

RyanA-RS2-TowerLordAnthony Ryan’s Blood Song was published to much fanfare in the middle of last year. For some reason I didn’t actually get around to reading it. I think this was a combination of everyone else talking/writing about it, and because I can be difficult, this made me want to delay reading it. Also, I think I got it during a protracted SFF reading funk that I was going through at the time.

Anyway, with the second novel in the series now announced (not to mention that it’s due to be published rather soon), I really will have to get caught up in time for Tower Lord. Here’s the synopsis [caution – spoilers for book one]…

THE REALM BURNS.

Vaelin Al Sorna is tired of war. He’s fought countless battles in service to the Realm and Faith. His reward was the loss of his love, the death of his friends and a betrayal by his king. After five years in an Alpiran dungeon, he just wants to go home.

Reva intends to welcome Vaelin back with a knife between the ribs. He destroyed her family and ruined her life. Nothing will stop her from exacting bloody vengeance – not even the threat of invasion from the greatest enemy the Realm has ever faced.

Yet as the fires of war spread, foes become friends and truths turn to lies. To save the Realm, Reva must embrace a future she does not want – and Vaelin must revisit a past he’d rather leave buried.

TOWER LORD will be published on July 3rd 2014 in hardback, trade format and eBook, in both the UK and US. Anthony Ryan can also be found online at his website and on Twitter.

On a somewhat related note – I’m actually way behind on reading Orbit titles. I love Orbit’s roster of authors, and have been reading them voraciously ever since I got my mitts on Brent Weeks’s Night Angel trilogy, back in 2008 – a series that I absolutely loved. I must get caught up! Expect more to feature in the coming months.

Catching up with TOM LLOYD

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Tom Lloyd is the author of the Twilight Reign epic fantasy series, which was completed earlier this year. Today, Gollancz publish the first in his new series, Moon’s Artifice. To mark the occasion, I caught up with Tom to get an update since my first interview with the author…

Your first fantasy series, The Twilight Reign, came to an end this year. How does it feel to have it finished?

Weird – damn good, but still weird. I started on the project when I was 18, so it’s been the major constant of 12-14 years of my life! Even when I was signed up by Gollancz I don’t think I appreciated just how much of my life was going to be devoted to one set of characters, one plot. It was just always there, so to suddenly realise you’ve written the last words puts you into mourning.

Of course, the very last words of Dusk Watchman are the inscription on a memorial stone – I can’t remember if I’d finished all the stories of God Tattoo by then, but most of them. Certainly in my mind, that final part of the epilogue was what really brought it home to me. When I wrote the last words and typed the inscription, I think I might have needed a few moments to myself… And again when I did the second draft of it and finally got the tone of those last couple pages as I really wanted it.

So yeah, years of my life and the voices in my head that had become my friends, all gone. I think that’s one reason why I didn’t want to go straight into an epic again. I didn’t want to have a project that I’d compare so directly with Twilight Reign. Plus I was knackered and the idea of planning a series-spanning plot was exhausting. I wanted a stand-alone book and handily had the bones of one already sketched out. I have an epic (or maybe two) idea at the back of my mind, but there’s the Empire of a Hundred Houses series and then another both ahead of them in the queue.

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Anything you might have done differently?

No book is ever finished, you know that! But at the same time, I’m really happy with it. I know it’s not a simply plot and not a book you can idly flick through – while no-one describes me as a grimdark writer (because of less of an emphasis on cynicism by characters I believe), it’s pretty dark. The tone is grim for large chunks of it, a lot of people die and a lot of people get screwed up by all that happens to them. If you’re writing about war and nations-spanning conflicts, you have to acknowledge the casualties of that – the people who get crushed under the wheels of it all.

So yeah, some people will always have criticisms of any book and I’ve seen reviews that didn’t like how I’d done certain things, but it’s the story I wanted to tell – grim and dark as it may be. I’d happily to do a quick brush-up job on Stormcaller as reading it back I think I over-complicated some passages and interrupted the flow, but aside from making bits easier and quicker to read I wouldn’t want to change it. The plot’s hardwired into my brain for a start, unpicking it would probably cause an aneurism.

Lloyd-MoonsArtificeNow. Moon’s Artifice. The first in a new series. What’s it about?

Dragons! No, not really… But I hear those sell so… ;0)

Ahem, well it’s a secondary world fantasy, but not an epic. It’s being described as swords and sorcery, but that conjures images of bearded wizards and over-muscled barbarian warriors in my mind so I’m trying to coin the term “hood and dagger” to describe an urban-set fantasy action/thriller, albeit to minimal effect!

Anyway – we have a policeman who, at the same time as he finds out his married high-born lover is pregnant, stumbles over a mystery. With no idea what he’s involved in, he’s tasked by an interfering god to find out what’s going on – his only clues being an unconscious thug dressed like an assassin and the accidental poisoning of a little girl. Quickly matters blossom into a conspiracy that threatens to overturn the rigid rules of the Empire and lead to the deaths of thousands at best – and it quickly starts to look like Narin and his new friends need to step up and stop them. Everything is set in the capital city of a fractured Empire – the meeting place of the great nations-hegemonies who have ensured the Emperor’s position is more spiritual than temporal – and takes place in something close to one week.

What was it like starting a new series from scratch again?

Strange – partly because it wasn’t from scratch. When I was looking for an agent for Stormcaller, I realised I might have to just write it off as the book I learned to write with. So I started a new one with very little idea about what I wanted from it. I knew it had to be a different sort of book as I was still learning this writing thing, and it was going to indulge the samurai obsession I had back then. Plus I had a title – Moon’s Artifice – even if I didn’t know how or why that poison fitted in the plot exactly. I knew it did in some nebulous way and just had to wait until the voices whispered exactly how.

You’ll be shocked to hear those chapters weren’t very good, but eight-odd years later, I had a much better idea of what I wanted! All those ghostly half-formed ideas at the back of my mind had had a chance to mulch around and create the bones of a plot. From there, you actually get a chance to pick what you want to do, which was quite fun. I don’t write with a specific message or agenda in mind, I just want to tell the story in my head in a way people will enjoy.

What lessons did you learn from writing Twilight Reign, and how did your experiences with that series translate into your approach to Moon’s Artifice?

I learned to write while doing the Twilight Reign and because I was doing a shorter, less complicated and faster-paced book, I had to actively consider how to adapt for that. A lot of it was simply deciding what was appropriate to the sort of book I was writing. With the experience of a classical European medieval epic fantasy, I had a number of things I didn’t want to do – not that I was rejecting them, I just wanted to do something new and different. Fortunately the Empire setting was halfway there already and just needed some tweaking plus internal consistency which ironed out the creases. Some of which, I must admit, was added by my agent who took me out for drinks and brutalised the setting and idea until he was satisfied with it. Given he’s only making money on how good my books are, that’s the mark of a good agent even if it wasn’t a fun hour or two. However successful you get, you always need to be challenged or you’ll end up phoning novels in.

***

Moon’s Artifice is out TODAY! Go on. Go buy it. Here’s the synopsis

In a quiet corner of the Imperial City, Investigator Narin discovers the result of his first potentially lethal mistake. Minutes later he makes a second.

After an unremarkable career Narin finally has the chance of promotion to the hallowed ranks of the Lawbringers – guardians of the Emperor’s laws and bastions for justice in a world of brutal expediency. Joining that honoured body would be the culmination of a lifelong dream, but it couldn’t possibly have come at a worse time. A chance encounter drags Narin into a plot of gods and monsters, spies and assassins, accompanied by a grief-stricken young woman, an old man haunted by the ghosts of his past and an assassin with no past.

On the cusp of an industrial age that threatens the warrior caste’s rule, the Empire of a Hundred Houses awaits civil war between noble factions. Centuries of conquest has made the empire a brittle and bloated monster; constrained by tradition and crying out for change. To save his own life and those of untold thousands Narin must understand the key to it all – Moon’s Artifice, the poison that could destroy an empire.

Also, while you’re at it, The Twilight Reign novels are all now available, published by Gollancz in the UK, and Pyr in the US.

An Interview with FREYA ROBERTSON

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Freya Robertson is the author of Heartstone, the first in the Elemental Wars series. It is her debut novel, and has already started to create some good buzz. After reading this interview, be sure to check out the excerpt from the novel, which I shared yesterday.

Let’s start with an introduction: Who is Freya Robertson?

Hi! I’m Freya, and I’m a Kiwi! That’s what New Zealanders call themselves — because this is the homeland of the flightless kiwi bird, and also we grow a lot of kiwi fruit here. I’m 44, married with one son, and a bit of a geek. Okay, a lot of a geek. 🙂

I thought we’d start with your fiction: Your debut novel, Heartwood, will be published by Angry Robot in October. How would you introduce the novel to a potential reader? Is it part of a series?

Yes, it’s the first in The Elemental Wars series, and the second, Sunstone, comes out in March/April. In one way, it’s very traditional epic fantasy and will hopefully appeal to readers who love that genre, with its quasi-medieval European setting, its high stakes (the end of the world is nigh!), its cast of characters and its length — it’s the biggest book Angry Robot has produced so far, and will be useful for holding up the table once you’ve finished reading it!

But for those who feel the genre has been done to death, I also hope Heartwood provides a modern twist. There are no elves or dwarfs, no magic rings or swords. The hero, Chonrad, is an ordinary knight without magical powers, but whose strength of character, honesty and integrity lift him above the crowd. It’s about the elements (in this case, earth and water), and about the people’s connection to the land, and what happens when that connection is lost. It’s about how history fades to myth, and how the true meaning of their religion has become lost over time. Also, gender is irrelevant to the Heartwood knights and the leader of the army is a woman, and it was fun to write about battles involving both sexes and from female characters’ point of view.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

I was inspired by the Templar holy knights, by the legends of King Arthur and Robin Hood, and by writers such as Charles de Lint, Marion Zimmer Bradley and Terry Brooks. By epic movies like The Lord of the Rings, Gladiator and Kingdom of Heaven. By screenwriters like Joss Whedon and Aaron Sorkin, who write shows featuring grand events and yet still manage to include strong and loveable characters.

How were you introduced to genre fiction?

The first fantasy novel I ever read as a teen was Terry Brooks’ Magic Kingdom for Sale, and it still sits on my shelf today. I went on to read his Shannara series, then Katharine Kerr’s Deverry series, and from there to a wide variety of F&SF books. I also read romance, thrillers, crime and bits and pieces of most other genres. I love genre fiction, love its passion and its scope, love its big authors like Stephen King and John Grisham and Nora Roberts, as well as the fact that it has room for all us up-and-coming authors.

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How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I love writing. There’s nothing more magical than creating a world and letting it blossom onto the page. Being an author…that’s a whole other matter! I’m a shy introvert and launching myself into the big wide world with the beauty and the madness of the internet is scary. It’s very difficult for most writers to offer their creations — which involve a large portion of their heart and soul — to other people for criticism, and whereas in the old days your book came out and then you might be lucky if you got one review in a newspaper, nowadays everyone can pass judgment on your work via book blogs and Goodreads and Amazon, etc., and it’s incredibly daunting. But the internet is also a great place to meet like-minded souls, especially through projects like NaNoWriMo, which I think is great at helping authors to actually finish novels. I’ve done it for three years, and I highly recommend it.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I still have my first short story, written when I was fifteen. I wrote it for the teenage magazine Jackie (which, incidentally, was named after the children’s author Jacqueline Wilson who worked for the publishing company) although I never submitted it. I wrote it on a typewriter and it’s full of spelling and grammatical errors, but it’s not terrible! Maybe one day it will find a home.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I sense that the epic fantasy genre is making a comeback. I think we all grew tired of elves and dwarves and magic in the nineties, but authors are now finding ways to explore the genre without including every element of what we see as “traditional”, and it’s exciting to see old authors selling well and new authors exploding into the genre. The success of Game of Thrones and the recent Hobbit movies hasn’t done it any harm either! I hope my work adds something to the genre and inspires others to write new and exciting epic fantasy stories.

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What other projects are you working on, and what do you have currently in the pipeline?

I’ve finished the second in the Elemental Wars series, called Sunstone, and that’s currently with my editor, due for release in March/April 2014 (providing he likes it!). I have ideas for the third, so I’m jotting those down in the hope that they are required. I also have several ideas for further sci-fi and fantasy series, but they’re all in the planning stages at the moment. I do write fortnightly fanfic for the Guild Wars 2 site, Chronicles of Tyria, though, so you can always check me out over there!

BakerJ-LongbournWhat are you reading at the moment (fiction, non-fiction)?

I’m reading a literary novel called Longbourn by Jo Baker. It’s said to be “Jane Austen meets Downton Abbey”, and it’s Pride and Prejudice told from the servants’ perspective. A lovely story.

What’s something readers might be surprised to learn about you?

Um… I have a degree in archaeology and history. I can juggle. And I can do the Rubik’s Cube in under a minute!

What are you most looking forward to in the next twelve months?

Obviously the release of Heartwood and then Sunstone. But apart from the books… Watching The Hobbit and Ender’s Game when they come out. A holiday to Wellington in January. And my son turning sixteen next year!

***

Be sure to visit Freya’s website for more updates, and follow her on Twitter. Heartwood is published by Angry Robot Books October 29th 2013 in the US, and November 7th 2013 in the UK. Sunstone follows in early 2014.

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Excerpt: HEARTWOOD by Freya Robertson (Angry Robot)

RobertsonF-1-HeartwoodIn advance of tomorrow’s interview with Freya Robertson, here is an excerpt (the whole first chapter) from the author’s debut fantasy novel, Heartwood – book one in The Elemental Wars

CHAPTER ONE

I.

The belt hung from a hook in the doorway of a tent, weighed down by a bulging leather pouch. Gold coins shone at the top where the tie had loosened – an open invitation to the light-fingered.

The boy’s gaze alighted on it like a bird. He paused amidst the busy traffic on the main road into Heartwood, stepping out of the way of the carts and huge battle steeds that threatened to trample him.

He glanced around to make sure no one was looking and sidled over. A blue Wulfengar banner flew from the top of the tent, and he pulled a face at it as he reached out to take the pouch.

A large, strong hand clamped on his shoulder, and he jumped in fright. The hand belonged to a sturdy Wulfengar lord, his bristling face dark as thunderclouds.

“Laxonian.” The Wulfian sneered, and he spat on the page’s red tabard. “I might have guessed.”

He raised his right hand to strike the young lad. The page twisted, however, and wrenched himself away from the knight’s grip. Like an arrow, he sped off into the crowd. For a moment, he thought the Wulfian would let him go, but then shouts and curses echoed behind him, and he realised the knight was hot on his trail.

He risked a glance over his shoulder, and fear slashed through him like a blade at the sight of the knight’s bulky form barging through the crowds of people towards him. He picked up his pace, but without warning flew straight into a mail-clad knight, solid and firm as a stone wall.

“What’s the hurry, lad?” The knight’s words tailed off as the Wulfian appeared through the throng.

“He was going to steal my money pouch!” the Wulfian yelled, coming to a halt in front of them.

The page looked up at the knight he had barged into. The knight wore a red tabard over his mail which marked him as a Laxonian, as did his tall stature, his short beard and the light brown hair swept back from his open, honest face. The silver stag embroidered on the tabard marked him as Chonrad, Lord of Barle: a knight whose reputation for fairness and justice was renowned throughout the Seven Lands of Laxony.

“My Lord Bertwald, I think there has been some confusion.” Chonrad pushed the page behind him. “This is my lad – I sent him to retrieve a belt from my tent and he must have mistaken it for yours.”

Bertwald narrowed his eyes. “You are already wearing a belt.”

“Yes,” Chonrad said easily, “but the other one has my money pouch on it, and I wanted to purchase some armour from the blacksmith.”

“My tent flies a blue pennant,” Bertwald snapped. “Is your boy so stupid he cannot tell Laxonian from Wulfian?”

“He is somewhat simple.” Chonrad trod on the page’s foot when he opened his mouth to protest. “Please forgive his foolishness. And let me fetch you an ale from the drinks tent to compensate for your inconvenience.”

Bertwald stepped closer to them. The page shrank away, shuddering at the sight of the knight’s greasy beard flecked with food. “I have no intention of partaking of any beverage with a Laxonian.” Bertwald’s voice was filled with menace. “Nor is this your lad. Do not think you can make a fool out of me, Barle.”

“I do not need to,” Chonrad said just as quietly. “You are managing well enough on your own.”

Bertwald bared his teeth, but glanced up as another knight appeared at Chonrad’s shoulder. The page turned to see a towering hulk of a man that dwarfed even the tall Laxonian. By the way he moved in front of the knight, the page decided the man must be his bodyguard.

Bertwald gave a snort. “Peace between our two countries? It is a ridiculous notion. These talks will not last the day.”

With that, he turned and marched off back to his tent, knocking people askew as he barged through the crowd.

The page breathed a sigh of relief. Then his heart hammered as Chonrad turned to face him, hands on hips. “Were you trying to steal the money?” he asked in his deep, mellow voice.

“Yes, my lord.” The page gulped. Would the bodyguard beat him? He would barely be able to crawl to his bed if that were the case.

Chonrad nodded. “Well, at least your honesty does you credit. Whom do you serve?”

“L-Lord Amerle,” stuttered the page.

“Then you are very far from home.” Chonrad sighed. “I understand your motivation, but believe me – you do not want to start an incident with Wulfengar today, of all days.”

“No, my lord,” the page said.

“Go back to your master before he wonders where you are.”

“Yes, my lord.” The lad’s heart lifted as he realised he was not to be beaten.

“And no more stealing.”

“Yes, my lord.” The page turned to run and then let out a yelp as the leather boot of the bodyguard met his soft behind. He did not stop, however, but slipped quickly into the crowd. He knew when he had been let off lightly.

As he ran, he touched the oak leaf pendant hanging around his neck and thanked the Arbor that Lord Barle had been there to save his life.

II.

Chonrad, Lord of Barle and second-in-command to the High Lord of Laxony, smiled wryly as the page skittered off into the crowd. He exchanged a glance with his bodyguard, Fulco, who rolled his eyes and shook his head. Little did the boy know how close he had come to causing the downfall of the Congressus, Chonrad thought as they made their way towards the gatehouse. Bertwald was looking for any excuse to end the peace talks and would have seized the transgression of a Laxonian page with both gleeful hands. The meeting, he thought with a sigh, was doomed to failure. But that did not mean he should not try as hard as he could to get it to work.

He looked up as the Porta loomed over him. The huge gatehouse at the easternmost end of the Heartwood complex towered over the rest of the buildings like an eagle hovering over its prey. For a moment, it blocked out the rising sun, and his mood darkened in keeping as he walked through the gateway into the place that had haunted his dreams for the last thirty-five years.

The solemn Custos – one of the many Custodes guards keeping a careful watch at the bottom of the Porta – saw the golden sash he wore over his armour, which marked him as one of the Congressus dignitaries, and then noticed the silver stag on his tabard. “The Dux would like to see you, Lord Barle,” she said. “She is upstairs, on the roof.”

Chonrad nodded and, together with Fulco, climbed up the stone stairs that curled inside the left tower, emerging into the open air at the top. There were several people up there, mainly Custodes keeping watch across Heartwood, ready to raise the alarm at the sight of any problems, but it was the knight waiting on the far side of the roof who caught his attention.

He had met Procella once before, when she visited his home town of Vichton on the coast, and he recognised her immediately. Tall and straight-backed with elaborately braided brown hair, she held herself like the stern leader she was, although the smile she gave him was warm.

He walked across to join her. “Dux.” He gave her the standard soldier’s salute of an arm across his chest, hand clenched over his heart.

“Lord Barle.” She returned the salute and then clasped his hand in a firm handshake.

He leaned on the parapet, and she followed his gaze across the vast expanse of the Heartwood estate. He had forgotten how large Heartwood was, having not been there since childhood, and he had thought to find the place smaller than he remembered, as often happens when you revisit somewhere from your youth. But he had been wrong. As he stood there watching the sun’s early rays flood the place with light, its very size took his breath away.

The Heartwood Castellum, a huge, stone-built fortified temple, glowed like a jewel amongst the scatter of buildings in the surrounding Baillium. It was an unusual, evocative building: its small, high windows sparkling and twinkling in the sunlight, its domed roof rising above the walls like the sun above the horizon. It was beautiful and strange, and even after all these years it made him mad.

The knight next to him raised an eyebrow. “You look angry,” she observed.

“I am.”

“Why?”

He glanced across at her. She had declined to wear a ceremonial gown as was usual on the day of the Veriditas religious ceremony and had instead donned a full coat of mail that reached almost to her knees over a thick leather tunic, the hood of mail folded under her braided hair. Her longsword hung in the scabbard on her hips, and she’d tucked her thick breeches into heavy leather boots. Her garb echoed his deep-rooted unease that these peace talks were not going to remain peaceful for long.

“Well?” she prompted.

He glanced over at Fulco, who stood to one side looking politely the other way across the Heartwood estate. Chonrad sighed and glanced back at the bustling Baillium, watching the people ebb and flow across the grounds like waves brushing at a shoreline. No one alive knew what had happened, not even Fulco. Was now really the time to open up the part of him he had kept hidden like a sore since the age of seven?

Procella’s eyes were gentle, however, and understanding shone in their depths. And Fulco, he thought wryly, would not be able to tell anyone what he heard; he was mute and communicated with Chonrad via hand signals.

“My parents put me forward for the Allectus,” he said eventually. “And Heartwood rejected me.”

It was not an easy admission to make. His parents had held high hopes that he would be chosen for the prestigious role of one of Heartwood’s Militis knights, and it had been easy for them to convince the seven year-old Chonrad that he would definitely be chosen at the Allectus – the annual selection ceremony. He left Vichton boasting to his friends that he would not return, and it had been a humbling experience for him to have to ride back into town and admit he hadn’t been good enough for the holy order.

Everyone else eventually forgot what had happened, but the knowledge that he did not have the indefinable quality needed to become a member of the Exercitus army had stayed with him through his growing years. In fact, he thought, it had probably prompted him to work harder at his soldiering, to prove to himself that he was good enough to have joined them.

“I see.” A small smile touched Procella’s lips. “It is our loss.”

Chonrad shrugged, but her admission pleased him. “Maybe; maybe not.” He exchanged a glance with Fulco. At first, the bodyguard made no sign he had heard Chonrad’s story, but Chonrad caught the little flick of his fingers. Fools, Fulco signed. Clearly, he was not impressed with their rejection of his overlord.

Chonrad turned back to Procella. “Who knows whether the life of the Militis would be suitable for me?”

Now it was Procella’s turn to shrug. “It is not so different, I think, from the time you spent in the borderlands.”

He thought about it. “Perhaps my life has been similar to yours as Dux. I would think, though, that for the Militis who serve in the Castellum, life is very different.”

She caught the barely-disguised resentment behind his tone and her eyebrows rose. “All Militis have to spend at least a year in the Exercitus,” she said in what he assumed was the tone she used on those who lay abed in the morning.

“Even so,” he replied, unperturbed, “in spite of the fact that Heartwood is like a small city, it still chooses to isolate itself from the rest of Anguis. And that must lead to a strange atmosphere inside its walls?” He made it a Question, although he was sure he knew the answer.

Even if she did agree with him, she didn’t know him well enough to admit it. “Would it make it easier for you if I said yes?” she asked crisply. “So you can feel glad you never became a part of its community?”

“Ouch.”

Her face softened. “I am sorry. It was not my intention to insult such an important visitor as yourself.” Her lips twitched. “But you did ask for it.”

He laughed. “I suppose I did.” He studied her for a moment, watching as her hand came up to brush back a stray hair from her face. For the first time he saw the small oak leaf tattoo on her left outer wrist. Truth to tell, she fascinated him. He had known a few female knights in his time, but this one… Strong, brave, authoritative, yet strangely compassionate, with very womanly curves beneath all the armour…

“Are you married?” she asked, surprising him.

“I was. Minna died six years ago, in childbirth.”

A look passed fleetingly across her face. “I am sorry,” she said. “How many children do you have?”

“Two. A girl, six, and a boy, eight.” He thought about the look he had nearly missed. Was it to do with his wife dying, or the fact that it was in childbirth? “I never spend as much time with them as I would like,” he added wistfully. “Do you wish you had children?”

Her eyebrows rose. He had the feeling she had never been asked that before. “I… sometimes…” She was clearly flustered, and obviously didn’t like that unfamiliar emotion. “Families are not permitted in Heartwood,” she stated flatly. “It is pointless even to think about the Question.”

He noted she had said “families” and not “relationships”. “Do you have to take an oath of celibacy?” he asked curiously. He wasn’t sure if she would answer him. The religious rituals the Militis undertook were kept very private and nobody outside Heartwood knew very much about them.

She looked back at him. Her eyes were very dark, the colour of polished oak. “No. Heartwood Animism does not demand the impossible from a person.” She referred to her religion. “It is accepted that from time to time a knight will need to satisfy his or her bodily needs. We are taught it is better to succumb to your desire than to burn with it.”

“That is sensible.”

At his amused words, her eyes fixed on him, but she did not smile back. “Equally, however, relationships are discouraged. Passion for a man or woman detracts from the passion we must direct towards our work, and those who cannot contain their feelings are encouraged to leave.”

“I see.” He spoke gently, understanding the warning behind her words.

He caught Fulco’s amused gesture, Pity! but chose to ignore it.

Procella nodded at the sky to the west, and he turned to see the faintly pink Light Moon, barely visible as the sun continued its ascent. She smiled at him, and the sheer enjoyment that flooded her face surprised him. “It is nearly time,” she said. “You have never seen the Veriditas?”

“Never.”

She turned and walked over to the stairwell. “Come on.” She winked at him. “You are in for a treat.”

III.

Together, they began to descend the spiral staircase, Fulco trailing a short distance behind. The stone Porta consisted of two towers joined by a large corridor overlooking a portcullis and drawbridge. It dominated the surrounding landscape. Built to withstand a direct assault, it was really the main fortification in Heartwood, the Castellum itself – even though its walls were six feet thick – meant to be a place to pray than a place to defend. The Porta, however, was solid and substantial, an impenetrable block between high, thick walls that curved around until they met the mountains behind.

Chonrad watched Procella run her fingers lovingly along the stone walls as she descended the steps.

“Did you work in the Porta before you went into the Exercitus?” he asked.

“Yes. I was one of the Custodes and spent a lot of time here. I organised the Watch and looked after maintenance of the defences.”

“So what made you join the Exercitus?”

She looked over her shoulder at him. “You are very inquisitive.”

“I am interested.”

She sighed. “I spent some time training the young Militis at one of the camps in Laxony – they do not come to Heartwood until they reach the age of eighteen. Then I did my service in the Exercitus. All Militis do this; we spend a year away from Heartwood out on Isenbard’s Wall, patrolling the borders. The atmosphere between Laxony and Wulfengar was not as good then as it is now, and we were called on constantly to deal with raids and put down rebellions.”

“I should think you were in your element there.”

She laughed. “I did enjoy it, I must admit. I rose through the ranks and got to know Valens, who was Dux at the time – I think you know him.”

Chonrad did indeed know the mighty Valens. A huge knight, incredibly brave and fearless in battle, Valens had made it his business to know the lords of all the lands in Laxony, and most especially those near to the Wall. Chonrad had met him on several occasions, and had been disappointed when he heard Valens was retiring to Heartwood after an injury. Though he had heard much about her, and admired her, Chonrad had yet to learn whether Procella was a worthy successor.

“Do you enjoy being Dux?” he asked.

“Someone has to do it.”

He laughed. “That is not an answer.”

“It is all you are going to get.” She seemed flustered by his Questions.

“I am irritating you.” Was it because she did not intimidate him, as he imagined she did most people?

“Not at all. It is just… It is a long time since I have discussed my feelings with anybody. My life is a busy one and does not leave much time for analysing and the discussion of one’s emotions.”

“I can understand that.”

She shot him a glance over her shoulder. “And you unnerve me.”

“Why?”

She ran her gaze down him, her eyes alight with something he realised with surprise was interest. “You are an attractive knight. You must be used to making women flustered.”

He raised his eyebrows. “I am afraid I have little experience in that area.”

She stopped so suddenly he bumped into her, and she turned and looked up at him curiously. “Truly?”

“Well, I do not think of myself as ugly.” He knew he was tall and broad-shouldered, with strong features under his light brown beard. “But I am afraid I have not spent a lot of time entertaining. The sword has been my constant companion, not the rose.”

“You were married; presumably your wife fell in love with you?”

He thought about his wife. Memories of her stirred up feelings of duty and responsibility rather than affection. He had been sad when she died, but although he had worn a white tunic for the obligatory year, in his heart his mourning had passed long before that. “Minna was a difficult woman, and ours was a marriage of convenience. I am not sure love ever came into it at all.”

Procella said nothing, but her dark eyes studied him curiously. Perhaps she thought all marriages involved falling in love. The reality, in his experience, was very different.

They reached the bottom of the stairs and turned into the large room that served as offices for the Watch where they co-ordinated the changing of the guard and the rota for the day. “On your feet!” she barked at the Custos who lounged in his chair, playing idly with a couple of dice. “Have you made your rounds yet?”

“Er, no Dux, sorry…” His face reddened as his eyes flicked from her to Chonrad and back again.

“It is nearly time for the Secundus Campana, so you had best be off.”

He scurried down the stairs in front of them, his scabbard clanging on the stone.

She grinned at Chonrad, and he laughed. “You are very scary.”

“It is all an act. I am a pussycat really.”

“That is not what I have heard.” Stories of the new Dux had become almost legend, even in the short time she had been in the role. Most of the knights in the Exercitus were scared of her, and he could understand why. He had also heard she was a sight to be seen in battle: skilled, fearless and experienced, fiercely loyal, someone her soldiers would fight to the death for.

Once again, his interest in her stirred, but he clamped it down firmly. Distract yourself, Chonrad. He thought about what she had said to the Custos. “What is the Secundus Campana?” She had spoken in the language of Heartwood, and he did not understand completely what she had said to the guard.

She looked at him with surprise, continuing in Laxonian, “I thought you spoke Heartwood’s language?”

“A little of course. But I did not… ah… pay as much attention to my studies as I probably should have.”

“You are referring to not being chosen at the Allectus?”

“Actually, no. I was just very bad at school.”

She laughed. “The Secundus Campana is the second bell. The Campana rings nine times while the sun is up, marking time for prayer, weapons exercise and meals.” She smiled. “I forget most people are unfamiliar with the ways here. I have known them for so long – they are all I can remember, really.” She began to descend the stairwell to the next floor.

Chonrad followed her, Fulco trailing behind like a shadow. “Where were you from originally?” he asked, wondering if it was anywhere near his home town.

She looked over her shoulder at him. There was an impish look in her eyes. “I do not know if I should tell you.”

“Why not?”

“It might… unnerve you.”

He frowned. “What do you mean?”

“I am from Wulfengar.”

He stopped dead on the steps and stared at her. She laughed, enjoying the effect her words had had on him, clearly not surprised to see his reaction. Her admission shocked him. In Wulfengar, women were not held in high regard, and it was unknown for them to enter the army, or indeed to sit on any council or hold any office in the land. They were forbidden to attend school or university. Wulfengar men regarded their women as brood mares, figures to satisfy their lust and produce their offspring, to cook their meals and look after them when they returned home at the end of the day.

Needless to say, Procella’s position was rather unusual.

“By the oak leaf,” said Chonrad. “How did you manage that?”

“My mother’s mother was from Laxony.” She carried on down the stairs. “My grandfather met her while on a raid across the Wall, and he carried her back with him as a spoil of victory.”

Chonrad said nothing. It was an increasing problem, one that angered him greatly.

“I do not think they were that unhappy. She grew to love him, in her way. But she brought up her daughter – my mother, to be strong and independent, and although my father did his best to control her, my mother managed to do the same for me. She was determined I escape the hold of Wulfengar, as she had not, and so, unknown to my father, she took me to Heartwood herself for the Allectus, and left me there when I was chosen.”

“That must have been hard.”

“It was a long time ago,” was all she said.

Reaching the bottom of the steps, they entered the large Watchroom. Usually a large oak door closed it off from the corridor to the north tower. Today, because all shifts of the Custodes were on Watch, they had pushed the doors open. The room now stretched from one tower of the Porta to the other, spanning the length of the wide drawbridge and portcullis below. The place was filled with knights, some arming themselves from the stock of weapons to one side of the room, others checking on the rota sheet where they were supposed to be at specific times of the day. They parted respectfully to let Procella, Chonrad and Fulco through as they crossed to the other tower and descended the final staircase to the outside world.

“Busy today,” Chonrad commented, watching as a group of Hanaire visitors, distinguishable by their long fair hair, stopped at the gates to talk to the Custodes who ticked names off their list of invited guests.

“The busiest I have seen it for a long time,” Procella agreed. They slipped past the Hanaireans and walked into the Baillium, the large area inside Heartwood’s walls. The wide path led straight through the scatter of buildings and temporary tents to the Castellum.

“Everyone has come to see the show,” Chonrad murmured. He glanced aside at a large group of Wulfengar knights who sat in front of a tent, swilling ale. Instinctively, his hand fell to the pommel of his sword.

Procella nudged him. “Remember we are here today to talk peace.”

“Sorry.” He let his hand drop. “But it has been a long time since I stood in the same country as a Wulfengar, let alone the same room.”

He looked across at the huge circular Curia, where the Congressus was due to take place after the Veriditas ceremony. It had been a noble effort, he thought, by Heartwood, to try to get as many leaders of the Seven Lands of Laxony, the five lands of Wulfengar, and the lords of Hanaire together to discuss the possibility of a pact. Relations had not been good for some years between the eastern Twelve Lands especially, and things only seemed to be escalating. Heartwood’s Exercitus was being called on more and more to try to keep things quiet on Isenbard’s Wall, and he knew how thin their resources were being stretched. This was a last ditch attempt on Heartwood’s part to try to make peace between the nations.

And he knew Procella was as certain as himself it would fail.

The blue Wulfengar banners waved in the early morning breeze like a flock of small birds hovering above the ground. Chonrad wondered if Procella felt disturbed by the close proximity of all the Laxony and Wulfengar lords. The invitation had specified they were not to bring large armies with them, but each lord had come accompanied by a small contingent of armed men. Having so many knights in such a small area was, he felt, inherently dangerous. He glanced across at Fulco, who pointed his thumb towards the ground with a grimace.

“Did you manage to get a look in the Castellum when you arrived last night?” Procella gestured at the building.

“No.” He fell into step beside her, dodging the swishing tail of a horse as the rider headed for the Porta. “It was dark and my knights were tired after the long journey. We set up the tent and went straight to sleep.” He did not tell her the main reason he had not visited the Temple – that part of him did not want to go in there, did not want to see the Arbor.

Procella gestured for him to follow her. “Come, I shall show you around the Temple.” As she spoke, the sound of a bell rang around the Baillium. Its chime was not harsh on the ears, but it resonated throughout him, deep in his chest.

IV.

“Is that the Veriditas beginning?” he asked.

For a moment she looked startled. Then she laughed. “It is odd but I have heard that bell for so many years that now I hardly hear it at all. No, it is not time for the ceremony quite yet. That will start with the Tertius Campana – the third bell.”

“Are you missing anything at the moment?” He was aware each bell marked a specific item in the day’s agenda.

“No.” She turned her face up to the sunshine as they walked. “Usually it would mark the Light Service, but all Services are postponed today for the Congressus.”

The Baillium bustled, filled with knights from the three countries and the Militis, but in spite of the commotion Chonrad found he could not draw his gaze away from the Castellum that reared above them, casting a shadow across a large portion of the grounds. He remembered seeing it so many years ago, this tall honey-coloured building, and he could also remember the fluttering in his stomach then, the excitement and anticipation of being chosen at the Allectus. He had been so certain they would choose him.

He could also recall walking away from the Temple after the ceremony and casting a glance back. He remembered the heavy feeling in the pit of his stomach, and the burning sensation behind his eyelids. Heartwood hadn’t wanted him then; could it really have changed in all those years?

“I cannot take you inside the western part, of course,” said Procella. If she was aware his mood had darkened, she didn’t mention it. “That is for the Militis only. But I can show you around the Temple.”

He did not reply. Instead, he slowed his walk as the path went over a small bridge, and he leaned over the railings and looked down at the river that splashed merrily beneath. “This is not natural, is it?”

“No.” She leaned over next to him. “The channel was dug many years ago to divert water from the Flumen that runs from the mountains, just north of Isenbard’s Wall to the sea. Water is diverted here to feed the Arbor and for the use of the Militis. It runs right through the Castellum, out through the Temple and then down here and under the wall to the east of the Porta.”

The water shimmered on the stones at the bottom of the channel, momentarily blinding him. He blinked, and for a second thought he saw a shadow in the water, like a face next to his, staring up at him. He blinked again, however, and it vanished. Looking up, he saw a cloud covering the face of the sun and realised it must have been the reflection of this he had seen. More clouds lay hunched on the horizon, dark grey and ominous, and he wondered whether they were going to get rain before the day was out.

They continued walking up the road, picking their way through the piles left by the horses, to where the road met the Quad in front of the main entrance to the Castellum. The Quad was a large square of flagstones, used in pleasant weather for some meetings. But it was too small to hold the Congressus, which was going to take place in the more formal meeting place of the Curia, a large and circular ring of oak trees to one side of the Baillium. The Quad was currently full of people waiting for the start of the Veriditas. Procella pushed through them, heading for the large oak doors. At one point, Chonrad felt her warm, strong grip on his hand, as she made sure he followed.

The doors were closed while they prepared the Temple for the ceremony. But nobody closed the doors to the Dux.

“Come on.” She slipped through the gap as one of the Custodes opened the door for her.

“Are you sure?” He looked over his shoulder at the colours of many Wulfengar lords. “Does everyone get a personal tour such as this?”

“No. Only the really important people,” she said. “Well, and you, obviously.”

His retort vanished as he moved through the crack in the doors, which closed behind him, unfortunately leaving Fulco outside. Instantly, he felt as if he had stepped into another world.

The Temple was vast, much bigger than he remembered. With walls constructed from the amber mountain stone, the Temple had a high ceiling that soared above his head in a huge dome. He craned his neck to look up at the roof. The dome was inlaid with thousands of tiny panes of coloured glass that cast sunlight onto the floor in coloured shapes, as if someone had spilled a basket of jewels across the flagstones.

The Temple floor was divided into a series of concentric rings. The outer ring, the one closest to the thick stone walls, was fronted by a wooden screen with shutters, some of which were open to reveal small cubicles, each with a seat, a prayer cushion and a small table. The whole outer ring was formed from a series of these cubicles, presumably, he guessed, where the Militis spent time between the services if they wish to take private prayer or study.

At the moment, however, access to the cubicles was blocked because in the next ring, the widest one, a series of temporary wooden tiers had been erected to form a circle of seats for the ceremony, like an amphitheatre. Usually, he realised, the Temple must seem even bigger without the seating, and he vaguely remembered the wide-open space from the Allectus. This ring was for visitors, and a low wooden fence at waist height hemmed the inner edge of it, to discourage people from going into the central layers.

He followed Procella across the floor to the fence. The small gate that usually stopped visitors from going any farther lay open, so he followed her through it. The next ring was filled with water, and he realised this was the same stream he had crossed outside. The water was obviously fed into the Temple, where it circled the centre and then continued in a small channel outside.

Procella smiled at him and led him across the bridge.

The second-to-last ring was usually for Militis only. It was obviously much smaller than the huge outer circle and littered with cushions, to save the sore knees of those who came to pray. And the object of their prayers stood in the centre circle, lit by the light of the rising sun.

Chonrad stopped, letting Procella walk forward on her own. She touched her fingers to her heart, lips and forehead in a gesture of veneration. His heart pounded. It had been thirty-five years since he had last set foot in the Temple. But immediately he was taken back to the moment he had stood before the Arbor, and the wonder that had filled him then.

The Arbor was an oak tree, the oak tree: the one tree whose roots reached to the centre of the world, and which fed the land with its energy. It was formed, he knew, from the tears of the god Animus, who had cried when he realised he was alone in the universe, and his tears had fallen onto the land and hardened, and formed the Pectoris – the heart of all creation. And the Pectoris had fed the land with Animus’s love, and around the Pectoris grew the Arbor. And since time had begun, the Arbor had protected the land, and because the land and the people were one, the Arbor and the people were one.

He could remember his mother telling the story in front of the fire in the cold winter evenings before he went to the Allectus. He remembered lying on his front, listening to his mother’s soft voice, and he would stare into the flames and imagine what this wonderful tree was like.

Someone touched his arm, and a soft voice said, “What do you think?”

He cleared his throat. “It is smaller than I remember.” He turned and only then realised it wasn’t Procella standing next to him but a smaller knight, with long black hair, brown skin and disturbing eyes the colour of beaten gold.

“This is Silva,” Procella said, indicating the dark-haired knight. “She is the Keeper of the Arbor. Silva, this is Chonrad of Vichton, Lord of Barle.”

“A pleasure,” Silva said, although she didn’t smile, and her golden eyes glinted.

“I apologise if I insulted the Arbor.” He hoped he hadn’t caused an international incident. “I was merely… I mean I remember… The last time I came, it seemed bigger… But then I was a child…”

“Calm yourself,” Silva said in her strange sing-song voice. “There is no offence taken. In fact you are correct – the Arbor would have been bigger when you were a child, you are not mistaken.”

“Is that right? Why?”

Silva arched an eyebrow. “That Question requires a very long and complicated answer.”

Procella looked up into its branches. She’d wrapped her arms around her body in a strangely defensive gesture, looking for all the world, he thought, as if she were frightened, although he couldn’t imagine the brave Dux ever feeling that emotion.

“From what we understand,” Silva said, “the Arbor has been shrinking steadily over the past thousand years. Oculus’s records state the height of the tree as being a good third taller than it is now.” She sighed heavily. “We think it is because of our disconnection with the land.”

“Disconnection?”

“We are taught the land and the Arbor are one, and therefore the people and the Arbor are one, are we not? Well, over the past few hundred years, we have hardly been at one with each other. There has been war after war, followed by floods and famines, and we think this has resulted in a lack of understanding of how to connect with the land, and therefore how to connect to the Arbor.”

Chonrad studied the tree as he thought about her words. Oculus, the writer of the Militis’s Rule and the founder of the stone Temple that eventually became the Castellum, explained in his writings that three hundred years before his birth – over thirteen hundred years before Chonrad was born – there had been a great earthquake, which had caused the old Temple to collapse. He had written in his Memoria that oral tradition stated that early literature had been hidden beneath the rubble, and that maybe important information about how to look after the Arbor had been lost. Oculus had tried to find it, but had not been successful. Was it possible the truth had been buried along with the ancient writings?

He looked over at the two knights who watched him patiently but attentively. “Is that why you called the Congressus?” he asked. “You think the Arbor will continue to shrink unless we finally have peace?”

Procella shrugged. “We do not know. But it is worth a try, do you not think?”

“Are you going to explain your theory at the Congressus?”

“Do you think we should?” Silva asked.

It was Chonrad’s turn to shrug. “It might help the Twelve Lands come to a peaceful decision. Without the impetus of this goal…” He did not finish his sentence, but the serious look on their faces meant they had understood: it might not come to pass.

He looked once more at Silva, with her dark hair and gold eyes. Recognition suddenly struck him. “You are from Komis!” he blurted before he could stop himself.

V.

Silva surveyed him coolly, then nodded. “You are correct. I came to Heartwood at the age of fifteen.”

“She is the only person from Komis to have joined the Militis for twenty years,” said Procella.

Chonrad nodded with interest. His life in Laxony had led him to have very few dealings with the people of Komis, but he knew them to have a varied and colourful past. Before the time of Oculus, the Komis had been a strong, arrogant race. The King of Komis at the time had been powerful and greedy, and his desire for land had led him to mount an invasion on the eastern lands shortly after the Great Quake. In spite of his vast wealth and power amongst his people, however, he was a bad tactician. When, in a bid to show the strength of his forces, he moved his whole army into the Knife’s Edge intending a secret invasion, he met a combined army of eastern knights who swiftly obliterated his troops, leaving barely a person alive. Komis suffered greatly; with nearly all their men of a certain age dead, the population declined swiftly, and the spread of the Pestilence did not help matters. Crop failure in the west was particularly bad during the cold winters of those years, and many also died from hunger. The kingdom shattered, and those who were left withdrew into the great forests to find food and shelter. And there they stayed until the present day, a race of tree-dwellers and guerrilla warriors, as alien to the easterners as a bird underground.

From what he understood, however, the people of Komis had developed a keen understanding of nature through their many generations of living in the forests. He supposed that explained why Silva was Keeper of the Arbor.

Chonrad turned his attention back once more to the Arbor. He felt strangely disappointed. He could not put his finger on it: he wasn’t sure if it was due to the fact that the tree was smaller, or if it was something else… Over the years, since the Allectus, he supposed he had built up the Arbor in his mind to be something magnificent and awe-inspiring, something that would make him gasp and instinctively make the traditional sign of reverence Procella had done.

And yet after his initial feeling of wonder, he felt a kind of dull disenchantment, as you might feel when the clouds block the sun on your wedding day. It was just a tree. An old oak tree. And not a very big one. The one outside his castle at Vichton was nearly as big as the Arbor.

Procella was watching his face. She came over, took his hand and pulled him forwards until he stood right underneath the tree, its overhanging branches like a canopy above his head.

“Touch it,” she whispered. Lifting his hand, she placed it on the bark.

A shock went through him. The trunk was warm. And beneath the bark, his fingers could detect a slight, slow heartbeat. The Pectoris. He looked up at the leaves. There was, of course, no wind inside the Temple. And yet the leaves moved, carrying with them a soft whisper like the sound of the sea.

He looked across at Procella, realisation striking him. “We are just coming out of The Sleep,” he said.

“Yes.”

“But the leaves have not fallen.”

“The Arbor’s leaves never fall,” Silva said from behind him.

Her words made a shiver run down his back, and he withdrew his hand from the bark. He felt distinctly unsettled by what he had felt there. All trees were living things, and of course the Arbor was no ordinary tree. But still, feeling that heartbeat… It gave him the impression the Arbor was more than just leaves and trunk and branches. Looking up into its branches, he suddenly wondered if it were aware that he was there, if it could see him, could feel him. Did it remember him from the Allectus? What was it thinking? You should not be here… Why did you come…? He shivered again and took a step backwards. Although the Arbor was at the root of his religion, and although he wore an oak leaf pendant around his neck and said his prayers at night, he did not feel comfortable standing beneath its branches.

Across the western side of the Temple, a door opened in the wall and several people came through. Chonrad knew this was the wall separating the main part of the Temple from the Domus or living area of the Militis, and realised they had to belong to Heartwood.

They crossed the bridge and came over to the Arbor. One of them he knew: a tall, powerful-looking knight, grey-haired, his face marked with scars, looking even more imposing in full battle armour. Last time Chonrad had seen him, it had been on the Wall, during one of the many skirmishes Wulfengar had been carrying out. Now, however, he walked with a pronounced limp, a testament to the reason why he no longer headed the Exercitus.

Valens was Imperator of Heartwood, leader of both the Exercitus and the Castellum, overlord of the whole holy complex – the top rung of the ladder; a truly powerful position, but a difficult one, Chonrad thought, for a knight used to a life out in the open, in almost constant battle. He wondered how Valens coped with his disability and his confinement to the building. Was he relieved after a life spent on the road? Or did he itch to get back out there?

The Heartwood leader came forward and held out his hand. “Lord Barle,” he said in his deep, gruff voice. “It is good to see you once again.” He closed his hand on Chonrad’s in a firm grip.

“And you, Valens.” Chonrad placed his left hand on the Imperator’s wrist, and Valens did the same.

“Thank you for coming.” Valens released his hand and turned to face the tree, making, as he did so, the same gesture Procella had: putting his hand to his heart, his lips and his forehead.

Chonrad nodded. “You are welcome.”

“I just hope it will not have been in vain.” Valens sighed.

“You do not have hopes for the Congressus?”

Valens looked him in the eye. “Do you?”

Chonrad said nothing.

“As I thought,” Valens said gruffly. He turned to the knight who waited patiently beside him. “Have you met our Abbatis, Dulcis?”

“No.” Chonrad came forward and held out his hand. He knew she was in charge of the Domus. “It is a pleasure to meet you, my lady.”

“And I you.” Dulcis took his hand. She was shorter than Procella, but taller than Silva, and her hair, like Valens’s, was grey and hung loose to her waist like a sheet of metal. She wore only light leather armour covered by a knee-length white tunic embroidered with a single oak leaf. “I have heard much about you,” she said. “The famous Lord Barle. You have a reputation as a great knight and, more importantly to us today, as a skilled diplomat.”

“Peace must be our ultimate aim.”

“That is not everyone’s belief,” she said wryly. She did not say the name Wulfengar; she did not have to.

“I will do my best to aid today’s discussions,” he said.

“Then that is the best we can hope for.” She smiled at him. “I understand we made the mistake many years ago, of turning you away from the Allectus.”

Chonrad looked sharply at Procella. She returned his gaze openly, raising an eyebrow. Dulcis caught the look and shook her head. “Nobody told me, Lord Barle, I make it our business to research the lives of those who come to Heartwood. Our records state you came to us at the age of seven.” She touched his arm. “It was our loss.” She looked over at Valens. “You were not the first – and will not be the last – mistake we have made in choosing the Militis.”

He wanted to ask her what she meant, but she was already turning away. Her comment flattered him, although it did not completely remove the resentment he carried deep within him towards Heartwood. It was an old wound that had never healed properly, and it was too late to do anything about it now. He wondered to whom she was referring when she mentioned making a mistake in choosing the Militis. Was it someone he had already met? He would probably never find out, but her words intrigued him.

Dulcis looked up through the dome at the sun’s position in the sky. “It will not be long until the Tertius Campana,” she observed. “We must bring in our guests.”

Silva stayed by the Arbor, but the rest of them walked back towards the outer ring. As they passed over the channel of water, Chonrad glanced down. Once again, he was surprised to see a shadow beneath the surface, a dark shape moving along the bottom of the channel.

“Are there fish in there?” he asked.

Procella stopped and looked back at him. “There is a grille at the top of the channel where it is siphoned off from the Flumen, but occasionally one slips through.”

“That must be it then.” He dismissed the frisson of unease that made his spine tingle. He had more important things to worry about than shadows. Today could be a beginning, the start of a new peace treaty, the commencement of a new historical era.

Or it could be the end. But he refused to dwell on that.

The Custodes pulled back the huge oak doors, and people filtered in. More Custodes took their places at intervals along the tiers. He knew they would have been present at the Veriditas anyway, but even so, he guessed their strategic placing had more to do with an attempt to keep an eye on the guests than out of a genuine wish to spread out.

Fulco came through, looking anxiously for him, his relief evident when he saw his overlord. His bodyguard took his duties seriously, especially during a time when their enemies were in such close proximity.

The guests filed in, and gradually the tiers filled up. Not everyone who had come to Heartwood would be able to attend the ceremony; there wasn’t enough space for all the contingent of each lord, so the leaders of each of the Twelve Lands, the Hanaire lords and their closest followers were brought in first, and then the rank and file took the remaining spaces.

Chonrad had been standing by the doorway, in the shadows, but now Procella beckoned to him. He and Fulco made their way around the tiers to a space a few levels up that had been reserved for them amongst the knights from Barle. She left them there and walked to the front row, where the most senior members of the Heartwood Militis were waiting.

He looked around the Temple at the people seated on the tiers. Although each person sat with people of his or her own land, the Militis had been insightful enough to spread the three countries around the room. Not that he expected trouble during the Veriditas. Whatever tensions there were between the Twelve Lands, they were all followers of Animus, and none wished to defile the Temple by bringing politics and war into its midst.

The Tertius Campana rang from somewhere in the western half of the Castellum, reverberating around the wooden tiers and the stone walls, sounding deep inside his chest.

Gradually, everyone in the Temple fell quiet.

***

Heartwood is out in November, published by Angry Robot Books in the UK and US. The sequel, Sunstone is due to be published in April 2014. Preliminary cover, below…

RobertsonF-2-Sunstone

Upcoming: “The Emperor’s Blades” by Brian Staveley (Tor UK & US)

Staveley-TheEmperorsBlades

I thought I had missed all mention of this book until today, when Tor UK unveiled the new cover art (left). The Emperor’s Blades is the first book in Brian Staveley’s Chronicle of the Unhewn Throne, and it sounds pretty interesting. As it turned out, though, I’d caught a glimpse of the US cover art a couple of months back (on the right). Of the two, I think I prefer the UK cover, but the US one isn’t exactly hideous. The UK one is very, well, “typical” of the way fantasy and medieval-fiction covers have been developing over the past couple of years, but I do like the colouring.

Check out the synopsis…

The circle is closing. The stakes are high. And old truths will live again.

The Emperor has been murdered, leaving the Annurian Empire in turmoil. Now his progeny must bury their grief and prepare to unmask a conspiracy. His son Valyn, training for the empire’s deadliest fighting force, hears the news an ocean away. He expected a challenge, but after several ‘accidents’ and a dying soldier’s warning, he realizes his life is also in danger. Yet before Valyn can take action, he must survive the mercenaries’ brutal final initiation.

Meanwhile, the Emperor’s daughter, Minister Adare, hunts her father’s murderer in the capital itself. Court politics can be fatal, but she needs justice. And Kaden, heir to the empire, studies in a remote monastery. Here, the Blank God’s disciples teach their harsh ways – which Kaden must master to unlock their ancient powers. When an imperial delegation arrives, he’s learnt enough to perceive evil intent. But will this keep him alive, as long-hidden powers make their move?

Brian Staveley’s The Emperor’s Blades is due to be published in January 2014. I’m very much looking forward to reading it.

Review: THE THOUSAND NAMES by Django Wexler (Del Rey UK/Roc)

WexlerD-SC1-ThousandNamesUSOne of my most anticipated debuts of the year – flawed, but does not disappoint overall

Captain Marcus d’Ivoire, commander of one of the Vordanai empire’s colonial garrisons, was resigned to serving out his days in a sleepy, remote outpost. But that was before a rebellion upended his life. And once the powder smoke settled, he was left in charge of a demoralized force clinging tenuously to a small fortress at the edge of the desert.

To flee from her past, Winter Ihernglass masqueraded as a man and enlisted as a ranker in the Vordanai Colonials, hoping only to avoid notice. But when chance sees her promoted to command, she must win the hearts of her men and lead them into battle against impossible odds.

The fates of both these soldiers and all the men they lead depend on the newly arrived Colonel Janus bet Vhalnich, who has been sent by the ailing king to restore order. His military genius seems to know no bounds, and under his command, Marcus and Winter can feel the tide turning. But their allegiance will be tested as they begin to suspect that the enigmatic Janus’s ambitions extend beyond the battlefield and into the realm of the supernatural—a realm with the power to ignite a meteoric rise, reshape the known world, and change the lives of everyone in its path.

I first heard about this novel what feels like ages ago. As is usual for me, I was impatient to read it, but then ended up taking my sweet time getting around to it. It was worth the wait, though, and I think Django Wexler is definitely an author to watch. As with many highly-anticipated novels, I struggled to review it (I finished it well over a week ago). There are lots of things I would like to discuss, but they would be spoilers. There are some nitpicks that feel overly nitpicky (easy to spot in the review). So, I’m keeping this relatively short. The Thousand Names has some minor flaws, but it is nevertheless an ambitious, well-written opening act. I can’t wait for book two, and I think most readers will feel likewise after reading this. Continue reading