Guest Post: “Tower of Babel” by Aidan Harte

AidanHarte-AuthorPicMasons, like writers, learn the hard way to choose their foundation carefully. The strength of that first stone defines the structure, sets the tone. Accordingly, Chapter One of Spira Mirabilis begins with blasphemy. The Last Apprentice of Concord whips up a Children’s Crusade and instead of sending them to fight the approaching coalition led by Contessa Scaligeri, he sets them to construct a new cathedral. This is a recreation of the Tower of Babel, that structure torn down by an outraged God who then “confounded the language of all the Earth,” for good measure.

Finishing The Wave Trilogy, I found myself toiling in Babel’s shadow. This influence can be partly ascribed to the setting – cathedral building was medieval society’s engine, the focus of mathematics, engineering, art and devotion – but what troubled me was what Nimrod’s Tower says about creation. It condemns all creation as a blasphemous encroachment. What more damning indictment of the hubris of storytelling than a tower reaching to heaven, swatted aside by the greatest creator of all? The Middle East’s attitude to idolaters has always swayed between hostility and ambivalence. No accident then that Scheherazade, like Babel, springs from the fertile soil between the Euphrates and the Tigres. The lovely slave girl forever spinning yarns to keep her head from tumbling is, I like to think, the patron saint of storytelling. Her story reveals the secret of all stories: once you get in the habit of it, it’s easier to keep going than to stop.

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There’s always a new twist, a cliff-hanger to escape, a long lost uncle to appear, a reconciliation or – better yet – a quarrel to be had. The deeper one is immersed, the more improbabilities one will accept. Watch the end of any Hitchcock film; it will seem overwrought, even silly, but only because you haven’t earned the heightened emotions the last act demands. Plenty of wonderful stories, like political careers, simply capsize before the finish line. The final season of The Wire is a catastrophe, but it seems churlish to say so. Instead we echo the builders of Babel: ‘Shame how it ended, but wasn’t she splendid?’

It’s a bittersweet thing to leave a place you’ve lived in for years but I’m finally saying addio to Etruria. No matter how much we rehearse farewells, they are almost always anticlimactic. Only a committed Austinian can recall the last lines of Pride and Prejudice:

“With the Gardiners, they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.”

I know – yawnsville, right? Dear Jane is simply putting the chairs away and turning out the lights, but we’ve enjoyed the evening’s entertainment so much that we can’t complain if it ends in diminuendo. First impressions matter. Endings? Not so much. That last Parthian shot won’t mar a wonderful story or salvage a dull one. The battle’s won or lost long before then. Famous farewells, then, are necessarily a rare species. There’s Gatsby with his green light and boat going nowhere and Sydney Carton doing that far, far better thing. My favourite comes from Tracy Chevalier’s The Girl with the Pearl Earring. ‘A maid comes free’ is the final bittersweet flourish which makes this poignant tale linger.

Parting pickings are slim because it is a truth universally concealed that most writers are too preoccupied leaving the stage with dignity to craft something beautiful. But endings should be fashioned as carefully as the keystone that completes the arch, and not afterthoughts. Readers are well used to preposterous final acts when the air suddenly escapes. The sound of that rushing air is usually a Calvary horn. When it toots, it’s time to get your coat. The technical term is Deus Ex Machina, or God from the Machine. The phrase, as every eager Lit Grad know, originates in Greek theater when Zeus or one of his progeny would drop down and resolve things with a thunderbolt.

In Spira Mirabilis I throw a spanner in the divine machinery, asking what if God wants to help, but is powerless. I posit that God was not merely offended by Nimrod’s Tower, He was threatened. The Apprentice’s Tower is a knife to sever earth and heaven, and Contessa Scaligeri is the only one who can stop him. High stakes then. Does it come off, or does it come crashing down, leaving me with the poor hod-carriers at Babel, unpaid and gibbering nonsense?

Let’s see when the dust settles.

***

Aidan Harte is the author of The Wave TrilogyIrenicon, The Warring States and Spira Mirabilispublished in the UK by Jo Fletcher Books. Spira Mirabilis will be published on March 27th (eBook) and April 3rd (hardcover).

Also on CR: Interview with Aidan Harte, Guest Post (Yesterday That Never Was), Excerpt of Irenicon

“Stormseer” by David Annandale (Black Library)

AnnandaleD-SMB-StormseerWhite Scars vs. Orks, with a dash of Eldar…

The green-skinned hordes of the Overfiend of the Octavius system have long been a thorn in the Imperium’s side – and now, with human worlds caught in the crossfire between the orks and eldar, that thorn will be removed. Temur Khan and his brotherhood descend upon Lepidus Prime to cleanse it of the green taint. The swift and brutal hammer to the Imperial Guard’s anvil, the White Scars strike hard and fast – but when the orks reveal a super-weapon, it may take more than just power to win the day?

I’m a big fan of Annandale’s Black Library fiction, and Stormseer is a great example of just why I think he’s so good. This is the first of three novellas in the Space Marine Battles series, all of which are connected to the same campaign. Fast and furious, excellently written and well-paced, this is an excellent novella. A must-read for fans of the White Scars and Warhammer 40,000 in general.

The story starts off with an excellent battle scene, which is a perfect example of the White Scars’ rather headlong approach to warfare. The action on the battlefront is only half the story, however, and we alternate between there and a lone Stormseer’s mission behind enemy lines. Accompanied by some scouts, and driven by a vague psychic vision, he infiltrates and investigates an ork manufacturing plant, joined by some mysterious Eldar. What they find explains the orks’ mysterious ability to be everywhere on the battlefield.

The story was less battle-heavy than I was expecting, but of course Annandale does not skimp on the action, which is well-presented and described (without going over the top). He does an excellent job of providing a proper story, rather than just an excuse to kill some orks in ever more brutal fashion (or “bolter-porn”, as it’s known).

There’s some mystery, and also allusion to what else is going on elsewhere in the wider campaign, with a mention of the Salamanders and Raven Guard (who, I assume, are the stars of the other two novellas). Despite the brief length, Annandale’s characters are well-rounded and believable (as super-humans and aliens go). His prose is fluid and well-constructed.

David Annandale is one of Black Library’s best new(ish) authors. If you haven’t read any of his stuff yet, you really should. Stormseer is a great place to start.

Mini-Review: “La Santasima” by Teresa Frohock

Frohock-LaSantisimaA brilliant, dark short story from one of my favourite authors.

It’s also a story that any review of length will ruin. It’s timely, incisive and haunting – it is a blending of the supernatural with the ongoing illegal immigration across the US-Mexican borders. Frohock has written a brilliant story that highlights the dangers and issues that those desperate to enter the States will face, as well as the people who will take advantage of and prey on their desperation. At the same time, it is a touching story of family ties.

Here’s the synopsis…

Sebastian’s friend Carlos claims that La Santa Muerte watches over the poor, the ones that the Church abandons. He promises Sebastian that La Santa Muerte will be his patron saint, that she will protect him and grant his wishes.

Death comes for us all. Keep her as your friend.

Sebastian is disappointed as prayer after prayer is rejected by the saint, and he loses faith. One night his sister Lucía joins him, and La Santa Muerte answers their prayer to bring their brother home…

On top of that, the eBook has a great piece by the author at the end, talking about the genesis of the story. If you haven’t read Frohock’s work, yet, you must. Best of all, La Santisima is free on Smashwords!

Excerpt: AGE OF SHIVA by James Lovegrove (Solaris)

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This April, Solaris Books publishes the sixth novel in James Lovegrove’s New York Times-bestselling Pantheon series, Age of Shiva. Below, you will find the first three chapters!

AGE OF SHIVA

This is a confession.

This is an apology.

This is an origin story.

This is the tale of ordinary people who became extraordinary, became heroes, and the price we all paid.

It’s completely true.

I know.

I was there.

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CHAPTER 1

KIDNAP IN CROUCH END

I stepped out of my flat to get my lunchtime sandwich and cappuccino, and never went back.

There was a coffee place round the corner from my house. It styled itself like one of the big chains, calling itself Caffè Buono and boasting baristas and leather armchairs and a Gaggia machine, but it was the only one of its kind in existence and it never to my knowledge opened any other branches. The sandwiches were all right, though. The coffee too.

I didn’t notice the jet black Range Rover with tinted windows prowling after me as I sauntered along the street. It was spring. The sun was out, for a change. I’d been slaving away at my drawing board since breakfast. Daylight on my face felt sweet. To be among people – the usual milling midday Crouch End crowds – was pleasant. My work was a kind of solitary confinement. It was always good to get out.

I was thinking of a plump, tasty BLT and also of the plump, tasty new barista at Caffè Buono. Krystyna, her name badge said. From Poland, to judge by the spelling and her accent. Farm-girl pretty and very friendly. Flirtatious, even. It was never likely that I would ask her out, she being at least fifteen years younger than me, but seeing her brightened my day and I chose to think that seeing me brightened hers. If it didn’t, she did a very creditable job of pretending it did.

I moseyed along, a million miles from where I was, and all the while the jet black Range Rover was stealing ever closer to me, homing in from behind, a shark shadowing its prey.

I was coming to the end of my latest commission – another reason I was so preoccupied. I was on the final straight of eight months’ solid work. Five pages left to go on a four-issue miniseries. Full pencils and inks, from a script by Mark Millar. I liked collaborating with Millar; he gave the bare minimum of art direction. Usually he offered a thumbnail description of the content of each panel, with a caption or two to fit in somewhere, along with an invitation to “knock yourself out” or “make this the best fucking picture you’ve ever drawn.” So few restrictions. Happy to let the artist be the artist and do what an artist was paid to do. I was fine with that.

But it had been a long haul. I was slow. Had a reputation for it. A stickler; meticulous. Notoriously so. Every page, every panel, every single line had to be exactly right. That was Zak Zap’s unique selling point. You only got top-quality, ultra-refined product, and if you had to wait for it, tough titties. I’d been known to tear up a completed page rather than submit it, simply because a couple of brushstrokes weren’t precisely as I’d envisaged they’d be, or the overall composition was a fraction off. Just rip that sheet of Bristol board in half and bin it. Three days’ effort, wasted. And I’d rage and fume and yell at the cat, and then maybe neck down a few beers, and then next morning I’d plonk my backside down in front of my drawing desk and start all over again.

Stupid, but that’s how I was.

It was why Francesca left me.

Not the tantrums or the fits of creative pique. She could handle those. Laugh them off.

It was the pressure I put on myself. The sense of never being good enough which constantly dogged me. The striving for unrealisable goals. The quest to be better than my best.

“It’s not noble to be a perfectionist, Zak,” Francesca told me as she packed her bag. “It’s a kind of self-loathing.”

I was within spitting distance of the coffee place, just passing the Louisiana Chicken Shack, when the Range Rover drew alongside and braked.

The doors were already open before the car came to a complete stop.

Men in suits bundled out.

I glimpsed them out of the corner of my eye. They were Hugo-Boss-clad barrels in motion. My first thought was that they must be bodyguards for some movie star. Someone famous, over in the UK from Hollywood to promote the release of his latest action-fest, had had a sudden hankering for southern fried chicken, and his security detail were forming a cordon so that he could go in and buy a bucketful. Will Smith, maybe. Bruce Willis. The Rock. One of those guys.

And then I thought, In Crouch End? This wasn’t even the fashionable end of Crouch End. This was the crouchy end of Crouch End. And no movie star in his right mind, however hungry, would want to sample the battered scrag ends of battery hen they served at the Louisiana Chicken Shack.

And then the nearest of the men in suits grabbed hold of me. And then another of them did too, clamping a hand around my elbow and whispering in my ear, “Don’t shout. Don’t struggle. Act natural, like this is nothing out of the ordinary. Otherwise you’ll regret it.”

Then, loudly so that passersby would hear, he said, “All right, sweetheart. That’s enough now. You’ve had your fun, but it’s time to go back to the Priory. Your management is paying all that money for your rehab. They don’t want it wasted.”

With that, they dragged me towards the Range Rover – literally dragged, my heels scraping the kerbstones. I was helpless, inert, a flummoxed idiot, no idea what was going on. Even if I hadn’t been warned to act natural, I’d have been too dumbfounded to resist or protest.

It happened so fast. Just a handful of seconds, and suddenly I was in the back seat of the Range Rover, squashed between two of the suited goons, and the car was pulling out into the traffic, and I wasn’t going to have that BLT or that cappuccino today and I wasn’t going to cheer up Krystyna with a smile and she wasn’t going to cheer me up either.

CHAPTER 2

KNUCKLEDUSTER RING, HILLBILLY MOUSTACHE AND FRIENDS

There are moments in your life when you do what you have to, simply because you’re too scared to do anything else.

I was no Jedi knight, no master of kung fu. I hadn’t been in a fight since secondary school, and that was more of a pathetic bitch-slap contest than anything, and besides, I lost. Now I was in a car with four blokes, each of whom weighed twice as much as me, each of whom had a shaven head and no-bullshit mirrored sunglasses and seam-straining muscles and looked as though he could snap my neck just by breathing hard on me.

Compliance was the only logical course of action. I wasn’t going to karate chop my way out of this predicament. I didn’t have super powers like the characters in the comics I drew for a living. No eye beam to blast a hole through the car roof. No webbing to truss up my kidnappers. No frigging Batarang. I was stuck, a victim, panic-stricken, hyperventilating, only human.

They could kill me, these men. Were they going to kill me? Who were they? What did they want with me?

We had driven perhaps half a mile before I finally found some gumption and piped up. “Piped” was the word; my voice sounded like a piccolo.

“You must have the wrong man,” I said. “I haven’t done anything. I’m nobody.”

“You Zachary Bramwell?” said the goon on my immediate left, who wore a gold sovereign ring so large it could easily double as a knuckleduster.

It didn’t really seem to be a question, which was why I said, “Yes.”

“Then we’ve got the right man. By the way, you got a phone on you?”

“No.”

“I’m going to check anyway.” Knuckleduster Ring ransacked my pockets, finding nothing but lint and loose change. “Left it at home, eh?”

I had. I nodded.

“Good. No need to confiscate it, then. Now shut your trap.”

I shut my trap, but after another mile I couldn’t keep it shut any longer. My anxiety wouldn’t let me.

“What was all that stuff about ‘the Priory’ and my ‘management’?”

“What do you think? To make it look like we were staging an intervention.”

“Oh. But you are sure you’ve got the right Zachary Bramwell, not a different one? Same name but, you know, minus the substance addiction issues?”

“Hundred per cent.”

“So where are you taking me? Who do you work for? Are you cops? The government?”

Knuckleduster Ring smiled. The goon on my right, who had the type of drooping moustache favoured by bikers and hillbillies, smirked. The guy driving the car actually laughed, like I’d cracked a joke.

“Nah,” said Knuckleduster Ring. “They pay shit.”

“Private contractors, you could call us,” said Hillbilly Moustache. “Available to the highest bidder.”

“Well, who is that, then?” I said. “Who in God’s name has it in for me so badly that they’ve hired you to snatch me off a London street in broad daylight?”

“Christ, this fucker talks a lot,” said the fourth goon, who was the spitting image of Knuckleduster Ring and could only have been his identical twin brother. “Can’t I give him a crack upside the head? I don’t want to listen to him jabber all the way.”

“Unharmed, intact,” said the driver, who I reckoned was the boss of the outfit. He had a diamond inset into one of his upper incisors. “That’s the brief. But,” he added, “maybe you should think about quietening down, Mr Bramwell. My boys have a pretty low threshold of tolerance for nonsense, if you know what I’m saying. Here, I’ve got an idea. How about some nice soothing music? Help us all chillax.”

Diamond Tooth switched on the radio, tuned it to Classic FM, and there we were, tootling along the North Circular, me and this quartet of brick-shithouse abductors, listening to a sequence of plinky-plonk sonatas[*], with comments from the nerdy posh announcer spliced in between. At one point Knuckleduster Ring’s twin brother raised his hand off his knee and started stroking patterns in the air as though conducting an orchestra. It was ridiculous, and I might have thought it funny if I hadn’t been trying so hard not to soil my pants.

We drove for an hour, leaving London behind. We headed northbound up the M1, turning off somewhere before Milton Keynes and then wiggling around in the Buckinghamshire countryside on A-roads and B-roads until I was thoroughly disorientated and couldn’t have found my way back to civilisation even with a map.

In my head Diamond Tooth’s words – “Unharmed, intact” – rang like a church bell, offering solace and hope. Whoever my kidnappers’ employer was, he didn’t want me hurt. There was at least that.

Or could it be that he didn’t want me hurt until he himself got his hands on me? I was the pair of box-fresh sneakers that no one else could touch and that only his feet could sully.

I racked my brains, thinking of people I’d pissed off during the nearly forty years of my life so far. It wasn’t exactly a short list. I’d aggrieved more than a few editors in the comics biz with my propensity for handing in work at the very last minute, or else blowing the deadline completely. I’d hacked off my previous landlord but one with my complaints about mice droppings in the kitchen and mould on the bathroom walls, but those were legitimate gripes and he had no right to be upset with me for pestering him about things he was duty-bound to fix. I’d left behind a trail of women who to a greater or lesser degree found me lacking in the attentive boyfriend department, up to and including Francesca, who had stuck it out with me the longest but had ultimately come to the same conclusion as the rest: that I wasn’t worth the time, trouble and effort. And then there was that financial advisor at the bank who I’d lost my rag with, just because he told me I wasn’t in a “reliable occupation with regular income” and therefore didn’t deserve to be offered a more preferential mortgage rate. In hindsight, I shouldn’t have swept his pot of ballpoint pens onto the floor of his cubicle and told him to stick his flexible variable rates up his backside. It was petty and childish of me. I should have done the mature, manly thing and thumped the tosser.

All these people and others had cause to dislike Zak Bramwell. They might well wish to curse me under their breath and think ill of me during the long watches of a sleepless night.

But hate me so much as to have me brought to them so that they could inflict prolonged and nefarious revenge upon my person at their leisure? And at great expense, too?

I didn’t think so.

Who, then? Who the hell was I being taken to meet?

I couldn’t for the life of me rustle up an answer.

Finally the Range Rover arrived somewhere. And by “somewhere” I mean the middle of nowhere.

To be precise: a disused, dilapidated aerodrome that had once served as a US airbase during World War 2 and subsequently the Cold War, and was now a collection of grass-covered hangars, mouldering Quonset huts, and sad, sagging outbuildings.

An air traffic control tower with smashed-out windows overlooked a shattered concrete runway criss-crossed by strips of weed.

And on the runway stood the most extraordinary vehicle I had ever seen.

CHAPTER 3

THE GARUDA

Most of you reading this will be familiar with the Garuda. How can you not be? You’d have seen it on TV or the internet, maybe been fortunate enough to watch it in flight, zipping overhead with scarcely a sound. You’d no doubt have been startled the first time you clapped eyes on it, perhaps a little in awe, certainly impressed.

Back then, virtually nobody knew about the Garuda. Maybe no more than a couple of hundred people in total were aware that it existed.

So imagine my feelings as the Range Rover bumped out onto that runway and pulled up in front of this sleek metal angel with its folded-back wings, its downturned nosecone, its jet vents, its high-arched undercarriage, its rugged spherical wheels, its all-round air of lofty magnificence. It didn’t seem to be standing on the ground so much as perching, a forty-ton bird of prey that had briefly alighted to survey the lie of the land.

I was gobsmacked, all the more so in those shabby surroundings. The incongruity was striking. It didn’t belong here in a disused Midlands aerodrome. It belonged somewhere in the future, perhaps docking with a space station in near Earth orbit.

I think I fell a little bit in love with it, there on the spot. And bear in mind, this was before I had any idea what the Garuda was capable of, all the things it could do.

The goons hauled me out of the car and lugged me over to the aircraft, from which steps unfolded like a carpet unrolling. A door opened, so smoothly it seemed to melt inwards, and a woman emerged, extending a hand to me in welcome.

I can’t deny that things were suddenly looking up. She was quite beautiful. She was Asian – Indian, if I didn’t miss my guess – with almond-shaped eyes and soft features. Her hair was pure black gloss and her figure was full, just the way I liked. I wasn’t into the skinny, self-denying type of woman. I preferred someone who ate and drank with an appetite and wasn’t guilt-ridden or ashamed.

Her dress was smart and immaculate, from pale blue silk blouse to hip-hugging skirt. Her makeup was subtle but effective. Her nails were varnished chocolate brown.

I think I fell a little bit in love with her, too. Maybe I was just glad to see a face that was utterly unlike the hard, expressionless faces of the four goons. Maybe it was a relief to meet someone who looked friendly and wasn’t acting as though I needed to have my head stove in.

“Aanandi Sengupta,” she said, introducing herself. “I hope you’ve had a pleasant journey, Zak. Sorry if it’s been a bit… abrupt. Our employers are not patient men. When they want something, they tend to reach out and grab it. Often without asking permission until afterwards.”

“Ahem. Yes, well…” I felt scruffy and uncomfortable in front of the crisply turned-out Aanandi Sengupta. I hadn’t shaved that morning, I was in my oldest, baggiest sweatshirt and jeans, and there were ink blotches on my fingers as I shook her hand. I was a mess, and she was as far from a mess as one could be. “Can’t say they were the finest conversationalists I’ve ever met.”

I glanced over my shoulder as I said this. The goons were keeping their distance from the aircraft, standing at ease, soldiers relieved of a duty. I was passing from their care to Aanandi’s. And don’t think I was unhappy about that, but I also figured I had no choice about getting on the plane. If I turned and made a run for it, Diamond Tooth, Hillbilly Moustache and the twins would be on me in a flash. I could walk aboard willingly or I could be frogmarched aboard with my arm twisted up between my shoulderblades. Either way, I was making the flight.

“Come on in,” Aanandi said. “I promise I’ll answer every query you have, once we’re wheels up and in the air.”

“Every query? Because I have loads.”

“Almost every. Some stuff is off-limits for now. All right?”

“Fair enough.”

The main cabin was spacious and fitted with large, plush seats; about a dozen, all told. Shagpile carpet whispered underfoot. I caught a whiff of a fragrant scent – incense?

“Make yourself at home, Zak. I can call you Zak?”

A woman like her, she could have called me anything she liked.

“How about a drink? Coffee? Tea? Something stronger?”

My body was crying out for alcohol. Something to de-jangle the nerves. But I settled for mineral water. I had a feeling I ought to remain compos mentis for the time being. Whatever wits I had, I needed to keep them about me.

The water came in a cup with a plastic sippy lid, like a takeaway coffee. This should have struck me as odd, but didn’t. So much else here was off-kilter, what was one more thing?

Aanandi hit an intercom button. “Captain? We’re ready for takeoff.”

She sat beside me. She buckled her lap belt and I followed suit and buckled mine. Through the window I saw the Range Rover depart with its full complement of goon, veering out through the broken gateway it had come in by. I gave it a little farewell wave.

The aircraft began to move, those ball-shaped wheels rolling along within armatures that clutched them like talons, and then, before I even realised, we were airborne. The abandoned aerodrome shrank below. England disappeared. Within moments we were soaring among the clouds, our climb so steep it was all but vertical. Other than a plummeting sensation in the pit of my stomach, there was little to tell me we were actually in ascent; our rise was smooth, turbulence-free and eerily quiet.

“What is this thing?” I asked Aanandi. “It’s like something out of a Gerry Anderson show.”

“It’s the Garuda. It’s the only one of its kind; a multi-platform adaptable personnel transporter, equally at home in five different travel environments.”

“It’s ruddy quiet, is what it is. My bicycle’s louder.”

“I don’t know the technicalities, but the engine design incorporates sound reduction technology way in advance of anything else currently on the market. The turbofans have the highest conceivable bypass ratio and feature multilobe hush kit modification baffles. And of course the cabin is comprehensively soundproofed with layers of porous absorbers and Helmholtz resonators.”

“That’s an awful lot of jargon for someone who says she doesn’t know the technicalities.”

Aanandi gave a brief, self-effacing smile. “I listen well. I pay attention. I have a good memory.”

“Your accent,” I said. “American?”

“Born and bred. Second-generation Indian from Boston.”

“And who are these ‘employers’ you mentioned?”

“That I can’t tell you, Zak. Not yet. You’ll find out in due course. What I can tell you is that you’re under no obligation to co-operate with them. You’re under no obligation to do anything. I’m pretty sure you’ll want to be a part of what’s happening, once you learn what it is, but there’s no coercion involved. We’re after willing recruits, not slaves.”

“It did seem like I was being pressganged,” I said.

“Not so. Those four were perhaps a little insensitive and overenthusiastic, I imagine, but they had to get the job done quickly and with minimum fuss. Like I said, we work for people who are not patient and have no time for messing around.”

“Well, where are we going? Is that one of the queries you can answer?”

“Certainly. The Indian Ocean. The Maldives.”

“Seriously?”

“Is that a problem?”

I looked at her. “Normally I’d say no. Who wouldn’t want to visit a tropical paradise? Especially when someone else is paying for the ticket. But… You can see it from my point of view, can’t you? I’m in a super-duper fancypants James Bond aircraft, with someone I’ve never met before, being flown halfway across the world. How long does it even take to get to the Maldives? Twelve hours?”

“Ten by conventional means. In the Garuda, a third of that.”

I shot past that little nugget of information. I was in full spate, mid-rant. All the outrage and disquiet of the past hour was pouring out, and not much was going to stem the flow. “And there I was, not so long ago, just walking down the street, minding my own business. I still can’t help thinking this is a case of mistaken identity. You’ve picked up the wrong Zak Bramwell. What the hell would anyone who can afford a plane like this want with someone like me? I draw comic books for a living, for heaven’s sake. I don’t have any practical skills besides that – and it’s not even that practical.”

“You are Zak Zap, though,” Aanandi said.

I winced a little. The name sounded dumb, coming from her. Even dumber than usual. “That’s me. I know, I know. Pretty lame. I was young when I chose it. Teenager. Seemed cool then. Now I’m stuck with it and there’s not much I can do. Too late to change it.”

“The same Zak Zap who drew the Deathquake strip for 2000 AD, and did brief but well-respected runs on Fantastic Four and Aquaman, and recently illustrated Robert Kirkman’s Sitting Ducks miniseries for Image.”

“Yeah. Don’t tell me you’re a fan.”

“I’m not. But the people I work for are.”

“Oh.” I digested this fact. It sat pleasantly in my belly. “Right. And, er… Am I going to some sort of convention? Is that what this is? Maybe a private one?”

“Not as such.”

“I just thought… I mean, I’ve done Comic Con. Plenty of others, too. Crap hotels, mostly. Teeming hordes of cosplayers and fanboys. Pros all hunkered down at the bar trying to avoid them. I thought this might be the same deal only, you know, classier.”

“Afraid not.”

“Shame.” The professional freelancer instinct kicked in. “But you say there’s work involved? Actual paid work?”

“There could be,” said Aanandi, “if you want it. Very well paid.”

I was beginning to like the sound of this. I was still unnerved and discombobulated. It had not been an ordinary day so far, and the dread evoked by my “kidnap” had yet to subside. But work was work, and I was never one to turn a job offer down. I could hardly afford to: plenty of comics artists made a pretty decent wage, but they were the fast ones, the guys who could churn out a book a month, twenty-odd pages bang on schedule, no sweat. As I’ve already established, that wasn’t me. My financial situation was definitely more hand-to-mouth. I’d never been asked to draw any of the mega-sellers; Fantastic Four had been in the doldrums when I was assigned to it – and then fired six issues later. And as for Aquaman… Who the hell buys Aquaman? I only took the gig because I was short on cash at the time and I liked drawing underwater stuff. [†]

So I didn’t have a steady stream of backlist royalty revenue to rely on, and no editor with any sense was going to hire me to do Superman or Amazing Spider-Man or any of the other DC and Marvel flagship titles. Readers wouldn’t stomach the indefinite delays between issues or the inevitable rushed fill-ins by other artists. They’d desert in droves.

So somebody was interested in employing me? And was flying me to the Maldives for the job interview?

I can handle that, I thought.

I felt a flush of smugness, the kind you get when your talent is recognised, when you’re acknowledged as being skilled at what you do. The pardonable kind. A sort of giddiness overcame me. I undid my lap belt, thinking that a victory stroll up and down the cabin aisle was in order, a moment by myself to clench my fist and go “Yes!” under my breath.

“I wouldn’t do that if I were you,” Aanandi advised.

Too late. I was already on my feet. And then I was off my feet. I was somehow standing without standing. My toes were in contact with the carpet, but only just. The giddiness wasn’t an emotion, it was a genuine physical sensation. I was bobbing in the air, a human balloon.

“What the hot holy…?”

Aanandi took my wrist and pulled me back down into my seat. I refastened the belt, tethering myself.

“I would have warned you,” she said, “but you had so much to say.”

The empty cup floated free from the armrest tray. Tiny sparkling droplets of mineral water poured from its lid aperture like reverse rain.

I glanced out of the window.

We were high up.

Oh, God, so fucking high up. I could see the curvature of the Earth, the horizon line of pale blue sky giving way to the blue-blackness of the void. Continents were small enough that I could blot them out with my hand. Cloud forms were rugged Arctic snowscapes.

“Space,” I breathed. “We’re in fucking space.”

—–

[*] Vivaldi? Haydn? One of those guys.

[†] There’d never been any great fan-love for the King of the Seas with his daft orange and green swimsuit and his power to exert mental control over, er, fish. After my brief tenure on the title, no one liked him much more than they had before.

***

AGE OF SHIVA is published by Solaris Books on April 10th 2014. The rest of the Pantheon series is out now: Age of Ra, Age of Zeus, Age of Odin, Age of Aztec, Age of Voodoo, Age of Godpunk (Anansi, Satan, Gaia)

Lovegrove-PantheonSeries1-5&GP

An Interview with JUSTIN GUSTAINIS

GustainisJ-AuthorPicLet’s start with an introduction: Who is Justin Gustainis?

I’m a college professor living in upstate New York. Writing fiction satisfies my soul (most days, anyway), but it’s my career in academe that pays the bills. At other times in my life, I’ve been a busboy, garment worker, soldier, speech writer and professional bodyguard (which wasn’t as glamorous as it sounds – I never got to meet Whitney Houston, or anyone like her).

Your next novel, Known Devil, was published by Angry Robot Books in February 2014. It is the third novel in your Occult Investigations Series. How would you introduce the series to a new reader, and what can fans of the first two books expect here?

GustainisJ-OI-BadgeFinal-BlogThe series is set in an “alternate” universe, one where supernatural creatures really exist, and everybody knows it – in other words, there’s no “masquerade.” Supernaturals (or “supes,” as they are often known) are accepted as part of human society, which is not to say there aren’t moments of friction. When the friction involves breaking the law, that’s when folks in Scranton, PA, send for my protagonist – Detective Sergeant Stan Markowski of the Scranton Police Department’s Occult Crimes Unit. As Stan says in the beginning of Hard Spell (the first book in the series), “When a vamp puts the bits on an unwilling victim, or some witch casts the wrong kind of spell. That’s when they call me. My name’s Markowski. I carry a badge.”

In supernatural Scranton, the Occult Crimes Unit is kept pretty busy, what with the torture-murder of a wizard, a serial killer who’s targeting vampires, violence on the part of a “human supremacist” group and the distribution of supernatural “snuff films.” But in Known Devil, the shit has really hit the fan.

GustainisJ-OI3-KnownDevil

Supernatural creatures are generally immune to human recreational drugs (apart from goblins, who have demonstrated an unfortunate fondness for crystal meth), but that’s about to change. A new drug called Slide has hit the streets, and it has the power to addict all species of supes. The first indication Stan has of this development is when a couple of junkie elves try to stick up a diner where Stan and his partner are having their coffee break. Things don’t go too well for the elves on that occasion, but Stan finds this new drug very worrisome.

As a direct result of the Slide trade, a war has broken out in the streets between two gangs of vampires. The “family” that controls crime in Scranton wants to keep the drug out, because it has the potential to harm their own kind. But a branch of a powerful Philadelphia gang is trying to muscle in so they can sell the drug, with resulting carnage throughout the city.

And somebody has just blown up Victor Castle, the head of the city’s supe community. Castle had a history of cooperating with the police in matters involving supes, and someone has decided he doesn’t like that. Castle’s likely replacement is a vampire who frequently refers to humans as “walking bloodbags.”

GustainisJ-OI1&2

Then there’s the upcoming municipal election. A well-funded bunch calling itself the Patriot Party has arisen in Scranton, and their platform is dead-set (so to speak) against supes. If the Patriot party wins the election, Stan fears that their anti-supe views will result in a different kind of war in the streets – a war between supes and humans.

What inspired you to write the series? And where do you draw your inspiration from in general?

KoontzD-HauntedEarthMore than thirty years ago, I read a novel called The Haunted Earth by a little-known writer (at the time) named Dean R. Koontz. It’s set in a world where the supernatural is known and accepted, and I think the first chapter had an influence on me, though I didn’t realize it at the time. A vampire, Count Whoever, is in the process of seducing a woman into the joys of sanguinary delights. But, according to a Supreme Court decision, there is a procedure for such matters that he has to follow, securing permission for each seductive act. “May I touch your neck?” “Will you gaze deeply into my eyes?” “Are you aware of the potential dangers to yourself if this process continues?” Unknown to the Count and his lady friend, they are being watched by a private eye and his partner, a talking hellhound. When the Count gets excited and starts skipping steps and cautions, the private detective bursts into the room, crucifix in hand, and banishes the Count into celibacy – for that night, anyway. The rest of the novel veers into something more like science fiction, but that chapter stayed with me for some reason. I think it was the seed that eventually led to the creation of Detective Sergeant Stan Markowski of the Scranton PD’s Occult Crimes Unit.

How were you introduced to reading and genre fiction?

JusticeLeagueOfAmerica-01I read comic books since I was old enough to read (in my case, age four) and followed every superhero there was (of course in those days, there were a lot fewer of them; the first Justice League of America pretty much contained them all). As an adolescent, I moved on to “books for boys.” This included the Hardy Boys, but my friends and I were more into something called the Rick Brant Science Adventures. Then, in eighth grade, I discovered Ian Fleming, Raymond Chandler, and Bram Stoker – all within the same year. The rest, as they say, is history – or at least genre fiction.

How do you enjoy being a writer and working within the publishing industry?

I have had to face the hard truth that writing may be an art, but publishing is a business. And in business they have these things called “deadlines.” Me and deadlines, we don’t always get along so well, sad to say. But I keep trying.

What’s it like, being an author? Is it what you expected? Do you have any specific working, writing, researching practices?

I was explaining to someone (in another interview) recently that like most things, being a published author looks a lot cooler from the outside than it does from the inside. Or, to put it another way, the charm of anything wears off after a while, and it just becomes what you do. Don’t get me wrong – I remember how hard it was to break in. My first novel took a year and a half to write (I have a day job, remember) and then five years to find a publisher. And I’m mindful that there are probably a great many would-be authors who would kill several family members just to be where I am now, career-wise. All I can say to them is, it looks better from a distance, guys. After a while it’s just… work. Of course, then a new book comes out with my name on the cover, and I remember why I started this gig in the first place.

As for my most common writing practice – procrastination. Definitely.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

In high school, I used to amuse my friends by writing spy “novels” with them as characters. Then, when I was in my mid-twenties, I got it into my head that I could write mystery/crime/suspense stories. I had a few ideas, which I turned into stories that, I realize now, were just awful. I sent them out to the top mystery magazines of the day and waited for the checks to come in the mail. Imagine my surprise to receive nothing but rejection slips. I was an idiot, with no idea about either how to write or how to get published. But I was so disheartened that I didn’t try again for over twenty years. Things worked out a little better, that time.

ButcherJ-DF1-StormFrontUSWhat’s your opinion of the genre today, and where do you see your work fitting into it?

If by “the genre” you mean urban fantasy, I’d have to say that it has far too many good writers in it. If some of them would have the good grace to die, I bet my books would sell a lot better. Curse you, Jim Butcher! I don’t really mean that, of course. Jim Butcher is a guy whose immense talent is matched only by his generosity of spirit. He was very kind to me when I was starting out (the second time, I mean). He gave me encouragement, and even a nice blurb for the cover of my first novel. Jim rocks.

What other projects are you working on, and what do you have currently in the pipeline?

Known Devil is the third novel in a three-book contract, so whether there are any more stories about Stan Markowski depends on the publisher, Angry Robot Books. However, I also write a series for Solaris/Rebellion. It features occult investigator Quincey Morris (descended from the Texan who helped Van Helsing kill Dracula) and his business partner, white witch Libby Chastain. Those guys do operate in a “masquerade,” by the way. They’ve appeared in three novels and two novellas so far, and I’ve got a contract for another novella, which is in progress. There was some Hollywood interest in one of the Morris and Chastain books a while back, but nothing every came of it.

Kadrey-5-KillCityBluesUSWhat are you reading at the moment (fiction, non-fiction)?

I don’t have as much time for leisure reading as I’d like, but I’m three-quarters through Kill City Blues, by Richard Kadrey. I love his Sandman Slim novels (of which this is the latest). James Stark is almost as big a badass as Stan Markowski.

What’s something readers might be surprised to learn about you?

Hmmm. That I once dated a nun? I guess you might say that I wanted to get into the habit.

What are you most looking forward to in the next twelve months?

The start of summer vacation in May. Oh, and no snow for a while – please, God, no more snow.

***

Be sure to check out Justin Gustainis’s website for more information about the author’s work and novels.

Review: LAGOON by Nnedi Okorafor (Hodder)

OkoraforN-LagoonA gripping, beautifully-written science fiction novel set in and around Lagos.

A star falls from the sky. A woman rises from the sea.

The world will never be the same.

Three strangers, each isolated by his or her own problems: Adaora, the marine biologist. Anthony, the rapper famous throughout Africa. Agu, the troubled soldier. Wandering Bar Beach in Lagos, Nigeria’s legendary mega-city, they’re more alone than they’ve ever been before.

But when something like a meteorite plunges into the ocean and a tidal wave overcomes them, these three people will find themselves bound together in ways they could never imagine. Together with Ayodele, a visitor from beyond the stars, they must race through Lagos and against time itself in order to save the city, the world… and themselves.

“There was no time to flee. No time to turn. No time to shriek. And there was no pain. It was like being thrown into the stars.”

This is the first novel I’ve read by Nnedi Okorafor, and it won’t be my last. I started reading it on the first day it arrived in the mail – I was putting it on my TBR shelf, and flipped it open at the first page. Thirty minutes later, I was still reading and had sidelined my then-current read. Lagoon is beautifully and intelligently written, addictive, well-paced and a must read. Continue reading

Recently Received… (February 2014)

It’s been a good month for books. Many of them have been way up on my list for most anticipated, but it’s also been a really busy work-month, which means I’ve been falling behind a little bit. Things will hopefully pick up in March and April. Until then, here are the novels that have arrived (up to the end of February)… I’ve included an eARC…

BooksReceived-20140228

Herein: Anne Bishop’s Daughter of the Blood; Ned Beauman’s Glow; M.L. Brennan’s Iron Night; Carolyn Hart’s Castle Rock; Robert Heinlein’s The Moon is a Harsh Mistress; Tom Hoyle’s Thirteen; Debbie Johnson’s Dark Visions; Glenda Larke’s The Lascar’s Dagger; Tim Lebbon’s Into the Void; Nnedi Okorafor’s Lagoon; Chris Pavone’s The Accident; David Ramirez’s The Forever Watch; Marcus Sedgwick et al’s Dark Satanic Mills; Mark Smylie’s The Barrow; Justin Somper’s Allies & Assassins; Tad Williams’s Happy Hour in Hell

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Bishop-BJ1-DaughterOfTheBloodUK2Anne Bishop, Daughter of the Blood (Jo Fletcher)

The Darkness has had a Prince for a long, long time. Now the Queen is coming.

For years the realm of Terreille has been falling into corruption, as the powerful Queens who rule it have turned to cruelty.

But there is hope – a prophetic vision has revealed the coming of a Queen more powerful than any other. And once the foundations of her power – father, brother, lover – are in place, she will emerge from the darkness, bringing freedom.

For she is the living myth, dreams made flesh; not just any witch, but Witch.

The first novel in Bishop’s Black Jewels series (nine books in the US already, and Jo Fletcher Books has picked up the first three so far). I’ve heard some good things, and I’m hoping to try it pretty soon.

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BeaumanN-GlowNed Beauman, Glow (Sceptre)

A reinvention of the international conspiracy thriller for a new generation.

A hostage exchange outside a police station in Pakistan.

A botched defection in an airport hotel in New Jersey.

A test of loyalty at an abandoned resort in the Burmese jungle.

A boy and a girl locking eyes at a rave in a South London laundrette…

For the first time, Britain’s most exciting young novelist turns his attention to the present day, as a conspiracy with global repercussions converges on one small flat above a dentist’s office in Camberwell.

I’ve heard only great things about Beauman’s award-winning The Teleportation Accident (which I have recently purchased for future enjoyment), so I was very happy when this arrived in the mail. It’s a slim novel, so I’m sure I’ll easily be able to fit it in between more weighty tomes.

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BrennanML-GV2-IronNightM.L. Brennan, Iron Night (Roc)

Underemployed by day. Undead by night.

Underachieving film theory graduate and vampire Fortitude Scott may be waiting tables at a snooty restaurant run by a tyrannical chef who hates him, but the other parts of his life finally seem to be stabilizing. He’s learning how to rule the Scott family territory, hanging out more with his shapeshifting friend Suzume Hollis, and has actually found a decent roommate for once.

Until he finds his roommate’s dead body.

The Scott family cover-up machine swings into gear, but Fort is the only person trying to figure out who (or what) actually killed his friend. His hunt for a murderer leads to a creature that scares even his sociopathic family, and puts them all in deadly peril.

Keeping secrets, killing monsters, and still having to make it to work on time? Sometimes being a vampire really sucks.

I’ve already finished reading this one. I enjoyed Brennan’s debut, Generation V, a lot – particularly how the author has approached the supernatural and developed her own vampire mythology and history. Iron Night offers more of the same, with an intriguing antagonist and mystery to solve. If you like Urban Fantasy, this is a must-read series.

[The original version of this post had the title of this novel as “Iron Knight”. No idea why… Apologies to the author.]

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HartC-CastleRock2014Carolyn Hart, Castle Rock (Seventh Street)

A young woman is convinced she’s living with a murderer among family members, lodgers, and ranch hands in New Mexico.

Serena Mallory came to the huge New Mexico ranch of Castle Rock as a twelve-year-old orphan. She grew up as the ward of owner Dan McIntire. Now in her early twenties, Serena watches the ranch’s idyllic summer charm disappear when Dan dies in a riding accident. The night before his accident, she overheard him arguing with someone, and since his death, a series of strange accidents has plagued the ranch. Convinced that Dan’s accident was anything but, Serena sets out to find the guilty party.

A new novel in Seventh Streets initiative to bring mid-Century crime and thriller novels back into print. It’s a slim volume, but I do want to try more of these. There have been a couple of great ones already (I’m so behind on reviews!).

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HeinleinR-MoonIsAHarshMistressRobert Heinlein, The Moon is a Harsh Mistress (Hodder)

It is the year 2076, and the Moon is a penal colony for the rebellious and the unwanted of Earth. The exiles have created a libertarian society in order to survive in their harsh and unforgiving environment, their motto being TANSTAAFL: “There ain’t no such thing as a free lunch.” Looming over them is the Luna Authority, the heavy-handed Earth administration, who trades life necessities to the “Loonies” in exchange for grain shipments to the starving populations of Earth.

As the situation steadily deteriorates the inhabitants of Luna come to realize that they have little choice but to revolt against Luna Authority in order to save themselves from resource exhaustion and a subsequent environmental apocalypse.

A small band of dissidents emerges to lead the revolution. This consists of a one-armed computer jock, a radical young woman, a past-his-prime academic, and a nearly omnipotent computer named Mike. These people ignite the fires of revolution, despite the near certainty of failure.

“I struggled with this one”… That’s a pretty bold thing for an editor to tell you when they send you a novel. The Moon Is A Harsh Mistress will be my first Heinlein novel, and it is also the next title in the Hodderscape Review Project. It sounds great, so I’ll be going in with a relatively open-yet-cautious mind. (The text is printed really small, though…)

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HoyleT-ThirteenTom Hoyle, Thirteen (Macmillan)

Born at midnight in London, on the stroke of the new millennium, Adam is the target of a cult that believes boys born on this date must die before the end of their thirteenth year. Twelve boys have been killed so far. Coron, the crazy cult leader, will stop at nothing to bring in his new kingdom. And now he is planning a bombing spectacular across London to celebrate the sacrifice of his final victim: Adam.

This YA thriller novel sounds pretty good. Conspiracies, cults, etc. All good! There’s also a kind of tie-in app/game that you can play, although I forget the specifics. It’s in an email, so I’ll find it and include it in the review, when it’s ready.

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JohnsonD-DarkVisionDebbie Johnson, Dark Vision (Del Rey UK)

Lily McCain is cursed.

With just one touch she can see a person’s future, whether it’s a good fortune or a terrible fate. Afraid of the potent visions she foresees, she distances herself from the world, succumbing to a life of solitude.

But at the touch of a mysterious stranger – who has powers of his own – Lily sees a new, chilling future for herself: one where she is fated to make a terrible choice…

This doesn’t exactly sound like anything special. But, you never know. I might give it a try at some point, but I can’t honestly say it’s a priority.

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LarkeG-LascarsDaggerGlenda Larke, The Lascar’s Dagger (Orbit)

A theft in a faraway land – with repercussions that reach around the world…

The world thinks of Saker Rampion as a priest, a gentle man preaching peace. The truth is, he’s a spy for the head of his faith, posted in the court of King Edwayn.

It’s a time of fear – as a mysterious and monstrous disease sweeps the country – but also opportunity – lucrative trade is opening up overseas, and what’s grown on the Spice Islands is rumored to cure the demonic plague.

However when the king uses his own daughter as a pawn in trade deals, Saker cannot help but get involved. And for his trouble, he may just end up excommunicated, or even dead…

This came with a little sample of star anise… Which was different. The novel sounds pretty cool, too, so this will hopefully be my first read by Larke. It’s been on my radar for some time, and I hope I’ll be able to read it pretty soon.

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Lebbon-DotJ-IntoTheVoid(SW)Tim Lebbon, Star Wars: Dawn of the Jedi – Into the Void (Century)

On the planet Tython, the ancient Je’daii order was founded. And at the feet of its wise Masters, Lanoree Brock learned the mysteries and methods of the Force — and found her calling as one of its most powerful disciples. But as strongly as the Force flowed within Lanoree and her parents, it remained absent in her brother, who grew to despise and shun the Je’daii, and whose training in its ancient ways ended in tragedy.

Now, from her solitary life as a Ranger keeping order across the galaxy, Lanoree has been summoned by the Je’daii Council on a matter of utmost urgency. The leader of a fanatical cult, obsessed with traveling beyond the reaches of known space, is bent on opening a cosmic gateway using dreaded dark matter as the key — risking a cataclysmic reaction that will consume the entire star system. But more shocking to Lanoree than even the prospect of total galactic annihilation, is the decision of her Je’daii Masters to task her with the mission of preventing it. Until a staggering revelation makes clear why she was chosen: The brilliant, dangerous madman she must track down and stop at any cost is the brother whose death she has long grieved — and whose life she must now fear.

Hm. I’m quite behind on my Star Wars reading, and I wasn’t exactly blown away by the Dawn of the Jedi comic books (published by Dark Horse). Also, Lebbon’s fiction that I’ve read in the past hasn’t grabbed me much. So, sadly, I can’t say that I’m itching to get to this. We’ll see, but I will most certainly be prioritising other Star Wars novels I have unread. [If someone would like to review the book for the blog, feel free to get in touch.]

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OkoraforN-LagoonNnedi Okorafor, Lagoon (Hodder)

When a massive object crashes into the ocean off the coast of Lagos, Nigeria’s most populous and legendary city, three people wandering along Bar Beach (Adaora, the marine biologist; Anthony, the rapper famous throughout Africa; Agu, the troubled soldier) find themselves running a race against time to save the country they love and the world itself… from itself.

Lagoon expertly juggles multiple points of view and crisscrossing narratives with prose that is at once propulsive and poetic, combining everything from superhero comics to Nigerian mythology to tie together a story about a city consuming itself.

At its heart a story about humanity at the crossroads between the past, present, and future, Lagoon touches on political and philosophical issues in the rich tradition of the very best science fiction, and ultimately asks us to consider the things that bind us together – and the things that make us human.

“There was no time to flee. No time to turn. No time to shriek. And there was no pain. It was like being thrown into the stars.”

Another novel I have already finished – it arrived and, while putting it away on my shelves, I had a read of the first page… And promptly put down my then-current read to blitz through this. It’s an excellent novel, beautifully written. Review sometime next week, hopefully.

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PavoneC-TheAccidentUSChris Pavone, The Accident (Crown Publishing)

In New York City, Isabel Reed, one of the most respected and powerful literary agents in the city, frantically turns the pages of a manuscript into the early dawn hours. This manuscript – printed out, hand-delivered, totally anonymous – is full of shocking revelations and disturbing truths, things which could compromise national security. Is this what she’s been waiting for her entire career: a book that will help her move on from a painful past, a book that could save her beloved industry… a book that will change the world?

In Copenhagen, Hayden Gray, a veteran station chief, wary of the CIA’s obsession with the Middle East, has been steadfastly monitoring the dangers that abound in Europe. Even if his bosses aren’t paying attention, he’s determined to stay vigilant. And he’s also on the trail of this manuscript – and the secrets that lie at its heart. For him, quite simply, it must never see the light of day.

As Isabel and Hayden try to outwit each other, the nameless author watches on from afar. With no-one quite sure who holds all the cards, the stakes couldn’t be higher: in just twenty-four hours careers could be ruined, devastating secrets could be unearthed, and innocent people could die.

Pavone’s The Expats was an international bestseller, and one I have yet to read (I do own it, but it’s on my Kindle, which means it can sometimes be forgotten when something new, shiny and printed drops into my postbox…). My request for this was approved via NetGalley, so I will probably be reading this very soon, and before The Expats. Given that the story is also related to the publishing industry (in which I currently work), I’m intrigued to see how it’s woven into a thriller – it’s not always the most fast-moving of industries…

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PrintDavid Ramirez, The Forever Watch (Hodder)

The Truth is only the beginning.

The Noah: a city-sized ship, half-way through an eight hundred year voyage to another planet. In a world where deeds, and even thoughts, cannot be kept secret, a man is murdered; his body so ruined that his identity must be established from DNA evidence. Within hours, all trace of the crime is swept away, hidden as though it never happened. Hana Dempsey, a mid-level bureaucrat genetically modified to use the Noah’s telepathic internet, begins to investigate. Her search for the truth will uncover the impossible: a serial killer who has been operating on board for a lifetime… if not longer.

And behind the killer lies a conspiracy centuries in the making.

I’ve never read anything by Ramirez before, but this sounds great. I intend to read it ASAP.

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Sedgwick-DarkSatanicMillsMarcus Sedgwick, Julian Sedgwick, John Higgins & Mark Olivent, Dark Satanic Mills (Walker Books)

Set in a near-future Britain, Dark Satanic Mills tracks a young woman’s journey from the flooded landmarks of London to the vast, scorched and abandoned hills of the North. Framed for a murder she did not commit, the innocent yet resourceful Christy has no other choice but to run for her life.

Both a cautionary tale and a rip-roaring road trip, Dark Satanic Mills is altogether an intelligent, captivating and thrilling ride – told in exhilarating shades of light and dark.

After finishing A Love Like Blood, Marcus Sedgwick’s first novel for adults (which is brilliant, by the way), I wanted to check out more of his work. I stumbled across this, and decided to buy it right there and then.

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SmylieM-TheBarrowMark Smylie, The Barrow (Pyr)

Action, horror, politics, and sensuality combine in this stand-alone fantasy novel with series potential. Set in the world of the Eisner-nominated Artesia comic books.

To find the Sword, unearth the Barrow. To unearth the Barrow, follow the Map.

When a small crew of scoundrels, would-be heroes, deviants, and ruffians discover a map that they believe will lead them to a fabled sword buried in the barrow of a long-dead wizard, they think they’ve struck it rich. But their hopes are dashed when the map turns out to be cursed and then is destroyed in a magical ritual. The loss of the map leaves them dreaming of what might have been, until they rediscover the map in a most unusual and unexpected place.

Stjepan Black-Heart, suspected murderer and renegade royal cartographer; Erim, a young woman masquerading as a man; Gilgwyr, brothel owner extraordinaire; Leigh, an exiled magus under an ignominious cloud; Godewyn Red-Hand, mercenary and troublemaker; Arduin Orwain, scion of a noble family brought low by scandal; and Arduin’s sister Annwyn, the beautiful cause of that scandal: together they form a cross-section of the Middle Kingdoms of the Known World, brought together by accident and dark design, on a quest that will either get them all in the history books, or get them all killed.

I’ve been hearing some good things about this novel from some other reviewers and elsewhere. It’s been compared to George R.R. Martin and Michael J. Sullivan, so it could be rather cool. It’s also set in the world of a comic book series, which could be interesting. I’m not familiar with the comics at all, so I won’t be coming to this with any preexisting knowledge of the world, etc. But… could be interesting. I’ll try to get to this ASAP (along with all my other Big Book Fantasies that I have to get caught up on…).

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SomperJ-1-Allies&AssassinsJustin Somper, Allies & Assassins (Atom)

They killed his brother. Now they’re coming for him…

As the second prince of Archenfield, Jared never expected to rule. But behind the walls of the castle is a dark and dangerous court where murder and intrigue are never far below the surface.

Now his older brother is dead. The kingdom is his. And the target is on his back. Can he find the assassin before the assassin finds him?

The paperback edition – already have the hardcover, but I’ve been dragging my heels. Not really sure why. I do enjoy the whole Fantasy Assassins/Thieves sub-genre. I’m interested in trying it. We’ll see.

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WilliamsT-HappyHourInHellTad Williams, Happy Hour in Hell (Hodder)

Bobby Dollar has a problem or four of epic proportions.

Problem one: his best friend Sam has given him an angel’s feather that also happens to be evidence of an unholy pact between Bobby’s employers and those who dwell in the infernal depths. Problem two: Eligor, Grand Duke of Hell, wants to get his claws on the feather at all costs, but particularly at all cost to Bobby. Problem three: Bobby has fallen in love with Casimira, Countess of Cold Hands, who just happens to be Eligor’s girlfriend. Problem four: Eligor, aware of Problem three, has whisked Casimira off to the Bottomless Pit itself, telling Bobby he will never see her again unless he hands over the feather.

But Bobby, long-time veteran of the endless war between above and below, is not the type of guy who finds Hell intimidating. All he has to do is toss on a demon’s body, sneak through the infernal gates, solve the mystery of the angel’s feather, and rescue the girl. Saving the day should just be a matter of an eon or two of anguish, mutilation and horror.

If only it were that easy.

An urban fantasy series I’ve always wanted to try. Haven’t read the first novel (The Dirty Streets of Heaven), yet, so I’m not sure how quickly I’m going to get around to this one. We’ll see.

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