Music

Upcoming: THE FUTURE SAINTS by Ashley Winstead (Atria)

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In January 2026, Atria Books are due to publish The Future Saints, the next book by Ashley Winstead — author of the acclaimed In My Dreams I Hold a Knife and This Book Will Bury Me, among others. Pitched as “perfect for fans of Daisy Jones and the Six and In Five Years“, the synopsis caught my attention, and also made me think of a few other music-related novels of recent years (a sub-genre that I am very happy is getting larger), such as The Lightning Bottles. I haven’t read any of Winstead’s previous novels, but I have picked up the two I mention above. Really looking forward to this new book — shame it’s five months away… Here’s the synopsis:

A transportive new novel about a music executive desperately trying to bring a rock band back from the brink…

This is a love story, but not the one you’re expecting.

When record executive Theo meets the Future Saints, they’re bombing at a dive bar in their hometown. Since the tragic death of their manager, the band has been in a downward spiral and Theo has been dispatched to coax a new — and successful — album out of them, or else let them go.

Immediately, Theo is struck by Hannah, the group’s impetuous lead singer, who’s gone off script by debuting a whole new sound, replacing their California pop with gut-wrenching rock. When this new music goes viral, striking an unexpected chord with fans, Theo puts his career on the line to give the Saints one last shot at success with a new tour, new record, and new start.

But Hannah’s grief has larger consequences for the group, and her increasingly destructive antics become a distraction as she and her sister Ginny — her lifelong partner in crime — undermine Theo at every turn. Hannah isn’t ready to move on or prepared for the fame she’s been chasing, and the weight of her problems jeopardize the band, her growing closeness with Theo, and, worst of all, her relationship with her sister — all while the world watches closely. The Future Saints’s big break is here — if only they can survive it.

Ashley Winstead’s The Future Saints is due to be published by Atria Books in North America and Aria in the UK, on January 20th, 2026.

Follow the Author: Website, Goodreads, Instagram

Quick Review: THE LIGHTNING BOTTLES by Marissa Stapley (Simon & Schuster)

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A mystery and a love-letter to the 90s music scene

A story of rock ‘n’ roll and star-crossed love — about grunge-era musician Jane Pyre’s journey to find out what really happened to her husband and partner in music, who abruptly disappeared years earlier.

He was the troubled face of rock ‘n’ roll… until he suddenly disappeared without a trace.

Jane Pyre was once half of the famous rock ‘n’ roll duo, the Lightning Bottles. Years later, she’s perhaps the most hated — and least understood — woman in music. She was never as popular with fans as her bandmate (and soulmate), Elijah Hart — even if Jane was the one who wrote the songs that catapulted the Lightning Bottles to instant, dizzying fame, first in the Seattle grunge scene, then around the world.

But ever since Elijah disappeared five years earlier and the band’s meteoric rise to fame came crashing down, the public hatred of Jane has taken on new levels, and all she wants to do is retreat. What she doesn’t anticipate is the bombshell that awaits her at her new home in the German countryside: the sullen teenaged girl next door — a Lightning Bottles superfan — who claims to have proof that not only is Elijah still alive, he’s also been leaving secret messages for Jane. And they need to find them right away.

A cross-continent road trip about two misunderstood outsiders brought together by their shared love of music, The Lightning Bottles is both a love letter to the 90s and a searing portrait of the cost of fame.

As a music fan who grew up during the 1990s, it was almost inevitable that I would be drawn to Marissa Stapley’s latest novel. Packed with nods to that era’s music history and mythology, The Lightning Bottles is an engaging tale of music, love, ambition, and fame; as well as what happens after an artist disappears (from the scene and, in this case, literally). I really enjoyed this. Continue reading →

Excerpt: WE OUGHTA KNOW by Andrea Warner (ECW Press)

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WarnerA-WeOughtaKnowCAHCOn October 15th, ECW Press is due to publish We Oughta Know by Andrea Warner. The book is an essay collection that examines “How Céline, Shania, Alanis, and Sarah Ruled the ’90s and Changed Music”. To mark the book’s publication, the publisher has allowed CR to share the Introduction. Before we get to the excerpt, though, here is the synopsis:

A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever

Fully revised and updated, with a foreword by Vivek Shraya

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized ’90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in ’90s entertainment, and We Oughta Know is a crucial part of that conversation.

With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy.

Continue reading →

Upcoming: THERE WAS NOTHING YOU COULD DO by Steven Hyden (Hachette)

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HydenS-ThereWasNothingYouCouldDoUSHCIn his follow-up to Long Road, which examined how Pearl Jam “shaped the times, and how their legacy and longevity have transcended generations”, Steven Hyden turns his attention to Bruce Springsteen’s Born in the USA. This album was the first album that I ever loved, so this book was immediately added to my Must Read Non-Fiction of the Year. (It’s not an actual list, but you know what I mean.) There Was Nothing You Could Do is scheduled to come out in May, via Hachette Books. Here’s the synopsis:

A thought-provoking exploration of Bruce Springsteen’s iconic album, Born in the U.S.A. — a record that both chronicled and foreshadowed the changing tides of modern America

On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years.

In There Was Nothing You Could Do, veteran rock critic Steven Hyden shows exactly how this record became such a pivotal part of the American tapestry. Alternating between insightful criticism, meticulous journalism, and personal anecdotes, Hyden delves into the songs that made — and didn’t make — the final cut, including the tracks that wound up on its sister album, 1982’s Nebraska. He also investigates the myriad reasons why Springsteen ran from and then embraced the success of his most popular (and most misunderstood) LP, as he carefully toed the line between balancing his commercial ambitions and being co-opted by the machine.

But the book doesn’t stop there. Beyond Springsteen’s own career, Hyden explores the role the album played in a greater historical context, documenting not just where the country was in the tumultuous aftermath of Vietnam and Watergate, but offering a dream of what it might become — and a perceptive forecast of what it turned into decades later. As Springsteen himself reluctantly conceded, many of the working-class middle American progressives Springsteen wrote about in 1984 had turned into resentful and scorned Trump voters by the 2010s. And though it wasn’t the future he dreamed of, the cautionary warnings tucked within Springsteen’s heartfelt lyrics prove that the chaotic turmoil of our current moment has been a long time coming.

How did we lose Springsteen’s heartland? And what can listening to this prescient album teach us about the decline of our country? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.

Steven Hyden’s There Was Nothing You Could Do is due to be published by Hachette Books in North America and in the UK, on May 28th.

Also on CR: Review of Twilight of the Gods

Follow the Author: Website, Goodreads, Instagram, Twitter

Upcoming: THE LAST DAYS OF THE MIDNIGHT RAMBLERS by Sarah Tomlinson (Flatiron)

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TomlinsonS-LastDaysOfTheMidnightRamblersUSHCIt’s always interesting to see how a smash-hit book can spur the rise of a mini-genre, and there’s no denying that Taylor Jenkins-Reid’s Daisy Jones & the Six generated a lot of interest in music-related fiction. As a long-time music fan/obsessive, I naturally am very taken by the genre — not only is Daisy Jones… one of my recent favourites, but I’ve thoroughly enjoyed many other novels that have popped up in the sub-genre (e.g., Emma Brodie’s Songs in Ursa Major). So, I’m always on the look-out for more music-related fiction.

In The Last Days of the Midnight Ramblers, due out in February 2024, Sarah Tomlinson takes an intriguing new approach to the genre. Here’s the synopsis:

Three Rock & Roll icons. Two explosive tell-all memoirs. One ghostwriter caught in the middle.

Anke Berben is ready to tell all. A legendary model and style icon, she reveled in headline-grabbing romances with not one but three members of the hugely influential rock band the Midnight Ramblers. The band members were as famous for their backstage drama as for their music, and Anke is the only one who fully understands the tangled relationships, betrayals, and suspicions that have added to the Ramblers’ enduring appeal and mystique. That is most evident in the mystery around Anke’s role in the death of Mal, the band’s founder and Anke’s husband, in 1969.

When Mari Hawthorn accepts the job to work with Anke on her memoir, she is dead set on getting to the truth of Mal’s death. She has always been deft at navigating the fatal charms of celebrities, having grown up with a narcissistic, alcoholic father. As she ingratiates herself into the world of the band, she grows enchanted, against her better judgment, by these legendary rock stars. She knows she can’t get pulled in too deep, otherwise she’ll compromise her objectivity — and her integrity.

Love the premise, and am very much looking forward to reading this.

Sarah Tomlinson’s The Last Days of the Midnight Ramblers is due to be published by Flatiron Books in North America and in the UK, on February 13th, 2024.

Follow the Author: Website, Goodreads, Instagram, Twitter

Upcoming: GROUPIES by Sarah Priscus (William Morrow)

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PriscusS-GroupiesUSHCThere has been a string of novels over the past few years that take place in and adjacent to the 1970s music scene — most notably, Taylor Jenkins Reid’s Daisy Jones & the Six, Emma Brodie’s Songs in Ursa Major, Jessica Anya Blau’s Mary Jane, and Glenn Dixon’s Bootleg Stardust, to name but four. As it happens, I’m a big fan of this (sub-)genre, so I’m very much looking forward to Sarah Priscus‘s debut novel, Groupies, which “shines a bright light on the grungy yet glittery world of 1970s rock ‘n’ roll and the women – the groupies – who unapologetically love too much in a world that doesn’t love them back.” Here’s the synopsis:

It’s 1977, and Faun Novak is in love with rock ‘n’ roll.

After her mother’s death, Faun, a naïve college dropout, grabs her Polaroid and hops a Greyhound to Los Angeles. In the City of Angels, she reconnects with her charismatic childhood friend Josie, now an up-and-coming model and muse. To make their reunion even sweeter, Josie is now dating Cal Holiday, the frontman of the superstar rock band Holiday Sun, and Faun is positively mesmerized.

Except it’s not just the band she can’t get enough of. It’s also the proud groupies who support them in myriad ways. Among the groupies are: a doting high school girl at war with her mother; a drug-dealing wife and new mom who longs to be a star herself; and a cynical mover-and-shaker with a soft spot for Holiday Sun’s bassist.

Faun obsessively photographs every aspect of this dazzling new world, struggling to balance her artistic ambitions with the band’s expectations. As her confidence grows for the first time in her life, her priorities shift. She becomes reckless with friendship, romance, her ethics, and her bank account.

But just as everything is going great and her boring, old life is falling away, Faun realizes just how blind she has been to the darkest corners of this glamorous musical dreamland as the summer heats up and everything spirals out of control…

Equal parts an evocative coming-of-age and a cutting look at fame, desire, and the media, Groupies is a novel that will have you turning the pages until the music- and drug-fueled end.

Sarah Priscus’s Groupies is due to be published in North America by William Morrow, on July 12th.

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Quick Review: UNREQUITED INFATUATIONS by Stevie Van Zandt (Hachette)

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VanZandtS-UnrequitedInfatuationsUSHCA fascinating and fun memoir from one of rock’s great guitarists and characters

Uncover never-before-told stories in this epic tale of self-discovery by a Rock n Roll disciple and member of the E Street Band.

What story begins in a bedroom in suburban New Jersey in the early ’60s, unfolds on some of the country’s largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.

The first true heartbeat of Unrequited Infatuations  is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.

And then, in the early ’80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world’s hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of “Sun City,” an anti-apartheid anthem that sped the demise of South Africa’s institutionalized racism and helped get Nelson Mandela out of prison.

By the ’90s, Van Zandt had lived at least two lives — one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos — as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).

Underlying all of Van Zandt’s various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven’s Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.

Guitarist in the E Street Band, long-time friend of Bruce Springsteen, Silvio Dante in The Sopranos, political activist, standard bearer for rock ‘n’ roll. Stevie Van Zandt has been, and still is, many things. As evidenced by this memoir, he is also a great storyteller. I had high hopes for Unrequited Infatuations, but it absolutely exceeded them. Fascinating and fun, I really enjoyed this. Continue reading →

Quick Review: THE WORDS OF EVERY SONG by Liz Moore (Windmill/Broadway)

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MooreL-WordsOfEverySongUKAn interlinked tour through the New York music industry, and some of the lives it intersects with…

The Words of Every Song takes the form of fourteen linked episodes, each centering on a character involved with the music industry. There’s the arrogantly hip, twenty-six-year-old A&R man; the rising young singer-songwriter; the established, arena-filling rock star on the verge of a midlife crisis; the type-A female executive with the heavy social calendar; and other recognizable figures.

Set in the sleek offices, high-tech recording studios, and grungy downtown clubs of New York, The Words of Every Song offers an authenticity drawn from Liz Moore’s own experience and brings an insider’s touch to its depiction of the music industry and its denizens.

Liz Moore’s The Words of Every Song takes readers on a trip through the contemporary music industry, as witnessed through the eyes and lives of a mixed cast of characters. Each of these episodes is linked with at least one of the others, and is an interesting collection of character studies. I enjoyed this. Continue reading →

Music Review: Linkin Park’s HYBRID THEORY 20th Anniversary Edition

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LinkinPark-HybridTheory20thA huge new music set from one of nu-metal’s megastars

Like many people who were in their mid-teens as the 1990s ticked over to 2000s, I love Hybrid Theory, Linkin Park’s debut. Chester Bennington’s immense vocal skills leapt out of the speakers, the music sounded big, brash, and catchy AF. The band had their hooks in my mind from the first listen, and aside from a couple of albums that felt phoned in, I’ve been a fan ever since. I don’t believe there’s a day that’s gone by when I haven’t listen to at least one LP song.

Hybrid Theory was an album that was very much of its time, but still sounds good 20 years later. To celebrate the milestone anniversary, the band did a deep dive into their archives, and have assembled a huge set with over 80 tracks, many of them rare or previously unreleased.

But should you buy it? Well… Continue reading →

Review: THEY DON’T NEED TO UNDERSTAND by Andy Biersack (Rare Bird Books)

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BiersackA-TheyDontNeedToUnderstandUSAn interesting, engaging memoir of a highly-driven young rock star

Before he was the charismatic singer of Black Veil Brides and an accomplished solo artist under the Andy Black moniker, he was Andrew Dennis Biersack, an imaginative and creative kid in Cincinnati, Ohio, struggling with anxiety, fear, loneliness, and the impossible task of fitting in. With his trademark charm, clever wit, and insightful analysis, Biersack tells the story of his childhood and adolescence.

The discovery of the artistic passions that would shape his life, and his decision to move to Hollywood after his 18th birthday to make his dreams come true, even when it meant living in his car to make it all a reality. It’s the origin story of one of modern rock’s most exciting young superheroes, from building miniature concerts with KISS action figures in his bedroom to making the RIAA gold-certified single “In the End” and connecting with passionate fans worldwide.

I’ve been a fan of Black Veil Brides since their second album, Set the World on Fire. This was during a time when I wasn’t reading as much music journalism as used to. As a result, I didn’t know much about the band, and when I learned that Biersack had written a memoir, I was keen to read it and find out more about his and the band’s history. They Don’t Need to Understand is an engaging memoir. I enjoyed it. Continue reading →