The Atlantic Weekly, Stephen King & “Voice”

AtlanticWeekly-20130728In the current issue of The Atlantic Weekly (July 28th), there is a very good, short piece by Stephen King about opening lines. In the article, part of The Atlantic’sBy Heart” series, King also offers the following opinion on voice. Many bloggers discuss or focus on voice in their reviews (some obsessively so), and I thought this might be of interest to them, as well as readers, of course…

“… for me, a good opening sentence really begins with voice. You hear people talk about ‘voice’ a lot, when I think they really just mean style. Voice is more than that. People come to books looking for something. But they don’t come for the story, or even for the characters. They certainly don’t come for the genre. I think readers come for the voice.

“A novel’s voice is something like a singer’s; think of singers like Mick Jagger and Bob Dylan, who have no musical training but are instantly recognizable. When people pick up a Rolling Stones record, it’s because they want access to that distinctive quality. They know that voice, they love that voice, and something in them connects profoundly with it. Well, it’s the same way with books. Anyone who’s read a lot of John Sanford, for example, knows that wry, sarcastic amusing voice that’s his and his alone. Or Elmore Leonard – my God, his writing is like a fingerprint. You’d recognize him anywhere. An appealing voice achieves an intimate connection, a bond much stronger than the kind of forged, intellectually, through crafted writing.

“With really good books, a powerful sense of voice is established in the first line.”

Stephen King’s Doctor Sleep, a new follow-up to The Shining, will be published in September 2013 by Hodder (UK) and Scribner (US).

KingS-DoctorSleep

US / UK Covers

Also, here is a rather nice photo of Stephen King, which I found connected with this interview with the author over on Parade:

StephenKing-ILoveBooks

Joe Fassler (the journalist behind the “By Heart” series), inspired by Stephen King’s piece, conducted a survey of some other authors’ favourite first lines, here. Other authors to feature in the “By Heart” series, who have also featured on Civilian Reader, are Susan Choi (CR interview), and Benjamin Percy (interview, Red Moon review).

Guest Post: “Nine books, Six Years, One Stenwold Maker” by Adrian Tchaikovsky (Tor)

Tchaikovsky-8-TheAirWar-Art

In this guest post, Adrian Tchaikovsky looks back on the nine books in his Shadows of the Apt series available to date (the tenth and final book in the series, Seal of the Worm, will be published next year, by Tor UK).

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“Nine books, Six Years, One Stenwold Maker”

by Adrian Tchaikovsky

It seems a lot longer ago than 2008 when the first of the Shadows of the Apt books came out. Maybe it’s that the actual setting and a lot of the characters, most definitely including War Master Maker, came from a role-playing campaign I ran back in the early 90’s, and have been rattling about in my head ever since. But mostly I think it’s just the very different pace my life has had ever since the first book got taken up by Tor UK. “Roller-coaster” is a fair description: highs and lows.

Ten books. Ten books is a lot, frankly. Even nine books is a lot, and we’ve still got Seal of the Worm next year. A lot, but not unprecedented. Steven Erikson’s Malazan Book of the Dead, George R.R. Martin’s Game of Thrones. A certain species of fantasy does lend itself to the grand and epic sweep of invented history. I don’t think that I could have told the story I wanted to tell in less. In fact it’s been a job to fit it in the space I’ve had.

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The first four books – Empire in Black and Gold through to Salute the Dark – are the story of the first war, covering Stenwold’s hard-won rallying of the disparate Lowlands cultures to fend off the Wasp-kinden’s advance, and at the same time the equally key political tangle of the Imperial court, and the covert struggle for dominance between Alvdan and his unassuming sister.

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Books five to seven are set between the wars: the Lowlands falls apart, the Empire makes the political and technological adjustments that will allow it to return to the campaign. Most importantly, several characters have their moments of forging and testing: Cheerwell in The Scarab Path, Stenwold in the Sea Watch and Tynisa in Heirs of the Blade.

Heirs of the Blade nearly sunk me, in fact. As well as Tynisa’s adventures in the Commonweal, this turned out to be the pivot-point for the whole series: here was where the stories from the previous volumes came to be tied up, and the foreshadowing for the next came to loom. No other book in the series gave me quite as many fits, or got edited and shuffled about so much. One entire subplot just had to be cut entirely because it was less than essential, and because by then the book was very long.

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And then we hit the final leg: the Empire, in fact, striking back, starting with the blitzkrieg of The Air War, and continuing with the new War Master’s Gate that has our man Stenwold on the cover and in the title. Readers who have followed the series to date will know that since Salute the Dark the books have followed two different plotlines – the political/technological (“Apt”) line through Sea Watch and Air War, and the mystical (“Inapt”) plot of Scarab Path and Heirs. Well, War Master’s Gate is where it all comes together. It’s just about the whole gang back together again in one volume (if not one place): Stenwold, Che, Tynisa, Thalric, Tynan, Seda and the new characters from the Air War. Everything comes together; everything falls apart. There will be blood, magic, killer war machines, characters will die like flies (or, indeed, Flies). And then, after the smoke clears, there will be the Worm.

***

The first nine books of the Shadows of the Apt are out now in the UK, published by Tor (War Master’s Gate is published today, in fact). The first four novels in the series are published in the US by Pyr Books.

For more information about the series and the author, be sure to visit Adrian Tchaikovsky’s website and follow him on Twitter. Naturally, of course, what you really need to do – if you have only recently been introduced to this author – is go out and buy the series! And I need to catch up! With the final book on the horizon in 2014, I think I may actually be able to catch up, if I read roughly one every month or two…

Who else has read some or all of the Shadows of the Apt? Feel free to share your thoughts in the comments thread, below.

An Interview with PETER LINEY

Liney-Detainee

Peter Liney’s The Detainee has been on my radar for a little while, now, yet I keep getting distracted from reading it. With this interview, an excerpt and a guest post up on the blog already, I really should get my butt in gear and read the novel. Very soon, hopefully. In the meantime, here is what Peter had to say about his novel, writing, and more…

Let’s start with an introduction: Who is Peter Liney?

Well, first and foremost, he’s a writer. I’ve done all kinds of jobs – selling sewing machines in the Oz Outback, modeling, acting, fashion buying, decorating, teaching, etc., etc. – but the one constant has always been writing, the one dream has always been success. And no, I don’t agree with writing for yourself; no matter what we do, we want to be appreciated for it. Continue reading

Propaganda & Politics – When Historical Images Remain Relevant

I was at the British Library’s Propaganda: Power and Persuasion exhibition last week. I highly recommend anyone within easy reach of London visit the exhibition (open until September 17th). There are a good number of excellent displays, and even a couple that are relevant to content that has appeared on Civilian Reader. I’m putting together a longer post about a specific piece in the exhibition, but I thought I’d share another of my favourites here today. Namely, “Freedom American-Style” by B. Prorokov (1971):

FreedomAmericanStyle-1971-BProrokov

I shared this over on Politics Reader, too, but I thought some readers of this blog might also find it interesting. According to the British Library’s page on the poster:

“… New York’s famous Statue of Liberty is parodied as a look-out tower for the American police to observe its people, mocking the idea that it is a symbol of freedom. The poster attacks and subverts American propaganda that promoted the idea of the democratic freedom of the West.”

Given the considerable prison population in the United States, it would appear that Prorokov’s piece retains contemporary relevance, and probably will for quite some time to come…

Upcoming: “Children of Fire” by Drew Karpyshyn (Del Rey)

Karpyshyn-ChildrenOfFire

I actually stumbled across this novel via NetGalley a little while ago (I really need to get my ass in gear and read-and-review it…). Today, though, I caught a Tweet by Del Rey UK with the British cover artwork, so I thought I’d finally share it on the blog. Out of the two, I think I prefer the UK cover (it’s darker and, dare I say it, grittier), although I do like that they’ve maintained the overall colour palette for the newer UK artwork (on the left).

This is the best synopsis I was able to find, from Random House (New Zealand, strangely)…

Wizard, Warrior, Prophet, King. The Immortal Daemron, know as the Slayer, was all these things before his ascension.

Trapped in a realm of Chaos for centuries by the Old Gods, using a magical barrier known as The Legacy, a last desperate ritual will herald the return of Chaos to the human world, and the lives of four children will never be the same.

The mortal realm is a balance of secular and religious authority, with The Order of the Crown holding much power over humanity, its members gifted with amazing abilities and all children with magical talents are theirs to claim.

Cassandra, Vaaler, Scythe and Keegan grow up in different places and with different lives, but all share the taint of Chaos magic. As various factions struggle to find the best solution to the coming return of Chaos, the fate of the world is in their hands.

I’ve enjoyed some of Karpyshyn’s Star Wars novels, so I’m intrigued to see how good his own stuff is. Hopefully I’ll get to this in the not-too-distant-future.

[Incidentally, yes – I do have better access to the internet for a little while, which should see an up-tick in posting for a week or so.]

Upcoming: “The Unremembered Empire” by Dan Abnett (Black Library)

Some more information about Black Library’s ongoing, excellent Horus Heresy series. This is looking further ahead, so there’s even less information available. But, as a Heresy junkie (I have a review of four short stories coming up, as well as the next full-length novel ready to be devoured), here is the cover art for Dan Abnett’s next novel in the series:

Abnett-HH-UnrememberedEmpire

Also, on an interview over on The Bolthole, Dan Abnett had the following mini-snippet to say about the novel:

“Next for me is The Unremembered Empire, which is a direct sequel to Know No Fear and takes the Ultramarines (the survivors) back to Macragge. Then again, Aaron’s (Dembski-Bowden) Betrayer is also a direct sequel to KNF, so KNF is a bit of a branching book. The interweaving is getting more complex and the pace is picking up.”

Here is the full art…

Abnett-HH-UnrememberedEmpire-Art

Dan Abnett is the author that kicked the series off with the truly amazing Horus Rising. The 26th novel in the series, Vulkan Lives (by Nick Kyme) will be published very soon.

UPDATE (Aug.21): Here’s the synopsis:

Believing Terra has already fallen to the Warmaster, Primarch Roboute Guilliman founds the Imperium Secundus.The unthinkable has happened – Terra has fallen to the traitor forces of Warmaster Horus! Nothing else could explain the sudden disappearance of the Astronomican’s guiding light at the heart of the Imperium, or so Roboute Guilliman would believe. Ever the pragmatist, he has drawn all his forces to Ultramar and begun construction of the new empire known as Imperium Secundus. Even with many of his primarch brothers at his side, he still faces war from without and intrigue from within – with the best of intentions, were the full truth to be known it would likely damn them all as traitors for all eternity.

… END UPDATE…

In other Horus Heresy news, I’ve dug up a little bit more for the series’s future. Major hat-tip to First Expedition for this information about other upcoming Horus Heresy fiction, which I found while searching for a synopsis of The Unremembered Empire (which still eludes me…). Here is some of what is still to come in the near future…

MACRAGGE’S HONOUR – Dan Abnett/Neil Roberts

Due for publication in November 2013

“Full colour, 100-page graphic novel, hardback to match the rest of the HH series perfectly. This will NOT be available in partwork, nor split into comics, and is being produced SOLELY by Black Library. It follows the naval duel mentioned in ‘Know No Fear’, between Marius Gage and Kor Phaeron. This will be available in time-limited edition with extra content, as well as non-limited edition later.”

VENGEFUL SPIRIT – Graham McNeill

No publication date as yet.

This is pithily described as, simply, “Novel”. Who ever said the art of brevity was dead on the internet…?

CYBERNETICA – Rob Sanders

No publication date as yet.

“Limited edition novella, which shows what is currently happening on Mars. Techno-heretics are released from imprisonment by loyalist forces fighting a rebellion war on the surface against Kelbor Hal.”

Unnamed CORAX Novella – Gav Thorpe

No publication date as yet.

“Literally, what Corax did after Deliverance Lost: attacking a forge world which had begun producing daemon engines. Also described is a ‘battle’ between two floating cities which ‘broadside’ each other for weeks while assault troops jump back and forth between them.”

In addition, two more anthologies have been announced (though, I have no idea where), titled SHATTERED LEGIONS and THE SILENT WAR. Laurie Goulding will apparently be editing both of these books.

I’ll update this information, or write new posts as-and-when more information is unveiled. Watch this space!

Upcoming: Star Wars EMPIRE & REBELLION (Lucas Books/Random House)

The first novel in this series was announced quite a while ago, I think (super-excited for it, and I already have an ARC!). Today, however, I stumbled across some bare-bones preliminary information about book two, which has just ratcheted up my interest in the series to new heights. Here’s what I know so far…

Wells-SW-RazorsEdgeThe first novel, RAZOR’S EDGE, is written by critically acclaimed author Martha Wells, an author who has been on my radar for ages – and yet, as is becoming ever-more the case with me, still unread. With my long-held love for all things Star Wars, I can see this being my introduction to Wells’s writing. Here’s the synopsis…

Times are desperate for the Rebel Alliance. Harassment by the Empire and a shortage of vital supplies are hindering completion of a new secret base on the ice planet Hoth. So when Mid Rim merchants offer much-needed materials for sale, Princess Leia Organa and Han Solo lead an Alliance delegation to negotiate a deal.

But when treachery forces the rebel ship to flee into territory controlled by pirates, Leia makes a shocking discovery: the fierce marauders come from Leia’s homeworld of Alderaan, recently destroyed by the Death Star. These refugees have turned to pillaging and plundering to survive — and they are in debt to a pirate armada, which will gladly ransom the princess to the vengeful Empire… if they find out her true identity.

Struggling with intense feelings of guilt, loyalty, and betrayal, Leia is determined to help her wayward kinspeople, even as Imperial forces are closing in on her own crippled ship. Trapped between lethal cutthroats and brutal oppressors, Leia and Han, along with Luke, Chewbacca, and a battle-ready crew, must defy death — or embrace it — to keep the rebellion alive.

Corey-SW-HonorAmongThievesToday, I stumbled across the cover for the second novel in this series: HONOR AMONG THIEVES, which will be written by James S.A. Corey (the pen name for Daniel Abraham and Ty Frank). This novel is due for publication around March 2014, but I wasn’t able to find much more other than the cover on the internet (Random House’s page for the novel is effectively blank). I did find this nugget from the Star Wars Books Facebook page

The book, set in the classic era, is a stand alone adventure and is scheduled for publication in Spring ’14. Our editor-at-large, Shelly Shapiro, received the manuscript last week and posted on this page the other day “I am super enjoying the Star Wars manuscript I’m reading right now.” I loved Corey’s LEVIATHAN WAKES so I’m very excited to read this Han and Chewie romp through the GFFA.

All-in-all, I think we’re in for some great new Star Wars novels. Colour me utterly intrigued and impatient…

“Armageddon” by Aaron Dembski-Bowden (Black Library)

DembskiBowden-ArmageddonTwo Space Marine Battles stories from one of Black Library’s best young talents.

++ Grimaldus…

They lied to us about the Mannheim Gap. They sent us there to die. You know of whom I speak. We cannot outrun the echoes of Khattar. We pay the price now for our virtue in the past. The Celestial Lions will never leave this world. A handful of us remain, but we know the truth. We died at the Mannheim Gap. We died the day the sun rose over the scrap-iron bodies of alien gods. ++

++ Message for Black Templars Reclusiarch Merek Grimaldus, From Celestial Lions Deathspeaker Julkhara ++

Armageddon collects Aaron Dembski-Bowden’s early Space Marine Battles novel, Helsreach, and a new novella set shortly after the events of that novel, Blood And Fire. Both are quite different, and as a long-time fan of the author’s it is interesting to compare them – in terms of style, confidence, and story construction. (Though, fear not, this review is not a piece of academic literary criticism.) Overall, I think this collection is very strong, and while the novella is much better than the novel, both are highly recommended for fans of the author, the series, and science-fiction in general.

I’m going to address each part of the omnibus separately, before providing a brief summation at the end.

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DembskiBowden-HelsreachHELSREACH

When the world of Armageddon is attacked by orks, the Black Templars Space Marine Chapter are amongst those sent to liberate it. Chaplain Grimaldus and a band of Black Templars are charged with the defence of Hive Helsreach from the xenos invaders in one of the many battlezones. But as the orks numbers grow and the Space Marines dwindle, Grimaldus faces a desperate last stand in an Imperial temple. Determined to sell their lives dearly, will the Black Templars hold on long enough to be reinforced, or will their sacrifice ultimately be in vain?

Helsreach is a very strong addition to the Space Marine Battles series. It is a novel that is both excellent, yet also slightly disappointing. It is an excellent example of military science-fiction, with intense and fast-paced battle and action scenes, strong characters, and a tightly written plot.

Given the series parameters (which is far more combat-oriented), though, I felt that Helsreach doesn’t really give the author the space or time to do what he’s best at: getting into the heads of his characters, exploring the light and dark of conflict, and the psychological impacts of warfare at any length. This is a pity, as I think he approached these themes brilliantly in the Knight Lords trilogy and also his Horus Heresy novels. Helsreach remains a strong novel, however, and I think he certainly fulfills the brief of the series. There are still some very good observations sprinkled throughout. For example, the PR benefits of certain tactics and well-timed speeches, and also when the strategic council discusses the morale-boosting benefit of having the Black Templars assembling in formation before sallying forth, pict-feeds beaming the imagery around the embattled/besieged planet. (Noam Chomsky and John Pilger would have been proud of these observations…)

Despite the slightly diminished focus on character development, there are shades of Dembski-Bowden’s skills evident throughout. I can pick out quite easily the scenes that some early reviewers didn’t like, as they do break up the action and slow down the novel just a smidge. I welcomed these quieter moments, though. For example, Grimaldus’s face-to-face with the princeps majoris of Invigilata, Zarha. It was an interesting scene, he in his imposing armour, her floating in an amniotic tank, on the bridge of a vast war machine. Though even this scene was too short, truncated by the need to get to the conflict.

It was nice to see some brief cameos from familiar characters (Commissar Yarrick, for example, most recently immortalised by David Annandale in his truly excellent novella, Yarrick: Chains of Golgotha). There were also a higher-than-normal number of strong or highly-ranked female characters for a WH40k novel, which is another nice touch.

Above all, though, there are fierce Space Marines of the Black Templar chapter – one I don’t know a great deal about. I must, say, though, that they do seem a rather dour and ferocious lot. Makes for interesting reading. There are also orks. Lots and lots of orks. As I said earlier, there are plenty of solid action scenes, and the author manages to resist the more florid impulses and tendencies of many of his fellow BL stable-mates, keeping descriptions sparse-yet-evocative. A couple of them were still a shade over-long for my tastes.

Ultimately, this is a very good novel of science fictional warfare on a pretty massive scale (So. Many. Orks.), and if that’s what floats your boat, Helsreach should suit your taste very well. However, having read everything else Aaron Dembski-Bowden has written for Black Library, I must admit to preferring his other, less constrained and more nuanced fiction. He’s still my favourite Black Library author, but this is by no means my favourite of his books.

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DembskiBowden-Blood&FireBLOOD AND FIRE

In the aftermath of the war for Hive Helsreach, Black Templars Chaplain Grimaldus receives a unexpected distress call from an old ally. The Celestial Lions Space Marines are being targeted by the Inquisition and have been brought to the brink of extinction. Will they regroup and rebuild, or will they choose to go out in a final blaze of glory? That is what Grimaldus must decide…

In contrast to Helsreach, Blood And Fire is far more reminiscent of Dembski-Bowden’s post-Helsreach fiction. It’s less about cramming in as much bolter porn as humanly possible, and more about exploring the characters involved, their temperaments and motivations. We get to know Grimaldus more (always a good thing, as he’s a really interesting character). The story builds to a fantastic, intense battle. There are a couple of elements of the story that I thought weren’t as well rounded-off as I would have liked (the role of the Inquisition, for example), which could suggest that there is either more to come from Grimaldus – or, less charitably, that this should have been longer (which would have been no bad thing). As with Helsreach, this is a very strong addition to the series.

If you have any interest in the Warhammer 40,000 franchise, then I would certainly recommend this book. Both stories give us an excellent glimpse into how the Astartes and their Imperial Guard allies make war together, and also just how deadly a scourge the orks can be, when rallied under the banner of a gifted warboss. Intense, brutal, yet also deftly written, this is very fine military science-fiction.

Also by Aaron Dembski-Bowden: Cadian Blood, Throne of Lies (audio), Shadow Knight, Soul Hunter, Blood Reaver, Void Stalker, The Emperor’s Gift, The First Heretic (Horus Heresy), Butcher’s Nails (Horus Heresy), Betrayer (Horus Heresy), Savage Weapons (Horus Heresy)

Space Marine Battles Series: Rynn’s World, Helsreach & Blood And Fire, The Hunt for Voldorius, The Purging of Kadillus, Fall of Damnos, Battle of the Fang, The Gildar Rift, Legion of the Damned, Architect of Fate (anthology), Bloodspire (audio), Wrath of Iron, Deathwolf (audio), Flesh of Cretacia, The Siege of Castellax, Steel Blood (short), The Death of Antagonis

Guest Post: “History & Riyria” by Michael J. Sullivan

Sullivan-RiyriaChronicles

Long-time readers of Civilian Reader will know that I’m a big fan of Michael Sullivan’s Riyria Revelations series (re-issued by Orbit Books in 2011-12). To celebrate the release of a prequel duology – The Crown Tower and The Rose and the Thorn – the author has penned this piece on the historical influences on his series, and the decisions he made on how to approach and incorporate these influences into his fantasy world and narrative.

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HISTORY & RIYRIA

A good deal of invented-world fantasy is based on history. While much of this may be due to writers imitating other authors who came before them, there is a very practical reason for this: familiarity. When creating a world you’d rather not do it from scratch. Even the best chefs have used frozen pie crusts or stock broth. It just saves so much time and effort and allows you to focus on the more important aspects – the story.

In fantasy you could rework everything. You could do away with leaders or councils and run anarchy. People might not need to eat or drink, but instead soak up sunlight to survive. Of course you might not have a sun either. Instead you might have geysers that emit vapors that must be absorbed. People in the new world might not believe in trade, everyone could subsist entirely on what they alone find or make, hence no economy. There might be no day and night cycle, no seasons, no linear time at all as we know it. There might be no sexes, or there might be five different ones and reproduction could require the coupling of at least three different participants. Anyone of these would be a lot for an author to explain through all of its inevitable ramifications, but all of them and all the others one would need to invent to establish a completely alien world entirely disassociated from our own would both consume massive investment of words and likely bore even the most patient reader to tears.

A good story with lousy worldbuilding is still a good story, and fantastic worldbuilding with a bad story is still a bad story.

As a result authors of invented-worlds like to use preconceived ideas already conveniently built in the minds of readers. Characters will use swords, bows, spears and shields, or flintlocks and powder kegs. No need to explain why or what they are. Day and night, summer and winter, years and hours, can all remain the same, because these basic building blocks aren’t worth altering unless that is the focus or theme of the story. Eighty percent common knowledge and twenty percent invented, and readers will have little problem jumping right in and enjoying this “alien” world you “created.”

History is also a great guide for such things as economic and political systems and also work as justification, guides, and proof of plausibility. When I was in art school a friend who was in the photography program scoffed at my efforts to painting still-life. “Why bother when you can just take a photo?” My response was that I wanted to be able to paint what couldn’t be seen, what he could never fit in his viewfinder. Before I could do that I had to master painting what was visible, so I could use that knowledge when I invented what wasn’t and still make it look just as believable. By utilizing the same rules of reflection, shadow, proportions and light, I lend credence to the incredible. This same idea applies just as assuredly to writing fiction.

When I first conceived of the Riyria Revelations, I did so while reading a college text book on Western Civilizations. I studied medieval and renaissance history, which threw off dozens of ideas that I jotted down. The missus dominicus – the agents of Charlemagne – became the basis for the sentinels in the world of Elan. Royce had some roots of his character grow out of a biography on Edward, the Black Prince of Wales. The Church of Novron and the monasteries of Maribor were inspired by the cradle-to-grave dominance of the Roman Catholic Church and the Benedictine and Franciscan orders. The Theorem Eldership came from the secret orders of knights such as the Knights Templar and the Illuminati. The lost empire of Novron was pulled from the Fall of Rome. The elves and dwarves were redefined from the Tolkien-esque tradition into something resembling the minorities of the Dark Ages. Dwarves who once long ago had their own homeland and kingdom were, in the time of Royce and Hadrian, universally disliked, distrusted, and forced into ghettos, but still sought for their uncanny skills. Jews faced similar problems in the post Roman era. In this way, the major themes of ancient life helped provide much of the framework, while the lesser known details provided inspiration for unique set pieces.

I didn’t stop there, however. I mixed and matched. Elan isn’t Earth, so I had no reason to limit myself unless I felt the need. For example, there are potatoes that historically came from the New World and were unknown in Medieval Europe. The same is true for tobacco. Sailing vessels were not at all like the great ships of the Age of Sail – the age of Nelson – but I liked the romance of a three mast ship plowing waves. I just excluded gunpowder and cannons. I loved the imagery and characterization that powdered wigs provided and so tossed those in, but kept armor and the joust from centuries earlier. I used modern military ranks because I wanted to avoid explanations of such basic concepts.

In total, I made specific and personal choices concerning what I would keep accurate and what I would change. There was no standard I followed beyond my personal taste of what I thought would make a wonderful reading experience. I wrote Revelations to be the sort of book I wanted to read, the sort of story I couldn’t find on any shelves. Equal parts realism, heroism, and simple prose so nothing stood between the reader and the story. I felt fantasy had begun taking itself too seriously and in its lofty goal of becoming a Genre Worthy of Respect, forgot the date that brought it to the dance. I felt too much of fantasy had left out the fun, the humor, the sheer blast of joy that comes from taking an arduous journey with someone you come to love and the sweaty fingers that turn the pages as they face the final showdown. This for me has always been the best of fantasy: not the worldbuilding, or the lessons in humanity, but the emotional blowout that for me, only fantasy – free of the baggage of the real world – can provide. This is what divided the books I carried with me, the ones I remembered fondly decades later, and those I forgot I ever read.

Regardless of whether fantasy is historically consistent, dark and cynical, or idyllic and heroic, all that matters is that the story and characters are good enough to make readers laugh, cry, and feel a terrible sense of loss after the last page is turned.

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Also on CR: Reviews of The Viscount and the Witch, Theft of Swords, Rise of Empire, and Heir of Novron; Interview with Michael J. Sullivan, Guest Post on Gritty vs. Heroic Fantasy 

Sullivan-RiyriaRevelationsUS

Riyria Revelations US

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Riyria Revelations UK

“Cuckoo’s Calling” Art an Homage to Hellblazer? Also, some BAD Journalism.

Not sure why, but the cover art for Robert Galbraith/JK Rowling’s The Cuckoo’s Calling makes me think of Vertigo Comics’ John Constantine/Hellblazer covers.

Galbraith-CuckoosCalling

The shadowy figure scuttling away, the antique lamppost, the fire-like smog/smoke, the iron wrought fence, London… Ok, so the colour palette is a shade more chirpy than John Constantine’s covers, but if you were to darken it and swap out the birds for bats… Think it would work brilliantly. Below is the closest Hellblazer cover I could find after an admittedly very brief Googling session (by Simon Bisley)…

Hellblazer-SimonBisleyCover

Incidentally, we were finally able to get a copy of The Cuckoo’s Calling (since the big reveal, all of my local booksellers have an abundance of copies), and Alyssa blitzed through it in a single day. She said it was really good. I’ll try to get to it in the next couple of weeks, but I can’t promise anything. (Too. Many. Awesome. Books. To. Read.)

Also, in related news, the article in last week’s Sunday Times about the revelation that “Robert Galbraith” was really JK Rowling was the worst bit of journalism I’ve read in a long while. The article is behind the pay-wall, but here are two choice bits that irked me. First of all, the author of the piece was really scraping the barrel, claiming Rowling-as-Galbraith was an elementary deduction, making the article little more than a piece of I-Am-More-Awesomely-Deductive-Than-Thou puffery. The “killer clue” that tipped them off? Yeah, someone told her outright! But after that, the journalist insists,

“Of course it was JK Rowling. There are only two female authors who could write convincingly about the excesses of super-rich, super-glamorous London… There are only two female authors who could write totally persuasively about being chased by paparazzi and write compassionately about being famous. One is Zadie Smith; the other is JK Rowling. I know Zadie and I knew it wasn’t her…”

So, a nice spot of celebrity name-dropping, and a single-handed writing off of 99.99% of female authors who may wish to ever write about high society in the UK. The Sunday Times has spoken: you will never do it convincingly. If you are male? Well, forget it, too. According to the author of the ST piece, men can’t write women well enough or convincingly. The idea that a debut author couldn’t have done this? Unbelievable. The article got worse, however:

“It all became so obvious: the themes of the books are Rowling’s and are subjects she addressed in last year’s The Casual Vacancy – and in the Harry Potter books: noble small people; ghastly, spoilt wealthy ones; social injustice; race; poverty; being in the wrong family…”

So, going by this ‘logic’, Rowling also wrote Gossip Girl… These are universal, as-old-as-time literary themes, and are not the sole (or even rare) province of Hogwarts…