Hack/Slash, Vol.9 – “Torture Prone” (Image)

Writer: Tim Seeley | Artist: Daniel Lester | Colors: Mark Englert

In a dark future ruled by the Murder Messiah, street witch Liberty Lochs is on a mission to change the past. Meanwhile, horror heroes Cassie Hack and Vlad must contend with an obsessive serial killer, and a duo of slashers they thought they’d already put down.

Collects: Hack/Slash (Image) #1-4

I heard about this series last year, when I saw the second, massive omnibus edition in The Strand in New York. I had no idea what it was all about, and didn’t have enough cash to buy it. Then, after Seeley was announced as the new writer for Witchblade, I decided to give his back catalog a look (I tend to do this sort of thing). I started with the mini-series published by Image, My First Maniac, which I enjoyed a great deal. Little did I know that none of the original, pre-Image series was available on ComiXology (please fix this soon…!). This is also why I am, quite inexplicably, willing to start with the ninth volume of a series. With the final issue now out, it seemed like a great time to dive in and read the whole lot (there were only 25 issues published by Image). All in all, this is a solid, quirky, original, slightly unsettling comic. Pretty cool, then.

[This is another review that has been languishing for quite some time. A lot more graphic novel reviews to come, as I power through in my catch-up.]

To kick things off, it might be a good idea  to share the synopsis from Volume 1, as it lays out the root premise of the series quite nicely:

“In every slasher movie, there’s one girl who makes it all the way to the end. She’s the survivor… the last girl. Meet Cassie Hack, the lone survivor of an attack by a vicious slasher called The Lunch Lady. Now Cassie, along with her monstrous partner, Vlad, travel the country, hunting down other slashers before they can leave a trail of blood and terror.”

In this book, we’re dropped right back into the already-established story, but I didn’t find myself particularly lost (there’s a handy dramatis personae at the start of each issue, which will help locate other new readers). The story sees Cassie and Vlad separated from their companions, drawn away by the Acid Lady – a lurker (catch-all term for the beasties and other supernatural antagonists) with the body of an implausibly sexy woman, and the ability to dissolve others with a mere touch, as well as the ability to control them through contact. The two sides have clashed before, in a previous story-arc.

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Those breasts are ridiculous!

Cassie and Vlad are forced to examine their situation and partnership – Vlad feels a little taken for granted. They decide to jettison their friends by the end, and to strike out on their own. Before that, though, they need to deal with the undead creatures who are attacking their friends… Revelations abound.

The humour in the series is pretty good. It sometimes errs a little too close to puerile/sophomoric for me, but I’d be lying if I said it never made me chuckle (see below).

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Ah, boobs-in-the-face. A winning strategy in motivating your monster sidekick…

The demon dog, for example, was quite amusing. And poor Cat Curio (“Girl Sherlock”)… her story was amusing because she was more hapless than not, yet surprisingly effective and capable in a really strange way…

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Those two middle panels made me chuckle.

Overall? This is quite fun. The artwork is reminiscent of Zenescope’s cover aesthetic, at times (including the bottom-accentuating cover visual), and some bodies are bizarrely shaped (particularly the women, all of whom are buxom and curvy – I wonder if this is part of the tongue-in-cheek, knowing nods to slasher movies, and the high number of gorgeous women in those, too…?). But, in general, this is a strange, slightly bonkers horror comic that is filled with tongue-in-cheek humour, bloody monster hunting, and a pretty good story.

I haven’t managed to get the next volume (“Dead Celebrities”), yet, but as soon as I have the available, disposable funds, I’ll be sure to expand my collection. I did, however, get hold of Seeley’s Revival, which was on sale through ComiXology a little while ago. I hope to review that very soon, as I’ve dipped in already and think it’s equally weird and cool. (Wow, that has got to be the least eloquent endorsement, true as it is…)

I’d recommend this for anyone looking for something a little different – a mix of horror, comedy, supernatural, and even a smidgeon of super-hero themes. Seeley’s a talented writer, and I look forward to reading a lot more of his work.

Batman & Robin, Vol.2-3: “Batman vs. Robin” & “Batman and Robin Must Die!” (DC)

Batman&Robin-Banner

I’m still catching up with a huge backlog of comics/graphic novel reviews, but I decided to collect these two books together. Partly because they’re obviously connected, but also because I wanted to get the reviews out of the way. After liking the first volume in Grant Morrison’s Batman & Robin run far more than I anticipated (I’ve written plenty of times how I think he’s highly over-rated), I dove in to the second and third volume pretty soon afterwards. (Told you I was being slow with reviewing…) Sadly, my pleasant surprise at the quality of volume one evaporated with these two books. These are, frankly, not so good.

Volume 2: “Batman vs. Robin”

Batman&Robin-Vol.2Writer: Grant Morrison | Artist: Cameron Stewart (#7-9), Andy Clarke (#10-12) | Colors: Alex Sinclair (#7,10-12), Tony Avina (#8-9,11) | Inks: Scott Hanna (#10-12)

The new Batman and Robin uncover clues involving the mysterious death of Bruce Wayne before facing off against each other in a heated battle instigated by Robin’s mother that both heroes will regret – if they live through it! Featuring a 3-issues storyline that ties into the best-selling BLACKEST NIGHT event titled “Blackest Knight,” this new collection is a must-have for both new readers and longtime fans of Grant Morrison’s Batman epic as the superstar writer unveils more of his genre-defying masterplan!

Collects: Batman & Robin #7-12 (pre-52)

We start in London. And this is the Grant Morrison I know. The story contains some thinly-veiled (to a Brit, at least) social and political commentary. Nothing wrong with this per se, but it wasn’t particularly well-done. Also, #7 (the first chapter in this book) was a bit muddled, to be honest. Suddenly, Batwoman’s there (why?), and also the Knight & Squire. Frankly, this was not good, following the previous issues.

Newcastle vs. London? Really? Writing a Geordie accent is never a good idea. Just sayin’.

The Batwoman story and presence was dealt with in two pages. There was some linkage to Morrison’s Event that killed Batman. It was not great, and rather rushed. Oh, and then Damian takes over as chairman of the board for Wayne Enterprises! At age 10! Of course! That isn’t moronic at all!

This book starts the return of Bruce Wayne. The story has moments which are quite fun, but the dialogue can sometimes be awful… (“It’s like the whole house is coming to life.” – #10, p.11) The story jumps forward, after getting us some way through the ‘treasure hunt’, only to not bother with the end of it. This just reinforces my belief that Morrison is a lazy writer. The story was half-assed. Really disappointing. At the same time, I didn’t see the end coming. So there’s that, I suppose.

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Volume 3: “Batman and Robin Must Die!”

BMROBBMD_DLX_DJ.qxdWriter: Grant Morrison | Artist: Frazer Irving (#13-16), Cameron Stewart (#16) | Colors: ?

On the eve of Bruce Wayne’s return to Gotham City, the new Batman and Robin team that battled crime during his absence must deal with the return of The Joker.Then, Grant Morrison connects the BATMAN & ROBIN story with the bestselling THE RETURN OF BRUCE WAYNE in the climactic showdown between Batman and The Black Glove.

And in a story illustrated by acclaimed artist David Finch, learn what happens to Dick Grayson after the “real” Batman returns.

Collects: Batman & Robin #13-16 (pre-52)

So, so sloppy.

That is basically how I feel about this book. It feels like Morrison is in a hurry to get things over with. The book ends with Batman Incorporated established – an event that spawned one of the worst books I’ve read. It is a dismal finish. Bruce Wayne just appears back in action at the end. There’s no real development of why or how (I assume one had to read The Return of Bruce Wayne and who knows how many other books/issues to get the full story).

So much has happened to the Bat-franchise during Morrison’s tenure at the helm, and I’m not at all convinced it’s all (or even mostly) good… This was, in many ways, complete gibberish. Maybe, as I’m sure die-hard Morrison fans will argue/wail, I just don’t “get” it, that he’s writing on a level that is above my comprehension. Ultimately, though, I just think he’s a bad writer.

I think I’ll probably just borrow the New 52 Batman Incorporated from my local library (it gets an excellent selection of New 52 books in), as once again he’s been handed the reins for another game-changing event. (Seriously, how can anyone think he’s the best choice, when compared to everyone else currently writing for a Bat-title?!)

I much prefer Peter Tomasi’s take on Damian Wayne, in the New 52 Batman & Robin. Tomasi’s writing overall is also superior in pretty much every way. Actually, everyone else working on Batman-related titles is doing a better job by far. I think I’m done attempting to find the supposed genius and/or magic in Morrison’s work. It just isn’t there, and I’m disappointed every time. Well, always except for one instance: Action Comics #0 wasn’t bad.

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A closing comment for both of the books: the art is good. The one benefit of Morrison’s reputation, is that DC has allowed him to work with some exceptionally talented artists. For that, at least, we can be very grateful. The artists who worked on both of these books do a great job throughout.

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One final comment: At least the Pink Flamingo wasn’t present in these books. He was an utterly ridiculous character.

Ok. I’m done, now.

Guest Post: “Language and World-Building” by Emily Croy Barker

CroyBarkerE-ThinkingWomansGuideToRealMagicWhat sort of languages do they speak in other worlds? I gave some serious thought to this matter in writing my novel, The Thinking Woman’s Guide to Real Magic — and was intrigued and inspired to discover, in reading about the life of J.R.R. Tolkien, that the same question had helped spark the creation of Middle-earth itself.

Tolkien was 22 years old and a philology student at Oxford University when he encountered the eighth-century Old English poem Crist by Cynewulf. As Colin Duriez writes in J.R.R. Tolkien: The Making of a Legend, the poem included a couple of lines that Tolkien found intensely evocative:

Eala Earendel engla beorhtast

Ofer middangeard monnum sended.

“Hail, Earendel, of angels the brightest,

Sent over middle-earth to mankind.”

Tolkien was struck particularly by the name “Earendel,” which has roots in older, Germanic languages and which he called “euphonic to a peculiar degree.” It inspired him to write his own poem about a hero’s quest.

Instead of just borrowing the name “Earendel,” however, as a good philologist Tolkien worked out an equivalent in Elvish, the private language that he had been developing from Norse and Germanic roots. Earendel becomes “Eärendil” in Tolkien’s poem – and in the sprawling mythology that would eventually underlie The Lord of the Rings and The Silmarillion.

“…The name could not be adopted just like that,” Tolkien later wrote. “It had to be accommodated to the Elvish linguistic situation, at the same time as a place for this person was made in legend.” Elvish, he went on to say, “was beginning, after many tentative starts in boyhood, to take definite shape at the time of the name’s adoption….” In a foreword to The Lord of the Rings, he wrote that the legends and myths of Middle-Earth were “primarily linguistic in inspiration and was begun in order to provide the necessary background of ‘history’ for Elvish tongues.” For Tolkien, the creation of a fantasy world, its history, and its language were inextricably intertwined.

CroyBarkerE-AuthorPicCreating my own fantasy world, I kept that lesson in mind. In my novel, Nora, a graduate student in literature, wanders into an entirely different world, where she ultimately begins the study of magic. Before that, however, she has to learn the language.

Luckily, she’s able to pick up the basics of the common tongue, Ors, while under a translation spell. But it still takes her a while to grasp the nuances of the language and to develop real fluency, not to mention to lose the unfortunate accent that she accidently acquired while under the spell. As she masters Ors, she also learns more about the strange, often frustrating new world in which she finds herself. There are 12 different words for sheep. Given names in the ruling class are all patronymics. Women are supposed to speak slightly differently—more hesitantly—than men. Nora learns just what some of her new friends think of her when she overhears them referring to her with a pronoun used for inanimate objects, animals, or servants.

I want to be perfectly clear: In inventing a language, I was nowhere near as rigorous, analytical, or sophisticated as Tolkien was. There’s no Ors dictionary or grammar. But including just a few details of how the language worked added interesting texture to the world that I’d imagined.

It also helped me show how foreign this place initially seems to Nora. More than once, she’s frustrated because there’s no Ors equivalent for the English word she has in mind. For an academic like Nora, being suddenly illiterate is quietly terrifying. The first time that she even begins to feel at home in this alien world is when she picks up a child’s lesson book in Ors and realizes that she can teach herself to read.

Language is what we build stories out of. We can also use it to build worlds.

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Emily Croy Barker is the author of THE THINKING WOMAN’S GUIDE TO REAL MAGIC, published by Penguin US this month. To find out more, be sure to follow Emily on Facebook and Twitter.

An imaginative story of a woman caught in an alternate world—where she will need to learn the skills of magic to survive

Nora Fischer’s dissertation is stalled and her boyfriend is about to marry another woman.  During a miserable weekend at a friend’s wedding, Nora wanders off and walks through a portal into a different world where she’s transformed from a drab grad student into a stunning beauty.  Before long, she has a set of glamorous new friends and her romance with gorgeous, masterful Raclin is heating up. It’s almost too good to be true.

Then the elegant veneer shatters. Nora’s new fantasy world turns darker, a fairy tale gone incredibly wrong. Making it here will take skills Nora never learned in graduate school. Her only real ally—and a reluctant one at that—is the magician Aruendiel, a grim, reclusive figure with a biting tongue and a shrouded past. And it will take her becoming Aruendiel’s student—and learning magic herself—to survive. When a passage home finally opens, Nora must weigh her “real life” against the dangerous power of love and magic.

The novel has been described as perfect for fans of Lev Grossman’s Magicians and Deborah Harkness’s A Discovery of Witches.

Guest Post: “Post six. Sweet and Dandy: Toots and the Maytals (Chapter: Six days later – A conversation about Ska)” by Celine Kiernan

Kiernan-IntoTheGrey

Into the Grey is a ghost story about twin brothers, Pat and Dom Finnerty, whose lives are turned upside down by the loss of their home and by a subsequent haunting. The book has quite a few chills, there’s quite a bit of political history in it, much exploration of death and loss – but there’s also a lot of love and kindness in it, a fair few laughs and a lot of bravery. I thought I’d have a bit of fun with that side of the book on this blog tour, so these posts will be all about music! Why certain songs feature in the story, what they mean to me, what memories are associated with them etc . Into the Grey is set in the Irish seaside town of Skerries in 1974, all the songs featured are evocative to me of both that time and that (very real) place. As you will see, they all speak very much to the story, too, and to the characters and the rather desperate situation with which they find themselves entwined.

NOTE: I can’t say much about the final two songs for fear of spoilers. But here, for the penultimate track, Toots and the Maytals, Sweet and Dandy. Hell to the yeah. I dare you not to tap your feet. This is the start of Pat finding his ‘home sound’, his place—his voice I guess. It is also a restoratively happy sound in the wake of much darkness and loss.

Post Six

James slipped The Sensational Maytals from its sleeve and put on side one. I’d never heard music like it. It was like a blast of fresh air. It made me sit up straight. Don’t get me wrong, I liked music, all sorts, whatever I could get a chance to listen to. But from the minute “It’s You” started to play, I felt – I don’t know how to put it – I remember thinking, I’m home! I found home!

That’s how much I loved it.

“Kill Shot” by Vince Flynn (Simon & Schuster)

Flynn-KillShot

A second novel of Mitch Rapp’s early CIA career

For months, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. With each kill, the tangled network of monsters responsible for the slaughter of 270 civilians becomes increasingly clear. He is given his next target: a plump Libyan diplomat who is prone to drink and is currently in Paris without a single bodyguard.

Rapp finds him completely unprotected and asleep in his bed. With confidence in his well-honed skills and conviction of the man’s guilt, he easily sends a bullet into the man’s skull. But in the split second it takes the bullet to leave the silenced pistol, everything changes. The door to the hotel room is kicked open and gunfire erupts all around Rapp. In an instant the hunter has become the hunted. Rapp is left wounded and must flee for his life.

I am a huge fan of Vince Flynn’s novels – I’ve read them all except the latest, now. Sadly, the author passed away earlier this year, so there is actually only the one other novel (which I will read A.S.A.P.). Flynn’s novels are action-packed, tightly written, and always a great read. If you’ve never read any of the Mitch Rapp novels (or Term Limits, the set-in-the-same-time prequel of sorts), then I highly recommend that you do. Kill Shot was a little bit different, following on from American Assassin, the first novel set during Rapp’s very early career as a CIA assassin. It’s a very good novel.

The novel starts with a scene between Irene Kennedy and the CIA shrink, Lewis. They’re talking about Rapp, his incredible proficiency and fish-to-water acclimation to his new job – he’s only been with the Company for a year at this point, and is proving brutally efficient and competent at killing…

“I’m talking about the fact that he is a one-man wrecking ball. That he has methodically, in a little over a year, accomplished more than we have accomplished in the last decade. And let’s be brutally honest with each other.” Lewis held up a finger. “The ‘what’ that we are talking about is the stone-cold fact that he is exceedingly good at hunting down and killing men.”

There’s some nice foreshadowing for the future novels set after this discussion between the shrink and Irene (it continues off-and-on during the novel). For example, this snippet, which foreshadows Term Limits

“Justice is blind, and if you train a man to become judge, jury, and executioner . . . well, then you shouldn’t be surprised if he someday fails to see the distinction between a terrorist and a corrupt, self-serving bureaucrat.”

Rapp, in the meantime, is in Paris, executing one of the terrorists involved in the ring that took down the plane that killed his college sweetheart. The operation doesn’t go as planned, as someone was waiting for Rapp. The next morning, the news breaks in Washington that Libya’s Oil Minister has been killed along with three innocent civilians and four unidentified men. The French authorities are certain that the gunman is wounded and on the loose in Paris. Rapp’s handlers have only one choice, of course: deny any responsibility for the incident and pray that their secret asset stays that way, avoiding capture and dying quietly. Naturally, Rapp is unlikely to do so, and decides to get to the bottom of the situation, and hunt down the rat in the chain of command.

Rapp’s paranoia and relative newness in the business sets in motion a series of events dictated by his training and also belief that he’s been set up by someone very close to him – specifically, and for a short while, the potential that Irene was the one that spilled the beans:

“She was by necessity the person who knew the most about him, and the details of this mission. His orders came from her. If anyone were in a position to set him up it would be her.”

With nobody to trust, he resorts to his wits to get to the bottom of things, as the two sides – Rapp’s and the CIA’s – circle each other, attempting to ascertain the other’s motives. Slowly, though, the truth comes out, and Rapp is able to channel his… attentions in the appropriate direction.

The novel is not as fast-paced as Flynn’s previous novels, and felt slightly drawn out at times. Key events and moments helped maintain interest, however, as we see Rapp growing more into his new role, and everyone else coming to terms with just how good he is at his job. Flynn also offers a fair bit of discussion and commentary on the nature of psychosis and psychopathy and their potential connection to those with careers in the military – especially with regards to special forces.

Given the early setting, it was also interesting to see a different, undeveloped side of Stansfield’s, Irene’s and Rapp’s relationships. They trust his skills, but they have not yet developed the intense bond of trust that we saw even in Transfer of Power (a novel that helped light the fire under my thriller addiction).

I ended up not taking too many notes for this novel – this is not exactly a surprise, when it comes to thrillers or novels that I become engrossed in. It is a very good thriller, and I was drawn on throughout, devouring this far quicker than most novels I’ve read recently.

Overall, this is a very good novel. Not the author’s best, but certainly a must-read for fans of the series and also for thriller fans in general.

Vince Flynn’s final novel, The Last Man, is out now.

Series Chronology: American Assassin, Kill Shot, Term Limits, Transfer of Power, The Third Option, Separation of Power, Executive Power, Memorial Day, Consent to Kill, Act of Treason, Protect and Defend, Extreme Measures, Pursuit of Honor, The Last Man

Horus Heresy Exclusive – Last Chance to Order (Black Library)

Kyme-HH-ScorchedEarthA new Horus Heresy Exclusive, chronicling the aftermath of the Isstvan Dropsite Massacre

Nearly a quarter of a million loyal Space Marines lost their lives on Isstvan V – the Dropsite Massacre lasted only a few hours, and yet the Iron Hands, Raven Guard and Salamanders were slaughtered by those they had once called kin. With the disappearance of their primarch weighing heavily upon their hearts, Ra’stan and Usabius of the XVIIIth Legion leave behind their fellow survivors and strike out into the Urgall Depression. Their mission: to find what, if anything, remains of mighty Vulkan…

I was lucky enough to get an early excerpt of this novella. Not enough to write a full review, but if you were on the fence about it, I can report that Kyme’s firing on all cylinders with this book.

Some of you may have caught my review of Promethean Sun, the author’s first Black Library exclusive (also a Horus Heresy story featuring the Salamanders Legion). I wasn’t as impressed with that as I had hoped to be, and it did make me a little worried about Scorched Earth and Vulkan Lives. My fears have been proven unfounded, however.

In Scorched Earth, Kyme offers a great glimpse at the post-massacre fight for survival on Isstvan, as a pair of Salamanders witness the brutal aftermath of Horus’s treachery. Atmospheric and well-composed, this bodes very well for Vulkan Lives, the author’s first full-length Heresy novel. (I started Vulkan Lives this morning, and so far I am really enjoying it, and it promises to offer something rather different from many of the previous Heresy novels. Review hopefully next week.)

Be sure to order Scorched Earth TODAY!

Friday Read: YOUR BROTHER’S BLOOD by David Towsey (Jo Fletcher Books)

TowseyD-1-YourBrothersBloodI have a real soft-spot for zombie apocalypse and dystopian future fiction. While on one of my frequent Let’s Trawl The Internet for upcoming books information, I stumbled across David Towsey’s debut, Your Brother’s Blood, which seems to offer something a little different to your typical zombie-horror novel. Here’s the synopsis:

The earth is a wasteland, with no technology, science, or medicine – but the dead don’t always die. Those who rise again are the Walkin’…

Thomas is thirty-two. He comes from the small town of Barkley. He has a wife there, Sarah, and a child, Mary; good solid names from the Good Book. And he is on his way home from the war, where he has been serving as a conscripted soldier. 

Thomas is also dead — he is one of the Walkin’. 

And Barkley does not suffer the wicked to live.

Perhaps this will be a nice contemporary of Daryl Gregory’s Raising Stony Mayhall? Regardless, here is an excerpt from the novel, one of my Most Anticipated of 2013… Continue reading

Books that Fell Through the Cracks (Late Acquisitions)

Given my peripatetic existence over the last couple of years, there have been a number of address changes. These have resulted in a number of books getting sent to old and/or obsolete addresses. I’m currently visiting one of these old addresses, and have finally managed to get my hands on the following books (below) – so, apologies to publishers for not saying thank you, and hopefully I’ll be able to get to some of these soon (two in particular are very high on my TBR mountain, now).

Received: Julianna Baggott’s Fuse, Susan Ee’s Angelfall, Hugh Howey’s Shift, Stephen Kiernan’s The Curiosity, Stephen King’s The Wind Through the Keyhole, Gail Z. Martin’s Ice Forged, Frank P. Ryan’s The Snowmelt River

BooksReceived-20130801 (Shevaun)

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Baggott-2-FuseUKJulianna Baggott, Fuse (Headline)

After a young Wretch is abducted by the Dome and ‘cleansed’ of her fusings and imperfections, she is only able to repeat the Dome’s latest message: ‘We want our son returned. This girl is proof that we can save you all. If you ignore our plea, we will kill our hostages one at a time.’ Willux will go to any lengths to get his son Partridge back, including murder. Partridge sacrifices himself and returns, in the hope of taking over the Dome from within, only to uncover more of his father’s chilling, dark secrets.

Outside the Dome, Pressia, Bradwell, and El Capitan are decoding the secrets from the past – tucked away in one of the Black Boxes – to uncover the truth that might set the wretches free of their fusings forever. Those fighting Willux will be pushed over boundaries, both land and sea, heart and mind, in their quest – further than they ever imagined.

This is the sequel to Pure, which I also (shamefully) haven’t had a chance to read. It sounds like a fascinating series, but I kept missing it for one reason or another. Now that I have this second novel, as well as an ARC for book one, I really don’t have much excuse (save lack of time…) to read it. I’ll do my best to get to it soon.

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Ee-AngelfallSusan Ee, Angelfall (Hodder)

It’s been six weeks since angels of the apocalypse descended to demolish the modern world. Street gangs rule the day while fear and superstition rule the night. When warrior angels fly away with a helpless little girl, her seventeen-year-old sister Penryn will do anything to get her back.

Anything, including making a deal with an enemy angel.

Raffe is a warrior who lies broken and wingless on the street. After eons of fighting his own battles, he finds himself being rescued from a desperate situation by a half-starved teenage girl.

Traveling through a dark and twisted Northern California, they have only each other to rely on for survival. Together, they journey toward the angels’ stronghold in San Francisco where she’ll risk everything to rescue her sister and he’ll put himself at the mercy of his greatest enemies for the chance to be made whole again.

I kept seeing this advertised on the London Tube after I got back in January. I was intrigued, certainly (there seems to be a rise in Angel-related fiction in the past couple of years – some good, some not so much), and so when I was told a copy of this had arrived for me, I decided to place it relatively high on my TBR pile. I’ll hopefully get to this very soon (ah, those Famous Last Words, again…). I have sent some interview questions to the author, too.

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HoweyH-ShiftUKHugh Howey, Shift (Century)

In a future less than fifty years away, the world is still as we know it. Time continues to tick by. The truth is that it is ticking away.

A powerful few know what lies ahead. They are preparing for it. They are trying to protect us.

They are setting us on a path from which we can never return.

A path that will lead to destruction; a path that will take us below ground.

The history of the silo is about to be written.

Our future is about to begin.

I still have to read Wool before I can get to this, but I’ve heard a great many people say they enjoy the series. Ill-considered blog posts that the author may write notwithstanding, there is something about the series’s premise that intrigues me. So, I suppose I’ll get to it relatively soon, if I feel in the mood for some dystopian fiction (which is more often than not).

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KiernanS-CuriosityStephen Kiernan, The Curiosity (William Morrow/John Murray)

A haunting love story in which a man frozen for 100 years wakes up in today’s America to be hounded by tabloids, condemned by religious conservatives, and hunted by a presidential candidate while he strives to come to terms with his unique second life, one in which he falls in love with a beautiful scientist from a century after him.

Maverick scientific genius Erastus Carthage has developed a technique to bring frozen simple-celled animals back to life. But when his Arctic research vessel discovers a body encased in an iceberg, he seizes the chance to apply his pioneering process to a human being. The man Carthage’s lad awakens from death is Jeremiah Rice, a Massachusetts judge, who was born in 1868 and fell overboard in 1906. Jeremiah is an instant celebrity – chased by paparazzi, vilified by the religious right, and overwhelmed by a society he sees as brilliant and diverse but also vulgar and violent.

As his only ally biologist Kate Philo attempts to protect him from financial and political exploitation, the two fall in love. Meanwhile, Jeremiah’s time on earth is slipping away.

I hadn’t heard anything about this, until my sister mentioned it had arrived and she’d read (and enjoyed) it. It sounds rather intriguing, certainly, so I may have to read it within a week or two.

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KingS-DT4-WindThroughTheKeyholeStephen King, The Wind Through the Keyhole (Hodder)

Stephen King returns to the rich landscape of Mid-World, the spectacular territory of the Dark Tower fantasy saga that stands as his most beguiling achievement. Roland Deschain and his ka-tet – Jake, Susannah, Eddie, and Oy, the billy-bumbler – encounter a ferocious storm just after crossing the River Whye on their way to the Outer Baronies. As they shelter from the howling gale, Roland tells his friends not just one strange story but two… and in so doing, casts new light on his own troubled past.

In his early days as a gunslinger, in the guilt-ridden year following his mother’s death, Roland is sent by his father to investigate evidence of a murderous shape-shifter, a “skin-man” preying upon the population around Debaria. Roland takes charge of Bill Streeter, the brave but terrified boy who is the sole surviving witness to the beast’s most recent slaughter. Only a teenager himself, Roland calms the boy and prepares him for the following day’s trials by reciting a story from the “Magic Tales of the Eld” that his mother often read to him at bedtime. “A person’s never too old for stories,” Roland says to Bill. “Man and boy, girl and woman, never too old. We live for them.” And indeed, the tale that Roland unfolds, the legend of Tim Stoutheart, is a timeless treasure for all ages, a story that lives for us.

I have never read any of King’s Dark Tower series, despite always seeing it in bookstores (on both sides of the Pond). The series, begun in 1974, gained momentum in the 1980s, and was concluded between 2003-2004, after the final three volumes were published. This is apparently a novel that can stand on its own for readers new and old (Goodreads lists it as “Dark Tower #4.5”). I think I’ll probably still try to hunt down at least the first book, before diving into this. It’s high on my Life Reading Priority list, but I’m not sure how quickly it will make its way onto the top of the TBR mountain. (I think I’ll probably read King’s On Writing, first, as I already own that…)

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Martin,GZ-IceForgedGail Z. Martin, Ice Forged (Orbit)

Condemned as a murderer for killing the man who dishonored his sister, Blaine “Mick” McFadden has spent the last six years in Velant, a penal colony in the frigid northern wastelands of Edgeland. Harsh military discipline and the oppressive magic of the governor’s mages keep a fragile peace as colonists struggle against a hostile environment. But the supply ships from Dondareth have stopped coming, boding ill for the kingdom that banished the colonists.

Now, McFadden and the people of Velant decide their fate. They can remain in their icy prison, removed from the devastation of the outside world, but facing a subsistence-level existence, or they can return to the ruins of the kingdom that they once called home. Either way, destruction lies ahead…

I am really interested in reading this series. I recently got the second volume, so now that I have picked up this as well, I hope to get to it ASAP.

Also on CR: Guest Posts “It’s the End of the World as We Know It (Again)” & “After Apocalypse

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RyanFP-3P1-SnowmeltRiverFrank P. Ryan, The Snowmelt River (Jo Fletcher)

Chance has brought together four young people in the small, historic Irish town of Clonmel. Alan is Irish-American, Kate Irish, and the adoptive brother and sister Mark and Mo are Londoners although Mo originally hails from Australia and has an exotic spiritual quality that suggests something strange, almost magical, about her. They discover that they share a terrible secret, one that cannot be coincidence, and it makes them wonder if it was fate, and not happenstance, that really brought them together, and which now binds them inseparably as friends. And then, over the long hot Irish summer, the enchantment begins… The Snowmelt River is the first of a four-volume epic fantasy series, with each book a separate adventure in itself. All four novels revolve around the coming of age, and power, of the central characters, Alan, Kate, Mark and Mo, each a very different personality, yet each making his or her personal contribution to an epic odyssey.

Another series I didn’t know much about, before this came along (it’s possible this is the second copy that’s arrived – as I faintly recall seeing the second book at some point…). Not sure when I’ll be able to get to it, but I’ve heard and read some interesting things about it.

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Any of these grab your attention? Received anything good I should know about, or that I (or CR readers) might like?

The Atlantic Weekly, Stephen King & “Voice”

AtlanticWeekly-20130728In the current issue of The Atlantic Weekly (July 28th), there is a very good, short piece by Stephen King about opening lines. In the article, part of The Atlantic’sBy Heart” series, King also offers the following opinion on voice. Many bloggers discuss or focus on voice in their reviews (some obsessively so), and I thought this might be of interest to them, as well as readers, of course…

“… for me, a good opening sentence really begins with voice. You hear people talk about ‘voice’ a lot, when I think they really just mean style. Voice is more than that. People come to books looking for something. But they don’t come for the story, or even for the characters. They certainly don’t come for the genre. I think readers come for the voice.

“A novel’s voice is something like a singer’s; think of singers like Mick Jagger and Bob Dylan, who have no musical training but are instantly recognizable. When people pick up a Rolling Stones record, it’s because they want access to that distinctive quality. They know that voice, they love that voice, and something in them connects profoundly with it. Well, it’s the same way with books. Anyone who’s read a lot of John Sanford, for example, knows that wry, sarcastic amusing voice that’s his and his alone. Or Elmore Leonard – my God, his writing is like a fingerprint. You’d recognize him anywhere. An appealing voice achieves an intimate connection, a bond much stronger than the kind of forged, intellectually, through crafted writing.

“With really good books, a powerful sense of voice is established in the first line.”

Stephen King’s Doctor Sleep, a new follow-up to The Shining, will be published in September 2013 by Hodder (UK) and Scribner (US).

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US / UK Covers

Also, here is a rather nice photo of Stephen King, which I found connected with this interview with the author over on Parade:

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Joe Fassler (the journalist behind the “By Heart” series), inspired by Stephen King’s piece, conducted a survey of some other authors’ favourite first lines, here. Other authors to feature in the “By Heart” series, who have also featured on Civilian Reader, are Susan Choi (CR interview), and Benjamin Percy (interview, Red Moon review).

Guest Post: “Nine books, Six Years, One Stenwold Maker” by Adrian Tchaikovsky (Tor)

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In this guest post, Adrian Tchaikovsky looks back on the nine books in his Shadows of the Apt series available to date (the tenth and final book in the series, Seal of the Worm, will be published next year, by Tor UK).

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“Nine books, Six Years, One Stenwold Maker”

by Adrian Tchaikovsky

It seems a lot longer ago than 2008 when the first of the Shadows of the Apt books came out. Maybe it’s that the actual setting and a lot of the characters, most definitely including War Master Maker, came from a role-playing campaign I ran back in the early 90’s, and have been rattling about in my head ever since. But mostly I think it’s just the very different pace my life has had ever since the first book got taken up by Tor UK. “Roller-coaster” is a fair description: highs and lows.

Ten books. Ten books is a lot, frankly. Even nine books is a lot, and we’ve still got Seal of the Worm next year. A lot, but not unprecedented. Steven Erikson’s Malazan Book of the Dead, George R.R. Martin’s Game of Thrones. A certain species of fantasy does lend itself to the grand and epic sweep of invented history. I don’t think that I could have told the story I wanted to tell in less. In fact it’s been a job to fit it in the space I’ve had.

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The first four books – Empire in Black and Gold through to Salute the Dark – are the story of the first war, covering Stenwold’s hard-won rallying of the disparate Lowlands cultures to fend off the Wasp-kinden’s advance, and at the same time the equally key political tangle of the Imperial court, and the covert struggle for dominance between Alvdan and his unassuming sister.

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Books five to seven are set between the wars: the Lowlands falls apart, the Empire makes the political and technological adjustments that will allow it to return to the campaign. Most importantly, several characters have their moments of forging and testing: Cheerwell in The Scarab Path, Stenwold in the Sea Watch and Tynisa in Heirs of the Blade.

Heirs of the Blade nearly sunk me, in fact. As well as Tynisa’s adventures in the Commonweal, this turned out to be the pivot-point for the whole series: here was where the stories from the previous volumes came to be tied up, and the foreshadowing for the next came to loom. No other book in the series gave me quite as many fits, or got edited and shuffled about so much. One entire subplot just had to be cut entirely because it was less than essential, and because by then the book was very long.

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And then we hit the final leg: the Empire, in fact, striking back, starting with the blitzkrieg of The Air War, and continuing with the new War Master’s Gate that has our man Stenwold on the cover and in the title. Readers who have followed the series to date will know that since Salute the Dark the books have followed two different plotlines – the political/technological (“Apt”) line through Sea Watch and Air War, and the mystical (“Inapt”) plot of Scarab Path and Heirs. Well, War Master’s Gate is where it all comes together. It’s just about the whole gang back together again in one volume (if not one place): Stenwold, Che, Tynisa, Thalric, Tynan, Seda and the new characters from the Air War. Everything comes together; everything falls apart. There will be blood, magic, killer war machines, characters will die like flies (or, indeed, Flies). And then, after the smoke clears, there will be the Worm.

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The first nine books of the Shadows of the Apt are out now in the UK, published by Tor (War Master’s Gate is published today, in fact). The first four novels in the series are published in the US by Pyr Books.

For more information about the series and the author, be sure to visit Adrian Tchaikovsky’s website and follow him on Twitter. Naturally, of course, what you really need to do – if you have only recently been introduced to this author – is go out and buy the series! And I need to catch up! With the final book on the horizon in 2014, I think I may actually be able to catch up, if I read roughly one every month or two…

Who else has read some or all of the Shadows of the Apt? Feel free to share your thoughts in the comments thread, below.