Review: THE DESERT SPEAR by Peter V. Brett (Voyager/Del Rey)

BrettPV-DC2-DesertSpearUKThe Epic sequel to The Painted Man

The sun is setting on humanity. The night now belongs to voracious demons that arise as the sun sets, preying upon a dwindling population forced to cower behind ancient and half-forgotten symbols of power. These wards alone can keep the demons at bay, but legends tell of a Deliverer: a general-some would say prophet-who once bound all mankind into a single force that defeated the demons. The Deliverer has returned, but who is he?

Arlen Bales, formerly of the small hamlet of Tibbet’s Brook, learnt harsh lessons about life as he grew up in a world where hungry demons stalk the night and humanity is trapped by its own fear. He chose a different path; chose to fight inherited apathy and the corelings, and eventually he became the Painted Man, a reluctant saviour.

But the figure emerging from the desert, calling himself the Deliverer, is not Arlen. He is a friend and betrayer, and though he carries the spear from the Deliverer’s tomb, he also heads a vast army intent on a holy war against the demon plague… and anyone else who stands in his way.

The sequel to excellent The Painted Man is another epic instalment in Brett’s highly-successful Demon Cycle series. With the third novel in the series just released, I decided to finally catch up. The Desert Spear is a tour-de-force fantasy epic – brilliantly written, wonderfully realised, and highly addictive. I loved this. Continue reading

“Green Lantern: Rebirth” (DC)

GreenLantern-Rebirth-TPBGeoff Johns re-boots the Green Lantern series

Writer: Geoff Johns | Artist: Ethan van Sciver | Colors: Moose Baumann | Inks: Prentis Rollins (#2-6) & Mick Gray (#5-6), Marlo Alquiza (#6)

Hal Jordan was considered the greatest Green Lantern of them all. But Jordan lost control, allowed himself to be corrupted and transformed into the villainous Parallax. Later, Jordan reappeared and made the ultimate sacrifice – a sacrifice that allowed him to become the Spectre, the Wrath of God. After several years of activity on Earth, The Spectre became restless and sought a way to prove himself worthy of that noble reputation. See how a man born without fear and seeking to rebuild his life, puts cosmic forces into motion that will have repercussions not only on Earth but across the universe.

Green Lantern: Rebirth is the book that re-booted the franchise and character pre-New 52. Penned by Geoff Johns (who is fast becoming one of my favourite comic authors), it explains how Hal Jordan, who killed himself while possessed by the malevolent entity Parallax, comes back to life. As super-heroes are so very wont to do. It’s not a bad place to start, but this could be because I’ve read other Green Lantern books and series, not to mention later chapters in Johns’s run (don’t ask why, but I’m reading it entirely out of order).

So, as this book begins, there’s a lot of new and weird shit going on. First off, Hal Jordan is no longer the being Parallax. Instead, he appears to have become the Spectre, an incredibly powerful being created (maybe by a god) to go around the DC Universe meting out justice. Secondly, one of Earth’s other Lanterns (there are four), Guy Gardner is some kind of alien-shape-changer-hybrid, and no longer in the Green Lantern Corps. He is still on good terms with another Earth Lantern, John Stewart. Kyle Rayner, the fourth, final, and youngest human Lantern, who we meet in the first pages as he crash-lands back on on Earth, is oddly absent for a lot of this book.

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The first chapter is very focused on scene setting, for which I was grateful. The Justice League make an appearance, as they try to figure out what’s going on: Gardner appears to have gone biologically nova – he unwittingly unleashed a massive power blast that destroys a Green Lantern-themed bar (a bit tacky, but there we go), and seems to have lost control of his shape-changing abilities. It’s a big mess. There are signs of Jordan returning, and not in a good way, as many of his former colleagues in the Lantern Corps and also the Justice League only see him now as the Spectre. Batman, on the other hand, is highly suspicious. As he is wont to be.

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We learn more of Hal’s powers as the Spectre, when the Justice League confront him after he fixes the old, dilapidated airfield where he learned to fly, where his dad died, and where he met Carol. But then the other Lanterns start going nuts – Stewart attacks the Justice League members, and then Guy Gardner gets his ring back and then he, too, goes mental and starts attacking everybody.

The third chapter finally gives me the catch-up I’d been waiting for; as we get a very good history of Parallax, the Guardians’ battle with him (it?), and also the nature and cause of the “yellow impurity” that has a strange, detrimental impact on the Corps: they have a weakness against the color yellow… (This made me snort. I think it’s daft, and I can’t see how they managed to get this past the editors way back when. At least now, though, they have a decent explanation…)

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Then, of course, everything come to a gigantic battle-crazy climax, as revelations are had and surprises dealt out. Sinestro enters the mix, and things get even crazier and more brutal. I think I preferred the second half of this book, but I do see why Johns took the approach he did. I have a feeling that, had I read this issue-by-issue as released, rather than in one go, I may not have continued with it all the way. So yes, the final half of Green Lantern: Rebirth saves the book from leaving me completely lost and disappointed. It was still more all-star than I would like (why does the Justice League have to appear all the damned time?). I enjoyed the portrayal of Batman, as a suspicious… well, dickhead. And the pathetic fallacy of having him portrayed as always deep in-shadow was nicely done.

If you want to delve back into the pre-New 52 relaunch, then this is a book that could help. But, at the same time, maybe starting with Volume 1, “No Fear”, would be enough?

(I have already read “No Fear”, and I can say that both would have worked as starting points for me – with, again, the caveat that I’m not entirely new to the setting and characters.)

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Official GAME OF THRONES Season 3 Trailer

This has been doing the rounds already, but I thought I’d share it here as well. I’ve really enjoyed the first two seasons, and am (despite never reading the novels) really looking forward to the third season.

Upcoming: “Before the Fall” by Francis Knight (Orbit)

KnightF-RD2-BeforeTheFallI loved the first novel in Knight’s Rojan Dizon series, Fade to Black. I thought it was a fun, well-written and fast-paced fantasy thriller, in a very well-realised world. I have, therefore, been keeping my eyes open for more information about its soon-to-be-released sequel, Before the Fall. I’ve posted the artwork before, but was waiting on a synopsis. Which I now have. So here it is:

With the destruction of their main power source, the towering vertical city of Mahala is in crisis.

Downsiders are verging on a riot, and the mage Rojan Dizon is just trying to keep his head down and some power back to the city — whilst staying hopeful that he won’t get executed for using his magic. Then things go from bad to worse when a Downsider and emerging mage is found murdered. It’s a crime that divides all sides, and the result is mayhem.

But Rojan’s worst nightmare is just around the corner. When he discovers the killer’s identity, he’s either going to be responsible for all-out anarchy, or for a war with Mahala’s neighboring countries that no one is prepared for.

And there’s nothing Rojan hates more than being responsible.

Before the Fall will be published by Orbit in both the UK and US on June 18, 2013 (in paperback and eBook editions).

Upcoming: “Inferno” by Dan Brown (Transworld & Doubleday)

BrownD-InfernoUKSo. The Da Vinci Code. A lot of people read that book. An awful lot of vocal people despised it. The Vatican said it was blasphemy (thereby guaranteeing excellent sales worldwide).* Lots more people complained about it, and also its prequel, Angels & Demons, and follow-up, The Lost Symbol, saying it was terrible or poorly written, and any number of criticisms. They’re not high-literature, nor are they the best historical-crypto-thrillers out there. They are quick and engaging reads. And, as always, any book that sells a bajillion copies (probably the real number) is good for the publishing industry as a whole. Be it Brown’s novels, Stephanie Meyer’s Twilight or E.L. James’s 50 Shades of Grey (all sneered at by people from all walks of life, most by those who haven’t read them), they all go some way to supporting other novels that will appeal more to CR readers and general SFF fans who don’t, to their detriment, read CR…

BrownD-InfernoUSI will probably read Inferno. There’s something comfortable and reassuring about a novel that you know will give you exactly what you’re expecting. Suspend your disbelief and pathological need for realism, and I’m sure this will be a fun read. Regardless of what you may think of the author, Transworld have commissioned a pretty nice cover (above, right). The American cover, from Doubleday, isn’t too bad (left) either, but is basically a good example of the sub-genre’s standard style.

Here is the (US) synopsis:

In the heart of Italy, Harvard professor of symbology, Robert Langdon, is drawn into a harrowing world centered on one of history’s most enduring and mysterious literary masterpieces… Dante’s Inferno.

Against this backdrop, Langdon battles a chilling adversary and grapples with an ingenious riddle that pulls him into a landscape of classic art, secret passageways, and futuristic science. Drawing from Dante’s dark epic poem, Langdon races to find answers and decide whom to trust… before the world is irrevocably altered.

Inferno will be published in both the UK (Transworld) and the US (Doubleday) in May 2013.

* When I write my novel, and if anyone is kind enough to publish it, I will do everything I can to get the Vatican to publicly black-list it. I can’t think of a better publicity strategy…

“Blood Blessing” & “Reaper” by Sarah Cawkwell (Black Library)

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I have been woefully slow about reading Sarah Cawkwell’s full-length fiction for Black Library. I therefore decided to address this and, to get me in the mood for Valkia the Bloody, I thought I’d read the latest two (of three) short stories that feature Valkia, daemon princess and consort of the blood god Khorne (the third I have already read and reviewed). Both of these stories were considerable improvements on what I’ve read by Cawkwell in the past, and I really enjoyed both.

BlackLibrary15-02-BloodBlessing (Cawkwell)Blood Blessing

Approached on a blood-soaked battlefield by the terrifying, yet enthralling, Valkia the Bloody, a dying warrior is offered a choice: a bloody end or a life of eternal slaughter.

This is a (very) short story from Black Library’s 15th Birthday collection. It’s narrated as though Valkia is addressing the fallen warrior, but as if she is detached and rehearsing what she will say to him, when the time comes. It’s rather good.

“If you choose glory, Khorne will raise you up to more than you could ever imagine you could be. You will fight the Battle Eternal in His name, the endless thirst for blood and the desire to bring skulls to His Throne driving you ever onwards. You will fall countless times in those wars, banished to the eternal realm by the foul magic and enchanted blades of the living, but you will rise again and again.”

I liked the idea of a daemon taking a role similar to that of the Valkyrie from Norse mythology – only, here, she is a twisted and sinister version, and rather than carrying off the souls of brave warriors to Valhalla, she is offering bloodthirsty killers the chance to fight for eternity.

The extremely short format has meant Cawkwell has had to restrain some of the over-writing that has, in my opinion, weakened some of her previous BL work (especially the first Valkia short story). This is by no means Cawkwell’s weakness alone, I should point out: it is something that affects a number of BL’s authors (I had the same problem with Rob Sanders’s Atlas Infernal, for example), and it is a real hazard whenever something Chaotic is involved in a story. Here, however, Cawkwell has written a very tight, sharp slice of Warhammer fiction.

Overall, Blood Blessing is a masterfully-written and very well-constructed vignette, one that should appeal to fans of Warhammer, and perhaps also act as a good introduction to anyone interested in this character.

*

Cawkwell-ReaperReaper

Empire Captain Kale von Kessel lies dying upon the field of battle after a doomed defence against the forces of Chaos. As the enemy leader – the infamous consort of Khorne, Valkia the Bloody – approaches to claim his head in the name of her dark master, von Kessel realises that his life of battle has been leading to this moment, and that Valkia wants more than just his head – she has been sent to claim his very soul.

This is another very good story. It’s longer (though still only a short story), which means it gives us a little bit more time with Valkia on the battlefield. We get to see how she addresses and approaches those warriors she has chosen. It has a pretty similar premise to the story reviewed above, but instead of a one-sided narrative, here Valkia takes us into the mind and past of von Kessel. It’s quite sinister, actually, as Valkia walks us through the imperial captain’s warlike… tendencies. It’s interesting to see her twist von Kessel’s perception, to pull back the veil on the many lies he’s been telling himself about his bloodlust.

As with Blood Blessing, Reaper is tightly written, with an overall dark atmosphere, and plenty of restrained-though-vivid description. It’s another taste of Valkia’s life and character, and it certainly piqued my interest in reading more about her and her bloody exploits.

The Ultimate Avenging Spider-Men Review (Marvel)

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I’ve been doing a fair bit of comics-reading the past couple of weeks, but I haven’t been reviewing much. Therefore, I’ve decided to clump some of them together. This time, as the title may suggest, I deal with some Spider-Man series: Ultimate Comics: Spider-Man Vol.2, Spider-Men and Avenging Spider-Man Vol.1. A mixed bag, but overall some good stuff on offer for fans both new and old.

Ultimate Comics: Spider-Man Vol.2, “Scorpion”

UC-SpiderMan-Vol.2Writer: Brian Michael Bendis | Artist: Chris Samnee (#6-7), Sara Pichelli (#8-9) & David Marquez (#10) | Colors: Justin Ponsor

A brand new chapter in the saga of Miles Morales, the all-new Ultimate Spider-Man! The new Ultimate Scorpion is introduced! Still discovering the limits of his skills and powers, Miles must learn how to be a hero from… Peter Parker?

Collects: Ultimate Comics: Spider-Man #6-10

In this second volume of the post-Peter Parker Ultimate Universe, Miles Morales is still figuring out how to actually be the new Spider-Man. He’s had the nod from the Ultimates, who also gave him a pretty cool new outfit (something he realises needs washing a lot).

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The main thrust of this book is his continued exploration of his powers, as well as his continued struggle to juggle his normal life (at a boarding school) and his family life. Mostly, though, he seems to be having a blast, figuring out his limits.

His uncle Aaron, though, has guessed what’s going on and what has happened to Miles, and has decided to make himself a part of Miles’s life, and isn’t above blackmailing him. Miles must also face off against the Scorpion, a crazed criminal boss from Mexico, who has come to New York seeking out Aaron for retribution. It’s not pretty, but there is a ton of action.

Perhaps too much action, actually. I think more time could have been spent on Miles and his attempts to balance his life as a school kid and son, and being Spider-Man. There is some of this, of course, and that includes lots of nice touches – this is a a modernized version of the Spidey origin story, basically: he’s at a special boarding school, has a smart phone, and so on. It’s quite well done. I like his parents, too – they feel very natural, dealing with a young teenager going through his own… Issues.

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The artwork in final issue is my probably my favourite, but I also have a soft-spot for Pichelli’s.

Generally speaking, a good follow up to the first collection, and this continues to be a series I look forward to continuing with.

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*

Spider-Men

Spider-Men-TPBWriter: Brian Michael Bendis | Artist: Sarah Pichelli | Colors: Justin Ponsor

It’s the ULTIMATE AMAZING SPIDER-MAN EVENT OF THE YEAR, as Spider-Man comes face-to-face with… Spider-Man! Can even Peter Parker and Miles Morales – the Spider-Men of two worlds – defeat Mysterio, the Master of Illusions? And what happens when Miles encounters an older, wiser version of his inspiration, Peter Parker? Guest starring Nick Fury and the Ultimates!

Collects: Spider-Men #1-5

Overall, this isn’t a bad comic. I do think it’s a little too gimmicky, though. Given how much Spider-Man and Peter Parker history it goes over, I think it may probably only be a must for real Spidey-fans, who are familiar with the long back-story of the various Spider-Man related series (as well as Ultimate Comics: Spider-Man pre- and post-Death of Spider-Man story arc). I knew some of it, of course, but I don’t think it had as much effect on me as it could have if I’d read a whole bunch of Spider-Man comics.

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I chuckled a few times, as there are some moments when the two Spider-Men are getting familiar with each other, and as other people get used to the idea of Peter Parker, grown-up, back in their lives (even if temporarily).

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Mainly, though, I enjoyed the artwork: Pichelli is a superb artist, in my opinion; able to keep things fresh and bright, filled with nice details and small touches throughout to keep us looking at the panels. Bendis’s story isn’t bad, either, but… Well, I’ve read much better Spidey stories.

This was, ultimately, a novelty and sadly a tad thin in the end. One for die-hard Spidery fans, but perhaps that’s it.

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*

Avenging Spider-Man Vol.1, “My Friends Can Beat Up Your Friends”

AvengingSpiderMan-Vol.1-TPBWriter: Zeb Wells | Artist: Joe Madureira (#1-3), Greg Land (#4), Leinil Francis Yu (#5) | Colors: Ferran Daniel (#1-3), Wil Quintana (#4), Sunny Gho (#5) | Inks: Jay Leisten (#4), Gerry Alanguilan (#5)

A brand new Spider-series that teams the wall-crawler with some of the greatest heroes in the Marvel Universe! Spider-Man and new Avengers teammate Red Hulk kick things off by taking on a Moloid army during the New York Marathon. Spidey and Rulk raise and lead an underground army in this action packed extravaganza – but when Red Hulk falls, only Spider-Man stands in the way of the Subterranean invasion of Manhattan!

Saving the best for last, we move on to Avenging Spider-Man. This series was always meant to be one that focused on team-up stories. The first three chapters feature Spidery’s quite hilarious team-up with Red Hulk (and, in a way, Mayor Jonah Jamieson); the fourth is with Hawkeye, offering quite an amusing intro for the marksman; and the fifth is a surprisingly heart-warming story featuring Captain America.

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The Red Hulk issues had me laughing out loud a couple of times. It’s filled with amusing quips, asides, background details and more that had me at least smiling all the way through. There story is pretty crazy, featuring a lot of bizarre underground shenanigans, as the Moleman and his little goblin-esque minions capture the Mayor during the start of the New York City Marathon. All is not as it seems, however, as something else – something bigger – has been pulling the strings, and wishes to come in and taken over the land above and below. A great introductory story-arc for this series.

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In chapter four, Hawkeye is pretty arrogant. I haven’t had much experience with this character beyond the Avengers Assemble movie, and a few other issues here-and-there, in which he is part of a larger ensemble cast or peripheral at best. The issue starts as a simple team-up, with Spider-Man having to suffer Hawkeye’s constant bragging and posturing (as well as a moment of honest vulnerability as he explains why he is constantly training) as they are sent on a mission. It morphs, however, into a very good ending, in which Spidey shows readers why many consider him the heart of the Avengers team. (I thought it was very touching, actually.)

The final issue is a heart-warming story with the Avengers, but really focuses on Spidey’s relationship with Captain America. Again, we’re shown the role Spider-Man plays as team mascot and heart. Peter helps Cap loosen up and remember (fondly) some of the more nerdy interests and passions of his youth. This was a really good issue, with some good action-scenes, but what really made it for me were the sweet and endearing final couple of pages.

The issue marries some very good, zany humor with a good amount of depth. It’s not too nuanced, but there’s an obvious love for the characters and medium on display throughout this book. I think it works really well, actually, making this not only a a great Spider-Man series, but great series overall. I’m really happy I picked it up.

(The sixth issue of the series is a tie-in to the “Omega Drive” storyline that was also in Greg Rucka’s The Punisher and Mark Waid’s Daredevil – which is how I came across Avenging Spider-Man in the first place.)

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Excerpt from “The Inner City” Karen Heuler (ChiZine)

Heuler-InnerCityKaren Heuler’s stories have appeared in over sixty literary and speculative journals and anthologies, including several “Best of” collections.

She has published a short story collection and three novels, and also won an O. Henry award in 1998. She lives in New York with her dog, Philip K. Dick, and her cats, Jane Austen and Charlotte Bronte.

Karen’s latest anthology, The Inner City, will be published on February 26 2013 (ChiZine). To celebrate the new book, here is one of the stories it contains:

“The Hair”

Truly the most astonishing thing happened when that new employee Mindy walked into the meeting wearing Paulina’s hair.

Paulina’s hands immediately went up to her head. Bald. Maybe a little patch of stubble.

Paulina gasped, but her coworkers at the meeting smiled a bland welcome to Mindy. Couldn’t they see what had happened?

Paulina’s hands began to shake in anger. Her pencils had been disappearing, even her scotch tape. And now this!

She knew perfectly well that women without hair didn’t last long, speaking corporately. Management was hair-ist. Paulina had always maintained a middle-of-the-road hairdo: pretty much all one length to her earlobes, parted on the right side, with the back sort of wedge-cut. Mindy hadn’t even bothered to change the part, and the color and length of the bangs were exactly the same. “Good haircut, Mindy,” Ron Unterling said in his loud I’m-top-dog tone. Mindy beamed, but the edge of her eyes wickedly slid Paulina’s way.

“Well, well, well,” Ron said. “Enough about hair.”

So the meeting on the Reports went on as if nothing unusual had happened. Reports celebrated the status quo, and Paulina was a big proponent of the status quo, since it paid her a pretty good salary for very little effort. Her job consisted of making up questions and answers used to evaluate various corporate projects. She looked at what the company was doing and found a way of discussing it so that it seemed innovative and generous. She liked to look on the positive side of life, generally, and that had seemed to work so far.

But she was beginning to think things had changed. Ron beamed upon the company. “The gala Report on Reports is coming up, and I thought this year we’d push our presentations to the limit. You know, put some zip in their zippers. We’re going to make this the best review ever!” He looked around at the fawning faces. “See what you can do. Put extreme into the routines! How’s the Facilitation Report, Paulina?”

“As you can see by looking at—let me see—page 2,” she began, “the main delays in project completion or status achievement break down into personnel indecision, end-usage misidentification…”

“It’s a beautiful Report,” Ron interrupted. He had never interrupted her before. “And so long.” His smile paused for a second, just enough for Paulina’s heart to throw out a mismanaged beat.

“I try to be thorough,” she said defensively (always a mistake: the zebra about to be corrected by the lion surely has just that tone).

Ron nodded and Paulina slumped slightly in relief. “It just needs a little jazzing up. I think Mindy could help you there. A little of her style added to your expertise would really sell it.”

Mindy smiled gaily; Paulina tried to keep her eyes from darting around the room. “I didn’t realize you wanted style,” she said plaintively.

Ron looked over to Mindy and then back to her. “I do,” he said.

Paulina had never asked a hard question because she had never wanted a hard answer, but that was not the way Mindy worked at all. “Way too obvious,” Mindy said, crossing out things on the printout Paulina handed her. “You’re letting everyone off easy. Let’s have some fun with this.” She gave a little shake to her head; her hair shook with it.

“That’s a beautiful hairstyle,” Paulina said as nicely as she could. She wanted to see if Mindy would show any guilt at all.

“Why, uh, thank you.” Mindy seemed to be searching for something to say in return. “I like yours, too. It must be so easy to take care of.”

“I used to have hair like that,” Paulina continued.

“I don’t recall.”

“Exactly like that.”

“Well, I’m sure it will grow back.” Mindy smiled and turned away.

But it didn’t grow back. By the next week there was no more fuzz than there had been. She began to wear a hat. One day Mindy tapped her on the shoulder.

“Excuse me,” Mindy said, “I don’t mean to be rude or anything, but your hat is bothering people.”

“Bothering people? How?”

“Well, they stare at it,” Mindy said. “They’re trying to figure it out. You know: why is she wearing a hat? Is she covering something up? Didn’t you notice how many times Jim said ‘cap’ at this morning’s meeting? It’s very distracting.”

“There was a meeting this morning? I wasn’t even there.”

“See? That’s how bad it is.” Mindy was quietly triumphant in a sympathetic kind of way. She had one of those deliberately soft voices that are supposed to be nonthreatening.

And Mindy handed her a memo Ron had signed that specifically requested no hats unless for religious or medical reasons. “Well, I suppose that’s not a medicinal hat?” she asked with raised eyebrows. “Although it looks like it might be…”

One fundamental problem was that Mindy’s mind was sharper than Paulina’s. Sharp, Paulina thought, as in sees things clearly, as in cuts without conscience.

Mindy removed most of Paulina’s questions and added this: Do you blame your boss for the delay or incompletion?

It was a jarring yes-no question and it was bound to get someone in trouble. Mindy was revising the Report in such a way that it would be necessary to actually recommend some action. Paulina had expected to retire in thirty years or so, and she could only last thirty more years by keeping herself neutral and pleasant, but she was beginning to find her nerves snapping, her teeth grating, her head filling with explosive scenarios.

And there was something in the alert way everyone was looking lately that manifestly signaled the scent of blood. Change was coming, and change was not good.

Without hair, Paulina felt conspicuous. If people stared, she believed she looked monstrous. And if they didn’t look, she was left in doubt: Was she now somehow unnoticeable? She was thrown off track; she was losing her way.

The next week Paulina appeared in a wig that matched the hair she used to have. A few heads looked at her with interest. She saw Mindy glaring: her eyelids lowered, her upper lip raised. “What a nice haircut,” Mindy said in her oh-so-nice voice. “It looks somehow familiar.”

Paulina smiled at her vaguely. “Does it?” Someone down the table snickered.

Ron settled forward in his chair, his hands almost gripping the table. “We’ve got a new twist on the Reports this year; we’ve hired a talent consultant for the presentations leading up to the Report on the Reports,” he said. “I’ve got an emcee to introduce each presentation of each Report, and to break it up, a magician in the middle, with a disappearing tiger. This year we’ll also have a choice of four entrees, all of them quite tasty. No mistakes like last year’s incident of the live goat.” He looked around benevolently. “We just need good Reports and a relaxed presentation. You can’t have a top-tier company without creativity, and that’s where we’re going—creative! Top tier!”

He started around the table, reviewing the area of each Report and discussing who would present it. Paulina had represented her section the year before and expected to do it again. Ron got all the way around the table before reaching Mindy and Paulina. He beamed fondly at Mindy, who put her hand up to stroke her hair modestly. Paulina lifted her own hand automatically.

“Now, Mindy,” Ron said, “tell us what you have in mind. You’ll be in charge of the section on company questionnaires.”

At that, Paulina’s hand dropped slowly, chastened. Mindy was now above her! When had the re-org happened, or was it still happening?

Paulina felt that she was all alone on the savannah, with something hungry moving towards her.

Ron had said to rev it up, and she would do that. And she would take him by surprise to boot. She went to everyone she’d interviewed before, going backwards through the questionnaires. She’d always filed the responses anonymously, of course, except for the letter coding in the top right hand of the first page, which indicated the department and the initials of the employee.

“Have I ever stolen anything is one of the questions now,” Mort on the third floor said, holding the latest version of the questionnaire in his hand. “Have they? Don’t they steal my spirit in return for a paycheck? What kind of questions are these? Number 91 asked if I’ve ever had sex in the office. That’s the only interesting question, and even that’s none of their business. But I’d like to know about the ones without offices. Are they using mine? Sometimes my chairs have been moved.”

“It’s a trick question. If you’re thinking about that, it shows you’re not working,” Paulina said. “It’s diabolical, actually, since once we ask the question we force you to think about it. I know what questions can do to people. They’re metaphysical, aren’t they? I never realized it before, how much I like questions. They’re the building blocks of reason!” She grinned somewhat foolishly, but she felt strangely moved. “I love my job,” she said. “I never knew it before. I love making questions.”

Mort looked at her sympathetically. “Just when they’ve started taking your questions away, too. That’s what they call irony, isn’t it?”

Paulina offered to present a small Report on the residue of Reports; i.e., does anyone remember last year’s Reports? It tickled Ron, since she could go through his predecessors’ Reports and mock them.

“You can have ten minutes tops,” he said, “or the sherbet will melt.”

Paulina was guaranteed a position, which was now what mattered. She lied about how she was going to do the Report; she had something else up her sleeve. Always before, she had made up questions that everyone knew how to answer. But what were the questions everyone knew how to ask?

In the meantime, she wore her wig slightly askew. It made Mindy self-conscious. Paulina began to dress better, too. She wouldn’t go so far as to say she was mimicking Mindy; she was buying clothes that were like Mindy’s however, and she wore garments similar to Mindy’s the day after her rival did. She was working up to wearing them the day before.

She asked Mort: “What are the questions that really matter to you?”

“My top ten are: Is there a terrible disease beginning in me? How long will I live? Is my wife faithful? Are my kids good? Do people respect me? Why am I not happier? Where is the money I deserve? If that’s not ten, it doesn’t matter,” he said.

Paulina wrote them down and went to the departments and people she had interviewed before. “When will I be happy?” they asked. “And am I dying?”

They did their projects even in the middle of these questions. “Can my father hear me in his coma?” one asked. “How much pain can my daughter stand? Why am I afraid? Is there God, is there God, is there God?”

Paulina wrote the questions down frantically and began to organize them in an artistic way. Through it all, of course, she wore her wig, unable to regain her hair by any natural means. Mindy certainly wouldn’t be shamed into giving the hair back, so what was Paulina to do?

The Report on Reports loomed large, as did all the questions associated with it, which Paulina now considered in all their serious political consequences. Historically the janitorial and support staff were consistently ignored, and no questionnaire was ever directed their way, so she approached the building super and the janitors and cleaning women. She spoke to the secretaries and the temps and the phone-system administrators. Their questions were the same as Mort’s, only with a few more about money.

Paulina knew what she wanted to do. “We’re going to sing our Report,” she told Mort and Joe, a super, and Yvonne, a cleaning woman. “We’re going to change their hearts with the power of our questions.”

“There are some Voices on the staff,” Yvonne agreed. “I hear them late at night, emptying the pails.”

“Henry has a voice like a boom box,” Joe added, “and the moves. He moves like a wave. He should be out in front.”

“We will all be in front,” Paulina declared, “in our own individual ways. We need to show how strong we are.” Her wig felt like it was slipping; she righted it. Yvonne and Mort modestly averted their eyes, and it made Paulina waver. She might be endangering them. “On the other hand, it might be risky. Maybe we shouldn’t do it,” she said softly.

“I’ve never been in a Report,” Yvonne said. “And I’ve been cleaning these offices for twenty years.”

Joe nodded “We want to do it. This is our one chance.”

The Reports took all afternoon. The minor Reports came first, like warm-up bands; they weren’t expected to grab attention. Ron glowed with achievement; he was obviously being groomed for promotion and it looked like Mindy would replace Ron when he left. All Paulina’s hopes of anonymous longevity were squashed.

Mindy wore an iridescent pearl-colored body stocking with a long pearl-colored skirt with tremendous slits. She threw out numbers as if she’d made them up. “Fine fractals advanced to seventy-eight by knocking out the middle,” she said and did a split, her arms thrown upwards. “Move the work downwards and pack them in together.”

The crowd roared at Mindy’s dance; the bosses nudged each other. Mindy humbly bowed with arms crossed over her breasts. Her eyes held grateful tears.

“She’s wowing them,” Mort muttered.

As host of the Report on Reports, Ron introduced each participant by doing somersaults to and from the podium on the stage.

There was a mime who did a Report on Physical Inventory, then a clown who did the Financial Report, a juggler who did the Service Sector, and finally it was Paulina’s turn, the Report on Previous Reports.

She wore a long black gown with long black sleeves. She walked silently midstage and turned her back to the audience, which caused an uncertain snicker.

The stage had been prepped by the janitorial staff, which had set up pneumatic risers and small beams of light shooting up and out.

Janitors, secretaries, cleaning women, mail clerks, and cafeteria workers stepped forward as the rear black curtain rose. They moved in straight lines and broke apart to form a large slow V on stage. Then the risers rose, and they were a chorus.

They sang:

My dreams have changed; why do they haunt me?

Who are these men who never seem to see me?

What happened to the joy I thought was due me?

How did I come here?

The pneumatic risers thrust different questions into the air. Each question or row of singers was answered by another row of singers with another question.

Where is the wonder, the hope?

Why is my heart drawn down at the start of each day?

And my spirit wasted?

They had wonderful voices, both magical and mundane. It was their one chance to ask the questions that bothered them; no one would listen to them again.

They ended:

When I was young, I never thought to come here.

How did I come here?

At the last word the risers in their various positions descended, and the spotlights went off scattershot, like ducks being hit at a midway.

“Lights up! Lights up!” Ron shouted, rushing out with his arms raised. He beamed broadly, as if he knew quite well what everyone was thinking. “Weren’t they terrific?” he cried insincerely. “But my, my, my, weren’t they a downer?” He winked broadly. “And wouldn’t you know it—it couldn’t come at a better time—the next one up is Manny Gomerson with his Judgment on the Reports. How we doin’, Manny?”

And to Paulina’s dismay (she hadn’t known their performances would be rated), Manny came out in a full-fledged tuxedo with a bunch of large interoffice envelopes in his hand. “Oh that one wasn’t good for morale,” Manny stated, shaking his head and rolling his eyes. “I mean, this is a job, right, not a psychiatrist’s couch. But enough philosophizing—let’s get down to work. We have seven prizes and eight Reports. How should we do this, Ron? Everyone made a great effort, and they all deserve prizes, but we don’t have enough to go around. We have to do some eliminating, okay? Can I have everyone up front?”

Mort patted Paulina on the shoulder—a loser’s pat, Paulina thought glumly.

As the last one off the stage, she was the first to go back on, and lined up with Mindy, the mime, the juggler, two clowns, a baton twirler, and a man who did a swing dance with a manikin. “They’re all going to win and I’m going to lose,” Paulina thought. She told herself that winning didn’t matter, that she had wanted to show off the truth and beauty of the chorus—but the chorus was huddled in the wings with disappointed faces.

“Only the first two rows vote,” Manny warned (those rows were reserved for bosses). “You just send in a number on your cell phones (everyone’s got a line to the Tally Committee now, right?). One to ten, ten the best. Here we go!”

The audience cheered and booed with absolute abandon. Ron encouraged it, striding across the stage like Groucho Marx and stopping to hold his hand over someone’s head for the vote. “Mimes are in a revival,” he shouted. “They’re kitschy, they’re quaint. But we still hate them, don’t we?” And the audience roared. They roared for Mindy (“Who knows what she said? Look at that dress!”) and it was obvious that the crowd was roaring at Ron, not the performers. When he got to Paulina, he said, “We all appreciate the effort involved for everyone concerned, let’s give them a hand,” and the crowd clapped politely but unenthusiastically until Ron added, “For the anti-Hallelujah Chorus.” Cheers and catcalls rang out.

A phone rang onstage and Ron picked it up. “We have our winners!” he shouted, holding up the envelopes, and he named everyone but Paulina. “Congratulations all!” he crowed. “Your contract is renewed for another year.”

Paulina stood empty-handed. “Contract? I never had a contract.”

Ron rushed forward. “Which brings me to our latest announcement. As of today, all Report positions will be contracted out on a competitive basis. Sorry, Paulina, your bid lost.”

Paulina’s heart was sinking in full view. “Bid? Bid? I don’t know what you’re talking about.”

“You didn’t think you had your job forever, did you?” Ron asked with theatrical sympathy and turned to the crowd. “Who thinks they have their jobs forever?” The crowd booed. “See?” he said, turning back to her. “It’s just the times we live in. The times require sacrifice.”

The crowd cheered. Ron raised his hands and shook them together. “The party’s over!” he said. “Your jobs are all secure.” The audience applauded and laughed and began to leave their seats. He turned to Paulina as Mindy came over to join them.

“Well, that was utterly fantastic,” Mindy said, linking her arm with Ron’s (was Mindy now on Ron’s level?). “We’re both very impressed.” She raised her eyebrows to show how impressed she was.

There was something familiar about those eyebrows, Paulina thought. “Those are my eyebrows!” she cried. She rubbed her hand above her eyes: nothing!

“Did you hear her?” Mindy asked, laughing. “Did you hear how odd she is? I think she’d make a good comic, much better as a comic than as a whatever she is. What is she? I forget. Oh that’s right!” she smacked her head lightly. “You lost.”

“She worked in the blah-blah department,” Ron said. “Which is due for restructuring.”

“Well, she does have a creative approach,” Mindy said, cocking her head at Ron.

“A good sense of humor, too. Or is it drama?” His face got furrowed.

“No one cared,” Mindy said. “Why should they? But no hair, no eyebrows—will it upset the employees?” She took a quick glance over her shoulder to look sympathetically at Paulina.

“Everything upsets the employees,” Ron said resignedly.

“So they need cheering up. They need to laugh. I can see her as someone who would give us all a laugh.”

“That’s true. We could maybe do something with her.”

“Wait!” Paulina cried. It was painful, standing there as she was discussed. She had thought her chorus was terrific; she had dreamed of praise about it. How had she been so out of touch? There was a nakedness she felt now, her scalp bald under the wig, her face bald out in the world.

“But she won’t need a desk, will she?” Mindy said, ignoring her. “Comics don’t sit at desks, that would be silly.”

Ron frowned. “But wouldn’t silly actually be the idea?”

“No,” Mindy said. She shook her hair, Paulina’s hair. She raised her eyebrows, Paulina’s eyebrows. “Desks make things look important. That kills the laugh.”

“You always get straight to the crux,” Ron said.

“So here’s the story,” Mindy said, turning to Paulina. “You’ve been fired from your position—or, to avoid lawsuits, actually, your position’s been fired in response to the economic slowdown. You’re just collateral. But because we care—”

“We always care—”

“We’re going to make you a mopper. You mop things up. You keep your salary, you keep your hours, but you have to mop floors.”

“In a clown suit?” Ron asked eagerly.

“Just a clown nose, don’t you think? We don’t want to overdo it.”

“In a clown nose, then.”

“But wait,” Paulina said, clenching her hands. “You can’t do this. I don’t want to mop floors. I was a supervisor.” She heard herself and marveled at how quickly she had been transformed. “I am a supervisor.”

“Mopping floors is an important position. Essential, even. Just think of all the used gum there. Someone could get hurt.”

“You’ll be doing a service to humanity,” Ron added. “You’ll bring joy and relief to life. That’s the company motto, isn’t it?” Ron turned to Mindy.

“We have a company motto?”

“This isn’t what I want!” Paulina cried. “My message was to elevate the masses! I never meant to be one!”

“Oh message,” Mindy said dismissively. “Look around you—everyone has left you here alone. They just wanted a little time to vent. You just took yourself a little too seriously. Too personally; you took yourself too personally.”

“It’s because you stole my hair,” Paulina said, pointing her finger at Mindy. “You provoked it.”

“Nonsense. People lose their hair all the time. Strand by strand. You really can’t claim those hairs as yours once they leave your head, can you? Besides, once you start mopping, you can keep all the hairs you want.”

“That’s obvious,” Ron said agreeably.

“Anyone’s hair,” Mindy added. “Mine if you want. Just gather it up.”

“That, plus you get to keep your paycheck.”

“That’s what’s important in the long term, isn’t it? Much more important than hair or where you sit or if you’ve got great eyebrows? A paycheck.”

They began to walk away and Paulina was motionless, considering what had happened. She had gone too far. Asked questions of the wrong people and pushed where a push would be noticed. Such consequences were predictable, to everyone but her. She had expected too much; she thought she could stay hidden in the herd even as she ran along outside it. She was amazed at her own stupidity, grateful that she had been spared the final blow. She would take what they gave her, gratefully.

She did still have a future, after all, she told herself. She had bills to pay, many bills to pay, and no savings worth noting. She should accept the position and begin to save money so she could protect herself. Why had she cared about protecting others when they could either save themselves or perish? It would be humiliating at first, mopping around her former coworkers, who would, no doubt, shift their eyes away when they saw her. But soon enough it would be normal, even if a new kind of normal.

She had been misled by details, but she could paint on eyebrows, she supposed. She could even paint on hair. Maybe she would get a pair of eyeglasses, just to give her a sense of her new self. She would absolutely refuse the clown’s nose. She even suspected they were joking about it, proposing it just so they could show how easy it was for them to compromise by removing the request just to please her.

And it would please her!

The mops, she supposed were in the basement.

She turned around and headed there, quickly.

HeulerKaren-AuthorPic***

I will be posting an interview with Karen Heuler on February 27th.

You can find out more on Karen’s website, on her Goodreads profile,  via the publisher’s page, or by following Karen on Twitter.

A Quick Chat with LIESEL SCHWARZ

Schwarz-AConspiracyOfAlchemistsUS-Art

I went to an author event the other week at Forbidden Planet in London (great store, FYI), for E.J. Swift and Liesel Schwarz (both debut authors published by the new-ish Del Rey UK). I knew of Emma, having interviewed her last year (check out her book, Osiris), but I had sadly not yet heard of Liesel’s novels. Schwarz’s debut, A Conspiracy of Alchemists,is out now in the UK, and I thought it would be a perfect time to find out more about the author’s work and thoughts on the genre.

Let’s start with an introduction: Who is Liesel Schwarz?

Who? Never heard of her! (only joking)

Your latest novel,  A Conspiracy of Alchemists, was recently published by Del Rey in the UK. How would you introduce the novel to a potential reader? Is it part of a series?

A Conspiracy of Alchemists is the first book in a series of Steampunk novels featuring the intrepid Miss Eleanor Chance, dirigible pilot. It is an adventure novel in the spirit of writers like Jules Verne and H. Rider Haggard.

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UK & Commonwealth | US

What inspired you to write the novel? And where do you draw your inspiration from in general?

The characters came to me one day while I was travelling home on the London Underground passing through Baker Street Station, which is the birth place of steam. I just had to write what they were saying down and the story grew from there.

I draw my inspiration from everything around me. I am a life-long fan of Nineteenth Century Gothic Literature and so I feel comfortable writing in that time and style.

How were you introduced to genre fiction?

I have always been a fan. I have been reading all kinds of genre fiction since I was a child, so it’s been part of my life forever.

Schwarz-Liesel-AuthorPicHow do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Being an author is the best job in the world. Every day is a blessing. But writing is also very hard and there are so many things that count against writers, so it is often the best and worst of times.

I am fortunate in that I am able to write almost anywhere: On trains, busses, while waiting in line… it comes from juggling a day-job while following the dream.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I have always made up stories, so the tradition of story telling has always been a part of me. My first short story was published in a school yearbook when I was seventeen, but I only started writing seriously after I left university.

I can’t look back at some of my first attempts at writing. Most of it is too awful for words. But then every author has a secret manuscript lurking somewhere in a drawer or a hard drive somewhere which should never be allowed to see the light of day!

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think that genre writing is a bit of a misnomer. “Genre” is really just the label booksellers put onto books so they can stack them on the shelves. There is no reason why “genre” or commercial writing cannot be to a literary standard. At the same time, I’ve read some “literary” fiction which wasn’t that good. In my view, it’s all the same thing.

But specifically, I think genre writing is going from strength to strength. In Romance, genre has outsold traditional works by levels that are exponential. And the same thing is happening with Fantasy and to a lesser degree Science Fiction. I think it’s a hugely exciting time to be a writer.

Schwarz-2-ClockworkHeartWhat other projects are you working on, and what do you have currently in the pipeline?

I am currently busy writing the third book in the Chronicles of Light and Shadow. The second – A Clockwork Heart – which is the sequel to A Conspiracy of Alchemists will be out in June 2013. There are also a few other projects under negotiation, but I can’t say more than that at the moment. It’s all extremely exciting, though.

What are you reading at the moment (fiction, non-fiction)?

I’m terrible, because I often read as a writer, which means I am sometimes reading up to five books at a time.

TaylorK-BoweryGirlI have however recently just finished the excellent The Bowery Girl by Kim R. Taylor which was really good. In terms of non-fiction, I am currently reading a lot about traditional magic in early cultures, which is fascinating stuff.

What’s something readers might be surprised to learn about you?

I am a qualified lawyer and I once had dinner next to Nelson Mandela.

What are you most looking forward to in the next twelve months?

I am going to be at San Diego Comic Con in July this year. Appearing there as an author is something that is beyond exciting. Well, at least to someone as geeky as I am!

Upcoming: “Red Hood & the Outlaws” #17 (DC)

Mico Suayan is an incredible artist… I shared the art for Red Hood & the Outlaws #18 a little while back, but for some reason missed the cover for #17. Abhinav reminded me on Twitter, so here it is, in all its awesome glory:

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I really like the play on the Death in the Family artwork, which chronicled Jason Todd’s murder at the hands of the Joker. This issue comes as part of the Death of the Family cross-title story-arc, lead by current Batman-writer Scott Snyder. (Which I have not read, I should mention – so no spoilers in the comments!)

Red Hood & the Outlaws #17 will be published on Feb.20th 2013, and is written by Scott Lobdell, with internal art by Timothy Green II.