I’m always in two minds about music when I’m writing. Some days, when my focus isn’t where it needs to be, I have to have as near to absolute silence as I can get in order to zero in on what I want to get down on the page. Other times, a little musical accompaniment is exactly what I need to prime the pump and get me writing.

I tend not to listen to songs when I’m writing scenes, because I find myself paying too much attention to the lyrics, and sometimes subconsciously assimilating the words into my own work. Orchestral and thematic stuff works a lot better. I have a massive collection of classical music and soundtracks that I will queue up into five-hour-long playlists. For example, working on my new thriller novel NOMAD, my working score included Salt (James Newton Howard), Inception (Hans Zimmer), Tron Legacy (Daft Punk), The Sweeney (Lorne Balfe), Watch Dogs (Brian Reitzell), Bangkok Dangerous (Brian Tyler) and The International (Tom Tykwer, Johnny Klimek & Reinhold Heil). Continue reading →