Upcoming: “The Dark Blood of Poppies” by Freda Warrington (Titan)

Warrington-BW3-DarkBloodOfPoppiesI’m intrigued by Freda Warrington’s Blood Wine series. It was first released near the height of the vampire vogue – authors such as Anne Rice had established the genre as far more varied and ambitious that mere heaving bosoms and strained bodices. This year, Titan Books began re-issuing the series, which started with A Taste of Blood Wine (A Dance in Blood Velvet is due to hit shelves in October 2013). Last week, this cover for the third novel in the series was unveiled. And it’s another stunning, attention-grabbing one, too.

Here’s the original synopsis, from the 1996 edition (which I nabbed from the author’s website) – I don’t know if Titan will be changing it for their 2014 edition, but I assume it won’t be too different:

The ballerina Violette Lenoir has fallen victim to the bite of the vampire Charlotte. Her fire and energy have fuelled a terrifying change and a dreadful realisation; that Violette has become Lilith, the demon mother of all vampires.

Haunted both by what she has done and by Violette’s dark sensuality, Charlotte and her immortal lover Karl are drawn towards the dancer and the terrible destiny that has fallen on her shoulders.

But other, far more dangerous shadows are gathering around Violette. To the vampire Sebastian and to the dark heirs of Kristian, she threatens to wreak havoc with their plans to bring all of mankind under their dark wings.

Innocently embroiled in the endgame, courtesan extraordinaire Robyn Stafford finally meets her match as she is torn between the two ultimate lovers: Sebastian, and Violette …

As someone pointed out on Twitter, that is a very Black Metal cover – everything from the title to the model’s make-up does remind me of band photos from Terrorizer and Metal Hammer… It also has a smidgeon of Black Swan in there (ok, a fair bit…). I’m intrigued to read this series, and luckily I have the first book on my tottering TBR Mountain. I’ll hopefully get to it at some point in the not-too-distant future.

The Dark Blood of Poppies is due to be published by Titan Books in April 2014. A new, fourth novel in the series – The Dark Arts of Blood – is also meant to be coming out next year (October).

Upcoming: “Neferata” & “Master of Death” by Josh Reynolds (Black Library)

A couple more Warhammer Undead novels in the pipeline from Josh Reynolds: Neferata and Master of Death.

ReynoldsJ-Neferata2014Ok, so Neferata is actually already available (in paperback and eBook), but Black Library seem to be re-releasing their Warhammer Legends series with new (and, frankly, better) covers. Here’s the synopsis for Neferata:

The vampire queen Neferata plots to create a new empire.

Neferata is a queen without a kingdom. Lahmia has fallen, her vampire children have scattered and she is reduced to draining blood from the beasts of the mountains. After a chance encounter with a party of dwarfs, she sets her sights on a capital for her new empire – the stronghold of Silver Pinnacle. She calls her allies to battle – but can she truly trust Ushoran, Lord of Masks, and his bestial Strigoi vampires?

Neferata is due to be (re-)published in January 2014.

ReynoldsJ-MasterOfDeathNext up is Master of Death, the follow-up novel (which has not been available before)…

An ancient follower of the Great Necromancer seeks power over death itself.

W’soran, one of the first vampires and former pupil of the Great Necromancer Nagash, plots to unravel the secrets of life and death. But his hunt for power is interrupted by a civil war in Mourkain, the mountain nation ruled by his former ally, Ushoran. Now W’soran must battle old friends and new enemies as he weaves a complex web of treachery and deceit in order to anoint himself the Master of Death…

Master of Death is also due to be published in January 2014.

I haven’t had a chance to read Neferata, yet, but after reading Master of Mourkain, a short story by Reynolds, my appetite was certainly whet for more of his Undead fiction.

“Generation V” by M.L. Brennan (Roc Books)

BrennanML-GV1-GenerationVThe start of a new, fun vampire Urban Fantasy series

Reality Bites

Fortitude Scott’s life is a mess. A degree in film theory has left him with zero marketable skills, his job revolves around pouring coffee, his roommate hasn’t paid rent in four months, and he’s also a vampire. Well, sort of. He’s still mostly human.

But when a new vampire comes into his family’s territory and young girls start going missing, Fort can’t ignore his heritage anymore. His mother and his older, stronger siblings think he’s crazy for wanting to get involved. So it’s up to Fort to take action, with the assistance of Suzume Hollis, a dangerous and sexy shape-shifter. Fort is determined to find a way to outsmart the deadly vamp, even if he isn’t quite sure how.

But without having matured into full vampirehood and with Suzume ready to split if things get too risky, Fort’s rescue mission might just kill him…

Generation V is that rare beast: an Urban Fantasy that managed to both entertain me and surprise me, while also eliciting plenty of chuckles. I’m not as versed in the genre as I perhaps should be, but this was a lot of fun, and I can’t wait for the sequel.

Brennan offers up an interesting spin on vampire urban fantasy (some of which is detailed in yesterday’s interview). For one thing, I liked the Not Born a Vampire, but Born to a Vampire thing – the gradual evolution from human to vampire for those born to a vampire line was pretty intriguing. Naturally, therefore, Fort’s “transition” to vampire, or apparent lack of managing it, forms a good part of the meta-narrative of the novel. The process is kind of random and unknown, and Brennan drops hints about it and the overall process along the way. The vampires in this reality are not the uber-predators we may be used to. Sure, they lack a conscience, and drink blood, etc. But they have extreme difficulty in reproducing more vampires. I liked this.

Brennan offers a lot of detail, but doesn’t get bogged down or over-complex. In many ways, Generation V plays the role of origin story, as the novel has a pretty clear purpose: to introduce us to these characters and this mythology. It does an excellent job, actually. We learn about Fort’s family (see quote below, for his relationship with his siblings), his friends, his manipulative ex-girlfriend, his feckless and douchebag of a roommate.

“My sister, Prudence, fantasized about breaking all of my bones to kindling (as detailed to me last year at Christmas), but Chivalry wouldn’t. He was just giving me a reminder of what I wasn’t. He was a full vampire, and could break a person’s neck before the person even realized he was moving. I was still mostly human, and sucked at sports.”

Fort is an interesting character, and a fun guide to this new world. He is world-weary, but also loves being human, and wants to hang on to it as long as possible. He is also a victim of the economic downturn (sort-of…), languishing in the service industry after graduating from college.

My favourite character, though, is Suzume, who I liked immediately. She’s a lot of fun, and plays a wonderfully mischievous bodyguard with a slight case of ADHD, and a mission to protect Fort. While simultaneously driving him crazy… She’s a “kitsune”, a fox trickster from Japanese mythology, and Brennan does a great job of weaving in this myth into her narrative. (Interestingly, kitsune have featured in more of my reading of late – see Fairest Volume 2, by Lauren Beukes.) Suzume’s clan’s history, however, also presented the only clanger in the novel: while recounting her grandmother’s migration from Japan to the US, the story gets the order of the atomic bombs dropped on Japan wrong, which I thought was a very strange mistake to make (“After the next bomb was dropped on Hiroshima…” – the first was dropped on Hiroshima, the second on Nagasaki…)

The novel is lighthearted in tone (as I mentioned earlier, the story and banter made me chuckled frequently). That being said, Brennan can also conjure up claustrophobic fight scenes and a dash of the sinister, too, and equally skillfully. The author avoids becoming flippant, but does skirt quite close on just a couple of occasions. Generation V is the closest I’ve come across that evokes the style and fun of Kevin Hearne’s Iron Druid series (which is also superb).

Ultimately, this is recommended for anyone who wants their Urban Fantasy with a healthy does of fun, an interesting new twist on vampire and supernatural mythology, and a decent story. True, it is very much part one of a series: it feels like an opening salvo, focusing perhaps too much for some readers on laying the groundwork for something larger and more long-term. But, I had a blast reading this – it’s quickly-paced, tightly-written, and often funny. I really can’t wait for the sequel, Iron Night.

Certainly recommended.

An Interview with M.L. BRENNAN

BrennanML-GV2-IronNight

I don’t read much Urban Fantasy. I don’t really know why. But, last week I read ML Brennan’s Generation V, which I found to be a lot of fun. Naturally, after liking the novel, my first inclination was to send the author some interview questions…

Let’s start with an introduction: Who is ML Brennan?

I’m an avid reader, a writer, and in my day job an adjunct professor. A lot of the time I wish there were many more hours in the day, since all three of those occupations have big time requirements!

I thought we’d start with your fiction: Your latest novel, Generation V, was recently published by Roc Books. How would you introduce the novel to a potential reader? Is it part of a series?

Generation V is the first in a series of books. Right now, I’m contracted for three books, but I’m hopeful that the series will do well, because I have ideas and plans for several more.

The elevator pitch of my book is that Fortitude Scott has a useless degree, a minimum-wage job, a cheating girlfriend, and a roommate who stiffs him on the rent. And he’s a vampire… mostly. But when a little girl is kidnapped, suddenly he’s the only one who is willing to try and do something about it, so he teams up with a wise-cracking shapeshifter and heads off for a rescue mission that will very likely kill him.

This is a book with a very non-typical hero – he isn’t the most powerful character, in fact he’s almost on human levels of weakness when the book begins. In order to beat someone, he has to outsmart them, or make friends and alliances that can help him. There’s no “End of the World” peril – instead, the peril at the heart of the book is one that Fortitude could very easily just ignore and it wouldn’t effect his life at all. His entire family urges him to just look the other way, but he doesn’t, and so it’s his own choices that lead to the life-threatening peril. There’s a lot of banter, a bit of dark humor. But at the core, it’s about a person who is afraid of himself and his heritage, who has to decide between the path of least resistance or something harder.

BrennanML-GenerationV

What inspired you to write the novel? And where do you draw your inspiration from in general?

Inspiration is a tricky thing for me – no one thing inspired me, rather it was a combination of a lot of ideas and topics that I found interesting. Over time I had a lot of scraps of ideas, and they eventually coalesced into the world that Fortitude inhabits.

But I was interested in the idea of family and heritage – Fortitude is a person who has very little in common with his family, and in fact is deathly afraid that he’ll eventually take on the kind of very selfish and harsh worldview that they possess and view as natural. This folds in really well with how I was interested in writing vampires – as dangerous predators, rather than some of their more benign depictions in recent movies. I am also a professor, and one of the things that those of us who teach have really been exposed to in recent years are films, lectures, and books about the idea of an extended adolescence. I also am very personally familiar (through my own experience and those of my friends) with what it can feel like to get a graduate degree and then enter a job market where the only jobs you seem able to find are ones that you could’ve done with a high school diploma. Those things really had a part in how I created Fortitude – he’s twenty-six, underemployed, stuck with a bad roommate and a bad relationship, but his biggest problem is his lack of self-confidence and ownership in his life. Over the course of the book, that starts changing, and it’s a theme that I’m looking forward to exploring in the sequels as well.

How were you introduced to genre fiction?

My brother is older than me by two years, so my first introduction to genre fiction came very much because I was the classic younger sibling: whatever my brother was doing was interesting to me, and whatever he was reading I wanted to read as well. I’m lucky that my brother was fairly tolerant, and he let me borrow all of his books. Thanks to him, I read Ender’s Game, the Death Gate Cycle, Star Trek novels (my favorites were the Peter David ones), and the Thrawn trilogy of Star Wars books. When I was a little older, our tastes and interests diverged, and I headed in the direction of David Eddings, Anne McCaffrey, and Margaret Weis’s Star of the Guardians series.

BrennanML-SFFIntro

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Very much. Traditional publishing was always my goal, and I worked very hard to achieve it. I spent almost a decade of very serious writing before I sold a book, and I have to say, starting a project feels different when you know for certain that you will be paid for it, and it is a very, very good feeling.

In terms of writing practices, I’m very much a planner. I don’t start writing a book until I have a very clear direction and an overall outline of the book very solidly hammered out. I know other writers who start writing and figure out that plot as they go, and while I respect their process, I know that I’m just too much of an anal-retentive control-freak to try that myself. Sometimes the outlining can take a few months (and sometimes even longer than writing the book itself takes), but it’s the method that works best for me. I like having already ironed out any timeline or motivation issues before I start working, and having an outline in front of me helps figure out if my plot or characters are somehow out of balance.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I’ve always enjoyed reading, and writing is something that I realized very young came pretty easily to me, but I didn’t have much desire to be an author when I was younger. Or, maybe a better way of putting it is that I didn’t want to be solely an author. I grew up in a single-parent household where my mother worked very, very long hours to provide for us, and so I was very leery at the thought of embarking on a career path that didn’t have a solid paycheck and reliability. So, while I did want to write, I always wanted it to be something on the side, with a regular paycheck always there just in case writing wasn’t enough to pay all the bills. I had that plan in mind all through college, in fact, and right up into my first month of law school.

And that first month of law school, unfortunately, is when I realized that I didn’t want the writing to be something that happened on the side – it was what I wanted to do all the time. I wasn’t happy about that realization at the time (as you can imagine, neither was my mother or my spouse), but there it was. I left law school and entered an MFA program, and writing has been the center of my professional life ever since. (In the interests of full disclosure – yes, the pay was every bit as low and unreliable as I’d feared when I was younger.)

What I view as my first serious foray into writing happened when I was an undergraduate in college: a short story that I’d written was published in a literary magazine. I do look back on it very fondly – I had no personal or professional connections to that literary magazine, and I mailed the story to them with just a standard cover letter. My story had already been rejected from easily two dozen other literary magazines, but I kept at it, and I was published. That experience really helped years later when I was trying to get a book published!

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think the genre that I’m working in – urban fantasy – is really exciting. Dip into urban fantasy and you can find everything from hard-bitten, noir-ish police procedurals with monsters, to very sexually-charged paranormal romance. Urban fantasy is a big tent genre, which is why I have so much fun with it.

I think what can potentially be problematic about some urban fantasy is when authors start becoming formulaic in the hopes of getting an audience quickly. I made some decisions in my book that I felt helped make it be what I think urban fantasy should always try to be: something fun and new.

Your novel features vampires. What’s different about your vampires, and why do you think they (and other undead beasties) have been, and continue to be so popular with readers?

I think vampires rest in our cultural consciousness so well because they hit a lot of our buttons. Vampires look human, so they can pass among us unnoticed, and we can’t immediately identify them as a threat. Vampires are traditionally humans who have been changed and converted, so that hits on our fear of treachery, that the person who was an ally, friend, or loved one today might turn on us tomorrow. Vampires feed on human blood – this frightens us because it raises the horror we have of being prey, and of being consumed. Vampires typically have a level of sexualization – this also brings up that fear of not recognizing a threat, and of facing treachery later. I think all of those elements make vampires more popular (and sustain that popularity) over creatures that don’t play on those fears. For example, the Creature From The Black Lagoon: it poses no threat of infiltrating society, it can never betray you since everyone already hates it, while it does have a bit of subliminal sexual horror in that it sure seems to gravitate to pretty women in bathing suits, but it doesn’t seem to possess genitalia, and no one is going to be seduced by it, so no worries there, and finally it doesn’t really seem to eat us – mostly just squeeze us to death, if my memory of the movie is accurate.

So, vampires have a very long-standing appeal. In terms of the vampires in my book, I actually made a lot of changes to the traditional presentation. In the majority of vampire fiction, the vampire is a human who has been transformed into a vampire, and through that transformation process they are now ageless, immortal, and undead. I’ve always found this kind of idea a bit problematic. For one thing, a creature that reproduces just through a tiny blood donation? Talk about a population explosion! For another, a character that never gets older and will never die? That’s a fairly static character with very few outside pressures. I was never interested in writing about an immortal character.

The big change that I made for my vampires is to make them a separate species. These aren’t transformed humans – they have a lifecycle that includes growing up, old age, and ultimately death. They also have a reproductive cycle that is rather finicky and difficult, and it gives a good reason why vampires haven’t just overrun the planet – in fact, my vampires are a species in total crisis, and right on the edge of extinction.

BrennanML-GV2-IronNight

What other projects are you working on, and what do you have currently in the pipeline?

In the pipeline is Generation V’s sequel IRON NIGHT. It’s with the copyeditor right now, and I’m currently working on the third Fortitude Scott book, which has to be finished by the end of the summer, so that’s pretty much filling most of my days.

What are you reading at the moment (fiction, non-fiction)?

I’m a fairly wide reader, so if you asked me that week-to-week the answer would always be changing. Right now, I’m reading non-fiction, Carl Sagan’s The Demon-Haunted World: Science as a Candle in the Dark. It’s good – very challenging, extremely applicable to a lot of what is happening right now, but ultimately very optimistic. This has been on my stack for a while now. I haven’t read any Sagan before, though I did have a general working understanding of him.

SaganC-DemonHauntedWorldMy first encounter with Carl Sagan was actually thanks to The Far Side comics, which my brother and I used to read in the paper every day and puzzle over. There’s one comic that’s supposed to be Carl Sagan as a kid, and it’s two little kids looking up at the night sky, and one says to the other something like, “Look at all those stars, Susie! There must be hundreds and hundreds of them!” Which is funny, if you know about Sagan’s famous comment “billions and billions.” My mother explained that to us, which led to my brother reading one of Sagan’s books on outer space. I remember looking at the pictures but nothing else…

What’s something readers might be surprised to learn about you?

I guess it would depend on what readers’ expectations of me were. One expectation that I’ve actually encountered a few times (primarily, it must be said, from friends of my parents who don’t do much genre reading), is this idea that if I write about vampires, than I must be an active believer in vampires, ghosts, witches, UFOs, and just about everything else, or that I have some kind of obsession with one of those topics. That’s definitely not the case. While I have an interest, it’s similar to the interest I have when I read about mythology. Curiosity and enthusiasm for Norse myths doesn’t mean that I have an altar to Odin in my closet, or that I’ve decorated my house with runes.

What are you most looking forward to in the next twelve months?

Oh, lots of things! I’m going to my first convention as a writer in just a few weeks – ConnectiCon, and I actually will be on two panels, so I’m extremely excited about that. At the end of the summer I’ll be at WorldCon, which should be pretty amazing. And then Iron Night will be published in January, so I’ve got a lot of really great stuff to be looking forward to!

*

Be sure to check out Brennan’s website, Facebook and Twitter for more information about the Generation V series (sometimes called the “American Vampire” series, apparently), and more.

An Interview with DEBORAH HARKNESS

Harkness-ADiscoveryOfWitchesUKPB

Deborah Harkness’s A Discovery of Witches and it’s sequel, Shadow of Night, seem to have taken readers by storm (the former debuted on the New York Times Bestseller list at #2). The series features a mysterious, magical text, vampires and witches. It actually sounds pretty intriguing, and I should really get around to reading it at some point. (Emma already reviewed the first novel for CR, in February 2011.)

In celebration of the paperback release for the second novel (of three, in the All Souls trilogy), Harkness’s US publisher organised a Q&A. Below are some of her answers.

NB: I have tweaked the wording of the questions, but none of the author’s answers were changed, altered or truncated.

A DISCOVERY OF WITCHES, the first book in your series, begins with Diana Bishop stumbling across a lost, enchanted manuscript called “Ashmole 782”, in Oxford’s Bodleian Library. Your protagonists, Diana Bishop and Matthew Clairmont, are still trying to uncover its secrets in SHADOW OF NIGHT. You had a similar experience while you were completing your dissertation. What’s the story behind your real-life discovery, and how did it inspire the creation of these novels?

I did discover a manuscript – not an enchanted one, alas – in the Bodleian Library. It was a manuscript owned by Queen Elizabeth’s astrologer, the mathematician and alchemist John Dee. In the 1570s and 1580s he became interested in using a crystal ball to talk to angels. The angels gave him all kinds of instructions on how to manage his life at home, his work—they even told him to pack up his family and belongings and go to far-away Poland and Prague. In the conversations, Dee asked the angels about a mysterious book in his library called “the Book of Soyga” or “Aldaraia.” No one had ever been able to find it, even though many of Dee’s other books survive in libraries throughout the world. In the summer of 1994 I was spending time in Oxford between finishing my doctorate and starting my first job. It was a wonderfully creative time, since I had no deadlines to worry about and my dissertation on Dee’s angel conversations was complete. As with most discoveries, this discovery of a “lost” manuscript was entirely accidental. I was looking for something else in the Bodleian’s catalogue and in the upper corner of the page was a reference to a book called “Aldaraia.” I knew it couldn’t be Dee’s book, but I called it up anyway. And it turned out it WAS the book (or at least a copy of it). With the help of the Bodleian’s Keeper of Rare Books, I located another copy in the British Library.

Harkness-ADiscoveryOfWitchesPB

Are there other lost books like this in the world?

Absolutely! Entire books have been written about famous lost volumes – including works by Plato, Aristotle, and Shakespeare to name just a few. Libraries are full of such treasures, some of them unrecognized and others simply misfiled or mislabeled. And we find lost books outside of libraries, too. In January 2006, a completely unknown manuscript belonging to one of the 17th century’s most prominent scientists, Robert Hooke, was discovered when someone was having the contents of their house valued for auction. The manuscript included minutes of early Royal Society meetings that we presumed were lost forever.

SHADOW OF NIGHT opens on a scene in 1590s Elizabethan England featuring the famous School of Night, a group of historical figures believed to be friends, including Sir Walter Raleigh and playwright Christopher Marlowe. Why did you choose to feature these individuals, and can we expect Diana and Matthew to meet other famous figures from the past?

I wrote my master’s thesis on the imagery surrounding Elizabeth I during the last two decades of her reign. One of my main sources was the poem “The Shadow of Night” by George Chapman – a member of this circle of fascinating men – and that work is dedicated to a mysterious poet named Matthew Roydon about whom we know very little. When I was first thinking about how vampires moved in the world (and this was way back in the autumn of 2008 when I was just beginning A Discovery of Witches) I remembered Roydon and thought “that is the kind of identity a vampire would have, surrounded by interesting people but not the center of the action.” From that moment on I knew the second part of Diana and Matthew’s story would take place among the School of Night. And from a character standpoint, Walter Raleigh, Christopher Marlowe, George Chapman, and the other men associated with the group are irresistible. They were such significant, colorful presences in Elizabethan England.

Harkness-ShadowOfNight

In SHADOW OF NIGHT, we learn more about the alchemical bonds between Diana and Matthew. In your day job, you are a professor of history and science at the University of Southern California and have focused on alchemy in your research. What aspects of this intersection between science and magic do you hope readers will pick up on while reading SHADOW OF NIGHT?

Whereas A Discovery of Witches focused on the literature and symbolism of alchemy, in Shadow of Night I’m able to explore some of the hands-on aspects of this ancient tradition. There is still plenty of symbolism for Diana to think about, but in this volume we go from abstractions and ideals to real transformation and change – which was always my intention with the series. Just as we get to know more about how Elizabethan men and women undertook alchemical experiments, we also get to see Matthew and Diana’s relationship undergo the metamorphosis from new love to something more.

Did you have an idea or an outline for SHADOW OF NIGHT when you were writing A DISCOVERY OF WITCHES? Did the direction change once you sat down to write it?

I didn’t outline either book in the traditional sense. In both cases I knew what some of the high points were and how the plot moved towards the conclusion, but there were some significant changes during the revision process. This was especially true for Shadow Of Night, although most of those changes involved moving specific pieces of the plot forward or back to improve the momentum and flow.

The events in SHADOW OF NIGHT span the globe, with London, France, and Prague as some of the locales. Did you travel to these destinations for your research?

I did. My historical research has been based in London for some time now, so I’ve spent long stretches of time living in the City of London – the oldest part of the metropolis – but I had never been to the Auvergne or Prague. I visited both places while writing the book, and in both cases it was a bit like traveling in time to walk village lanes, old pilgrim roads, and twisting city streets while imagining Diana and Matthew at my side.

It’s perhaps lazy to refer to Twilight, given the inclusion of vampires in your novels. But, unlike Stephanie Meyer’s leading couple, Bella and Edward (who meet in the halls of a high school and, from my limited exposure to the movies, seem entirely controlled by their rampant hormones), your main characters Matthew and Diana are established academics who meet in the library of one of the most prestigious academic institutions in the world. Your vampires and witches drink wine together, practice yoga, and discuss philosophy. Did you conceive of these characters because of something you thought missing in the fantasy genre?

There are a lot of adults reading young adult books, and for good reason. Authors who specialize in the young adult market are writing original, compelling stories that can make even the most cynical grownups believe in magic. In writing A Discovery Of Witches, I wanted to give adult readers a world no less magical, no less surprising and delightful, but one that included grown-up concerns and activities. These are not your children’s vampires and witches.

HarknessD-AuthorPicA DISCOVERY OF WITCHES was a huge success, and has now been published in 37 countries. What’s your reaction to the novel’s success? Was it surprising how taken fans were with the novel?

It has been amazing – and a bit overwhelming. I was surprised by how quickly readers embraced two central characters who challenge our typical notion of what a heroine or hero should be. And I continue to be amazed whenever a new reader pops up, whether one in the US or somewhere like Finland or Japan – to tell me how much they enjoyed being caught up in Diana’s world.

Last summer, Warner Brothers acquired the movie rights to the All Souls trilogy (Pulitzer-Prize-winning writer David Auburn has been tapped to pen the screenplay). Are you looking forward to your novels being portrayed on the big screen? Any casting ideas, from family, friends or fans that have caught your fancy?

I was thrilled when Warner Brothers wanted to translate the All Souls trilogy from book to screen. At first I was reluctant about the whole idea of a movie, and it actually took me nearly two years to agree to let someone try. The team at Warner Brothers impressed me with their seriousness about the project and their commitment to the characters and story I was trying to tell. Their decision to go with David Auburn confirmed that my faith in them was not misplaced. As for the casting, I deliberately don’t say anything about that! I would hate for any actor or actress to be cast in one of these roles and feel that they didn’t have my total support. I will say, however, that many of my readers’ ideas involve actors who have already played a vampire and I would be very surprised if one of them were asked to be Matthew!

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Fans of the novels can also join Deborah Harkness and her editor Carole DeSanti, the author of The Unruly Passions of Eugénie R, for a virtual book event on BookTalk Nation on June 4th at 2pm EST. You can join by phone and buy personalized copies of the book by ordering online here. For more about Harkness’s All Souls trilogy, be sure to check out her website.

A Discovery of Witches and Shadow of Night are published by Penguin in the US and Headline in the UK.

Upcoming: Zenescope’s UNLEASHED Event

I posted some teaser images for this upcoming comics event a little while back, but Zenescope recently unveiled some new artwork. This time, it’s the complete, interlinked cover art for the first five comics in the event: Werewolves – The Hunger #1, Vampires – The Eternal #1, Hunters – The Shadowlands #1, Demons – The Unseen #1, and Zombies – The Cursed #1:

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It should en-biggen when clicked on…