“Apocalypse Now Now” by Charlie Human (Century)

Human-ApocalypseNowNow-UKA bonkers, fascinating, twisted debut urban fantasy

I love the smell of parallel dimensions in the morning.

Baxter Zevcenko’s life is pretty sweet. As the 16-year-old kingpin of the Spider, his smut-peddling schoolyard syndicate, he’s making a name for himself as an up-and-coming entrepreneur. Profits are on the rise, the other gangs are staying out of his business, and he’s going out with Esme, the girl of his dreams.

But when Esme gets kidnapped, and all the clues point towards strange forces at work, things start to get seriously weird. The only man drunk enough to help is a bearded, booze-soaked, supernatural bounty hunter that goes by the name of Jackson ‘Jackie’ Ronin.

Plunged into the increasingly bizarre landscape of Cape Town’s supernatural underworld, Baxter and Ronin team up to save Esme. On a journey that takes them through the realms of impossibility, they must face every conceivable nightmare to get her back, including the odd brush with the Apocalypse.

This is an extremely strong debut novel, from an author who exhibits a great deal of talent and potential. Apocalypse Now Now is bonkers, twisted, very funny, and utterly engaging. I read this a little while ago, but Human’s characters and writing have stayed with me. The author channels the best of Urban Fantasy, makes it his own, and blends it with a Hunter S. Thompson-esque flair for language. This was a lot of fun.

[Full disclosure: I now work for Charlie Human’s agent. So I probably shouldn’t be reviewing this, but I loved it and wanted to at least write something.]

Baxter is an interesting and fun guide to the Cape Town supernatural underground. He is not your typical teenager. He’s possibly crazy, Machiavellian, a little paranoid, and definitely sociopathic. He picks on his brother, who is slightly mentally handicapped. He’s unpleasant to a lot of people. He runs a porn-ring. He goes to a fancy-ish school in Cape Town:

Like all prominent high schools in the leafy Southern Suburbs we have lush school grounds, sophisticated computer labs that were out of date as soon as they were installed, a debating team, a competitive rugby team, and gangs, drugs, bulimia, depression and bullying.

It’s an ecosystem; a microcosm of the political, economic and military forces that shape the world. Some high-school kids worry about being popular or about getting good marks. I worry about maintaining a fragile gang treaty that holds Westridge together. Horses for courses, as my dad says.

The first two-thirds of the novel make up what has to be the strongest start to a debut series I’ve read in a very long time. We get a superb, guided tour of Cape Town’s underground, and also plenty of interesting asides about South African folklore and mysticism. The story builds to a rather strange ‘Big Boss Fight’, which I didn’t find quite as compelling as the world-building and character-development in the first two-thirds of the book. True, there’s a lot of world-building and attention to establishing the characters, but I was never bored. In fact, I would have happily read even more of his creations. I haven’t come across a more-immediately-gripping UF series than this.

I felt I really got to know Baxter, the members of the Spider (especially Kyle, Baxter’s closest friend), Ronin and everyone else. They interact realistically, they bitch and gripe at each other. Baxter makes the adults he interacts with extremely uncomfortable. Maybe the only character who wasn’t expertly incorporated into the story was Esme, which is strange, given that her kidnapping forms much of Baxter’s motivation in the story… A minor weakness, though, in an otherwise superb novel.

Human’s writing is immediate, addictive, funny, and expertly crafted. The humour is natural, understated, often rather dark, and I often chuckled and laughed-out-loud on the train and Tube. Baxter’s internal monologues (and dialogues, as it turns out… just read it) are cynical, fresh, and often very funny. It’s like he sees the world with one eyebrow permanently raised.

Encouraging a sweet and fragile teacher – distraught at the thought that we don’t care about her class, and driven to hysteria by consistent and vicious undermining of her authority – to throw herself from the second storey is wrong. But it’s also fun.

Human-ApocalypseNowNow-SAThis is a pretty short (somewhat disjointed) review, I know. But this is a novel that has to be read to be properly appreciated. I could provide near-endless quotations and descriptions of his original and brilliant creations. But that would rob the novel of its impact, when you pick it up yourself (which you must!). I’d love to sit down and chat with people who have read this, going through various plot points, jokes, etc., in more detail. I took a greater-than-normal amount of notes, mainly favourite quotations and jokes. Let’s hope plenty of other people read it, so I have others to chat to about it.

Needless to say, Charlie Human has proven that Urban Fantasy is still a very vibrant and diverse genre, with considerable scope for originality and invention. He’s also messed around with a lot of the genre’s tropes, twisting things into new shapes, while remaining true to some classic themes and aesthetics. I really can’t wait for the second novel in the series. (It’s on its way.) Cape Town is a refreshing location for the story, and adds so much to how the author has created his supernatural community and mythology. It’s really great.

I recommend this very highly to anyone with even a slight interest in Urban Fantasy. Also, to just anyone who’s looking for something original, very well-written, funny, dark, and genre-blending. Charlie is definitely an author to watch, and I think we’re still only scratching the surface of what he can, and will do.

Apocalypse Now Now is out, uh, now in the UK.

Hack/Slash, Vol.9 – “Torture Prone” (Image)

Writer: Tim Seeley | Artist: Daniel Lester | Colors: Mark Englert

In a dark future ruled by the Murder Messiah, street witch Liberty Lochs is on a mission to change the past. Meanwhile, horror heroes Cassie Hack and Vlad must contend with an obsessive serial killer, and a duo of slashers they thought they’d already put down.

Collects: Hack/Slash (Image) #1-4

I heard about this series last year, when I saw the second, massive omnibus edition in The Strand in New York. I had no idea what it was all about, and didn’t have enough cash to buy it. Then, after Seeley was announced as the new writer for Witchblade, I decided to give his back catalog a look (I tend to do this sort of thing). I started with the mini-series published by Image, My First Maniac, which I enjoyed a great deal. Little did I know that none of the original, pre-Image series was available on ComiXology (please fix this soon…!). This is also why I am, quite inexplicably, willing to start with the ninth volume of a series. With the final issue now out, it seemed like a great time to dive in and read the whole lot (there were only 25 issues published by Image). All in all, this is a solid, quirky, original, slightly unsettling comic. Pretty cool, then.

[This is another review that has been languishing for quite some time. A lot more graphic novel reviews to come, as I power through in my catch-up.]

To kick things off, it might be a good idea  to share the synopsis from Volume 1, as it lays out the root premise of the series quite nicely:

“In every slasher movie, there’s one girl who makes it all the way to the end. She’s the survivor… the last girl. Meet Cassie Hack, the lone survivor of an attack by a vicious slasher called The Lunch Lady. Now Cassie, along with her monstrous partner, Vlad, travel the country, hunting down other slashers before they can leave a trail of blood and terror.”

In this book, we’re dropped right back into the already-established story, but I didn’t find myself particularly lost (there’s a handy dramatis personae at the start of each issue, which will help locate other new readers). The story sees Cassie and Vlad separated from their companions, drawn away by the Acid Lady – a lurker (catch-all term for the beasties and other supernatural antagonists) with the body of an implausibly sexy woman, and the ability to dissolve others with a mere touch, as well as the ability to control them through contact. The two sides have clashed before, in a previous story-arc.

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Those breasts are ridiculous!

Cassie and Vlad are forced to examine their situation and partnership – Vlad feels a little taken for granted. They decide to jettison their friends by the end, and to strike out on their own. Before that, though, they need to deal with the undead creatures who are attacking their friends… Revelations abound.

The humour in the series is pretty good. It sometimes errs a little too close to puerile/sophomoric for me, but I’d be lying if I said it never made me chuckle (see below).

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Ah, boobs-in-the-face. A winning strategy in motivating your monster sidekick…

The demon dog, for example, was quite amusing. And poor Cat Curio (“Girl Sherlock”)… her story was amusing because she was more hapless than not, yet surprisingly effective and capable in a really strange way…

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Those two middle panels made me chuckle.

Overall? This is quite fun. The artwork is reminiscent of Zenescope’s cover aesthetic, at times (including the bottom-accentuating cover visual), and some bodies are bizarrely shaped (particularly the women, all of whom are buxom and curvy – I wonder if this is part of the tongue-in-cheek, knowing nods to slasher movies, and the high number of gorgeous women in those, too…?). But, in general, this is a strange, slightly bonkers horror comic that is filled with tongue-in-cheek humour, bloody monster hunting, and a pretty good story.

I haven’t managed to get the next volume (“Dead Celebrities”), yet, but as soon as I have the available, disposable funds, I’ll be sure to expand my collection. I did, however, get hold of Seeley’s Revival, which was on sale through ComiXology a little while ago. I hope to review that very soon, as I’ve dipped in already and think it’s equally weird and cool. (Wow, that has got to be the least eloquent endorsement, true as it is…)

I’d recommend this for anyone looking for something a little different – a mix of horror, comedy, supernatural, and even a smidgeon of super-hero themes. Seeley’s a talented writer, and I look forward to reading a lot more of his work.

The Sixth Gun, Vol.3 – “Bound” & Vol.4 – “A Town Call Penance” (Oni Press)

SixthGun-Vol.3&4

Volume Three. Still awesome.

Writer: Cullen Bunn | Artist: Brian Hurtt (#12-13, 15-17) & Tyler Crook (#14, #23) | Colors: Bill Crabtree

Traveling by secret railroad, Becky and Drake accompany an order of mysterious monks on a quest to bury General Hume’s body on holy ground. But malevolent forces spurred by a sinister necromancer stage a terrifying attack on the train. Drake vanishes without a trace. Alone, Becky continues her journey to a secluded mountain fortress where she discovers how deeply her fate is entwined with that of The Sixth Gun. Meanwhile, Gord revisits a haunted mansion from his past hoping to discover a means to destroy the Six, but the ghosts he stirs have no intention of letting his quest continue.

Vol.3 Collects: The Sixth Gun #12-17
Vol.4 Collects: The Sixth Gun #18-23

Ah, The Sixth Gun. Without a doubt, this is one of my favourite comics series. It blends Wild Western adventure with some supernatural shenanigans. There’s action, humour, spooky stuff, and a plot that will hook you from the very start. I loved both of these books.

In “Bound”, Drake, Becky and the fellas from the Sword of Abraham are taking the Six and the body of the dead evil general, via train… somewhere safer. Naturally, nothing can go smoothly, as a necromancer raises an undead posse to retrieve the guns and the body of Evil General Hume (he’s someone you just have to always include the “Evil” when you mention him…). We’re introduced to Asher Cobb – a big, fuck-off mummy. Sent by the same necromancer to retrieve the evil body, while the surprisingly-spritely undead posse take care of the living. However, Cobb has a history with Drake… We get his story in #14 – a really cool extra.

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The story then moves forward a few days, as Gord heads home to collect the books on the Six from his former owner, who was in league with the Evil General. This was a nice diversion, and added a lot more to the whole spooky-supernatural side of the story. Not that the, you know, mummies, undead and magic guns weren’t already pretty obviously in the Weird Stuff arena…

With Drake missing, Becky is taken to the Sword of Abraham’s keep, and told she can never leave. But, an old friend is at hand to help, and she learns more of the power of the Sixth Gun.

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In “A Town Called Penance”, we re-join Drake after his short-lived disappearance from the train assault. He’s been captured by the Knights of Solomon, who he joined after the war – they are also the enemies of the Sword of Abraham, before attempting (unsuccessfully) to prevent her from going to Drake’s aid. The Knights of Solomon want Drake back working with them. As well as the Six, of course. Becky comes to rescue him, but there’s something not right with the town called Penance…

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As with the previous two books, I zipped through these two books, unable to put them down. The story is gripping, fast-paced, and very well written. And the artwork is great, too – atmospheric, consistent and just all-round excellent. I particularly loved the “silent” chapter – Becky’s near an explosion, and bursts her eardrums. Then she goes on a bit of a rampage through the underground lair of the Knights of Solomon. She’s joined by Drake. They kill a LOT of people…

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There is a really interesting revelation at the end of chapter five in this second book. It bodes very well for the future, so I will definitely be coming back for more of this series. Final chapter of Volume 4 features Kirby Hale, who we first briefly met in Volume 2, when he seduced Becky. We’re caught up on his story, and there’s a really nice parallel between his new trajectory and Drake’s in issue #1. A nice bit of writing, I thought.

Both of these books expand and build on the series superbly. We get more character development and also more world-building. I can’t recommend The Sixth Gun highly enough. Love this series. An absolute must read series for fans of comics, Westerns, and speculative/genre fiction of all stripes. Superb.

“NOS4R2”/“NOS4A2” by Joe Hill (Gollancz/William Morrow)

HillJ-NOS4R2A slow-burning suspense

Summer. Massachusetts.

An old Silver Wraith with a frightening history. A story about one serial killer and his lingering, unfinished business.

Anyone could be next.

We’re going to Christmasland…

I’m not a big reader of horror. I’m not really sure why, though, as I tend to be attracted to darker and more twisted tales. Nevertheless, I have enjoyed some of Hill’s previous writing, and after reading a little bit about NOS4R2, I eagerly awaited its arrival.

Despite that, and perhaps inevitably, I was not really in the mood for horror when I first started to read NOS4R2. Rather than letting this ruin it for me, I decided to put it aside and got back to it recently. I’m glad I did this, too: this is a pretty solid suspense/horror novel, sure to appeal to his existing fans and also new readers (with caveats). The novel is also, frustratingly, very difficult to review – and doubly so if I want to avoid any form of spoiler.

Once again, therefore, I find myself at a loss for how to review something by Joe Hill. Seriously. I’m completely stumped. His other work that I struggle to review is his Locke & Key comic series, a story that shares some similar sensibilities and aesthetics as NOS4R2. Both are heavily character-focused, with a slow-burning plot that allows for great tension and suspense to build brilliantly. It’s not action-packed (though there is some conflict), there are a fair few surprises, and some really creepy scenes.

I must admit that I did find the start a little slower than I would normally like, and this maybe influenced my decision to put it aside for a short while. Given how long the book is (the ARC is 700 pages, or there about), I think some people may not have the patience for Hill’s pacing. When I was about a third of the way through, even I couldn’t help but think, “When are things going to kick off?” However, when I allowed myself to just sit and read (recently, life has been very disruptive and stop-start), I found myself swept up by Hill’s prose and story, drawn on through the novel.

HillJ-NOS4A2The author manages to make the mundane fascinating – the little details of these characters’ lives, their thoughts and every-day concerns… In many authors’ hands, this attention to detail would be suffocating and perhaps tedious, giving the novel a bloated feel. Not so for Hill; when added to the creepy goings-on related to Christmasland and its master, Charles Manx, he spins a fascinating, engrossing, suspenseful tale.

I found his characters all too realistic, in a way. This is, in my opinion, Hill’s greatest talent: despite writing creepy, weird, oft-supernatural stories, his characters have a vividly real feel to them. Victoria McQueen, the protagonist, feels complete, fully realised and familiar, and in some ways we grow up with her over the course of the novel: first meeting her as a child, when she first gets her special bike and stumbles across her strange ability. Then time jumps ahead to her rebellious adolescence and onwards, as her childhood brush with information of the Silver Wraith and Manx, and her confrontations with him later.

As I said at the start, I have no real idea of how to review Hill’s work. Nothing I try seems to convey the atmosphere and feel of the author’s work appropriately.

Needless to say, if you have any interest in classic, literary horror fiction, then NOS4R2 is for you. Recommended.

Also by Joe Hill: Horns, Heart-Shaped Box, 20th Century Ghosts, Locke & Key Vols.1-5

Also Try: Benjamin Percy, Justin Cronin, Stephen King, Adam Neville

“The Wolf Gift” by Anne Rice (Arrow/Random House)

Rice-WolfGift-UKPB

After reinventing the Vampire for modern literature, Anne Rice turns her attentions to Werewolf mythology with great success

MAN OR MONSTER?

After a brutal attack Reuben finds himself changing. His hair is longer, his skin is more sensitive and her can hear things he never could before.

Now he must confront the beast within him or lose himself completely.

I’m sure I’ve mentioned it before on the site, but Anne Rice is one of my favourite authors. Reading the Vampire Chronicles was a turning point in my life as a reader, and indeed set me on the path that turned me into as voracious a reader as I am today. The Vampire Lestat and Queen of the Damned have been re-read so many times, I almost know them off by heart. It was with great interest, therefore, that I started reading The Wolf Gift – after redefining vampire fiction with her novels, I was really interested to see what Rice could do with that other supernatural mainstay, the werewolf. What she’s come up with is pretty great.

As the story opens, our protagonist, Reuben, has been sent by the San Francisco Observer to write a piece about the uncertain future of the giant house at Nideck Point. He quickly falls in love with the grand mansion, and also a little with the elegant heiress, Marchent Nideck. It is a chance encounter between two unlikely people, one that leads to a magical evening that ends in a brutal and bloody attack. Stumbling about in the dark house, Reuben is bitten by an unseen beast. As dawn breaks, he is whisked to a San Francisco hospital (his mother is a leading surgeon, luckily). Kept under observation, Reuben starts undergoing a terrifying yet seductive transformation. His family and doctors are confounded by his recuperation and apparently-altered state.

Reuben’s transformation quickens after he leaves the hospital, and he soon assumes – temporarily each night – a savage, wolfen aspect. Strangely (and this is something that really set The Wolf Gift apart from Rice’s contemporary authors dabbling in werewolf fiction), in this were-state, Reuben develops the ability to sniff out, literally, evil. What follows is Reuben’s attempt to reconcile the beast component of his new gift and his apparent drive to do good. After the attack at Nideck Point, his editor assigns him the job of writing about each new “Man Wolf” attack and sighting. His nightly activities have San Franciscans and, eventually, others much further afield, enthralled: a Wulfen Super-Hero? Who has heard of such a thing? In addition, Reuben, with the help of a new ally and love-interest, attempts to find out more about his progenitors and his specie’s history. What is the connection with the mansion? How many others like him are there, prowling the night?

The story is fast-paced, and is nigh-impossible to put down. I really loved the overall pacing. Specifically, the fact that Reuben’s change isn’t sudden, nor is it particularly dramatic. He retains his humanity and mental faculties, and experiences heightened senses overall. He retains his personality, power of speech and so forth. I am particularly happy that Rice doesn’t have him turn into some over-sexed, cavorting, hirsute boy-toy.

As with the author’s vampire series, there is a sensual/sexual component to Reuben’s new state, but it is more a general pleasure at his new aspect and abilities, coupled with a near-orgasmic feeling that overcomes him during the change. It’s easy for a non-fan to poke fun at the current state of vampire and werewolf fiction, and the tendency for authors to, effectively, introduce these beasties into stories that are little more than Mills & Boon with supernatural overtones. Thankfully, Rice does not do this, and once again shows just how much can be done with these classic horror-creatures. This is a highly-original take on the werewolf mythology, and is as atmospheric and engrossing as her previous novels.

I’ve never really been able to put my finger on what it is, specifically, about Rice’s writing style and stories that hooks me so completely. The author’s prose is always expertly crafted, very fluid and her characters are always three-dimensional and stand-out examples of whatever type they have to be. The cast of The Wolf Gift is no exception. Reuben, his family, Laura, Felix et al, are all interesting, three-dimensional characters.

The Wolf Gift really offers a great reinterpretation of the werewolf myth: it’s very Rice-ian, in that it has far more nuance and grounding in mysterious, supernatural history. In fact, I think I only have one niggle with the novel, and that is that I think the book could have been longer. Rice’s descriptive passages were more sparse than I have come to expect from the author.

An interesting break with the norm for ‘origin’ stories, is that instead of front-loading the novel with history and bringing us up-to-date, Rice makes us wait, building up the narrative nicely to a very philosophical ‘history’ at the end. I think I would have preferred more history, but that comes from a deep, abiding affection for the author’s Vampire Chronicles and the historical portions of those tales. Whether Lois’s, Lestat’s, Marius’s, or Enkil & Akasha’s histories, they remain some of my all-time favourite passages – I have yet to find an author who can write the past as seductively and atmospherically as Rice.

It would be no exaggeration to say that the Vampire Chronicles marked a huge turning point in my reading (tastes and habits – never before did I spend hours on end, and days at a time reading one author’s books). And, multiple reads later, they are novels that have lived up to my fond memories.

Where Rice’s vampires were largely loners, or only tolerable of company for shorter periods of time, her werewolves are inherently pack animals. How Reuben straddles his past life and his new one is very nicely done. Her other characters find themselves in similar situations. The way they handle Reuben’s changes are also interesting: his surgeon mother, struggling to make sense of test results (or lack thereof), unable to understand what’s happening to her “Sunshine Boy”. His priest brother, whom he confides in, struggling to place Reuben’s new aspect within his belief system. Only one character’s interactions with Reuben were a little difficult to accept: Laura’s acceptance from first sight never rang true for me – I think I know what Rice was aiming for, but it needed more time to develop, in my humble opinion. Laura’s arrival in the novel was… surprising, and in the hands of any other author, that relationship would have likely been a disaster of poorly-written “erotic” supernatural bestiality. Stuart’s addition to the story was also rather sudden, and I think his part in the story, and rather rapid introduction, could have done with some better integration.

The Wolf Gift is a perfect example of how supernatural fiction does not have to be Mills & Boon With Beasties. Rice isn’t trying to make us comfortable, and Reuben’s bestial side is vividly portrayed. His vigilante acts are brutal and bloody. Rice really knows how to show-and-not-tell, though, which only makes her novels that much better than so very many of her contemporaries. (Much of what happens is obvious, but the “sex” scenes are very short, and non-graphic, and often off-screen).

Overall, this is a great novel. This is an interesting new set of characters, and I really hope we get to read more about them and the history of these werewolves.

Highly recommended.

***

Rice-WolfGift-UKBlogTour

For more on Anne Rice’s novels, be sure to visit her website, her Facebook page, and follow her on Twitter. For Friday’s Arrow Books competition, visit their Facebook page.

Sixth Gun, Vol.2 – “Crossroads” (Oni Press)

SixthGun-Vol.02Writer: Cullen Bunn | Artist: Brian Hurtt | Colors: Bill Crabtree

In the aftermath of the tragic battle of the Maw, Drake and company hide in the sprawling city of New Orleans. But as they plot their next move, they find themselves embroiled in another harrowing adventure. Unexpected threats, new enemies, and a host of strange spirits are already aligning against them.

Collects: Sixth Gun #7-11

This is just a really quick review – it’s actually been a while since I read this (and have since blitzed through the next two), but I wanted to mention it on the blog. The Sixth Gun is one of my favourite series, hands down. This makes it very tricky to review. So much of my enjoyment comes from the surprises and unexpected directions the story takes, as well as the excellent dialogue, plotting and artwork. Needless to say, if you like supernatural tales in a Wild West and 19th-Century American setting, then The Sixth Gun is a must-read.

“Crossroads” gives us an expansion on the already-awesome supernatural elements introduced in Volume 1 – this time, we get some voodoo and Southern weirdness, which I always like to read about. There are swamps and strange Haitian-inspired beasties, as Drake attempts to find a way to rid himself of the pistols (he has collected a four of them, from the cold, dead hands of their previous owners). Adding to Drake’s impatience (and Becky’s, as she owns one of the Six as well), evil forces will forever be drawn to the Six, and with only the chance of passing them on from a dead (wo)man’s hand, things are going to get very dangerous for them.

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We meet a new face, a potentially a recurring character: a smooth-talker who Becky maybe takes a shine to. He has an ulterior motive, however, and he quickly becomes involved in the hunt for the Six.

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I really love that Bunn & Co. are deepening and expanding the series mythology. The Sixth Gun is a great series, and “Crossroads” does exactly what a second volume is meant to do: it builds very nicely on what has come before, and lays down the foundation for yet more action and dark adventure to come.

Excellent and highly recommended.

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“Necessary Evil” by Ian Tregillis (Orbit/Tor)

Tregillis-3-NecessaryEvil

The masterful conclusion to the Milkweed Triptych

12 May 1940. Westminster, London, England: the early days of World War II. Again…

The history of the Twentieth Century has been shaped by a secret conflict between technology and magic. When a twisted Nazi scientist devised a way to imbue ordinary humans with supernatural abilities – to walk through walls, throw fire and see the future – his work became the prized possession of first the Third Reich, then the Soviet Army. Only Britain’s warlocks, and the dark magics they yield, have successfully countered the threat posed by these superhuman armies.

But for decades, this conflict has been manipulated by Gretel, the mad seer. And now her long plan has come to fruition. And with it, a danger vastly greater than anything the world has known. Now British Intelligence officer Raybould Marsh must make a last-ditch effort to change the course of history – if his nation, and those he loves, are to survive.

In the final book in Tregillis’s awesome Milkweed Triptych, superhumans and dark magic collide once again in a secret, supernatural history of early Twentieth Century. A series that has consistently impressed me, and improved with each book, Necessary Evil brings the story to a close with aplomb. This is a superb conclusion, and Tregillis has pulled it off, managing to tie everything up skillfully. And I almost cried at the end…

This is a very tricky review to write (I’ve said that a fair bit, recently, but it’s always true). Not only is this the final part of a trilogy, but it also features some time-travel, which for the first one-hundred pages or so messes about with events from book one and two. I don’t want to spoil anything for anyone, so I am going to deal very briefly with the plot, and then move on to general impressions.

The novel starts off with a brilliant prologue: it’s a summary of Gretel’s story thus-far, told in a strange disassociated-yet-intimate manner. It’s from Gretel’s perspective, and she talks about her powers and when they awoke, how she came to understand them, and gives us a very brief catch-up, without being clunky. Really excellent to start to the novel.

Raybould Marsh, one of Britain’s best spies, has travelled to an alternate timeline, in a desperate attempt to save at least one future from destruction at the hands of the Eidolons – creatures older than time, and pure evil. They have have been observing our species from space, and harbor an incandescent hatred for humanity. In order to accomplish his mission, Marsh must remove all traces of the Nazi’s “Willenskrafte” experiments, and the supermen that were created by the mad genius Dr. von Westarp.

Marsh’s biggest challenge, his bête-noir, is the mad seer Gretel, one of the most powerful of von Westarp’s “children”. A version of Gretel is in this timeline. She has seen all possible future timelines, and in every single one, she dies at the hands of the Eidolons, and she is determined that this will not come to pass, even if it means destroying most of humanity to save herself. Struggling with Gretel’s hidden agenda, his need to keep his true identity secret from those around him – including a younger version of himself, his mentor, his family, and his best friend – and also his single-minded desire to protect his family in this timeline, Marsh discovers that his mission could be too difficult to complete.

That’s all I’m going to say about the plot. Going into any more detail would just ruin so many surprises and innovative developments. As with Bitter Seeds and The Coldest War, I was hooked from the very beginning of the book. Everything about the novel worked for me: Tregillis’s excellent prose style, the steady pacing, the gripping narrative, and fascinating supernatural elements just worked for me. Most of all, though, the characters are all compelling, realistic, and nuanced. This is a superb series.

The various questions raised by the end of The Coldest War are all answered, and the remaining loose ends are likewise tied up. I loved the way the characters changed under the different circumstances – sometimes dramatically, as events that would have redeemed or damned them do not come to pass. It was very believable, but also showed that Tregillis had considered all angles. There are so many small details throughout the book (and series as a whole, actually) that help make the characters more-real, and the time more vivid.

Gretel is an absolutely fascinating character, and one of my favourites in any book or series: she is both star and villain; Machiavellian in the extreme and ultimately tragic. Her story is as important, and perhaps more compelling, than Marsh’s. Their connection, their polar-opposite feelings for each other, and their near-constant conflict is brilliant. As Marsh’s actions start messing with the timeline, Gretel’s powers of precognition start to break, sending her on a steady decline that understandably has a devastating impact on her psyche – this is best reflected in a handful of Interludes, told from Gretel’s perspective.

Ultimately, Tregillis brings the novel and series to a brilliant close. The ending of Necessary Evil is heart-wrenching, as we learn what happens to Marsh the Elder (I almost cried), but it feels right, given what’s come before.

The Milkweed Triptych is one of my all-time favourite series. It is a must-read. Very highly recommended.

Also on CR: “The Origin of the Götterelektron” by Ian Tregillis (Guest Post)

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Necessary Evil will be published in April in both the US (Tor) and UK (Orbit). Bitter Seeds and The Coldest War are available in stores now.

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UK / US Covers

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UK / US Covers

“Unholy Magic” by Stacia Kane (Voyager/Del Rey)

KaneS-DG2-UnholyMagicUKEnemies don’t need to be alive to be deadly

For Chess Putnam, finding herself near-fatally poisoned by a con psychic and then stopping a murderous ghost is just another day on the job.

As an agent of the Church of Real Truth, Chess must expose those looking to profit from the world’s unpleasant little poltergeist problem – humans filing false claims of hauntings – all while staving off any undead who really are looking for a kill.

But Chess has been extra busy these days, coping with a new “celebrity” assignment while trying on her own time to help some desperate prostitutes. Someone’s taking out the hookers of Downside in the most gruesome way, and Chess is sure the rumors that it’s the work of a ghost are way off base. But proving herself right means walking in the path of a maniac, not to mention standing between the two men in her life just as they – along with their ruthless employers – are moving closer to a catastrophic showdown. Someone is dealing in murder, sex, and the supernatural, and once again Chess finds herself right in the crossfire.

Not to long ago, I read the first book in Stacia Kane’s Downside Ghosts series, Unholy Ghosts. I thought it marked the beginning of an interesting, original and well-written Urban Fantasy series. Unholy Magic brings us more of the same, which is certainly no bad thing. While flawed, this is still an entertaining, quick read.

The novel starts off with Chess infiltrating and illegal séance, which doesn’t exactly go as planned. It’s a good introduction, and allows for a little more world-building. Not to mention a very good explanation of what ghosts are in this reality (just in case a new reader has started here, I suppose, but it’s also a good reminder for returning fans):

“A real ghost – a real ghost was something to inspire nightmares. A real ghost, outside of Church control, wasn’t going to have a nice little chat with its mommy or beloved friend. A real ghost was going to have one thing on what remained of its mind, and one thing only: to kill. To steal the energy of everyone it came near, to use its life-force to make itself stronger, a parasite that would grow fat on the blood of its victims.”

Once again, Chess has been assigned a special case by the Church: a famous TV star and comedian’s McMansion is apparently haunted by a whole host of angry specters, and the Church would very much like her to get to the bottom of things. Especially since the ghosts seem to be getting angrier and more malevolent as time passes. It’s an interesting case, because unlike many other potential hoaxes, the celebrity has no financial reason to try to scam the Church.

In the meantime, Chess’s one-time number-one drug dealer, Bump, is having a spot of ghost trouble as well. Teamed up again with Bump’s enforcer, Terrible, Chess investigates the site of a grisly murder, the distinct marking on the dead prostitute pointing to a much older case. To make things even worse, Chess’s sort-of-lover Lex, who is also a member of a rival gang, tells her that they’re experiencing a similar problem in their own territory and with their own whores. This puts her in a very delicate situation which, as the novel progresses, we realise she is not wholly prepared to handle properly.

Unholy Magic follows a similar structure to Unholy Ghosts: a few similar narrative tricks and methods are used at similar points during the novel, for example. But, instead of making this feel like we’re just reading the same novel with different names, it gave the setting a familiar, comfortable feel – not unlike that you’d find from a much-longer established series, or perhaps a thriller series. The two seemingly-unconnected cases tick over while we also get to see more of Chess’s life – the delicate balancing of professional responsibilities and side-jobs, not to mention her “handling” of her worsening substance abuse. Unholy Magic builds to a nice, big and explosive climax, too, as Chess and some allies storm a ghost bordello (really).

KaneS-DG2-UnholyMagicUSThis novel seems to focus even more on her addictions (there does not appear to be any drug or stimulant she is unwilling to use frequently). Her predicament is best highlighted during a particularly brutal withdrawal scene, after Chess is caught by a blizzard at the star’s home without her stash and forced to stay overnight. When you add in the (potential) ghosts sightings while she’s there – feverish, in pain, and going mad – you can perhaps imagine how much of a nightmare this is for her. Our heroine is seriously spiraling out of control. Her addictions aren’t portrayed in a preachy manner, but there’s no denying the “lesson” here, given how bluntly and plainly it’s written. It certainly makes Chess an unusual protagonist, and I like the added “grittiness” (for want of a better word) that her illness gives her. Kane’s done a great job of incorporating this into the novels, and the considerations Chess must make – to keep her addictions secret, as well as to maintain her substance abuse – and the lengths she’s willing to go to are well-written.

“It would have been better if she’d been able to squeeze out a tear, but the Cepts she’d taken didn’t allow it. It was hard enough to feel emotions when she was high, let alone emotions intense enough to make her weep. Hell, that was one reason why she kept taking the fucking things, wasn’t it?”

As in Unholy Ghosts, Terrible is one of my favourite characters. In this novel, he acts as Chess’s conscience on a number of occasions, and there are developments in their friendship. Not all of them good – he gets are beating in this novel: emotionally, most of all, but he doesn’t come out physically unscathed by the end of the novel, either…

Overall, this was a good follow up to Unholy Ghosts. Chess’s drug abuse and the romantic/sexual elements of the story were more prominent, as the antagonist has been using a particularly sinister and deviant form of sex-magic in their evil shenanigans. The magic is wild and invasive, and Chess’s reaction to it is visceral and horrible (sensitive as she is to it as a result of the magic Church tattoos that cover her torso):

“Oh, fuck…Sex roared over her skin, immolating her like a corpse in a crematory oven, reducing her to nothing in a second. She barely existed; her body jerked in a painful, hideous, hateful orgasm she didn’t want, couldn’t control. And she was back in bed, fourteen years old, hating what they were doing to her, hating herself because she couldn’t help liking it, too, and shame washed through her like a red ocean full of dirty needles and broken glass tearing her skin from her bones. Her throat went raw but she kept screaming. Her tattoos seared like fresh brands. She was sinking, falling…”

It did sometimes feel like the actual supernatural investigation and the weird-goings-on were peripheral to the romantic elements; or as though Chess’s investigations were just a framework within which Kane could paint a picture of a seriously messed up drug addict – one who is slowly but surely ruining her personal life (not to mention her psyche) by perpetuating a punishing cycle of addiction, abuse and degradation (she sleeps with a lot of people just to escape, or because she’s simply too high to say no).

“When had being an addict gotten so fucking hard? So exhausting? It had been so easy for so long; she had a steady supply, she kept to herself, nobody bothered her. Now she was constantly up to her ears in intrigue and complications, being torn in every direction but her own, all thanks to her need for those pills.”

It will be certainly interesting to see how the events at the end of this novel shape up in book three (lots of game-changing things happen at the end of this one).

Unholy Magic is a quick-paced, interesting read. I wasn’t as impressed with it as I was with the first book, but by no means have I been convinced to not catch up with the rest of the series.

I still consider this a recommended series.