Author Wisdom: Michael Chabon

This quotation was passed on to me by Alyssa, who found it on Sarah Rees Brennan’s blog, and which originated on a New York Review of Books piece Chabon wrote on Janury 31 2013 (the piece is about Wes Anderson’s movies):

“The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research ‘childhood.’

“There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises ‘adolescence.’ The feeling haunts people all their lives.”

Joey Hi-Fi brings Tony Ballantyne’s “DREAM LONDON” to life… (Solaris)

Ballantyne-DreamLondon

Hot on the heels of Joey Hi-Fi’s two awesome covers for Charlie Human’s Apocalypse Now Now (Century), Solaris has unveiled the artist’s superb cover for Tony Ballantyne’s next novel, Dream London. The novel will be published in October 2013. In the meantime, here’s the synopsis:

Captain Jim Wedderburn has looks, style and courage by the bucketful. He’s adored by women, respected by men and feared by his enemies. He’s the man to find out who has twisted London into this strange new world, and he knows it.

But in Dream London the city changes a little every night and the people change a little every day. The towers are growing taller, the parks have hidden themselves away and the streets form themselves into strange new patterns. There are people sailing in from new lands down the river, new criminals emerging in the East End and a path spiraling down to another world.

Everyone is changing, no one is who they seem to be.

Fantastic Page from JUSTICE LEAGUE OF AMERICA #2 (DC)

I just caught this over on iFanboy’s “Best of the Week in Panels… 03/20”, and it made me laugh. So, naturally, I’m sharing it here:

JLAmerica-02-Interior5

The story is written by the great Geoff Johns, with artwork by David Finch, Sonia Oback, and Rob Leigh. It’s always nice to see that some writers haven’t lost their sense of fun. Justice League of America #2 is out now.

Review: LAST ARGUMENT OF KINGS by Joe Abercrombie (Gollancz)

AbercrombieJ-FL3-LastArgumentOfKingsUK1A strong finish to The First Law trilogy

The end is coming.

Logen Ninefingers might only have one more fight in him – but it’s going to be a big one. Battle rages across the North, the king of the Northmen still stands firm, and there’s only one man who can stop him. His oldest friend, and his oldest enemy: it’s time for the Bloody-Nine to come home.

With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no one is safe, and no one can be trusted. As his days with a sword are far behind him, it’s fortunate that he’s deadly with his remaining weapons: blackmail, threats, and torture.

Jezal dan Luthar has decided that winning glory is too painful an undertaking and turned his back on soldiering for a simple life with the woman he loves. But love can be painful too – and glory has a nasty habit of creeping up on a man when he least expects it.

The king of the Union lies on his deathbed, the peasants revolt, and the nobles scramble to steal his crown. No one believes that the shadow of war is about to fall across the heart of the Union. Only the First of the Magi can save the world, but there are risks. There is no risk more terrible, than to break the First Law…

It is always tricky to review the final book in a trilogy or series. So how to go about it, with a series and novel that I could talk about for hours? To avoid spoilers or over-analysis requires a very short review. But, “This is the culmination of a superb series” seems just too short… The Blade Itself started the series in fine form. Before They Are Hanged kicked things into a much higher gear. And Last Argument of Kings brings things to a brash, loud conclusion. Continue reading

Comic Cover Conformity…

While I understand that there are certain images that are iconic or eye-catching, I can’t help but raise an eyebrow at the similarities between the covers for Brooklyn Animal Control (a one-shot from IDW) and Garth Ennis’s new series, Red Team #2 (Dynamite):

CoverConformity-BrooklynAnimalControlRedTeam

I’ve read neither comic (though I’d like to give the series a try). But damn, those compositions are similar…

Upcoming: “Apocalypse Now Now” by Charlie Human (Century)

Feast your eyes on this twisted, visual delight…

Human-ApocalypseNowNow-UK

This is, as I’m sure you can gather, the cover for South African author Charlie Human’s debut novel, Apocalypse Now Now. The cover was first unveiled on the always awesome Pornokitsch (whose post also has an interview with Charlie Joey Hi-Fi – go check it out).

I’ve been hearing about this book a lot recently (from one person in particular…), and he has done a sufficiently excellent job of making me ridiculously excited to get my grubby mitts on a copy.

Baxter Zevcenko is your average sixteen-year-old-boy — if by average you mean kingpin of a schoolyard porn syndicate and possible serial killer who suffers from surreal  nightmares. Which may very well be what counts as average these days. Baxter is the first to admit that he’s not a nice guy. After all, if the guy below you falls, dragging you down into an icy abyss you have to cut him loose — even in high school. That is until his girlfriend, Esmé, is kidnapped and Baxter is forced to confront a disturbing fact about himself — that he has a heart, and the damn thing is forcing him to abandon high-school politics and set out on a quest to find her. The clues point to supernatural forces at work and Baxter is must admit that he can’t do it alone. Enter Jackie Ronin, supernatural bounty hunter, Border War veteran, and all-round lunatic, who takes him on a chaotic tour of Cape Town’s sweaty, occult underbelly.

What do glowing men, transsexual African valkyries, and zombie-creating arachnids have to do with Esmé’s disappearance? That’s what Baxter really, really needs to find out.

The cover at the top, by Joey Hi-Fi, is the UK edition (to be published by Century in August 2013), but Apocalypse Now Now will also be graced with an equally sinister and moody cover (also by Joey Hi-Fi) in the author’s native South Africa:

Human-ApocalypseNowNow-SA

Batman: Dark Knight, Vol.2 – “Cycle of Violence” (DC)

BatmanDarkKnight-Vol.02Writer: Gregg Hurwitz | Artist: David Finch | Inks: Richard Friend (#10) | Colors: Sonia Oback

The Scarecrow has returned to Gotham City, but he’s no longer the meek punching bag Batman is used to. The villainous genius has always preyed on the worst fears of his victims, but has refined his legendary fear toxin to even greater effectiveness and deadlier consequences. As the Scarecrow’s origin is unfurled, Batman must find out not only how to conquer this dangerous psychopath, but how to beat his own worst fear.

Collects: Batman: Dark Knight #10-15

This story arc, the first from New York Times bestselling thriller author Gregg Hurwitz, is simply brilliant. It covers some familiar Batman-Scarecrow ground (and also back story), but with a more contemporary, sinister edge. Hurwitz has taken a very psychological approach to the story (there’s not as much action as many comic authors inject into Dark Knight tales), and he really pulls it off, delving into the mind and past of both the Scarecrow and Batman. I was hooked from the first page, and blitzed through this in one quick, satisfying sitting.

BatmanDarkKnight-12-Internal4

Finch’s artwork, Oback’s colors and Friend’s inks are absolutely superb. Everything works together to enhance the story in every way: from the wonderful, clever use of shadows, shading and especially the facial expressions, to the effectively silent pages. For example, these two, from the first chapter, which were particularly powerful and moving:

BatmanDarkKnight-10-Internal7

Overall, then (and excuse the short review – I don’t want to spoil the story), this is very, very good indeed. Hurwitz’s story is just all-round, dark brilliance: the writing, artwork, everything comes together perfectly. This is, without doubt, one of the best Batman stories I’ve read. The series is a keeper once again.

BatmanDarkKnight-Vol.02-Content

Original Series Covers

For the review, I read the digital editions of the single issues, bought from ComiXology.

Guest Post: “The Monster Within” by Richard Thomas

ThomasR-StaringIntoTheAbyss

Richard Thomas is the author of STARING INTO THE ABYSS (Kraken Press – awesome cover, above), and while I do some catching up on my ever-growing TBR Mountain, I thought it would be a great idea to invite him over to CR to write a little something. He kindly took the time to put together a post (despite my hectic, less-than-speedy correspondence). Check it out…

***

“The Monster Within” by Richard Thomas

When we look at classic horror stories, and the need to update them, the way that so many authors today are trying to build on the beasts we all grew up with – werewolves, vampires, demons – I often take a step back, away from these creatures and ask myself what we’re really writing about. Is it a matter of graphic violence, the gore, do we just want to see a creature transform under the full moon, limbs stretching, bones popping, nails pushing through fingertips? Or the evidence of their feeding – necks ripped out, blood drained from pale flesh, muscle and sinew scattered across the forest floor, painting an abstract vision of the grotesque?

What fascinates me more is not a new version of the beast, the boogeyman, the creatures that hide in the shadows, swim in our waters, and hide beneath the earth. What I find the most terrifying, is the monster within us all.

Let me tell you a little story. It’s a true story, at least up to the endings I’m going to give you. When I lived in Wicker Park, a hip neighborhood on the near north side of Chicago, I used to grill out on a little barbeque pit I bought at Home Depot. Maybe $200 total for the gas range, easier to light in a hurry. I make these chicken wings every year for the Super Bowl, a mixture of hot wings, with the standard spices and hot sauces, but with an Asian flair—a bit of teriyaki, soy, ginger and Sriracha. I baste a ten-pound bag of wings overnight, stirring it, sucking the liquid up with a baster, and then squirting it back over the wings. It’s a labor of love.

Well, one year I was standing out in the cold cooking up the wings, after a night of marinating them, off to a party – not the Super Bowl, I know that much, because it was hot out – I kept running back upstairs to grab a cold can of Budweiser. Across the street from us was a block of Section 8 Housing – government property for those that were struggling to get by. I lived with my girlfriend at the time, Lisa, who is now my wife, and the mother of my children. These guys across the street, they were mostly black, a few Hispanics, nobody white. They would stand on the porch, smoke cigarettes, and at night the cars would stop, buy their drugs, and move on. They had kids of course – they were people you know, not monsters. I would nod to them when I walked past – I didn’t bother them, and they didn’t bother me. But I knew they had guns, I knew about the drugs of course – there would be fights, screaming, glass breaking, and the police would show up now and then.

RichardThomas-AuthorPicI was about halfway done with the wings, when I ran back up to get a beer. I was only gone about twenty seconds, but in that time the boys across the street had run over, grabbed the giant metal bowl of cooked wings, and disappeared. I stood at the barbeque, a slow rage building. I looked across the street, and they were all gone, not a single person in sight. I’d even given a few of the wings to some kids that had wandered over, not fifteen minutes early, as they’d walked by, saying, “Man, those wings smell GOOD.” I had paused – should I share with them, I had a lot of wings. “Here you go, have one,” I said, holding out the bowl. They each took one and walked away – happy, I thought. I guess not. One was not enough. They took them all.

As I started to walk across the street to go get my wings, I stopped. I asked myself, “What the hell are you doing?” The guns, the violence I’d seen, black eyes and bloody lips, kids crying, police cars. I turned around and went back to the grill, and cooked the other half of my wings. The bastards even kept the metal bowl.

Why did I stop? Because I knew violence, and I knew that it would escalate, that in the end, I might be the one to suffer, my girl. I’d been in fistfights where the only end to the beating is when one person didn’t get back up. I’d seen faces stomped into the curb. I knew that the monster that lived in me would be happy to get into it, to start something – baseball bat in hand, bricks through windows, slashed tires in the dead of night. I looked at my car parked right in front of the house. How long would it last? Not long, I imagined. The ending I imagined, the one I’m making up here, that didn’t happen (but could have) involved terror – looking out the window, waiting for my girl to get home, standing outside smoking a cigarette, and then a gun is pushed in my temple, and what then? I’d be lucky with a beating.

A few weeks later, a woman was raped in the gangway between our apartment building and the one next door. This is not fiction – this is true. A man beat her, tore off her clothes, and shoved his hard cock in her most private and delicate area and fucked her until she bled, leaving her crying on the concrete. Above, merely feet away, my girlfriend and I slept soundly, the air conditioner blasting, never hearing a thing. The only evidence on the concrete sidewalk was a dark stain that would never quite fade away, some broken glass, and the idea that violence knows no rules, no laws – random chaos that can descend at any moment, and come home to roost.

This is what scares me – not werewolves, vampires or demons. (Okay, maybe demons a little bit, but that also comes back to religion and some sort of factual evidence.) These are the stories that fascinate me, the Dexters and Hannibals, or even the unnamed evil that lurks in the heart of all men, all women – the desire to hurt another human being, the need for vengeance, to be right at any cost. So quite often, in my stories, it’s not that yeti, the chupacabra, or a zombie. No, it’s the guy next door, drunk, running over a child in the street. It’s a moment of selfishness that results in the death of a wife, and the magic and voodoo that any man would trade to get her back, the love of his life. It’s the feeling of loss, of disintegrating, losing yourself in the madness of a moment in time, that tipping point, something you can never get back. It’s the monster within us all, flawed as we are – that’s what scares me.

*

ThomasR-StaringIntoTheAbyssFor more, Richard Thomas can be found on Twitter and his website. Here’s the cover (again) and synopsis for Staring Into The Abyss:

As Friedrich Nietzsche said, “Battle not with monsters lest ye become a monster; and if you gaze into the abyss the abyss gazes into you.” In this collection of short stories Richard Thomas shows us in dark, layered prose the human condition in all of its beauty and dysfunction. A man sits in a high tower making tiny, mechanical birds, longing for the day when he might see the sky again. A couple spends an evening in an underground sex club where jealousy and possession are the means of barter. A woman is victimized as a child, and turns that rage and vengeance into a lifelong mission, only to self-destruct, and become exactly what she battled against. A couple hears the echo of the many reasons they’ve stayed together, and the one reason the finally have to part. And a boy deals with a beast that visits him on a nightly basis, not so much a shadow, as a fixture in his home. These 20 stories will take you into the darkness, and sometimes bring you back. But now and then there is no getting out, the lights have faded, the pitch black wrapping around you like a festering blanket of lies. What will you do now? It’s eat or be eaten – so bring a strong stomach and a hearty appetite.

Interview with CHRISTIAN SCHOON

Schoon-ZennScarlett

Debut author Christian Schoon was born in the American Midwest, and started his writing career in earnest as an in-house writer at the Walt Disney Company in Burbank, California. (Which is rather cool…) After moving from LA to a farmstead in Iowa several years ago, he continues to work as a freelance and also now helps re-hab wildlife and foster abused/neglected horses. An interesting fellow, I thought it would be a great idea to interview him. Apparently, along with writing, he was once shot by a hometown cop…

Let’s start with an introduction: Who is Christian Schoon?

Just another guy with a book… Grew up in the American Midwest, worked my way through college playing in rock bands, doing odd jobs; got a degree in Journalism, moved to LA, hired on as a copywriter at Disney, then freelanced, wrote some TV scripts for teen and kids’ sci-fi and fantasy shows; moved back to Midwest, bought an old farmstead, got involved with several animal welfare groups; wrote a sci fi series, found a great agent, he sold the series to a fabulous publisher. And voila.

ChristianSchoon

I thought we’d start with your fiction: Your debut novel, Zenn Scarlett, was recently published by Strange Chemistry. How would you introduce the novel to a potential reader? Is it part of a series?

The novel chronicles an eventful, well, very eventful, interlude in the life of a young girl in her novice year of training to be an exoveterinarian. Zenn is specializing the care and treatment of alien animals at the Ciscan Cloister Exovet Clinic and school on a colonized Mars that’s been cut-off from contact with Earth. Her alien patients are often huge, occasionally deadly and always fascinating. She’s love her courses, but she’s got a few problems. An absent father not communicating, a local towner boy showing an unusual and distracting interest in her just as end of term tests begin, a sudden surge of incidents at the cloister where animals escape their enclosures or exhibit uncharacteristically violent behavior and, oddest and most disturbing: she feels that she’s started… sharing the thoughts of some of her alien patients.

This is the first novel in a series. The sequel is well underway and will be published early next year.

Schoon-ZennScarlett

What inspired you to write the novel? And where do you draw your inspiration from in general?

The Zenn Scarlett series grew out of my earlier-mentioned work with several animal welfare groups and the awesome veterinarians I met; some of these vets have developed unique skill sets in dealing with large, exotic and sometimes dangerous animals. This, along with my deep geek-love for all things science fictional, made Zenn’s adventures a logical progression for me once I started looking for a fresh creative challenge.

Lampman-RustysSpaceShipHow were you introduced to genre fiction?

Well, there was Rusty’s Space Ship back in grade school, followed up quickly by the work of Golden Age sci-fi masters like Edgar Rice Burroughs, Asimov, Heinlein and that school of writers.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

So far (knock on synthwood) my experience with the world of books and publishing has been solidly fab. My agent is a genre-savvy guy who immediately “got” Zenn and saw the book’s potential. My editor at Strange Chemistry is equally well-versed and has provided valuable feedback and made sure Zenn Scarlett was ready for release into the wild. As for work habits, I try to get as much of my writing as possible done in the morning. Afternoons are then used for any research and for wasting large chunks of time surfing favorite author and book sites.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Writing appealed to me from a fairly early age since I could go off on my own and do the work, get feedback, do whatever polishing was needed and have the project completed. I’m not really a team-player sort. I like my space. My first challenging writing work was done as an in-house copy and scriptwriter in the home video division of the Walt Disney Company in Burbank, and yes I do look back on those years with great fondness. Even though this did demand that I buck up and “play for the team,” my colleagues there were a truly wonderful bunch of creative and warm individuals and they made my time at Disney a pleasure. But I never really encountered an office-type setting similar to this again, and quickly decided work-from-home freelancing was the thing for me.

Disney-Studio

What’s your opinion of the genre today, and where do you see your work fitting into it?

With all the publishing options available today there’s more great genre writing materializing before our eyes almost every day. The problem, of course, is winnowing through the surging tsunami of chaff to find the good stuff. And blogs like this one are often one of the most effective screening systems readers can turn to in order to track down their next read.

With any luck, my own writing will find its way to exactly this kind of platform and rise into the field of vision of those hungry-for-better readers and trigger some friendly word-of-mouth attention.

What other projects are you working on, and what do you have currently in the pipeline?

My main effort just now is the sequel to Zenn Scarlett. I’m also mulling a streampunkish sort of TV series that I will hopeful be able to turn my attention to once Zenn’s follow-on adventure is nailed down.

Fleming-BritainAfterRomeWhat are you reading at the moment (fiction, non-fiction)?

I’m reading several great new Strange Chemistry titles just now: a riveting sci-fi thriller, Playing Tyler by T.L. Costa and an eerie interpretation of a classic SF tale, Tainted by A.E. Rought. In non-fiction, I’m just about finished with Britain After Rome: The Fall and Rise 400–1070. This is a great glimpse into the real-world dystopia that was Britain in the wake of Rome’s collapse. It’s also very Game of Throne-ish, of course.

What’s something readers might be surprised to learn about you?

I was once shot at by the police in my tiny Minnesota home town. Details on request…

What are you most looking forward to in the next twelve months?

No surprise here: the publication of Zenn Scarlett: May 7 in the US/Canada, May 2 in the UK. After that, I’ll start looking forward to the release of the sequel. Yeah, predictable.

*

For more about Zenn Scarlett, it’s sequel and Christian himself, be sure to check out Goodreads, his Author Blog, his Twitter, and also his Strange Chemistry Author Page.

Art: VULKAN LIVES by Nick Kyme (Black Library)

Just caught this on Amazon UK: the artwork for Nick Kyme’s next Horus Heresy novel, Vulkan Lives

Kyme-VulkanLives(HH)

Naturally, as someone who is rather addicted to the Heresy series, I can’t wait to get my mitts on this novel. Here’s the synopsis:

In the wake of the Dropsite Massacre at Isstvan V, the survivors of the Salamanders Legion searched long and hard for their fallen primarch, but to no avail. Little did they know that while Vulkan might have wished himself dead, he lives still. As the war continues without him, all eyes turn to Ultramar and Guilliman’s new empire there, and Vulkan’s sons are drawn into an insidious plot to end the Heresy by the most underhand means imaginable.

As far as I can tell, Vulkan Lives will be published in November or December 2013. Here’s the full artwork for the novel, which is rather eye-catching…

Kyme-VulkanLives(HH)-Art

In related Nick Kyme news, the author has also penned one of two upcoming Heresy audio-dramas, Censure (which is due to be published in October 2013)…

Kyme-Censure(HH)

In the depths of Calth’s arcology network, the Underworld War has raged for years. Aeonid Thiel, previously an honoured sergeant of the Ultramarines, once again finds himself in trouble – pitted against the daemonic forces of the Word Bearers, he has no choice but to venture back to the ravaged surface and brave the deadly solar flares that have scoured all life from this world. With a lowly Imperial Army trooper as his only companion, it falls to him to drive the maniacal Dark Apostle Kurtha Sedd and his warband from the overrun XIII Legion stronghold.