“The Strain” by Guillermo del Toro & Chuck Hogan (Harper/William Morrow)

DelToroHogan-1-TheStrainThe start of the vampire apocalypse… It’s very well-written, but…

At New York’s JFK Airport an arriving Boeing 777 taxis along a runway and suddenly stops dead. All the blinds have been drawn, all communications channels have mysteriously gone quiet. Dr Ephraim Goodweather – head of a rapid-response team investigating biological threats – boards the darkened plane… and what he finds makes his blood run cold.

Meanwhile, in a pawnshop in Spanish Harlem, aged Holocaust survivor Abraham Setrakian knows that the war he has been dreading his entire life is finally here.

Before the next sundown Eph and Setrakian must undertake the ultimate fight for survival. A terrifying contagion has come to the unsuspecting city – hungry, merciless, lethal… vampiric?

It took me so long to get around to reading this. And it’s taken me a few months to get around to writing the review. I’m not sure why, but there we go. The first in del Toro and Hogan’s trilogy, it chronicles the events that spark the outbreak of a vampiric plague in New York, threatening the country beyond, and the toppling of the status quo. It’s an interesting novel, but one that I struggled with a fair bit, given its pacing. Conceived as a trilogy, this novel is basically the set-up and that’s about it. We learn a little of the background – minor moments from the vampire’s history, and the former-concentration camp inmate who discovered that it was feeding on inmates; and then, decades later, tracking it across to the New World.

The Strain is a novel that, in my mind, doesn’t really require too long a review. It is basically the opening act for the next two novels in the series, and doesn’t stand on its own. Things only really start to happen in the final 20% or so of the book. True, the story follows a more slow-burn, anticipatory-horror approach to unveiling the threat and seeing the vampires spreading across Manhattan and New York’s other boroughs. This slow pace irked me, I have to admit. It felt like a lot of hurry-up-and-wait. True, the authors give us a very good, detailed account of how vampires develop over time, and how the epidemic spreads. Also, how intransigent people are when it comes to being faced with the supernatural and inexplicable. But beyond that, when I finished the book I didn’t feel a need to immediately reach for book two (which I have). I’m sure I will, at some point, but at the moment, I have no burning desire to get on with the series.

As for the craft of the novel? Yes, del Toro and Hogan have done a very good job of covering all their bases, and creating their own vampiric lore that has more in common with zombie apocalypse tales (in the way vampirism is more like a disease than not) and plague outbreak. It is interesting, and it’s well-written. The characters are realistic and well-drawn, and the vampires are sufficiently and particularly horrific – mindless, feeding beasts that have more in common with the aforementioned walking dead than the more popular version of vampires. There’s a creepy and cool hive-mind quality to how they operate and how the primary vampire controls and directs them. I particularly enjoyed the flashback chapters that detailed the historical brushes with the creature. I hope we get a few more of them in the next book.

If you’re interested, or particularly driven, to dedicate yourself to reading all three novels in a row, I’m sure this is a very rewarding story. The pacing of the first threw me, sure, but I can’t fault the authors’ talents on display. It’ll be interesting to see how it translates onto TV…

*

The Strain is published in the UK by Harper, and by William Morrow in the US.

“NOS4R2”/“NOS4A2” by Joe Hill (Gollancz/William Morrow)

HillJ-NOS4R2A slow-burning suspense

Summer. Massachusetts.

An old Silver Wraith with a frightening history. A story about one serial killer and his lingering, unfinished business.

Anyone could be next.

We’re going to Christmasland…

I’m not a big reader of horror. I’m not really sure why, though, as I tend to be attracted to darker and more twisted tales. Nevertheless, I have enjoyed some of Hill’s previous writing, and after reading a little bit about NOS4R2, I eagerly awaited its arrival.

Despite that, and perhaps inevitably, I was not really in the mood for horror when I first started to read NOS4R2. Rather than letting this ruin it for me, I decided to put it aside and got back to it recently. I’m glad I did this, too: this is a pretty solid suspense/horror novel, sure to appeal to his existing fans and also new readers (with caveats). The novel is also, frustratingly, very difficult to review – and doubly so if I want to avoid any form of spoiler.

Once again, therefore, I find myself at a loss for how to review something by Joe Hill. Seriously. I’m completely stumped. His other work that I struggle to review is his Locke & Key comic series, a story that shares some similar sensibilities and aesthetics as NOS4R2. Both are heavily character-focused, with a slow-burning plot that allows for great tension and suspense to build brilliantly. It’s not action-packed (though there is some conflict), there are a fair few surprises, and some really creepy scenes.

I must admit that I did find the start a little slower than I would normally like, and this maybe influenced my decision to put it aside for a short while. Given how long the book is (the ARC is 700 pages, or there about), I think some people may not have the patience for Hill’s pacing. When I was about a third of the way through, even I couldn’t help but think, “When are things going to kick off?” However, when I allowed myself to just sit and read (recently, life has been very disruptive and stop-start), I found myself swept up by Hill’s prose and story, drawn on through the novel.

HillJ-NOS4A2The author manages to make the mundane fascinating – the little details of these characters’ lives, their thoughts and every-day concerns… In many authors’ hands, this attention to detail would be suffocating and perhaps tedious, giving the novel a bloated feel. Not so for Hill; when added to the creepy goings-on related to Christmasland and its master, Charles Manx, he spins a fascinating, engrossing, suspenseful tale.

I found his characters all too realistic, in a way. This is, in my opinion, Hill’s greatest talent: despite writing creepy, weird, oft-supernatural stories, his characters have a vividly real feel to them. Victoria McQueen, the protagonist, feels complete, fully realised and familiar, and in some ways we grow up with her over the course of the novel: first meeting her as a child, when she first gets her special bike and stumbles across her strange ability. Then time jumps ahead to her rebellious adolescence and onwards, as her childhood brush with information of the Silver Wraith and Manx, and her confrontations with him later.

As I said at the start, I have no real idea of how to review Hill’s work. Nothing I try seems to convey the atmosphere and feel of the author’s work appropriately.

Needless to say, if you have any interest in classic, literary horror fiction, then NOS4R2 is for you. Recommended.

Also by Joe Hill: Horns, Heart-Shaped Box, 20th Century Ghosts, Locke & Key Vols.1-5

Also Try: Benjamin Percy, Justin Cronin, Stephen King, Adam Neville