Today, we have an annotated excerpt from Rym Kechacha‘s latest novel, To Catch A Moon. Due to be published by Unsung Stories this week, here’s the synopsis:
Mexico City, 1955. The painter Remedios Varo sits in her kitchen with her friend, the artist Leonora Carrington. Together they let their imaginations soar beyond their canvases to create new worlds.
In the surreal landscape of her imagination, Varo’s creations take on a life and power of their own. A wheeled spirit of the earth kidnaps a baby star; a woman who is half owl draws herself a daughter; a juggler entrances a crowd of grey-cloaked men, a lion and a goat. The rules that govern this world bend and creak, old alliances break, and an impending apocalypse forges the most unlikely of friendships.
Rym Kechacha (Dark River, British Fantasy Awards finalist 2021) spins a wild fantasy from Varo’s dreamlike imaginings, a world in which the moon’s daughter holds the key to mankind’s fate. Populated by witches, sentient animals, and a lion made of leaves, To Catch a Moon is a bold and fearless ode to the power of Remedios Varo’s timeless paintings.
Now, over to the author…!
Hello – yes! I have been asked by the fabulous owner of Civillian Reader to share an annotated excerpt from my forthcoming novel Glitterati, which is a dystopian satire about fashion, family and the feckless billionaire class.
In The Collarbound, we get to discover a complex world, with khers and mages, fleshbinding and mindlink, lightborns and long-lost giants. I’ve picked this excerpt because it’s a good example of how worldbuilding can be woven into the plot without slowing it down.
Thanks for asking me to annotate a passage from Whirlwind Romance. The book is a collection of stories about the moments when our reality falls apart. The stories vary in subject, setting and genre, but most of them hover somewhere between the real and the fantastical — and all are interested in the many ways that the world we have been living in, imagining it was solid under our feet, can turn out to be fragile. Travelling to an unfamiliar country could reveal uncomfortable truths about home, or reconnecting with a long-lost sibling could show your childhood in a new light, or becoming a parent could teach you that you are not who you thought you were. Falling in love could make you realize that the most precious person in your world lives in a different reality from your own; getting lost in a book or a video game could take you further from normality than you intended; living through a global disaster could strip you of the illusions you once believed were sane.
Today, we have an annotated excerpt taken from David Dalglish’s upcoming new novel, The Bladed Faith. The first in a new series, the Vagrant Gods, here’s the synopsis:
Writing books is so weird.
Unexpected Places To Fall From, Unexpected Places To Land, my second collection, is published by 
I wrote The Annual Migration of Clouds all in a rush in 2019 after seeing a single tweet from an entomologist I followed (I didn’t even read the paper right away!) containing the phrase ‘heritable symbiont.’ My imagination yanked the reins from my hands and went galloping across a blank document I think literally hours later; dimly I suspected the paper was probably about Wolbachia, a bacterial genus that inhabits some insects and affects their reproduction and behaviour, but I was too excited about the possibilities for a human disease. And ofcourse there are human diseases and syndromes caused by infections that affect our behaviour, as well as examples in various other species (Cordyceps is the obvious one, but there’s also Toxoplasmosis, many infections that cross the blood-brain barrier, certain parasitic infections of the gut, etc).
Hi. Many thanks for asking me to annotate a section of Gigantic. It’s certainly been intriguing and stimulating to revisit what has been probably the most torturous editorial experience I’ve had with any story, long or short. I chose a passage to edit based on how fun and funny I hoped it is, but just by spending some time with it, I realise how much the story, text, structure, tone and voice had changed from the first draft and how honing this story had been like fighting Proteus or the Hydra. The main character, Kevin Stubbs, has had many heads and forms.
Today, we have an annotated excerpt from Bradley P. Beaulieu‘s A Desert Torn Asunder — the final book in the author’s Song of the Shattered Sands series. Before we get to that, though, here’s the official synopsis for the novel:
Civilian Reader 