Theodore Roosevelt Responds to a Lampooning Review. Or, “This Probably Couldn’t Happen Today, on the Internet”

GoodwinDK-BullyPulpitUKAnyone who knows me, or perhaps anyone who reads my other blog, Politics Reader (yeah, I know, there’s a theme to the blog names), will undoubtedly have come across my interest in Theodore Roosevelt, his presidency and time. I am fascinated by the period of American history between (approx.) 1880 and the start of World War I. Given this interest, I devour pretty much any book I can get my hands on that focuses on that time and the people who shaped American history and politics then. At the moment, I’m reading Doris Kearns Goodwin’s excellent, exhaustively-researched The Bully Pulpit. The book is about Theodore Roosevelt, William Howard Taft and the media. Today, I came across an amusing passage, which I thought I would share, here.

First, some context. Theodore Roosevelt was US president from 1901-08, first ascending to the Presidency after the assassination of William McKinley. Alongside his storied career in public service, he was a prolific author – between 1882-1919, he had 45 books and collections (of essays and letters) published. Finley Peter Dunne was a writer and humourist from Chicago, who wrote the nationally syndicated “Mr. Dooley” satires and lampoons.

In the fall of 1899, a copy of The Rough Riders, Roosevelt’s wartime memoir, came across Dunne’s desk. “Mr. Dooley’s” book review in Harper’s Weekly mocked Roosevelt’s propensity for placing himself at the center of all action: “Tis Th’ Biography iv a Hero by Wan who Knows. Tis Th’ Darin’ Exploits iv a Brave Man be an Actual Eye Witness,” Mr. Dooley observed. “If I was him, I’d call th’ book, ‘Alone in Cubia.’” Three days after this satirical assessment amused readers across the country, Roosevelt wrote to Dunne: “I regret to state that my family and intimate friends are delighted with your review of my book. Now I think you owe me one; and I shall exact that when you next come east to pay me a visit. I have long wanted the chance of making your acquaintance.” (pp.257-8)

GoodwinDK-BullyPulpitUSThe full review is the first in Mr. Dooley’s Philosophy (which is available as a PDF online – pp.13-18). collected Dunne was clearly touched by Roosevelt’s letter, and in his reply to Roosevelt, accepting the invitation, he also said:

“… the way you took Mr. Dooley is a little discouraging. The number of persons who are worthwhile firing at is so small that as a matter of business I must regret the loss of one of them. Still if in losing a target I have, perhaps, gained a friend I am in after all.” (p.258)

Dunne never had to regret the loss of TR as a target, however. The reviewer continued to poke fun at TR (“the nation’s premiere target” as Goodwin calls him) for years to come, and the two remained friends throughout.

Today, when an author responds to a negative or critical review – especially on the internet – it never seems to go well for the author (see, for example, who-knows-how-many self-published authors lashing out at bloggers; or even the more recent, bizarre-and-quite-pathetic reaction to Ben Aaronovitch’s polite pointing out of a review’s factual misunderstanding). The above response and exchange between Dunne and Roosevelt… It could never happen today. Which is a real shame.

[I am currently reading The Bully Pulpit for review on Politics Reader. The book was provided by Goodwin’s UK publisher, Viking/Penguin. In the US, the book is published by Simon & Schuster.]

Guillermo Del Toro’s SIMPSON’s Opening Credits Sequence…

… is riddled with awesome SFF references. This has been doing the rounds on the SFF blogosphere, but I thought I’d share it as well, because it’s quite brilliant. Check it out:

“The Eyre Affair” by Jasper Fforde (Hodder)

FfordeJ-TN1-EyreAffairThe first Thursday Next novel

There is another 1985, where London’s criminal gangs have moved into the lucrative literary market, and Thursday Next is on the trail of the new crime wave’s Mr. Big.

Acheron Hades has been kidnapping characters from works of fiction and holding them to ransom. Jane Eyre is gone. Missing.

Thursday sets out to find a way into the book to repair the damage. But solving crimes against literature isn’t easy when you also have to find time to halt the Crimean War, persuade the man you love to marry you, and figure out who really wrote Shakespeare’s plays.

Perhaps today just isn’t going to be Thursday’s day. Join her on a truly breathtaking adventure, and find out for yourself. Fiction will never be the same again…

It has certainly taken me a long time to get around to this series. I’ve always hesitated as a result of my general ignorance when it comes to many of the “essential” classics, fearing that many of the jokes in the series will just be over my head. However, as part of the Hodderscape review project, I finally got my hands on a copy of this novel. It’s pretty good, but also suffers from some debut issues.

I’m going to keep this review relatively short. First of all, because this is an old novel that has been written about at great length elsewhere. But also because I’m not sure if I was the best audience for it…

There is plenty in here that is whimsical, fun, and very clever. Fforde clearly has a love for reading and the classics, and especially the idiosyncrasies of his subjects. His writing style is brisk and uncluttered, making this an enjoyable and easy read. Thursday is a great protagonist, with a varied and interesting past, and an engaging and endearing voice. Her supporting cast is, likewise, fun to spend time with. The villain is genuinely sinister and creepy (indeed, maybe one of the best villains I’ve read in some time). The myriad special departments of investigation are amusingly delineated, also with a Harry Potter-esque variety for the more supernatural investigations and crimes.

FfordeJ-TN1-EyreAffairUSDespite all these positives, for me The Eyre Affair is also filled with literary references that, sadly, went over my head. I always seemed to be in the “experimental” year at school, when it came to picking set texts for English Literature classes. This has resulted in a complete ignorance of some of the greatest works of literature, including Jane Eyre. (Unless there was a film, in which case I come perilously close to being like Cher in Clueless…) Naturally, this has also given me a considerable inferiority complex…

Thankfully, though, Alyssa was on hand to fill me in on the particulars. I imagine, therefore, that the more literature you have read, the more you will get out of this novel and, one supposes, the series as a whole. That being said, don’t let this put you off if you haven’t read Jane Eyre or other literature that is mentioned herein. There is plenty on offer that is in a similar humorous vein as Terry Pratchett’s novels, so you won’t be adrift in a sea of allusion and references. The story is strong and stands on its own, I think.

As I mentioned at the start, the novel suffers a little bit from debut-itis, in that Fforde comes across as rather self-consciously clever, not to mention stuffing the early pages with a lot of new and whimsical information and nuggets of altered history and literature. At first, I was worried I wouldn’t like this much at all, or at least as much as I had hoped.

However, I persevered, and ultimately rather enjoyed the caper and characters. Will I pick up the next in the series? Probably, as I have it on good authority that they get better and better.

This is a fun, clever, slightly silly novel that will appeal to lovers of literature and reading. For those people, I would say this is a must read.

The Series: The Eyre Affair, Lost in a Good Book, The Well of Lost Plots, Something Rotten, First Among Sequels, One of Our Thursdays is Missing, The Woman Who Died A Lot, Dark Reading Matter (forthcoming)

Vampire Dog Humour… (Who knew?)

What started out as a rather distressing page in DC’s New 52 I, Vampire grew into something rather amusing. [Warning, there are some spoilers for the series, so don’t read ahead if you don’t want anything ruined…]

First, Andrew Bennett (who at this point is a badass, evil-as-hell uber-vampire) had a snack…

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Poor Mishkin.

Luckily, we learn later that the dog has been turned! (Vampire dogs – something I’ve been seeing a bit more, lately… Amusing memories of Blade: Trinity: the cross-bred vampire Pomeranian. Heh.) Good ol’ Mishkin gives the good guys a hand.

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Of course, in true apocalyptic-horror-fun, Bennett is no longer a bad-guy, and is fighting for the light side again.

Finally: “Goood vampire-doggy…”

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I, Vampire ended with issue #19, sadly. It was written by Joshua Fialkov, with art by Andrea Sorrentino and Fernando Blanco. I think it was a pretty good comic: the artwork was perfectly suited to the horror and atmospheric storylines, and Fialkov’s writing was top-notch. I’ve read all 19 issues, and none of them were bad. There were moments that were a little cheesy, but I get the feeling Fialkov was aiming for Buffy-esque humour (especially towards the end).

Here’s Andrew and Cain, the first vampire…

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R.I.P. I, Vampire. I’ll miss your nuttiness.

First Rule of Beard Club

This is just a funny… episode(?) of BEARDO, one of my favourite daily comic strips:

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Beardo is by Dan Dougherty. I only discovered the strip a little while ago, but I’m loving the gentle sense of humour. There have also been some great sequences – the series from April 15th-28th was really great (a little bit about the creative process, and the value of, well, taking a walk home…).