TANYA HUFF Finally Coming to the UK! (Titan Books)

I’ve been aware of Tanya Huff’s writing for a long time – her novels have been mentioned on so many of the US-based book blogs that I read. I also consider he agent a friend. And, of course, I know of the TV show, Blood Ties, that was inspired by her Urban Fantasy series of the same name (sometimes called the Victoria Nelson Series, after the protagonist). I have, however, never read a single one of her novels… This year, Titan Books will be publishing two of her novels, which should help me remedy this oversight – and very soon. Here are the details…

HuffT-TheSilveredTHE SILVERED

The Empire has declared war on the small, were-ruled kingdom of Aydori, capturing five women of the Mage-Pack, including the wife of the were Pack-leader. With the Pack off defending the border, it falls to Mirian Maylin and Tomas Hagen — she a low-level mage, he younger brother to the Pack-leader — to save them. Together the two set out on the kidnappers’ trail, racing into the heart of enemy territory. But with every step the odds against their survival, let alone their success, grow steeper…

This sounds like a pretty interesting fantasy novel. Maybe a little steampunk-y, given the US cover? Regardless, I’m certainly intrigued. The Silvered is already available in the US, published by DAW Books.

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HuffT-C1-ValoursChoiceVALOUR’S CHOICE

In the distant future, humans and several alien races have been granted membership in the Confederation — at a price. They must serve and protect the far more civilized species who have long since turned away from war. When her transport ship is shot down, a routine diplomatic mission across the galaxy becomes anything but, and Staff Sergeant Torin Kerr must fight to keep her platoon alive.

This is the first novel in Huff’s Confederation series. I believe Titan will be re-issuing all of the books in this series, although I’m not sure of the timetable. The rest of the series: The Better Part of Valour, The Heart of Valour, Valour’s Trial, and The Truth of Valour. [In the British spelling, of course…] The Confederation series is also published in the US by DAW Books (first published in 2000).

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Neither of these UK editions have a Goodreads listing, yet, but I’m sure that’ll be fixed in the near future. I’m really looking forward to both of them. Be sure to follow the author on Twitter, for more up-to-date news and all the usual stuff one finds on Twitter.

Guest Post: “The Magnificent Liar” by Tim Powers

Continuing Tim Powers’s blog tour, I present to you a guest post about the colourful ‘hero’ Edward John Trelawny.

The Magnificent Liar

PowersT-HideMeAmongTheGravesUKPBHide Me Among the Graves had a number of colorful characters in it — I can say that with all due modesty, since I cheated and took real people who really lived for characters: Dante Gabriel Rossetti, a genius painter who lost his health and his mind to chloral hydrate addiction; Christina Rossetti, a devout celibate recluse who nevertheless worked face-to-face with London’s prostitutes to reform them and wrote reams of poetry about guilt and reproachful ghosts; and Algernon Swinburne, possibly the best English-language poet since Shelley, who furiously dissipated his gifts with alcohol and sado-masochistic obsessions – but the most fascinating of this circle was a man whose greatest accomplishment was telling lies about his own life.

Edward John Trelawny managed — largely by living a long time – to be a central character in the Italian circle that included Lord Byron and Percy Shelley in the 1820s, and also a prominent figure in the London of the 1860s, a close friend of many of the Pre-Raphaelite painters and poets. The only other figure I can think of right now who did the same kind of era-straddling is Neal Cassady, who was the friend and inspiration of Jack Kerouac and Allan Ginsberg in the 1950s and then, after the Beat phenomenon had petered out, went on to be the same for Ken Kesey and his Merry Pranksters in the late ’60s. Continue reading

Recent Acquisitions (Early October)…

BooksReceived-201310

Another clutch of interesting books.

A nice mix, actually. I’m really trying to broaden what I feature on here – who knows how successful I will be in that endeavour. Partly, this is because my day-job involves reading a fair bit of SFF, which means I’m finding myself drawn more to thrillers (e.g. John Sandford) and (literary-)fiction. I’m still going to be reading plenty of SFF, of course (my interest in that is never going to go away). I just hope I can at least somewhat keep on top of all of these titles. Maybe I need to get some more writers involved.

Anyway, here’s what has turned up in the first few days of October…

Abnett-GG1-First&Only-BLCDan Abnett, First & Only (Black Library)

In the war-torn future of the 41st millenium, the Sabbat Worlds Crusade has begun. With the massed ranks of the Imperial Guard hard-pressed by the evil forces of Chaos, mankind must prevail – whatever the cost in lives. Commissar Ibram Gaunt has vowed to lead the men of the Tanith First-and-Only safely through the scheming of rival regiments just as much as the lethal firepower of the enemy.

It’s been fifteen years since the first Black Library novel, First and Only, was published. It is, therefore 15 years since I read it first (I bought it on the first day of publication). In many ways, it was a defining science-fiction book for me. I became hooked on Abnett’s writing, and have read (almost) everything he’s written for Black Library since. The Gaunt’s Ghosts series remains one of my absolute favourites, and this new edition is rather nice. If you haven’t tried the series, yet, then I would certainly recommend that you do. This is a great collection of the original Inferno short stories and more. I may actually take this opportunity to re-read this again, for what must be the fourth or fifth time.

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CardOS-EndersGameOrson Scott Card, Ender’s Game (Orbit)

The human race faces annihilation.

An alien threat is on the horizon, ready to strike. And if humanity is to be defended, the government must create the greatest military commander in history.

The brilliant young Ender Wiggin is their last hope. But first he must survive the rigours of a brutal military training programme – to prove that he can be the leader of all leaders.

A saviour for mankind must be produced, through whatever means possible. But are they creating a hero or a monster?

An author who is no stranger to many – almost more infamous now, than famous. Ender’s Game is one of the seminal science fiction texts of the 1980s (it was first published in 1985), lauded by many, and even (so I’ve been told) taught in some military/strategy classes. As I’ve mentioned (oh so) frequently on CR, I’m a relative latecomer to SFF, and always leaned more towards fantasy than sci-fi (Star Wars and WH40k notwithstanding). Rather than go back to the beginning, as many people do, I’ve always tended towards picking up newer titles (also because those are the ARCs I get). On Monday, I was invited to attend a Q&A with the cast of the upcoming, long-in-the-making movie adaptation of Ender’s Game. It was a very good event, and the enthusiasm the cast, director/screenwriter and producers had for the story and movie was infectious. So, despite being utterly opposed to the author’s politics and social ‘beliefs’, I am very interested in reading the novel. I’ll be reading it relatively soon, too, in preparation for the movie.

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DelToro-CabinetOfCuriositiesGuillermo del Toro, Cabinet of Curiosities (Titan)

Over the last two decades, writer-director Guillermo del Toro has mapped out a territory in the popular imagination that is uniquely his own, astonishing audiences with Cronos, Hellboy, Pan’s Labyrinth, and a host of other films and creative endeavors. Now, for the first time, del Toro reveals the inspirations behind his signature artistic motifs, sharing the contents of his personal notebooks, collections, and other obsessions. The result is a startling, intimate glimpse into the life and mind of one of the world’s most creative visionaries. Complete with running commentary, interview text, and annotations that contextualize the ample visual material, this deluxe compendium is every bit as inspired as del Toro is himself.

Contains a foreword by James Cameron, an afterword by Tom Cruise, and contributions from other luminaries, including Neil Gaiman and John Landis, among others.

A gorgeous art and photo book by del Toro on his various movie and comic projects? Yeah, I was definitely going to be interested. I’ve already read through it – it’s a book you can dip in and out of, too – it’s a must-read for anyone interested in the man’s movies and aesthetic. It’s also another example of how gorgeous Titan Books’ products can be. Very highly recommended. I’ll try to get a review up ASAP.

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Dembski-Bowden-Betrayer(HH)Aaron Dembski-Bowden, Betrayer (Black Library)

The Shadow Crusade has begun. While the Ultramarines reel from Kor Phaeron’s surprise attack on Calth, Lorgar and the rest of the Word Bearers strike deep into the realm of Ultramar. Their unlikely allies, Angron and the World Eaters, continue to ravage each new system they come across – upon the garrison planet of Armatura, this relentless savagery may finally prove to be their undoing. Worlds will burn, Legions will clash and a primarch will fall.

I’ve already read and reviewed this novel, so all I’ll say is that it’s excellent. You can find my complete review, here. Aaron DB’s one of my favourite authors of any type of fiction, and Betrayer is another example of his prodigious talent for characterisation.

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KymeN-SalamandersOmnibusNick Kyme, Salamanders Omnibus (Black Library)

After the death of their captain at the hands of a traitorous brother, Da’kir and Tsu’gan, battle-brothers and rivals, face enemies from within and without. As their paths diverge and they face trials that will test them to their very limits, their destinies draw them back together for one final confrontation that will decide the fate of the Salamanders Chapter.

Ah, the Salamanders series. Why haven’t I read this yet? Seriously. It should be right up my street, and given how good everything I’ve read by Kyme has been, I really don’t know why I haven’t already read this series. I have the novels already (in eBook), but this omnibus puts everything into chronological order, so what I’m probably going to do is read the short stories and extras in here, switch to the eBooks for the novels, and review it in chunks. Or something. We’ll see. I will read at least some of this series this year. Hopefully. Most recently, I read Kyme’s first full-length contribution to the Horus Heresy series – Vulkan Lives – and it was absolutely superb. If the Salamander novels are even half as good as that, they’re going to be great reads. Watch this space for more (hopefully) soon.

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McNabA-SilencerAndy McNab, Silencer (Bantam)

1993: Under deep cover, Nick Stone and a specialist surveillance team have spent weeks in the jungles and city streets of Colombia. Their mission: to locate the boss of the world’s most murderous drugs cartel – and terminate him with extreme prejudice.

Now they can strike. But to get close enough to fire the fatal shot, Nick must reveal his face. It’s a risk he’s willing to take – since only the man who is about to die will see him. Or so he thinks…

2012: Nick is in Moscow; semi-retired; semi-married to Anna; very much the devoted father of their newborn son. But when the boy falls dangerously ill and the doctor who saves him comes under threat, Nick finds himself back in the firing line. To stop his cover being terminally blown, he must follow a trail that begins in Triad-controlled Hong Kong and propels him back into the even more brutal world he thought he’d left behind.

The forces ranged against him have guns, helicopters, private armies and a terrified population in their vice-like grip. Nick Stone has two decades of operational skills that may no longer be deniable – and a fierce desire to protect a woman and a child who now mean more to him than life itself.

Another author I’ve not read much of. I now have two of his novels on my shelves to read. I have no idea why I haven’t read anything by him before. Probably because I do tend to be drawn to US-based contemporary thrillers. (Interestingly, I am fine with reading historical thrillers set anywhere, but when they’re modern, I gravitate towards American thrillers… Weird.) I need to break that habit, I think.

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NivenJ-StraightWhiteMaleJohn Niven, Straight White Male (William Heinemann)

Kennedy Marr is a novelist from the old school. Irish, acerbic, and a borderline alcoholic and sex-addict, his mantra is drink hard, write hard and try to screw every woman you meet.

He’s writing film scripts in LA, fucking, drinking and insulting his way through Californian society, but also suffering from writers block and unpaid taxes. Then a solution presents itself – Marr is to be the unlikely recipient of the W. F. Bingham Prize for Outstanding Contribution to Modern Literature, an award worth half a million pounds. But it does not come without a price: he must spend a year teaching at the English university where his ex-wife and estranged daughter now reside.

As Kennedy acclimatises to the sleepy campus, inspiring revulsion and worship in equal measure, he’s forced to reconsider his precarious lifestyle. Incredible as it may seem, there might actually be a father and a teacher lurking inside this “preening, narcissistic, priapic, sociopath”. Or is there?

You know, I only heard of this book a few days ago, and I can’t for the life of me remember where I heard or read about it… Thankfully, I received a copy from the publisher, and I intend to read it ASAP, on one of my soon-to-be-frequent breaks from SFF. The blurbs for this and Niven’s previous novels are gushing and plentiful, so I have high hopes for this. And I have a soft-spot for novels with academics as protagonists (as a wannabe academic myself, I find them easy to relate to…).

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Pratchett-ABlinkOfTheScreenTerry Pratchett, A Blink of the Screen (Corgi)

A collection of short fiction from Terry Pratchett, spanning the whole of his writing career from schooldays to Discworld and the present day.

In the four decades since his first book appeared in print, Terry Pratchett has become one of the world’s best-selling and best-loved authors. Here for the first time are his short stories and other short-form fiction collected into one volume. A Blink of the Screen charts the course of Pratchett’s long writing career: from his schooldays through to his first writing job on the Bucks Free Press, and the origins of his debut novel, The Carpet People; and on again to the dizzy mastery of the phenomenally successful Discworld series.

Here are characters both familiar and yet to be discovered; abandoned worlds and others still expanding; adventure, chickens, death, disco and, actually, some quite disturbing ideas about Christmas, all of it shot through with Terry’s inimitable brand of humour. With an introduction by Booker Prize-winning author A.S. Byatt, illustrations by the late Josh Kirby and drawings by the author himself, this is a book to treasure.

I have never read any of Pratchett’s shorter fiction. So when this unexpectedly arrived in my mailbox, I was giddy with excitement and expectation. The only question remains, as it is a given that I will read this, is in what order? Will I be able to resist the temptation to go straight to the Discworld short stories, before reading the others? Or will I be good and read it from front-to-back? A pickle, to be sure, and something that will require some thought.

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Resnick-TheDoctor&TheDinosaurMike Resnick, The Doctor and the Dinosaur (Pry)

Welcome to a Steampunk wild west starring Doc Holliday, with zombies, dinosaurs, robots, and cowboys.

The time is April, 1885. Doc Holliday lies in bed in a sanitarium in Leadville, Colorado, expecting never to leave his room again. But the medicine man and great chief Geronimo needs him for one last adventure. Renegade Comanche medicine men object to the newly-signed treaty with Theodore Roosevelt. They are venting their displeasure on two white men who are desecrating tribal territory in Wyoming. Geronimo must protect the men or renege on his agreement with Roosevelt. He offers Doc one year of restored health in exchange for taking on this mission.

Welcome to the birth of American paleontology, spearheaded by two brilliant men, Edward Drinker Cope and Othniel Charles Marsh, two men whose genius is only exceeded by their hatred for each other’s guts.

Now, with the aid of Theodore Roosevelt, Cole Younger, and Buffalo Bill Cody, Doc Holliday must save Cope and Marsh not only from the Comanches, not only from living, breathing dinosaurs, but from each other. And that won’t be easy.

This is the fourth book in Resnick’s Steampunk Western series. Sad to say, I’ve only read the first – the middle two are in the US, along with so many of my books, which means they’ve been put on the back-burner. It’s a fun premise, and Resnick can pull it off rather nicely. I’m looking forward to being able to catch up.

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StewartM-M1-CrystalCaveMary Stewart, The Crystal Cave (Hodder)

The dramatic first novel in the classic Merlin Trilogy, set in fifth century Britain at the beginning of the time of King Arthur.

Fifth century Britain is a country of chaos and division after the Roman withdrawal. This is the world of young Merlin, the illegitimate child of a South Wales princess who will not reveal to her son his father’s true identity.

Yet Merlin is an extraordinary child, aware at the earliest age that he possesses a great natural gift – the Sight. Against a background of invasion and imprisonment, wars and conquest, Merlin emerges into manhood, and accepts his dramatic role in the New Beginning – the coming of King Arthur.

Somehow, I had never knowingly heard of this novel before it arrived (it is the third title for the Hodderscape Review Project). I was talking to Alyssa when it arrived, and she said it was fantastic, so I have no doubt I will like this (she has impeccable taste). A re-telling of the Merlin story? Intriguing.

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Tidhar-TheViolentCenturyLavie Tidhar, The Violent Century (Hodder)

They’d never meant to be heroes.

For seventy years they guarded the British Empire. Oblivion and Fogg, inseparable friends, bound together by a shared fate. Until one night in Berlin, in the aftermath of the Second World War, and a secret that tore them apart.

But there must always be an account… and the past has a habit of catching up to the present.

Now, recalled to the Retirement Bureau from which no one can retire, Fogg and Oblivion must face up to a past of terrible war and unacknowledged heroism – a life of dusty corridors and secret rooms, of furtive meetings and blood-stained fields – to answer one last, impossible question:

What makes a hero?

Another novel I have already read (and very much liked), this is a must-read take on super-hero mythos, blended with a noir-ish reimagining of the 20th Century. It was the first novel of Tidhar’s that I read, and I was very impressed indeed. I think a lot of people are going to like this. Check out my review, here.

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Wraight-MasterOfDragonsChris Wraight, Master of Dragons (Black Library)

For millennia, the elves of Ulthuan and the dwarfs of the mountain realm have been friends and allies. Now that time is over and the War of Vengeance has begun. Prince Imladrik, master of dragons and Ulthuan’s finest warrior, is ordered to leave his beloved homeland and lead his host in a war he does not believe in. Facing the fury of the dwarfs, the jealousy of his brother and the ever-present threat of Malekith’s dark elves, Imladrik must balance his love for his wife and home with the thrill of battle.

Another author in the Black Library stable that has been improving in leaps and bounds. I’ve been reading his serialised Horus Heresy novel (Scars) and been very impressed. I haven’t read much of his Warhammer fantasy fiction, though. I enjoyed his novella, Dragonmage, which was also focused on the High Elves and their dragons. This is the second book in the War of Vengeance series, part of the Time of Legends line of novels, but I’ve not read the first – Nick Kyme’s The Great Betrayal. Anyone know if it’s necessary to do so? I know the ‘history’ behind it, but I don’t want to jump right into this if it is a direct sequel-proper to The Great Betrayal

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ZiskinJW-Styx&StoneJames W. Zisken, Styx and Stone (Seventh Street)

Ellie Stone is a professed modern girl in 1960s New York City, playing by her own rules and breaking boundaries while searching for a killer among the renowned scholars in Columbia University’s Italian Department.

“If you were a man, you’d make a good detective.”

Ellie Stone is sure that Sgt. McKeever meant that as a compliment, but that identity – a girl wanting to do a man’s job-has throttled her for too long. It’s 1960, and Ellie doesn’t want to blaze any trails for women; she just wants to be a reporter, one who doesn’t need to swat hands off her behind at every turn.

Adrift in her career, Ellie is back in New York City after receiving news that her estranged father, a renowned Dante scholar and distinguished professor, is near death after a savage bludgeoning in his home. The police suspect a routine burglary, but Ellie has her doubts. When a second attempt is made on her father’s life, in the form of an “accident” in the hospital’s ICU, Ellie’s suspicions are confirmed.

Then another professor turns up dead, and Ellie’s investigation turns to her father’s university colleagues, their ambitions, jealousies, and secret lives. Ellie embarks on a thorny journey of discovery and reconciliation, as she pursues an investigation that offers her both a chance at redemption in her father’s eyes, and the risk of losing him forever.

Another interesting-sounding novel from Seventh Street. I haven’t read nearly enough of their novels. I shall endeavour to rectify this oversight.

An Interview with REBECCA ALEXANDER

AlexanderR-SecretsOfLife&DeathUK

Rebecca Alexander is the author of the much-anticipated The Secrets of Life and Death, which was published today by Del Rey UK. I caught up with the author, and asked her about her novel, her writing practices, and more…

Let’s start with an introduction: Who is Rebecca Alexander?

I’m a writer with one foot in the occult and the other in crime. This is perfectly normal for a psychologist, I used to meet the most interesting people in my job. I’ve worked with people in all categories of prison; with people in the community who ought to be in prison; and some very intriguing people who explore the occult. I’m also fascinated by folk beliefs and magical thinking – the belief ordinary people have in magic that they are not always aware of. Once you’ve literally had tea and biscuits with a pair of heathens, a few druids and a chaos magician the lines between real life and fantasy get blurred.

Your latest novel, The Secrets of Life and Death, is published by Del Rey UK. How would you introduce the novel to a potential reader? Is it part of a series?

Secrets is the first book in a three book series about sixteenth century sorcery used to keep people alive (who should be dead). I’m a huge fan of Kelley Armstrong, and I loved her world of inter-related characters. Her first books were about werewolves, then the next about witches, and so on. I’ve written the first two books of the Secrets trilogy for Del Rey UK, and hope to complete book 3 this year. But I also have a prequel called A Baby’s Bones about the archaeological discovery of a dead baby in a well, and a plan of book 4 which focuses on one of the smaller characters, Pierce, who may or not be quite human.

AlexanderR-SecretsOfLife&DeathUK

What inspired you to write the novel? And where do you draw your inspiration from in general?

I was partly inspired by working with dying people who had outlived their expected life span, and would describe it as “living on borrowed time”. I also cared for my own daughter through a terminal illness and remembered that desperation to try something, anything that would save her. If someone had proposed a spell I would have tried it. At that point I probably would have sold my soul to save her, it’s what parents do. 

How were you introduced to genre fiction?

I fell in love with science fiction (H.G. Wells, Edgar Rice Burroughs) before my teens. I progressed through historical romance (Georgette Heyer), fantasy (Bram Stoker, Ursula Le Guin), and horror (Dennis Wheatley) before my brain really processed that it wasn’t all real. I have carried on reading across all sorts of genres, and find some of the best crossovers in children’s fiction (like Neil Gaiman’s The Graveyard Book and Patrick Ness’s The Knife of Never Letting Go). It’s not surprising that I write across a couple of genres at a time.

AlexanderR-CrossOverExamples

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I found transferring from a ‘hobby’ writer, to a professional writer quite easy, as far as the writing went. I had developed a writing habit of a minimum of 500 words a day when I started doing an Open University course a few years ago, and that built up to 1000 words a day during my MA.

But the publishing industry was completely different to any I’ve ever worked within. It turned out to be a very small world of people, many of whom have a lot of influence, and seem to know lots of other agents, editors, publicists etc. That’s not a bad thing, just strange to me. If I started a new job as a psychologist I would be employed, have a line manager, supervisor and strict hours and conditions, clinics and appointments. I have to be proactive and disciplined to write and edit the books, but I also have to be reactive to suggestions from the publisher. It’s all good, but it seems strange at first not to hear from people for weeks or even a month or two, then suddenly there’s a flurry of emails or calls about editing a book or the launch. It keeps the excitement levels up.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I can’t remember not wanting to be an author. Living within a world like Narnia or down the rabbit hole with Alice for hours at a time develops the imagination. I started writing books as soon as I could write (sadly, not legibly, so I don’t have any of my first stories).  I started writing seriously in my teens. I was also an insomniac, I still am, and started telling myself stories to get to sleep. I still do, I’m presently ‘working’ on a retelling of a legend of a ghostly hunt by bronze age people on Dartmoor. It may end up in book 4. Or I may get some sleep.

What’s your opinion of the genre today, and where do you see your work fitting into it?

WintersonJ-TheDaylightGateFantasy is a huge genre. I’m at the urban, realism end but it can go so far I wouldn’t know how to describe the breadth of it. I recently read The Daylight Gate by Jeanette Winterson – beautiful writing with a vein of poetry, but also a fantastical story (even more overt fantasy that mine) so even “literary” writers invest time in fantasy. I aspire to write something as imaginative and vivid as that. I love fairy tales, at the back of a lot of fiction are the stories we were told as children by authority figures. There’s a healthy dose of crime and historical fiction in my books – fantasy lends itself to many crossovers. I think fantasy is in a very exciting phase of development, and women writers are very prominent in it.

What other projects are you working on, and what do you have currently in the pipeline?

I have books 4 and 5 planned and because I can’t plot properly, I create scenes that are islands that I aim for as I write. I’m also writing a ghost story about the strange over-dependant relationship between twins. I write two books a year, and create odd characters and scenes for possible future books as I go along. I’m also writing a musical with my songwriter husband, just for kids, based on the four horsemen of the apocalypse. ‘Satan’s Song’ is coming along nicely.

What are you reading at the moment (fiction, non-fiction)?

I’m reading lots of non-fiction research into Dartmoor’s legends and about Barbary Coast corsairs for book 3. Who knew that pirates raided the Devon and Cornwall for thousands of slaves in the 1600’s, as well as capturing hundreds of ships? How can you read that kind of research and not want to create a story about it? Or at least dress up and buy a cutlass. The fiction I’m enjoying is partly crime by Lisa Gardner and also fantasy by David Wellington: 23 Hours. And Terry Pratchett’s The Long War is next.

AlexanderR-Reading

What’s something readers might be surprised to learn about you?

People think of me as a chatty, gregarious wife and mother of six, who teaches, participates in groups etc. but I have a streak of curmudgeon that means I love to be left alone – for weeks at a time. I used to sneak off to our caravan by the sea, just write, and not speak to anyone for days. Eating, sleeping, hygiene optional. Then I come back to full on family life, refreshed. I’ve also, except for the anomaly of being born in Malta, never used my passport.

What are you most looking forward to in the next twelve months?

More than anything, finishing the trilogy. Having created (or found) my characters, their story is so vivid and real I feel I may have just left them around the house. Sadie in front of the telly, Jack hiding in the study watching the crows, Kelley bigging up his adventures to the kids by the woodburner. I hate the idea of not completing strands I started way back in early drafts of book 1. I’d also like to do some research somewhere that requires a passport!

Superman, Vol.3 – “Fury at World’s End” (DC Comics)

Superman-Vol.03-ArtWriter: Scott Lobdell | Artist: Kenneth Rocafort (#13-17,19), Aaron Kuder (#18), Tyler Kirkham (#18), Robson Rocha (#18) | Inks: Aaron Kuder (#18), Jaime Mendoza (#18) | Colors: Sunny Goh (#13-16,18), Blond (#17-19)

H’El has come to Earth. When a mysterious ghost from Krypton’s past comes to Metropolis in hopes of finding the lost planet’s last son, his arrival comes with disastrous consequences for not just Superman, but also for Superboy and Supergirl. H’El has decided that Earth is the place to resurrect Krypton, but the price the lives of everyone on the planet! Guest-starring the Justice League, Wonder Woman, Orion and more!

Collects: Superman #13-17 [+ #18-19]

Continuing my attempts to catch up on a few New 52 titles, before I… uh… give them up… I actually quite like the Superman series. It wobbled a bit early on when the DC Powers That Be (DCPTB) decided to tie it in to the daemonite/Helspont mess that dominated the story-arcs of Grifter and Voodoo, but also roped in Stormwatch (and maybe a couple others?). I liked the greater attention paid to Superman/Clark’s everyday life, as a journalist and as someone navigating the changing industry and also his personal relationships. This collection of issues had a lot of this, too, and I’m certainly glad I read it. However, it also features the Superman issues that tie into the Super-family Event, “H’El on Earth”, which presented some issues for me.

As I just mentioned, I really like the focus on Clark’s non-super life. It’s something other readers really didn’t seem to like in earlier issues/books, but I think some of the most interesting content in the Superman mythos and character comes from his interactions with real life, how he handles his gifts, how he struggles to be “normal”, and how his over-developed sense of Right and Justice makes him stand out as a throwback to classic portrayals of the character or what would be considered “goody-two-shoes”, naïve characters today. For example, this monologue on the idealism of journalism:

Superman-Vol.03-Interior3

Unsurprisingly, Clark loses his job after this…

I’m not sure about the way Clark’s relationship with Lois is being written. His continued difficulty with her moving on, and moving in with Jonathan (although, I can’t remember who that is, exactly), seems forced. Given the timing and the events from the end of Justice League #12 (Superman’s kiss with Wonder Woman, and the start of their relationship), I found it difficult to consolidate his sense of justice and decency and this jealousy (even if it did make him out as more human). I felt bad for Diana, to be honest, that he is with her and yet pining for Lois. Given that the New 52 Superman had been steering clear of a Clark-Lois romance (I thought purposefully), it felt a little bit like a manufactured conflict for Clark. It’s well-written, though. Just felt a little out of place, given the stated intentions of the DCPTB. I would, however, accept that I may have missed something, given how much time lapsed between reading these issues and anything before.

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The “H’El on Earth” stuff, which is woven around and over Clark’s ‘mundane’ life, is kind of a typical, Supehumans-Breaking-Stuff-in-Large-and-Improbable-Manner tale. It’s… fine. But if you think about it, highly over-done. I’m looking forward to an understated Superman story. Something that doesn’t require him to just be invincible and strong enough to bench-press more than the weight of the Earth (as we are informed he apparently can do, at the start of issue #13). The exaggeration is, I understand, part of the charm of Superman – for some, it seems to be all they want. But for me, I would really like some more variation in the approach to the character.

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I do so love Batman’s cavalier attitude…

After “H’El on Earth”, there are two issues of strangeness, involving Orion (who made out with Wonder Woman in her solo series), and Hector Hammond (of the massively-bloated head – who I last saw in Green Lantern pre-New 52, I think… I don’t quite remember). Issue #19 was not too well written, sad to say. It felt clunky, with some info-dumping, and a little too heavy on telling and lesser writing for the first six pages. What happened? Things improved at Lois’s house-warming party. But then everyone starts to act strangely, and the issue ends as Orion catches up with Superman. I was left none-the-wiser as to what was going on. I guess I’ll have to wait until I can pick up the next few issues (those that will comprise volume 4, I suppose).

Not bad, but starting to show cracks. I hope this gets better, and doesn’t end up spinning its wheels, while the DCPTB try to come up with another cross-series Event to generate sales. In the meantime, I shall investigate some of the older Superman stories – for example, For Tomorrow, Lex Luthor, Superman For All Seasons, Secret Identity and maybe some others.

Guillermo Del Toro’s SIMPSON’s Opening Credits Sequence…

… is riddled with awesome SFF references. This has been doing the rounds on the SFF blogosphere, but I thought I’d share it as well, because it’s quite brilliant. Check it out:

Link: An Interesting Article about Literary Agencies & One of the Most… Ornery of Agents

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Over on TNR.com (the online home of The New Republic), they have recently posted an article about the “Andrew Wylie Rules” and the eponymous Wylie Agency. It’s comprised of a short introduction followed by an interview by Laura Bennett with Wylie himself, in which they focus a fair bit on Amazon’s new publishing ventures.

“Among literary agents, Andrew Wylie is as old school as they come. Dubbed ‘the Jackal’ for his aggressive poaching of other people’s clients, his distaste for commercial fiction and his disinterest in social media is legendary. He is the reigning king of the backlist, profiting mainly off classic titles rather than taking risky bets on new ones. His only criterion is enduring quality, and his client list is eye-popping: Amis, Nabokov, Bellow, Rushdie, Roth.”

That client list certainly is eye-popping. It’s massive! And I recognised very few of the authors listed, save those names everybody knows – those writers who have either transcended the notoriety of most authors (no disrespect intended, there, despite how it sounds), or public figures who have gone on to write (e.g. Kofi Annan). Literary Agencies continue to be rather misunderstood institutions – they don’t get a whole lot of press, in my experience, and as a result they have a rather strange place in the minds of SFF (or reading) fans. As someone who currently works for a literary agency, I thought this was an interesting look at how someone else does it.

Here’s what Wylie had to say about Amazon’s new publishing business:

“I believe that Amazon has its print publishing business so that their behavior as a distributor of digital content can be misperceived by the Department of Justice and the publishing industry in a way that is convenient for Amazon’s bottom line.* That is exactly what I think.”

* Wylie’s argument: Amazon wanted to enter into the publishing business to avoid being accused by the DOJ of trying to create a monopoly over e-book sales and distribution.

It’s an interesting piece. If you’re interested in the publishing industry, I’d recommend giving it a read for just one perspective on one of the major new developments.

Photo Credit: Melville House Article

“Silken Prey” by John Sandford (Putnam/Simon & Schuster)

Sandford-23-SilkenPreyUKMurder, scandal, political espionage, and an extremely dangerous woman. Lucas Davenport’s going to be lucky to get out of this one alive.

Very early one morning, a Minnesota political fixer answers his doorbell. The next thing he knows, he’s waking up on the floor of a moving car, lying on a plastic sheet, his body wet with blood. When the car stops, a voice says, “Hey, I think he’s breathing,” and another voice says, “Yeah? Give me the bat.” And that’s the last thing he knows.   

Davenport is investigating another case when the trail leads to the man’s disappearance, then — very troublingly — to the Minneapolis police department, then — most troublingly of all — to a woman who could give Machiavelli lessons. She has very definite ideas about the way the world should work, and the money, ruthlessness, and sheer will to make it happen.

No matter who gets in the way.

I’m a huge fan of Sandford’s Minnesota-based crime thrillers. In fact, I would say that he’s probably my favourite thriller author bar none. Silken Prey is the 23rd novel in his Lucas Davenport series, and the series just keeps firing on all cylinders. This time, Sandford turns his attention to politics, which always offers new and ‘exciting’ ways in which an investigation can become muddled, dangerous, or even impossible. Lucas is tasked by the Democratic governor to investigate what appears to be a political framing of the Republican Senator. Making things really tricky, of course, is the fact that they are all in the middle of the election. Party politics, dirty tricks, extreme suspicion, and a deadly killer (or two) operating on the sidelines? This is Davenport. He can handle it. Maybe…

The novel displays Sandford’s easy, inviting prose style, the wry humour that has always made this series stand out, and also his engaging and endearing characters. The friendship between Lucas and his various colleagues feels very natural – after 23 novels, how could it not be? The antagonists of the piece are well-drawn, avoiding cartoon-ish cliché or exaggeration. It was nice to see Kidd and Lauren make an appearance, as it feels like a really long time since we saw them last (the two of them had their own, four-book series earlier in Sandford’s career – and I would highly recommend those, too). The novel is uncluttered, unpretentious, and very focused. It’s not a blockbuster thriller, with a focus on character way more than guns or action-scenes.

The ending was just a smidge muddled, as if the author felt he needed to wrap things up relatively quickly, but I think he nevertheless manages to pull it off, and it wasn’t dissatisfying. It didn’t feel rushed, actually. The conclusion also leaves things open for further exploration in a later book (which I really hope Sandford does). I get the feeling that Sandford has some big plans for Davenport’s future, and I can’t wait to read the next book in the series. This far into a series, it is a testament to the author’s exceptional skill as a writer that he manages to make each new novel as gripping and addictive as the last. Long may this continue!

A short-and-sweet review, this. I don’t want to delve too much into the story, as there are a couple of switches and changes at certain points of the narrative. The synopsis, above, should suffice to give you as much as you need. All I can say is that John Sandford is a superb writer, and Silken Prey is yet another strong addition to his beloved series. I will really have to catch up with the companion series, which follows Davenport’s protégé (of sorts), Virgil Flowers. I’ve read the first in that series, but have six more to catch up on. I may plan to do that over Christmas and New Year.

Very highly recommended for all fans of crime thrillers.

Awesome BATGIRL Cover

I haven’t shared any comic cover art recently, After I spotted this one, though, I had to share it (thanks to Abhinav, who shared it on Facebook, which is where I saw it first):

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It’s Alex Garner’s cover for Batgirl #24, which is part of Gail Simone’s “Wanted” storyline. It’s pretty good, no? Internal art is done by Fernando Pasarin and Jonathan Glapion. Batgirl is one of the best DC New 52 titles, and it has rarely dropped below very good. I’m waiting for all the issues in this storyline to be released (Volume 4, in the collected hardcovers), before catching up. I’m rather looking forward to it.

On My Growing Frustration with Marvel & DC Comics…

I’ve been thinking about this a lot over the last few days. I’m not really sure what this post is supposed to achieve, either. But, I thought I’d write it down. Mostly, I think, it indicates a shift in how I’m going to read and review comics.

Since I started reading comics again, in September 2011 with the launch of DC’s New 52 reboot, I have slowly started to become more and more frustrated with the near-endless cross-over events. Sure, this is not a new complaint from comics readers, and certainly it won’t do anything to change things. But, it will change things for me.

I understand the business rationale for cross-over Events: it encourages people to try new series, which in turn could lead to consistent interest in previously-unread series. Or, at the very least, a short-term up-tick in sales that isn’t bad for the publisher, either.

For me, though, it is annoying. I’ve always approached Marvel’s titles with eyebrow firmly raised, because it’s a given that any title will be involved in an Event at least twice a year – and, in 2012-13, it seems like the rate of Events is spiraling so far out of control that the only conclusion is that Marvel’s brain-trust (or, more likely, executives) have zero imagination, and can’t conceive of any title surviving/succeeding on its own. Which is too much cynicism for creativity and long-term success, in my opinion. “Avengers vs. X-Men”, “Age of Ultron”, “Infinity”, and even in the Ultimate Comics line, we had “Divided We Stand/United We Fall” and the Ultimate Comics series will be brought to an end with the “Cataclysm” Event.

Let’s take a look at DC: First, there was the Bat-family “Night of the Owls” Event, which had one tie-in issue per series (more or less). Then there was the larger “Death of the Family” Event, which was pretty good (but a little flat, by the end), and quite expensive for anyone who wanted the whole picture/story. Now, Batman will also have the “Year Zero” event, which will include 10 tie-in issues from other series. Sigh. There was the “Throne of Atlantis” Event, which was relatively short, and only connected two titles together (Aquaman and Justice League). There is the just-completed “Trinity War” Event, tying together Justice League, Pandora, Justice League Dark, Phantom Stranger and Constantine. Now, we have “Forever Evil: Blight” (18 issues, total), which is a cross-over between Constantine, Pandora, Phantom Stranger, and Justice League Dark. In addition to this, there was the early, tedious daemonite cross-over mess that tied together too many series early on in the New 52’s history. Green Lantern series had the Rise of the Third Army and immediately-following Wrath of the First Lantern.

Valiant Comics have had at least two cross-over events, too. Which is rather excessive for a line that has only been going (after a renewal) for little over a year. And all of the Events mentioned in this post don’t account for all of the ones that have been unveiled, or are pending.

This endless crossing over, mixing is just too much. For me, anyway. So, I’m going to stick to a very limited number of New 52 titles, and also Ultimate Comics series, some older Marvel series (mostly Captain America-related), and explore more offerings from other publishers. Perhaps the only exception will be Vertigo Comics (the “mature” imprint of DC Comics), which has some truly excellent series – many of which are already complete, which makes it easier to plan purchases and reading.*

It’s just too expensive to get the whole picture with the Big Two. Marvel have been ridiculous for a long time. DC, after pulling off a great re-boot, seem to have caught the Cross Over Bug a little too hard, which has just killed my enthusiasm to fork over all that money. Getting the whole story is very important to me. As, I’m sure, it is for a lot of reading junkies. If you’re going to pursue a strategy that whiffs of gouging… Count me out. I have rent and food to pay for (which I can barely manage as it is).

So, yeah. I’m not really sure if this post really achieves anything. But there we go.

* That being said, even Vertigo are going to be running a Cross Over: Fables and Unwritten… It’ll hopefully be short, though, and does benefit from being comprised of two of my favourite comics.