Quick Q&A with SNORRI KRISTJANSSON

Here’s a quick interview with Snorri Kristjansson, author of Viking-tastic Swords of Good Men, which was published at the beginning of August, by Jo Fletcher Books…

Let’s start with an introduction: Who is Snorri Kristjansson?

Teacher, writer, lover of cake, mild-mannered Viking and all-round enthusiast.

Your latest novel, Swords of Good Men, was recently published by Jo Fletcher Books. How would you introduce the novel to a potential reader?

As a subversive, gritty, Grimdark-with-a-heart genre-buster, straddling the realms of Historical Fiction and Fantasy like a mythical God – or an action book with Vikings. Depends, really.

KristjanssonS-SwordsOfGoodMen

Is it part of a series?

It is indeed! Book 2 is currently finished and at the being-beaten-with-sticks-until-it-behaves stage. Work starts on Book 3 at the end of the month.

What inspired you to write the novel?

An abundance of time, a lack of employment and a couple of ridiculous coincidences.

And where do you draw your inspiration from in general?

All around. An awful lot goes in, gets mixed somewhere about an inch behind the right ear and comes back out in idea form. Some of them aren’t very good at all.

Why are Vikings so cool?

Big question. Short answer: A combination of beliefs, actions, ingenuity, style and individuality. Shorter answer: ’coz they are. Wanna fight?

How were you introduced to genre fiction?

We are all children of Tolkien, I suppose. Stacks of Raymond Feist and David Gemmell followed.

Kristjansson-FantasyIntro

How do you enjoy being a writer and working within the publishing industry?

It’s great. My publisher and her army of Book Ninjas are a terrifying joy to behold. 

Do you have any specific working, writing, researching practices?

I write well in cafés, but I haven’t had the luxury of establishing rituals yet. The time will come, though.

KristjanssonS-AuthorPicWhen did you realize you wanted to be an author, and what was your first foray into writing?

I’ve been writing for a long, long time, but never really viewed it as my Main Thing until relatively recently, when I totaled up the years and brain-miles spent doing text work of one sort or another.

Do you still look back on it fondly?

I’m not big on looking back, truth be told. I’m a forward kinda guy.

What’s your opinion of the genre today, and where do you see your work fitting into it?

The genre’s main problem is that there are way too many clever storytellers out there pumping out great and glorious work, and I don’t have the time to read it all. This is serious, so I would like fellow authors to be less awesome, thank you kindly.

What other projects are you working on, and what do you have currently in the pipeline?

The conclusion to the Valhalla Saga, an outline of another thing that I can’t speak about, a couple of film things with cool kids that I can also not speak about and various other things. This list might have been more interesting in mime.

Sykes-TomeOfTheUndergatesWhat are you reading at the moment (fiction, non-fiction)?

Tome of the Undrgates by Sam Sykes, which is great fun.

I completely agree! What’s something readers might be surprised to learn about you?

I have done a full 50 minute standup show on a warship.

What are you most looking forward to in the next twelve months?

Oh, that list is LONG, but right at this moment I’d say, “Not being in the state of moving house”, which will happen very soon. Oh, and cake.

Myriad Thoughts On (un)Professionalism, DNFs, Why Do We Do It, What Value We Have, and ultimately a FFS…

[Or: I’m having a bit of a grumble, as insomnia keeps me awake in the wee hours…]

A courageously anonymous commenter has got me thinking about this whole blogging lark. Specifically, the idea of bloggers being “professional” or, more commonly, “unprofessional” when their opinion doesn’t conform to your own. I’ve also been thinking more about the comment Anne Rice made on Facebook, and which I in turn commented on earlier in the week, about the power of reviewers.

I have been reviewing things I loved (and some things I loathed or felt indifferent about) since before blogs really were a thing. I used to print a monthly music magazine when I was in university – interestingly, its name, MWRI, is a Terry Pratchett reference (“Music With Rocks In”, from the excellent Soul Music). It was a fanzine. It took a lot of work, cajoling, personal expense, and printer cartridges to get noticed by record labels and, eventually, to receive free advance albums, gig tickets, and interview opportunities. Then I discovered Blogger, and eventually blogs became a Thing. They Arrived. Record labels, publishers, and more took notice. Some blogs, the busier and earlier ones, have massive followings relative to their newer peers (I don’t like using the term “competitors”).

But. I think, perhaps self-deprecatingly or -consciously, newer blogs (especially since the explosion in numbers) have impact collectively rather than individually. Largely, this is because much of our readership is comprised of the choir to which we preach. I think this is good. It generates debate, discussion, and it can create change – or, at the very least, disseminate change-making ideas and opinions.

This is how review blogs have value: collectively, they paint a picture of how a novel, album, movie, TV series, or who-knows-what-else is received from a diverse cross-section of the reading/viewing/consuming public. I do not believe a single blog review can have a massive impact on a novel’s or album’s success. Newspapers and magazines, however, can have a great impact on whether or not a novel can be a success or not – or, perhaps, if it can become a mega-seller or phenomenon, etc. (Not exclusively, of course, as there are plenty of examples of word-of-mouth successes.) There is, I believe a good reason for individual blogs not having as much impact as some people seem to think.

That relates, in part, to the idea of “professionalism”. I don’t know of any blogger who considers themselves a professional reviewer, unless they also contribute to syndicated columns, or outfits with money behind them (national newspapers and the like). Above all, bloggers do what they do because they are fans. Fans of a genre, or a particular media, or even a particular author/artist/director/or whatever. We come from all walks of life – academics, government employees, techies, teachers, bricklayers, accountants, even writers and other creative types, to name but a few. I don’t think any (ok, just to be careful, many) would consider ourselves anything other than fans, who want to write about and discuss their passions. This indicates a level of non-professionalism, which may (in my opinion) reduce the level of impact we can have on an individual basis.

The “amateur” status of blogs, therefore, should always be remembered. If a blogger, on their personal blog, writes something about a book, movie, album, or whatever that they didn’t like, or were unable to finish because it was in some way flawed in their opinion, then… Well, it’s their right to do so. To do so is by no means “wrong” or “unprofessional”. It is their opinion. There is probably nothing that irritates reviewers more than anonymous commenters who “concede” that we “have the right to our opinion”, only to then attempt the internet equivalent of a bitch-slap.

It shows a stunning lack of impulse control, arrogance that we need their permission to write what we want on the internet, and a strange belief that we seem to have great power. Which we do not. Nor do we believe we do, on an individual basis. (At least, I hope not…)

Are there “unprofessional” things a blogger can,do? Certainly. Lying, for example. Or misquoting, misattributing, and plagiarising. These are more unethical, though, and are wrong in every walk of life and not just professional environments.

That being said, after you’ve been around long enough, and assuming you’re not a complete asshole or troll (or both), you’ll acquire something of a readership. Whether it’s massive or miniscule, you develop a belief in what your readers want. Mostly, in my experience, they want honesty, regardless of what that honesty is. Don’t like a book? They’d rather you wrote that, instead of lying or dissembling, just to keep in with the cool kids, avoid hurting someone’s feelings, or avoid pissing off publishers just so you can stay on their review lists. People can smell bullshit a mile off. It doesn’t wash.

Now, those hard truths also have to be backed up. If you just spend a post slagging off a writer or their work, but never give a coherent reason, then you’ll probably be written off as a crazy lunatic troll. Rightly so. But, if you state an opinion, explain why you reached that opinion (with some allowance for hyperbole in both negative and positive situations), then you’ve done what your review is supposed to do. No reviewer owes readers, writers, publishers any more than their honest opinion. That’s it. And nobody has any justification to pick up a loudhailer, or hit the CapsLock and scream (anonymously) YOU’RE WRONG MOTHERFUCKER YOU DESERVE TO BURN IN HELL BECAUSE THE VOICES TOLD ME SO! That shit will just make people pity you. Or, if you keep hammering away at it in repeated comments, we might think you’re actually the author, a member of the author’s family, or someone connected to their publisher… Which is most likely not the case. But we’re suspicious bastards, and there are plenty of instances of it actually being true…

Someone said on Twitter that this sort of behaviour would make them boycott an author, if their fans acted this way. I don’t think this is a good idea. I think no book can truly be judged from a review (despite some reviewers’ exceptional writing abilities and talent). And certainly no author should be punished for a single fan’s… exuberance. By definition, every review is suspect: they are opinionated, bias, flawed. Many have stated agendas (some bizarre, most understandable and/or rational). But they are pure opinion.

A reviewer who believes s/he has written the definitive word on a novel, album, or movie displays a towering, misplaced arrogance. Thankfully, I believe the vast majority recognise that we are each just one of a cacophony of voices attempting to be heard (some try much harder than others) over the even greater (perhaps greatest) cacophony that is the internet.

So yeah. Let’s all learn that “disagrees with me” is not the same as “unprofessional”. Because really all you’re doing by throwing that accusation around is proving that you’re illiterate. Or connected to the person who created whatever’s being reviewed. Or off your meds.

So just knock it off, engage the filter, and exercise some self-control. You’re giving Anonymous people a bad name everywhere.

Guest Post: “Caught in a Storm, Weather & Ancient Warfare” by William Napier

Napier-BloodRedSeaJust back from a week sailing round Corsica and Sardinia. Gorgeous weather first four days, swimming, snorkelling, and a lot of cheap rosé. I read Alison Weir’s book on the Wars of the Roses. Highly recommended. Then, on Thursday afternoon, the sky turned black and a huge wind got up. We headed fast for what should have been safe anchorage in a north-east-facing inlet at Spalmatore, having been told the usual stormy August westerly was on its way… Big mistake. The storm came straight out of the north east, and the boat started to buck around like a wild mustang with behavioural issues.

We’d tied up to two buoys for extra stability but now the waves were broadside on, the boat rolling terribly, and we had to stagger out in the big swell and loose off one of the buoys so the boat could at least swing round and pitch into the coming sea.

Around 1am the storm broke and it was spectacular. Lightning over the mountains of Corsica that went on for a good two hours, truly retina-scorching, then hailstones the size of marbles. A full Mediterranean summer storm, astonishingly violent. The next day, the sky was blue again, the seas still pretty big but a fine wind and a whole day of brilliant sailing, the deck at 45° all the way.

At times during the night it had been genuinely frightening, as well as exhilarating. Danger survived always makes you feel more alive. But it also made me think how the old mariners, those who sailed the Mediterranean in Homer’s time, or the time of Lepanto, must have coped. No wonder they believed in monsters, prayed so fervently to their gods. We might have been badly chucked around for a while, but we had lifejackets, SatNav, radio. There was never any real danger. If you’re a writer, then all experiences, even the hard ones, are good material, and this was a powerful reminder of just how tough and courageous our sailing forefathers were.

During the Battle of Lepanto, in October, the weather was also pretty rough. Hard to imagine how the Christians and the Turks managed not only to control their galleys in those big seas, but handle the guns with relative accuracy as well. No wonder they had to come so close and fire at such close range. The result was the most terrible carnage, with a casualty rate on that single day, 7th October 1571, of some 40,000: a figure never again equaled until the First World War. And as for historical significance, I would argue that Lepanto’s was greater than either Hastings or Waterloo. The future of much of Europe, not just the Balkans, might have been far more Ottoman and Muslim had it swung the other way. It should be better known. 

And there are many reasons why we might remember the desperate bravery of the men who fought on both sides, from the dashing aristocrats like Don John of Austria, to the hard bitten captains like Uluch Ali, to those indomitable warrior-monks, the Knights of St. John, to the poor emaciated bastards chained to the oars down below. And our mild little summer storm last week was another reminder of that.

***

The Last Crusaders: Blood Red Sea is part of Napier’s Clash of Empires series. It is out now, published by Orion in the UK. Here’s the synopsis:

1571. Chained to a slave galley in the heart of the Mediterranean, it seems that English adventurers Ingoldsby and Hodge might have finally run out of luck. But as former Knights of St John, they’ve survived worse, and while the men around them drop dead at their oars, they’re determined to escape.

By a miracle of fate, they find their way back to dry land and freedom – but unable to return home. With the Ottoman Empire set on strangling the crusading Christian power before it can take root, hostilities between East and West – Muslim and Christian – are vicious and deadly.

And as the sun rises on one day in October, five hours of bloodshed will change the course of history. Once again, the two Englishmen find themselves living on borrowed time…

Craig Ferguson Interviews Stephen Fry (back in 2010). It was Really Interesting…

I’m going to share this video without any commentary, save that it was really interesting, and I like them both as actors, comedians, and interview subjects. They spend a fair amount talking about depression, manic depression, alcoholism. And internet trolling. It’s something they both know a fair bit about. It’s a frank conversation. Really good. Enjoy.

Review: VULKAN LIVES by Nick Kyme (Black Library)

KymeN-HH26-VulkanLivesA superb, different Horus Heresy novel

In the wake of the Dropsite Massacre at Isstvan V, the survivors of the Salamanders Legion searched long and hard for their fallen primarch, but to no avail. Little did they know that while Vulkan might have wished himself dead, he lives still… languishing in a hidden cell for the entertainment of a cruel gaoler, his brother Konrad Curze. Enduring a series of hellish tortures designed to break his body and spirit, Vulkan witnesses the depths of the Night Haunter’s depravity, but also discovers something else – a revelation that could change the course of the entire war.

How does one review a novel that packs in so very many revelations? With great difficulty, as it happens… Vulkan Lives is a great novel. It is a superb addition to Black Library’s New York Times-bestselling sci-fi series. It is a superb example of intelligent, thoughtful science fiction. It’s not flawless, true, but I loved it. I have a feeling it won’t be met with universal acclaim from the more action-oriented sections of the WH40k fan-base, but I think it does a great job of fleshing out some hitherto overlooked events and questions of the era. Continue reading

DC Villains Month: Mr. Freeze, Joker & Court of Owls

I don’t really know what’s going on with “Villains Month” (I haven’t been following comics news as closely these past couple of months, partly because I’ve been reading my favourite series a couple months behind). It seems to be a way to release three extra issues of certain DC comics in a month. Not sure if they’ll tie in directly to the main series story-arcs, or if they’ll work as interesting asides, or side-stories for fans who would like a little bit more.

Whatever the reason/purpose of these issues, I was browsing DC’s press site, and found some interesting artwork, which I thought I’d share here.

First up, this rather good domestic Mr. Freeze page, from Batman: Dark Knight #23.1 – Mr. Freeze:

BatmanDarkKnight-23.2-Interior1

Writer: Justin Gray & Jimmy Palmiotti
Artist: Jason Masters
Cover: Guillem March

Next, two twisted and intriguing pages featuring the Joker and the Ape House, from Batman #23.1 – Joker

Batman-23.1-InteriorJoker

Batman-23.1-InteriorJoker2

Writer: Andy Kubert
Artist: Andy Clarke
Cover: Jason Fabok

And finally, this very moody, sinister page from Batman & Robin #23.2 – Court of Owls:

Batman&Robin-23.2-Interior1

Writer: James T. Tynion IV
Artist: Jorge Lucas
Cover: Patrick Gleason & Mick Gray

Three Awesome Comic Covers: EARTH 2 #14-16 (DC Comics)

Earth2-14-Crop

I’ve only read the first volume of DC’s Earth 2. There was some great stuff in it (artwork in particular), but also some things that didn’t quite work for me. I’ve been told by a couple of other reviewers that some of the things that niggled are longer-term plot-points – an example of my approach to reading comics perhaps not being the best for seeing the wider picture.

Regardless, it’s a series I’m intrigued by, offering as it does an alternative DC Universe. The series is written by James Robinson. If I ever needed an excuse to catch up and keep reading it, though, the covers for issues #14-16 are it:

Earth2-14

Cover by Kenny Martinez

Earth2-15

Cover by Juan Doe

Earth2-16

Cover by Juan Doe

I love these covers! The colours, the weathered-vintage style, the slight Soviet-influence. Really striking. I have no idea what the story is, by this point, but there are the (rather cryptic) synopses for the issues:

#14The bells of war ring loudly as Green Lantern, The Flash and Doctor Fate attack Steppenwolf head on – with the future of Earth 2 hanging in the balance.

#15Dr. Fate, Red Arrow, The Flash, Green Lantern and The Atom all fall victim to the Hunger Dogs of Apokolips as the war against the forces of Steppenwolf continues.

#16The war against Steppenwolf and the Hunger Dogs is over… all hope is lost!

The first two of these issues have been published, and #16 will be published October 2nd 2013. I will start saving up to catch up… now.

Reviews, Debuts, Vampires, A Different Time…

Rice-InterviewWithTheVampire1I have been a fan of Anne Rice’s Vampire Chronicles ever since I picked up Interview with the Vampire in 1999. I was living in New York at the time, and I went to Barnes & Noble on 51st & Lexington (in the CitiCorp Building), and came across the series. Even though I hadn’t read any of the novels, by this point I had seen the movie, starring Tom Cruise, Brad Pitt, Antonio Banderas, and a scene-stealing Kirsten Dunst. I really enjoyed it (and still do), so I thought I’d give the series a try. I proceeded to read all of the volumes then in print, and then bought each new book on day of release.

I didn’t think the first novel was perfect, and I found the fact that it was written as a conversation slightly strange – I was young and not very well-read or refined at the time. Nevertheless, it planted the seed that has had me eagerly await any new book by Anne Rice ever since. I consider the first two sequels, The Vampire Lestat and Queen of the Damned, as one of my five favourite novels of all time (I can’t read one without immediately reading the next, so I consider them as a single book).

Time to get to the point of the post: I have also been reviewing books for almost seven years, and movies and music for a few years more than that. I therefore found this post on Anne Rice’s Facebook feed, attached to a link, rather interesting:

Interview with the Vampire was actually a flop when it was published, severely hurt by a negative New York Times review by Leo Braudy. I’m not sure a review can kill a book today. But this was 1976, a different world. And a first novel, especially a very unusual one, was I think tragically vulnerable to the power of the Times… Now 37 years later Interview is (I’m grateful to say) an unqualified success and is still in print in hardcover as well as in paperback…

Rice-InterviewWithTheVampire2Sadly, the review is behind the New York Times pay-wall (which I still couldn’t read, despite supposedly having access to a specific number of articles per month…). Nevertheless, and perhaps a little strangely, Barnes & Noble’s listing for the book has the following quotation from Leo Braudy, apparently from “Books of the Century, The New York Times, May, 1976”:

“Anne Rice’s publishers mention the Collector and the Other, but it is really The Exorcist to which Interview with the Vampire should be compared, and both novelist William Peter Blatty and filmmaker William Friedkin, whatever their faults did it much better… The publicity tells us Rice is a ‘dazzling storyteller.’ But there is no story here, only a series of sometimes effective but always essentially static tableaus out of Roger Corman films, and some self-conscious soliloquizing out of Spider-Man comics, all wrapped in a ballooning, pompous language.”

I thought it was interesting that Rice said she’s “not sure a review can kill a book today”. I think she’s probably right. Not only is the internet allowing critiques, criticism and praise to spread all over the world, but also the fact that negative reviews only seem to generate extra interest in books. Take two (admittedly unusual) examples: 50 Shades of Grey, or Dan Brown’s The Da Vinci Code (which got, effectively, a bad review from the Vatican = publisher’s Holy Grail).

I also think Braudy is wrong his statement that “there is no story” in the novel. There’s quite a lot, actually. Yes, it’s “static”: it’s a book-length interview. What was he expecting? I don’t understand the Spider-Man connection, but it stands out, no? I don’t know the other references he presents, so I can’t speak to those. The connection to The Exorcist is an interesting one, but I don’t know either the book or movie version of that story well enough.

I’m sure this would have been a more interesting post if I’d had access to the review, but there we go [and if I hadn’t been writing it during a bout of insomnia, at 3:30am]. I’ll keep trying to get the text, and see if it adds anything to the discussion. Or, at the very least, offer some interesting quotations from it as/when I find them.

What do you think? Can negative reviews kill books today? If not, why not?

“Ex-Heroes” by Peter Clines (Del Rey UK/Broadway)

ClinesP-1-ExHeroesUKSuperheroes-vs.-Zombies Novel Fails to Impress

Stealth. Gorgon. Regenerator. Cerberus. Zzzap. The Mighty Dragon. They were heroes, using their superhuman abilities to make Los Angeles a better place.

Then the plague of living death spread around the globe. Billions died, civilization fell, and the city of angels was left a desolate zombie wasteland.

Now, a year later, the Mighty Dragon and his companions protect a last few thousand survivors in their film-studio-turned-fortress, the Mount. Scarred and traumatized by the horrors they’ve endured, the heroes fight the armies of ravenous ex-humans at their citadel’s gates, lead teams out to scavenge for supplies—and struggle to be the symbols of strength and hope the survivors so desperately need.

But the hungry ex-humans aren’t the only threats the heroes face. Former allies, their powers and psyches hideously twisted, lurk in the city’s ruins. And just a few miles away, another group is slowly amassing power… led by an enemy with the most terrifying ability of all.

I had high hopes for this novel – mixing superheroes and zombies seems like such an awesome, perhaps even common-sense mélange, yet it had not been done before. So, when the three books arrived on my doorstep, I was eager to get stuck in. While Ex-Heroes had some good bits – the action-scenes, in particular, are well-written – ultimately, I do not think this book was ready for publication. This was a big disappointment.

Ex-Heroes is very much rooted in the super-hero and zombie apocalypse genres. Clines does a fine job of painting the post-apocalyptic Los Angeles, and it was never difficult to get a sense of the place and atmosphere when he was writing about the city, it’s few surviving residents, and its shambling hordes.

The novel is also, disappointingly in my opinion, equally rooted in comic book aesthetic of, at a guess, 1990s Marvel – all of the women are super-hot, sexually available, adolescent fantasies. There’s even a “dominatrix-ninja” who doesn’t wear very much at all. This character is Stealth, and Clines overdid her introduction: it is filled with such cliché ideas of what makes someone a genius, for example, and also explanations of how much being stunningly beautiful was something that never mattered to her, and that she was endlessly frustrated that people will only ever see her worth in her looks. Fine, nothing wrong with the latter. But then why on Earth would she design an outfit that accentuates her underwear-super-model figure? And yes, she was an underwear-super-model. I think I get what the author was trying to comment on, but he didn’t do it too well at all. And I may be being charitable…

The novel is meant as pure entertainment, and I can certainly see what the author was trying to do. In many ways, he succeeds, but the end result remains not brilliant. It’s a good, even inspired blend of two popular genres – I’d say more rooted in superhero than zombie sub-genre, though, as it lacks the slow-build, sinister tension of the best zombie tales. It does a good job of tapping in to many wish fulfillment needs of super-hero fans everywhere.

Another major weakness, in my opinion, was the writing. I think it could have been much better written. The story lacked depth, but I can’t deny that I zipped through what I read pretty quickly. Sadly, the characters were unsurprising, some of the “psychology” seemed mixed up or garbled. The “relationships” were bland, relying on gorgeous, sexually aggressive women fawning over the menfolk. It lacked tension. Ultimately, I was rather bored. Which is why I stopped reading.

ClinesP-1-ExHeroesUSWhich is a pity, as I thought there were elements of the narrative and apocalypse-building that were innovative and interesting. For example, the nature of zombism idea is intriguing: the virus/pathogen is actually non-fatal, it just turns people/victims into walking petri dishes, as if they have been “injected with the CDC’s wish list” of the myriad diseases percolating in Los Angeles.

And the action scenes aren’t bad. But the overall momentum, and the level of my interest dwindled quickly, the more I read. Each time I picked it up, I’d easily get through a handful of chapters. But each time it took a bit more effort to pick it back up. I wonder, really, if the novel had been properly formulated before it was written – most of the ideas are there, but I would describe this as an early draft at best. It’s missing development. It lacks chops.

As I mentioned at the start, I was sent the first three novels in the series, which makes me feel a little awkward about disliking it as much as I have, truth be told. Will I read the others? Probably, yes. But I’m in no rush to get to them, so don’t hold your breath for reviews in the near future.

With Ex-Heroes, while Clines has managed to come up with an interesting, original spin (as far as I’m aware) on two very popular genres, the actual story, characters and quality of writing aren’t there. I really wanted to like this, but ultimately, after about 40% of the novel, I just couldn’t read any more. This, in my opinion, was not ready to go to market. A real shame.

***

Update: The original version of this review included an error. I stated that Ex-Heroes was previously self-published, when in fact it was published through a small-press: Permuted Press. Apologies for the error.

*

Ex-Heroes – and the sequels Ex-Patriots and Ex-Communication – are out now in the UK (Del Rey) and the US (Broadway).

ClinesP-2-ExPatriots

Book 2 – UK, US

ClinesP-3-ExCommunication

Book 3 – UK, US

The fourth book in the series, Ex-Purgatory, will be published in January 2014. Here are the covers (UK, US):

ClinesP-4-ExPurgatory

Cover Reveal: “The Invention of Wings” by Sue Monk Kidd (Viking)

KiddSM-TheInventionOfWings

THE INVENTION OF WINGS is the next novel by Sue Monk Kidd, whose debut novel was the mega-selling The Secret Life of Bees. The reason I’m sharing the image, despite being a rather nice cover, is because my eye was caught by the data on the aforementioned debut:

The Secret Life of Bees spent 175 weeks on the New York Times trade paperback bestseller list; it has sold more than six million copies in the United States alone; it has been translated into 36 languages. And it was turned into an award-winning movie. That’s incredible. Now, all I have to do is write one similarly excellent, and I can stop worrying about making enough money to buy food… [Only half kidding…] Incidentally, Kidd’s second novel also landed on the New York Times bestseller list at number one.*

The Invention of Wings has been described as “a sweeping novel of hope, daring, the quest for freedom, and the desire to have a voice in the world.” The novel is due to be published in January 2014 in the US by Viking (Penguin). With my new plans to start featuring more non-speculative, non-SFF novels on the blog, I think I may just have to get my hands on a copy of this. Here is a sort-of-synopsis, from the publisher:

The Invention of Wings tells the entwined stories of Hetty “Handful” Grimke, an urban slave in early 19th century Charleston, who yearns for life beyond the suffocating walls of the wealthy Grimke household and the Grimke’s daughter, Sarah, a real-life historical figure, who grows up to become a leading abolitionist and women’s rights pioneer. Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented.

* After working in and around the publishing industry for almost a year, I am finding numbers like these increasingly impressive, now that I’ve discovered just how nuts the industry actually is…