I ran a workshop at a convention last year on world building. It would be accurate to say that it was a section of a world building workshop I’ve been running for several years, because whenever I set out a bunch of topics, I generally manage about a third of them before we get hung up on something, and the rest never gets touched.
This time round, I dived into social conventions: governments, class systems, and then we hit the brick wall of religion and that is where the discussion firmly stayed.
This recurred to me while editing The Tiger and the Wolf because one of the main ways this series differs from Shadows of the Apt is the spiritual dimension. The insect-kinden of Shadows are aware of the concept of gods but have no truck with the idea. Their attitude to the numinous (those who can even conceive of it) is as something to master and control, not appease or worship. For Tiger I wanted to explore a culture that lived in constant dialogue with the spiritual. The various tribes’ ability to shapeshift is the cornerstone of a religion that, though it finds different expressions in different tribes, links them all together with a common cosmology. Continue reading