I’m not sure when I had the idea of writing a fantasy novel, though I first acted on it in 1977 after reading Terry Brooks’ The Sword of Shannara. My inspiration came from the sketchy map in the book and I decided to create my own realistic fantasy world, though worldbuilding soon became an obsession. I was supposed to be writing my doctoral thesis in marine science but I redrew my fantasy maps in greater and greater detail until they were the size of house doors. I had created the Three Worlds.

In 1979, on a train above the Arctic Circle in Finland, I wrote the first snatches of a story, including a scene that I later used – Faelamor’s dramatic defeat of Mendark in the abandoned city of Havissard. Then it stopped for nearly a decade. What with finishing my thesis, taking a demanding job that involved a lot of travel, children, and renovating a decrepit Victorian house in Sydney, there wasn’t time for writing.

But I had to write, and in September 1987 I began A Shadow on the Glass with a dramatic event – Karan, compelled by Maigraith, breaking into Yggur’s fortress of Fiz Gorgo to steal the Mirror of Aachan, a corrupt magical artifact that contained a deadly secret. I wrote three pages a day I’d have a first draft done by Christmas. Continue reading →