Author: Civilian Reader

Short Review: “The Humans” by Matt Haig (Canongate)

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Haig-TheHumansAn excellent examination of what it means to be human

It’s hardest to belong when you’re closest to home… One wet Friday evening, Professor Andrew Martin of Cambridge University solves the world’s greatest mathematical riddle. Then he disappears. When he is found walking naked along the motorway, Professor Martin seems different. Besides the lack of clothes, he now finds normal life pointless. His loving wife and teenage son seem repulsive to him. In fact, he hates everyone on the planet. Everyone, that is, except Newton. And he’s a dog. Can a bit of Debussy and Emily Dickinson keep him from murder? Can the species which invented cheap white wine and peanut butter sandwiches be all that bad? And what is the warm feeling he gets when he looks into his wife’s eyes?

The standfirst says it all, really: The Humans is an excellent examination of what it means to be human – everything from the horror and ugliness, to the beauty and wonder of life on Earth. It is a novel that is filled with insight, depth, affection, and humour. From the beginning, we are introduced to an imposter on earth – an alien who has taken the place of one of Cambridge University’s most respected mathematicians, who has just solved one of the great mysteries of mathematics. The race from which this being hails believes the solution will bring great upheaval to the universe: it could, after all, allow humans to leave Earth, and venture out into the universe. This would, of course, bring all their baggage with them. After all, from the outside, human can come across as miserable, money-obsessed, violent assholes.

As the new Andrew Martin navigates his new life, quashing all knowledge of the real Martin’s discovery, he finds himself confronted with everything that is good about life as a human. His obliviousness to what the real Andrew did before he was replaced, gives him a childlike innocence and fresh slate – something that has a real impact on his family life, in both positive and negative ways. He starts to go native, despite the frequent warnings of his superiors – the Hosts.

It doesn’t take long to read The Humans – the novel is very focused, the pacing is brisk, and Haig’s prose is pretty sparse. It is also superb – elegant in its focus, nuanced, affectionate yet not uncritical, and often very funny. His characters are well-rounded and expertly brought to life on the page. The book will also make you want to read more Emily Dickinson…

Haig is fast becoming one of my favourite writers, and I’ve only read two of his novels. The Humans is a must read. I thoroughly enjoyed this, and can’t recommend it enough.

Books Received (Easter Week & a Bit)

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BooksReceived-201404-17

Featuring: Mark Alder, Charles Cumming, Stella Gemmell, Terry Hayes, Sarah Pinborough, Justin Richards, Marcus Sakey, Tom Rob Smith

AlderM-SonOfTheMorningMark Alder, Son of the Morning (Gollancz)

Edward the Third stands in the burnt ruin of an English church. He is beset on all sides. He needs a victory against the French to rescue his Kingship. Or he will die trying.

Philip of Valois can put 50,000 men in the field. He has sent his priests to summon the very Angels themselves to fight for France. Edward could call on God for aid but he is an usurper. What if God truly is on the side of the French?

But for a price, Edward could open the gates of Hell and take an unholy war to France…

This has been creating quite the buzz around the UK SFF community. It took me a little while to discover that “Mark Alder” is a pseudonym for “M.D. Lachlan” (which, incidentally, is also a pseudonym…). I really enjoyed Wolfsangel and Fenrir, but have yet to catch up with the rest of Lachlan’s werewolf series. Soon, hopefully. You can read an excerpt from the novel, here.

Also on CR: Interview with M.D. Lachlan, Catch-Up Interview

*

Cumming-AColderWarUKCharles Cumming, A Colder War (Harper)

A top-ranking Iranian military official is blown up while trying to defect to the West. An investigative journalist is arrested and imprisoned for writing an article critical of the Turkish government. An Iranian nuclear scientist is assassinated on the streets of Tehran. These three incidents, seemingly unrelated, have one crucial link. Each of the three had been recently recruited by Western intelligence, before being removed or killed.

Then Paul Wallinger, MI6’s most senior agent in Turkey, dies in a puzzling plane crash. Fearing the worst, MI6 bypasses the usual protocol and brings disgraced agent Tom Kell in from the cold to investigate. Kell soon discovers what Wallinger had already begun to suspect – that there’s a mole somewhere in the Western intelligence, a traitor who has been systematically sabotaging scores of joint intelligence operations in the Middle East.

Charles Cumming is one of my favourite authors – not just of thrillers, but of any genre. I’ve fallen behind a bit, but I’m really looking forward to jumping into this novel. A Foreign Country, the first in this series, is one of the books I haven’t read, so I’ll be reading that in a few days, before starting in on this one.

Also on CR: Reviews of Typhoon and The Trinity Six

*

GemmellS-CityUKPBStella Gemmell, The City (Corgi)

The City is ancient and vast and has been waging almost constant war for centuries. At its heart resides the emperor. Few have ever seen him. Those who have remember a man in his prime – and yet he should be very old. Some speculate that he is no longer human, others wonder if indeed he ever truly was. And a few have come to a desperate conclusion: that the only way to halt the emperor’s unslakeable thirst for war is to end his unnaturally long life.

From the crumbling catacombs beneath the City where the poor struggle to stay alive to the blood-soaked fields of battle where so few heroes survive, these rebels emerge. Their hopes rest on one man. A man who was once the emperor’s foremost general – a revered soldier who could lead an uprising and liberate a city, a man who was betrayed, imprisoned, tortured and is now believed to be dead…

The paperback release of this novel arrives. I received the large, trade-paperback last year. I started reading it when I was really not in the mood for fantasy. It was very well-written, and the world was really well-realised. But at the time I found it rather slow, and a bit too heavy on the world-building over the story-telling. I’ll give it another go, hopefully, some time later this year.

*

Hayes-IAmPilgrimTerry Hayes, I Am Pilgrim (Corgi)

Can you commit the perfect crime?

Pilgrim is the codename for a man who doesn’t exist. The adopted son of a wealthy American family, he once headed up a secret espionage unit for US intelligence. Before he disappeared into anonymous retirement, he wrote the definitive book on forensic criminal investigation.

But that book will come back to haunt him. It will help NYPD detective Ben Bradley track him down. And it will take him to a rundown New York hotel room where the body of a woman is found facedown in a bath of acid, her features erased, her teeth missing, her fingerprints gone. It is a textbook murder – and Pilgrim wrote the book.

What begins as an unusual and challenging investigation will become a terrifying race-against-time to save America from oblivion. Pilgrim will have to make a journey from a public beheading in Mecca to a deserted ruins on the Turkish coast via a Nazi death camp in Alsace and the barren wilderness of the Hindu Kush in search of the faceless man who would commit an appalling act of mass murder in the name of his God.

Another novel I’ve heard great things about, but for some reason haven’t got around to reading. It’s a biggie, but I’m really interested in reading it.

*

PinboroughS-LT2-MurderSarah Pinborough, Murder (Jo Fletcher Books)

Dr. Thomas Bond, Police Surgeon, is still recovering from the event of the previous year when Jack the Ripper haunted the streets of London – and a more malign enemy hid in his shadow. Bond and the others who worked on the gruesome case are still stalked by its legacies, both psychological and tangible.

But now the bodies of children are being pulled from the Thames… and Bond is about to become inextricably linked with an uncanny, undying enemy.

This is the next in Pinborough’s historical London crime novels (with a hint of the supernatural). I’m currently reading the first, Mayhem, and really enjoying it. Review pretty soon, hopefully.

*

RichardsJ-SuicideExhibitionUKPBJustin Richards, Suicide Exhibition (Del Rey UK)

WEWELSBURG CASTLE, 1940.

The German war machine has woken an ancient threat – the alien Vril and their Ubermensch have returned. Ultimate Victory in the war for Europe is now within the Nazis’ grasp.

ENGLAND, 1941

Foreign Office trouble shooter Guy Pentecross has stumbled into a conspiracy beyond his imagining – a secret war being waged in the shadows against a terrible enemy.

The battle for Europe has just become the war for humanity.

Another paperback release, and another novel I’ve been so slow about getting around to reading. I do like the sound of it, I’ve just been distracted constantly whenever I think about reading it. Maybe now I’ll get my act together.

*

Sakey-B2-ABetterWorldMarcus Sakey, A Better World (Thomas & Mercer)

The brilliants changed everything.

Since 1980, 1% of the world has been born with gifts we’d only dreamed of. The ability to sense a person’s most intimate secrets, or predict the stock market, or move virtually unseen. For thirty years the world has struggled with a growing divide between the exceptional… and the rest of us.

Now a terrorist network led by brilliants has crippled three cities. Supermarket shelves stand empty. 911 calls go unanswered. Fanatics are burning people alive.

Nick Cooper has always fought to make the world better for his children. As both a brilliant and an advisor to the president of the United States, he’s against everything the terrorists represent. But as America slides toward a devastating civil war, Cooper is forced to play a game he dares not lose – because his opponents have their own vision of a better world.

And to reach it, they’re willing to burn this one down.

This is the sequel to Brilliance, which I have but have not yet got around to reading. (That is a bit of theme for this post…) I’ve never read anything by Sakey, but I’ve heard lots of very good things.

*

SmithTR-TheFarmUSTom Rob Smith, The Farm (Grand Central)

If you refuse to believe me, I will no longer consider you my son.

Daniel believed that his parents were enjoying a peaceful retirement on a remote farm in Sweden. But with a single phone call, everything changes.

Your mother… she’s not well, his father tells him. She’s been imagining things – terrible, terrible things. She’s had a psychotic breakdown, and been committed to a mental hospital.

Before Daniel can board a plane to Sweden, his mother calls: Everything that man has told you is a lie. I’m not mad… I need the police… Meet me at Heathrow.

Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother’s unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a crime and a conspiracy that implicates his own father.

Tom Rob Smith’s previous novels have been huge, international hits. Which, as with so many in an ever-busier publishing environment, I haven’t managed to try, yet. After seeing it on NetGalley, and my request being accepted, I’m hoping to get around to this very soon. Especially since I seem to have developed a real taste for international thrillers, lately.

*

Which of these catches your eye? Have you been waiting for any of them?

“The Truth About the Harry Quebert Affair” by Joel Dicker (MacLehose Press)

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DickerJ-TruthAboutTheHarryQuebertAffairUKA gripping and absorbing, slightly flawed thriller

August 30, 1975. The day of the disappearance. The day a small New Hampshire town lost its innocence.

That summer Harry Quebert fell in love with fifteen-year-old Nola Kellergan. Thirty-three years later, her body is dug up from his yard along with a manuscript copy of his career-defining novel. Quebert is the only suspect.

Marcus Goldman – Quebert’s most gifted protégé – throws off his writer’s block to clear his mentor’s name. Solving the case and penning a new bestseller soon blur together. As his book begins to take on a life of its own, the nation is gripped by the mystery of ‘The Girl Who Touched the Heart of America’. But with Nola, in death as in life, nothing is ever as it seems.

This is not an easy book to review. It has been on my radar for a while, and I’ve been eager to read it ever since I saw it mention on (I think) The Bookseller. I would say it mostly lived up to my expectations. It is expansive, brilliant, absorbing, briskly-paced, but also flawed and at times frustrating, even aggravating. A confounding novel to review. Despite the issues I had with certain elements of the novel and story, it was utterly gripping, and I thoroughly enjoyed reading it.

First of all, I very much enjoyed reading it – I was always eager to get back to it, when life forced me to stop reading (sleep, meetings, etc.). Dicker has written an engaging thriller, one that brings a decades-old disappearance back into the spotlight, as a beloved member of a small town community – the titular Harry Quebert – is accused of two shocking, heinous acts: continuing an affair with a fifteen year-old girl, and also her murder. What follows is an investigation by the accused’s protégé (of sorts), in an attempt to clear his name and salvage his reputation. Along the way, things get very messy indeed. Threats and revelations abound, which keeps readers guessing all the way through – the truth is only revealed in the final 10% of the novel (I read it as an eARC). I really liked the way Dicker keeps throwing out red herrings, and also that Marcus’s investigation does one hell of a lot of damage along the way: relationships are shattered, secrets (related and not) are brought into the light, and the competing agendas at work tear the community apart.

Speaking of these competing agendas: there are times when Dicker’s character come across as cartoonish, and not in a good way. For example, Marcus’s editor/publisher is rather unrealistic – as if every commercial consideration that any publisher would need to take into account is exaggerated and overblown. He is an awful person, and there’s no reason to disbelieve the existence of such characters, but he does certain things that seem so stupid. Considering he’s able to offer $2,000,000 dollar advances, he comes across as singularly devoid of the emotional intelligence to be a high-powered, successful publisher in New York. The publishing aspects of the novel were, actually, the most lacking in verisimilitude, which was a real pity.

Dicker’s writing is, for the main, excellent and the translation is superb, too. The pacing is superb, and I was absolutely captivated by the narrative and investigation. At the same time, there were instances when the dialogue – especially that featuring Marcus’s editor, Nola and select other characters – appears melodramatic and just not very good. At the risk of sounding condescending or unfair, I can’t help but wonder if this is an instance of lost-in-translation?

There were times when the investigation – official and Marcus’s amateurish actions – veered off in strange ways. Partly, this was to allow for the frequent upending of their attempts to get to the bottom of things. For the main, it worked very well, but there were certainly times when I became frustrated. Without shedding too much light on particulars, some of the switcheroos felt forced. In addition, some of the characters are morons – especially when it comes to the writing of the book-within-the-book. Marcus and his editors commit some astonishing failures and cock-ups, one that didn’t ring true at all. One in particular, very near the end, is an unforgivable oversight that I just can’t see happening in real life – something that could so easily have been rectified over the course of the investigation. Frustrating moments like this robbed the novel of some of its impact.

This review is, I recognise, rather vague on the details. This is because, despite this flaws – and some might consider them huge – I could not stop reading. In terms of sheer enjoyment, The Truth About the Harry Quebert Affair is one of the most enjoyable books I’ve read in a while. Given how picky I can be, and how easy gaffs and inconsistencies can ruin a novel for me, I think that’s saying something. It is not surprising to me that this has been such a success.

If the goal of any novel should be to entertain, be thought-provoking, and get the reader thinking, this this novel succeeds on every level. That is has some shortcomings is made almost irrelevant by just how good the rest of it is.

Gripping and absorbing, this is well worth reading. Definitely recommended, but be warned that there are some niggles.

Cover Reveal: DREAM STALKERS by Tim Waggoner (Angry Robot)

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This is a deliciously creepy image: an evil, Joker-esque clown wielding a sledgehammer? Less sleep… Here is the cover for Tim Waggoner’s upcoming Dream Stalkers, the second in the author’s Shadow Watch series:

Waggoner-2-DreamStalkers

The cover is by amazing15. Here is the novel’s synopsis

A new drug – Shut-Eye – has been developed in the dreamland, and smuggled into our world. It’s addictive, and dangerous, and Shadow Watch agents Audra and Mr Jinx are on the case, preparing new recruits to deal with the problem.

Meanwhile, a wave of ancient, bodiless Incubi are entering the dreams of humans in an attempt to possess them and live new lives. Only the criminally insane would ever risk a confrontation with them.

Thank goodness, then, for Mr Jinx: clown, Shadow Watch agent, psychopath.

The novel is due to be published by Angry Robot Books in October 2014. It is the sequel to Night Terrors. Be sure to check out Tim’s website and follow him on Twitter for news about his writing.

Horus Heresy Short Reviews: CENSURE and WOLF OF ASH AND FIRE (Black Library)

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Just wanted to flag up two Horus Heresy short stories I’ve read recently, as they were both very good, and well worth an enthusiast’s time.

Kyme-HH-CensureCENSURE by Nick Kyme

In the depths of Calth’s arcology network, the Underworld War has raged for years. Aeonid Thiel, previously an honoured sergeant of the Ultramarines, once again finds himself in trouble – pitted against the daemonic forces of the Word Bearers, he has no choice but to venture back to the ravaged surface and brave the deadly solar flares that have scoured all life from this world. With a lowly Imperial Army trooper as his only companion, it falls to him to drive the maniacal Dark Apostle Kurtha Sedd and his warband from the overrun XIIIth Legion stronghold.

This was originally released as an audio-drama. When it was released as an eBook, however, I picked it up right away. Kyme is really growing as an author – each new story of his that I read, I can see that he’s just getting better and better. This story is set (once again) on Calth, the planet at which the Heresy and the extent of the betrayal truly exploded out into the open. After the battle of Calth, there could be no denying that the galaxy had indeed been set on fire. Censure is set some years after the events of Mark of Calth and Know No Fear, and Aeonid Thiel has returned to the ravaged world to fight against the Word Bearers and support the remnant loyalists. It focuses on a specific mission and conflict, and is fast-paced, nuanced, and expertly paced. Quite excellent, and very highly recommended.

*

McNeill-HH-WolfOfAshAndFireTHE WOLF OF ASH AND FIRE by Graham McNeill

The Wolf of Ash and Fire is a Horus Heresy short story that takes place during the Great Crusade, before the outbreak of the Horus Heresy. The Wolf of Ash and Fire follows Horus Lupercal, fighting alongside the Emperor Himself, as the Luna Wolves fight for control of the Ork-held planetoid of Gorro. The Wolf of Ash and Fire was released as a free e-book with every copy of Macragge’s Honour.

This short story was released free through the Black Library website some time ago. It’s a quick, battle-filled tale of Horus’s strategic expertise, battlefield fury, and pre-Heresy devotion to the Emperor. It is also one of the few stories that features both the Emperor and Horus on the battlefield together – and it is epic. The battle scenes are great, swirling and furious. I’d really like McNeill (or any of the Heresy writers, actually) to revisit this campaign, or just write some more stories like this. As with Censure, this is highly recommended for all fans of the series. I can’t wait for McNeill’s next Heresy novel, Vengeful Spirit (out later this year).

“Midnight Crossroad” by Charlaine Harris (Gollancz)

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HarrisC-MT1-MidnightCrossroadUKA great start to a new series

Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and Davy Road. It’s a pretty standard dried-up western town.

There’s a pawnshop (someone lives in the basement and is seen only at night). There’s a diner (people who are just passing through tend not to linger). And there’s new resident Manfred Bernardo, who thinks he’s found the perfect place to work in private (and who has secrets of his own).

Stop at the one traffic light in town, and everything looks normal. Stay awhile, and learn the truth…

This is the first novel of Harris’s that I’ve read, and I must say I rather enjoyed it. A gently-paced mystery, with a supernatural slant, and populated by endearing, varied and well-constructed characters.

The novel started pretty slowly, for me. For the first 50 pages or so, it felt like Harris was intent on painting as complete and full a picture of Midnight, Texas. Everything was described, at length, and I worried that this was a sign of padding. Thankfully, the story then kicked in, and what followed was an engaging small-town mystery.

A disappearance and death from years ago is dragged into the present, stirring up earlier suspicions and far-reaching animosities. It also brings Midnight to the attention of a number of unsavoury elements, all of which are pursuing their own agendas. A new discovery leads Manfred and a select few of his fellow Mightnighters to investigate. In some ways, Midnight Crossroad feels like an established series, as some of the characters’ actions need to be taken with a pinch of salt – they are far more accepting of certain things than one might expect (the vigilantism, for example, not to mention some of the odder characteristics of certain Midnighters).

HarrisC-MT1-MidnightCrossroadUSEach of the town’s inhabitants has their own secrets, and it is considered very bad form to pry. That each and every one of them has secrets, though, is an accepted fact. This has led to the creation a surprisingly close-knit community, despite none of the characters truly knowing the others. One of the things I really liked about the novel is the fact that Harris doesn’t reveal everything. In fact, many of the characters remain somewhat mysterious – while readers will no doubt draw their own conclusions, Harris is rarely explicit about their natures. I’m looking forward to each of the characters developing over the course of the series. There’s a lot of potential for expansion, I think.

This wasn’t what I was expecting. Although, to be fair, I wasn’t really sure what to expect to begin with. The supernatural elements are pretty down-played, but they are definitely there – be it through Fiji’s witchcraft, Manfred’s clairvoyance, and… well, a couple of other things that to discuss would be spoilers.

Harris is in no rush to tell the story, but it won’t take you long to read this – not only is the book very focused (after the first 50 pages), but you’ll likely not want to put it down. It offers a welcome change in pace to the usual thrillers I read, and the added, understated supernatural elements were expertly woven into the story while also not drowning out the plot.

An excellent first experience with Harris’s work, I’ve become a new convert, and have ordered the first couple of Sookie novels to try. If you are already a fan of Harris’s fiction, then you won’t be disappointed by Midnight Crossroad. If, like me, you are new to her work, then this is as good a place to start as any other.

Definitely recommended. I really enjoyed this.

***

Midnight Crossroad is published by Gollancz in the UK and Ace Books in the US – both in May 2014.

Upcoming: THE HELLSBLOOD PRIDE by Chuck Wendig (Angry Robot)

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Wendig-MP2-TheHellsbloodBrideI still haven’t read as much of Chuck Wendig’s work as I would like. Not only have I enjoyed what I have read, but Angry Robot have been commissioning some truly amazing covers for his books (see, for example, the Miriam Black books – stunning jackets). In January 2015, Angry Robot will be publishing the second novel in Wendig’s Mookie Pearl urban fantasy series, The Hellsblood Pride. The cover – by the uber-talented Joey Hi-Fi – is to the right, and the synopsis is below:

Father, barkeep, former Mafioso, ruler of his subterranean crime-kingdom. The Organization is back, and they’ll do anything to get Mookie on board, but Mookie has gone legit, and it’s taking every ounce of effort for him to keep his new bar from crashing and burning.

To top it all, his daughter is missing, and when Nora’s not in plain sight, that’s usually a sign of bad things to come! On one hand, the Organization. On the other, Nora.

Why can’t Family ever be easy…?

The first in the series, The Blue Blazes was published in May 2013. You can find out more about Wendig’s various writing projects by visiting his website and following him on Twitter and Facebook.

“The Last Man” by Vince Flynn (Simon & Schuster / Atria Books)

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Flynn-LastManUKThe final Mitch Rapp novel

An invaluable CIA asset has gone missing, and with him, secrets that in the wrong hands could prove disastrous. The only question is: Can Mitch Rapp find him first?

Joe Rickman, head of CIA clandestine operations in Afghanistan, has been kidnapped and his four bodyguards executed in cold blood. But Mitch Rapp’s experience and nose for the truth make him wonder if something even more sinister isn’t afoot. Irene Kennedy, director of the CIA, has dispatched him to Afghanistan to find Rickman at all costs.

Rapp, however, isn’t the only one looking for Rickman. The FBI is too, and it quickly becomes apparent that they’re less concerned with finding Rickman than placing the blame on Rapp.

With CIA operations in crisis, Rapp must be as ruthless and deceitful as his enemies if he has any hope of finding Rickman and completing his mission. But with elements within his own government working against both him and American interests, will Rapp be stopped dead before he can succeed?

The Mitch Rapp series is in many ways the one that kick-started my passion for international and espionage thrillers. After reading Transfer of Power, the novel that introduced Rapp as the man who takes back the White House from terrorists, I quickly caught up with the rest of the series, and have read every one since. The Last Man is, sadly, the last novel. Flynn passed away last year, after a long battle with cancer. It’s an awkward ending, however. Thankfully, though, while the novel began shakily, it ended strongly. Long-time fans of the series and characters won’t be disappointed, as this is another fast-paced, gripping international thriller, featuring all of the key series characters.

One of the first things to jump out at me was just how aggressive Rapp is at the start of the novel. True, he’s a CIA assassin, who has had a decades-long career killing people all over the world, so how cuddly could he ever be, really? Nevertheless, he came across as far more aggressive and even downright mean when dealing with others. It felt like a real departure from how I remembered the character. The previous two novels Flynn wrote focused on Rapp’s early career, taking us to his first missions working for the CIA. This can, perhaps, account for the apparent shift in character – it’s been years since I read a novel when the ‘present day’ Rapp was at the centre of the story (a couple before the early ear novels focused more on one-time Rapp protégé Mike Nash). I’d accept, therefore, that I just forgot how the character was from before. At the same time (just to add yet more qualifiers), it definitely felt like he was just more aggressive and confrontational by default, rather than as a result of what’s going on around him. Maybe the novel’s naysayers have a point, that Rapp’s special status has made him more arrogant and given him a sense of invincibility (physical and political). He came across as though he was acting more macho and dick-swinging, rather than just being the Most Badass in Any Room.

Given just how much of an asshole he can be, this was one of the first times in the whole series when Flynn wasn’t able to always keep me on Rapp’s side, even when we know he’s pushing the envelope and bending rules just that little bit too far. Despite belabouring this impression, what I’ve come to consider the Rapp normalcy did reassert itself after I passed the 25% mark(ish).

Around this 25%-mark, Rapp is seriously injured, too. It allowed the author and character to take a look at Rapp’s life and SOP with a bit more depth. His memories are all screwed up, many of them missing, thanks to the head injury he sustains. We see him navigating the slow return of memories – both good and bad – and the way he processes them made him a more interesting and nuanced character. The presence of Louie Gould, too, added an extra level of tension (I won’t remind fans who he is, nor will I spoil it for new readers).

His injury is just one of a couple of factors that make Rapp more interesting as the novel progresses. True, he is still preternaturally gifted at his job, but he is kept grounded by mistakes and miscalculations (the cause of his injury, for example, is the result of a rash – though effective – last-minute tactical move). This humanising of Rapp, something that was not always as evident in the earlier novels, I thought was a welcome development – he’s not a super-human, faultless killing machine, anymore.

Flynn-LastManAs the novel continues, we learn of a larger conspiracy, which ended up being pretty well-told. There are the usual forces foreign and domestic working against Rapp, his comrades and CIA Director Irene Kennedy (who is always excellent). The final quarter of the novel is a fast-paced resolution that I could not put down, and I turned the final page at 2am. Flynn’s gift for constructing engaging, briskly-paced thrillers really was superb, and few authors writing in the same sub-genre could match him (David Baldacci and Kyle Mills are perhaps the only two I consider better).

There were a couple of moments when Flynn’s own politics and obvious affection and support for the clandestine and more force-oriented US governmental institutions shines through, coupled with less-than-positive portrayals of diplomatic actors. This doesn’t take up much of the novel, which also means he doesn’t offer the normal balance that I’ve always liked in his novels. The author was known for courting the conservative press in order to promote his novels – fair enough, as a conservative himself, why shouldn’t he? – but the fact that he didn’t lampoon liberals or Rapp’s opponents unnecessarily, always saved his novels from becoming ham-fisted anti-liberal screeds. Villains, foreign and domestic, were appropriately diabolical or (more likely) petty politicians, but were not limited to the Democratic Party. In The Last Man, however, it is far more about the investigation than the political forces at play behind the scenes – which is a pity, as Flynn really was very good at writing that part, too.

In all, then, a very good final novel, if not an excellent one. Nevertheless, I will seriously miss my annual fix of new fiction from Vince Flynn. The quality of his novels will allow them to persevere and, I’m sure, remain in print for many years to come. If you are a fan of international espionage thrillers, then I highly recommend Flynn’s work.

R.I.P. Vince Flynn, 1966-2013

Novel Chronology: American Assassin, Kill Shot, Term Limits,* Transfer of Power, The Third Option, Separation of Power, Executive Power, Memorial Day, Consent to Kill, Act of Treason, Protect and Defend, Extreme Measures, Pursuit of Honor, The Last Man

* This is not actually a Mitch Rapp novel, but a couple of the characters within feature throughout the main series. It’s an excellent novel, too.

Interview with MARK SMYLIE

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SmylieM-AuthorPicLet’s start with an introduction: Who is Mark Smylie?

Let’s see. I was born in Florida; my mother was Japanese, she had come to the States to study piano at Julliard, and my father is a Presbyterian minister who worked for the Church’s national body as their liaison to the United Nations (now long retired). I grew up in New Jersey and have lived there on and off for most of my adult life (with stints in New York and California). I’ve worked mostly in comics publishing, both as a writer/artist and as a publisher (I founded a company called Archaia that is now an imprint at BOOM! Studios).

Your debut novel, The Barrow, was published by Pyr Books last month in the US and this week in the UK. How would you introduce the novel to a new reader? Is it the first in a series?

The novel was written as a stand-alone but Pyr has agreed to publish two sequels so, yes, for better or for worse I’m afraid it’s yet another fantasy trilogy. The novel is part epic fantasy, part horror story, and I guess what could be termed part undercover detective story. At first glance it’s about a group of criminals and adventurers of few if any scruples that are following a map to find a fabled lost sword, but nothing is quite as it seems.

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The novel is, I believe, adapted from a comic series. What inspired you to write the novel, and what was it like adapting the world for fiction?

It might be more accurate to say that the novel is spun off from a comics series I (used to) write and draw, an epic military fantasy story called Artesia, but it’s actually an adaptation (and expansion) of a screenplay begun back in 2004 or so. I wrote the initial screenplay with my brother, John Smylie, and a friend of ours, Hidetoshi Oneda, who was a commercial director that worked mostly in Japan. We were working on the idea of creating a low-budget prequel to the comics series (which given its military content is something that would be very costly to try filming as is). The story was initially intended as a kind of metaphor for the search for weapons of mass destruction, as we were starting to get deep into the messy aftermath of the invasion of Iraq at the time. My brother and I had always talked about the idea of turning it into a novel at some point. In many ways the novel as a medium is much better suited for fantasy writing; you get more of a chance to fill in background and flesh out a world, I think, than you do in comics, where the format of panels and word balloons is much more restrictive.

Where do you draw your inspiration from in general?

LockStock&2SmokingBarrelsAll over the place. The setting is inspired by Greek, Roman, and Celtic mythology, late medieval and early Renaissance Europe, Marija Gimbutas’ writings on proto-European Goddess culture, Carlo Ginzurg’s work on shamanism and medieval witchcraft; there are bits and pieces of the poststructuralist analysis of mythology from writers like Vernant and Detienne, classic Joseph Campbell monomyth hero quests, years of roleplaying games and other fantasy novels. The underground scene of the main city in the story is modeled after some years spent living in New York City in the late ’80s and early ’90s when the city still felt a little dangerous, so there’s a kind of postpunk, transgender vibe going on as well which might seem odd for a fantasy setting to some readers (and the film script was originally conceived as Dungeons & Dragons meets Lock Stock & Two Smoking Barrels or The Usual Suspects). Horror films, military history, costume, cooking and cuisine; it all kind of gets thrown in a blender.

How were you introduced to reading and genre fiction?

My father used to read my brother and I stories when we were little kids; he read us the Chronicles of Narnia, and he was reading us Tolkien when my father realized we were finishing the pages faster than he was reading them aloud. So my brother and I went on to finish the Lord of the Rings on our own. I’ll read other genres and general fiction, but fantasy literature is where I come back again and again.

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How do you enjoy being a writer and working within the publishing industry?

I feel very, very lucky. I mean, it’s a difficult industry to work in with the rewards few and far between, but I’ve been very fortunate to do something that I love and to publish the works of a lot of writers and artists that I admire.

Do you have any specific working, writing, researching practices?

I’ve got a pretty large research library, it’s a reasonably specialized one built over 20+ years of book collecting, so a lot of the time I sort of wander over to my bookshelves with an idea in the back of my head – a remembered illustration, or a chart, or a line of text – and start flipping through pages. I’ll make notes to myself about something that I want to include in the story – a myth, a kind of pastry, a piece of costume – and use those notes to build the details of the world. I think a fantasy setting needs to feel real, like you can smell it, taste it. Though nowadays a lot of readers don’t seem to have much time for exposition; they just want to read dialogue, as though we’re now a nation of script readers. I try to have an outline that I’m constantly reworking as I write, so that I know how what I’m writing is going to tie into where I want to wind up. And then I reread and rewrite.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I don’t think I ever made a conscious decision to be an author. I took art classes in high school, drew comics, played a lot of roleplaying games; I took a creative writing class in college and found it kind of tough going, in part because I was always a genre guy and back then genre wasn’t something you were supposed to aspire to. I tried my first “official” comic book soon after college but couldn’t find a publisher for it; it wouldn’t be until my comic book Artesia came out, when I was thirty, that I would have my first published work as a writer/artist.

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What’s your opinion of the genre today, and where do you see your work fitting into it?

We’re definitely living in a kind of geek Golden Age – whether it’s television, comics, film, novels, there’s an enormous variety in terms of the kind of material that’s out there and so much of it is being produced at a very high level of quality. I think that also makes it very competitive for those of us that are tying to get our work out in this kind of marketplace right now, which can be kind of tough. I’m not sure where my own work falls into it all; Artesia was sort of a pagan Joan of Arc military fantasy story, but The Barrow is more horror-oriented, very much grimdark, I suppose, though I didn’t discover that term until a few months ago.

What other projects are you working on, and what do you have currently in the pipeline?

Well, in terms of my personal work I’m currently working on the sequel to The Barrow, called Black Heart, along with a board game set in the world of the book and the comics, with an eye towards doing a second edition of an Artesia roleplaying game that I put out back in 2005. I’m still at Archaia as my day job, transitioning over to hopefully starting a games line for the company soon.

What are you reading at the moment (fiction, non-fiction)?

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For fiction I’m juggling Steven Erikson’s Gardens of the Moon (I’d never read Erikson before but several reviewers have compared my work to his so I figured I’d better get familiar with it), Scott Lynch’s Republic of Thieves, and Kate Elliott’s Cold Magic. For non-fiction research I’ve been glancing through City of Sin, a history of the underbelly of London by Catharine Arnold, and Israel’s Beneficent Dead: Ancestor Cult and Necromancy in Ancient Israelite Religion and Tradition by Brian Schmidt.

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What’s something readers might be surprised to learn about you?

Given the sex and violence in the book I suspect some readers might be surprised to learn that I have a daily yoga practice (hatha raja vinyasa mixed with ashtanga). Or that I have a lot of cats (not on purpose).

What are you most looking forward to in the next twelve months?

World peace and a cure for cancer?

Guest Post: “Influences & Inspirations” by Duncan Jepson

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JepsonDuncan-AuthorPic1During the last 150 years, China and the West have collided many times, virtually always on Chinese soil, and their relationship is heavily coloured by this history. Many in Asia are choosing and building their futures motivated by their own and their family’s experiences, ambitions and histories, much of it unclear and unknown to most in the West. The relationship between China and West is set to become more intense and complicated and we have to hope these two sides will work together rather than tear the world apart.

The story of Emperors Once More is about the collision of these different motivations and forces in China and among Chinese people, set against their position on the world stage. On a national level, the government is tasked with maintaining a union of a billion plus people so it does not crumble into chaos again, fighting the very human feeling of humiliation from centuries of defeat, both personal and national, the need to re-establish respect on the world stage, the clashes that will arise from the very practical need to obtain vital resources for the future and China’s new role in the global order. The story is also about those very personal experiences such as migration, subservience, colonialism, aspiration, ideology, revolution and tradition.

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This is also personal to me. As a Eurasian, I have often found myself stuck awkwardly in geography, sometimes feeling at home in no place in particular but persistently trying to be comfortable in both East and West. I have watched the older generation in Hong Kong, those having lived and grown up under colonial rule, feel the weight of a heavy glass ceiling whether due to limited education, lack of understanding of the governing culture or, at times, simply by race. To some there is a deep frustration and resentment to having been treated as what they feel is a foreigner in their own home. Thankfully the world has moved on and a young generation of Chinese don’t see themselves this way – many are now of a new global generation.

The premise of Emperors Once More is that, in 2017, China has bailed out the West, but the West has defaulted on its debt. For many Chinese, this has the same strong sense of bitterness as the humiliations of the Opium War, Rape of Nanjing and Boxer Rebellion. One man in Hong Kong, deeply affected by colonialism, wants to use this new collective anger and indignation to push Chinese to demand China use its global power to reclaim its rightful place in the world order. To achieve these ends, he will draw on both ancient rites and modern technology to commit a series of killings and provoke national rage.

I wanted a criminal with a purpose and an anger that is rooted deep in history and personal experiences, believing there are wrongs to be righted, and a hero who is of a new different world who sees a better future that does not have to pay for the past. I hope that this story pulls the reader into a full-bloodied crime tale while drawing on Chinese history, culture and mysticism.

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Duncan Jepson is the award-winning director, producer and writer of five feature films. He also produced documentaries for Discovery Channel Asia and National Geographic Channel. He was the editor of the Asia-based fashion magazine West East and a founder and managing editor of Asia Literary Review. He is a social commentator on Asia and regularly writes for The New York Times, Publishing Perspectives and South China Morning Post. A lawyer by profession, he lives in Hong Kong.

Jepson’s Emperors Once More is out now, published in the UK by Quercus Books. Jepson is also the author of All the Flowers in Shanghai. Be sure to follow Duncan on Twitter and Goodreads.