Writer: Stuart Moore | Artist: Gus Storms
Far-future action meets midlife crises as an aging hero rebuilds his former team. But to do so, he must cross a line with his wife that cannot be uncrossed.
Collects: EGOs #0-4
This was an interesting comic. It has a lot going for it — big space action, some humour, quirky artwork and design. The colour scheme is, well, very much as you can see on the cover — soft, pastel shades. It’s a big story, touching upon nostalgia (the readers’ and also the characters’) and mashing together super-heroes and space opera. It dragged a bit at times, and the momentum was a little uneven throughout. But, it’s also an out-of-retirement origin story of sorts. By the time the book ends, everything and everyone is in place for a larger, continuing story. I’ll come back for volume two, I’m sure, but of the books reviewed in this post, it was not my favourite.
Still. If you like space opera, weird science and super-heroes, then it’s well worth checking out. There’s a bit of an older Guardians of the Galaxy vibe to it, too.
Writer: Antony Johnson | Art & Cover: Justin Greenwood
22,000 MILES UP, THERE IS NO BACKUP.
Working homicide on an orbiting energy platform, in a five mile long jury-rigged steel city stuffed with a half million people, and no help from your so-called colleagues back on earth, is more than tough… it’s murder.
Colletcs: The Fuse #1-6
A crime thriller in space! I rather enjoyed this. It took a little while to sink into the story, however, but once I did I really started to dig the premise and location of the story. It’s Law & Order: Orbital Unit. The detectives are cool and varied (one is a near-retirement woman, which certainly is not your usual protagonist for comic series, regardless of sub-genre). The eventual solution was not what I’d expected. Perhaps a shade over-the-top and implausible, but it nevertheless is successfully executed. A great blend of sci-fi and crime thriller that really works. There’s political and social commentary, and very well-paced storytelling. Definitely recommended.
Writer: Joshua Williamson | Art & Cover: Mike Henderson
“Where do serial killers come from?” and why has Buckaroo, Oregon given birth to sixteen of the most vile serial killers in the world? NSA Agent Nicholas Finch needs to solve that mystery in order to save his friend, and he’ll have to team up with the infamous Edward “Nailbiter” Warren to do it.
Collects: Nailbiter #1-5
I’m not really sure what I was expecting from this series. What I found, though, was superb. A town that has produced a surprisingly high number of serial killers, and an investigating copy has become obsessed with uncovering the mystery of Buckaroo. After he disappears, Finch rolls into town, makes an impression, and starts digging. The most recent, infamous murderer gets drawn into the investigation, as does the local sheriff. Excellent pacing, great storytelling, some wonderfully atmospheric, moody artwork… Nailbiter is really quite excellent. The book ends with some surprises, and some superb promise for the future. Very highly recommended.
Writer: Joe Keatinge | Art & Cover: Leila Del Duca & Owen Gieni
Kate Kristopher, once the most famous explorer of an Earth far more fantastic than the one we know, is forced to return to the adventurous life she left behind when a family secret threatens to destroy everything she spent her life protecting.
Collects: Shutter #1-6
This was… a bit of a disappointment, sadly. It’s a riot of urban fantastical and weird elements, which while very creative and ambitious, is also a bit of a mess. There’s a lot to love about it — the lead character is interesting and the mystery about her father and family is certainly interesting. There are cool secondary characters (Harrington, for example), but there’s so much thrown at the reader that it’s difficult to know what to expect. I’ll check back for volume two, but it’s not a high priority. Maybe this will end up being like Vertigo’s Hinterkind: a disappointing establishing volume, followed by a stellar second collection?
If you like your comics zany and filled with the mad and clashing fantastic, then Shutter should appeal. I usually do, but I think this just goes that little bit too far.
Writer: Jason Aaron | Artist: Jason LaTour
Welcome to Craw County, Alabama, home of Boss BBQ, the state champion Runnin’ Rebs football team… and more bastards than you’ve ever seen. When you’re an angry old man like Earl Tubb, the only way to survive a place like this… is to carry a really big stick.
Collects: Southern Bastards #1-4
This is a pretty grim and gritty series. It’s brutal, gripping, frightening, and absolutely not a tourist pamphlet for the American south… The town is dominated by the high school football coach, who rules with an iron fist and seems to keep crime under control (and profitable for him). When Earl Tubb returns to clear out his recently passed father’s home, he gets tangled up in the injustices of small-town southern America. It does not end on a happy note. It’s a strangely uncomfortable read, in some respects, but it’s good — brutally honest, unvarnished. The artwork is appropriate — at least, that’s how it feels, fits the story and tone very well.
Recommended if you like your comics based more on reality than the fantastical.
Writer: Antony Johnston | Artist & Cover: Christopher Mitten
The young thief called Rascal witnesses the horrific and brutal murder of the royal family— now the world’s dark legends will be relived, and only Rascal even knows it’s happening!
Collects: Umbral #1-6
This was an interesting book. The tone is interesting — there’s a mix of adventure, action, conspiracy, and some amusing, poking-of-fun at the genre. The humour is gentle and there are a fair number of chuckle-worthy asides and quips. The premise is pretty interesting, and the story flows quite well. That being said, I think it started to lose steam towards the end of the collection. There are some surprises, nicely revealed, but also some things that just didn’t progress enough. The world-building is interesting and well-done. The artwork is very good, too — especially for the Umbral (which are nicely creepy and weird).
An opening act, to be sure, with plenty going on. I am interested enough to return for the second collection.