Guest Post: “Setting as a Character” by Patty Templeton

PattyTempleton-AuthorPicI have a great many tattoos. Entire appendages are coated in ink. One of my favorites is a small arsenic bottle and a sprig of blackberries on my left arm. It was inspired by the book We Have Always Lived in the Castle by Shirley Jackson.

Shirley Jackson. Geez. That woman. Though We Have Always Lived in the Castle is my favorite novel of hers – and the novel that inspired the tattoo, The Haunting of Hill House is what Jackson is most known for. Made famous by two movie adaptations and lauded by Stephen King as one of only two “great novels of the supernatural in the last hundred years,”[1] The Haunting of Hill House was the first novel that made me aware of Setting as a Character.

If you are unfamiliar with The Haunting of Hill House, the main story thread is thus: four psychically-inclined characters (two women and two men) visit an 80-year-old mansion named Hill House to study the supernatural activity that may or may not be happening there. Strange. Events. Occur. Is it all in the minds of the slightly terrified inhabitants, do ghosts roam the halls, or can a place actually be alive and evil?

Ever been in a place that gave you bad vibes? I have. There is a certain portion of south Chicagoland woods that I will never go to again. I shit you not, I had a murder of crows follow me (and my mother) on a walk for 15 minutes. Weird. Creepy. Ew. Scary woods. Scary crows.

I loved Shirley Jackson’s notion of a setting truly becoming a character. Hill House is alive… and possibly two steps down its own path of madness. Hill House is something more than even a setting as a character. The term Genius Loci is Latin for “the protective spirit of a place.” Modern usage has dulled the term to meaning the atmosphere of a place…but screw that. I like the idea of a setting being wholly and completely inhabited by a personality.

PrintIn my debut novel, There Is No Lovely End, I tried to stretch the bounds of what a setting as character could be. I wanted several places to be so infused by history and experience that they were completely animate. They do not speak in human languages, but they communicate with characters – who may or may not be used to their settings acting out, rather than just housing their daily lives. That being said, not every setting is a character. There are dead zones. Not every place you walk by in real life gives you glee or the willies, why should the places in a book be any different?

Here are questions to think about when you are debating writing a setting as a character:

Do you want your setting to comfort your main character?

The Watchbird Theater houses a congregation of oddballs led by Arrol Wester, the theater’s owner. The Watchbird itself is known to reveal hidden passages and sleeping rooms for actors it adores. If the Watchbird were a person, people would describe her as kind, caring, and completely unusual.

Do you want your setting to confront your main character?

PrintSaint Anthony’s Academy of Wayward Sons is a Dickensian slumhole of an orphanage. It’s run by Franwell Doogood, a beastly woman with a beastly son, neither of whom would blink an eye over throttling a ragamuffin with a coinbag or broken chair. Consequently, Saint Ant’s is an antagonistic place that often trips and traps the orphans. Were Saint Ant’s a bloke at a bar, he’d be described as a rotten SOB.

Here are a few more questions to get the brain boiling about what your setting can or can’t do:

· Do you want your setting to mirror the personality of those that own it (like above) or do you want your setting to break all bounds and “be itself.” If so, how will this drive your story forward?

· Can a setting save a character?

· Can a setting destroy a character?

· Can your setting speak? Is it a human language? If not, what form does its language take? Can humans understand it?

· Can a setting be the main character?

· What are some of your favorite books and movies that best exemplify “setting as a character”? Think about one. What would you have done differently to amplify or add subtlety to it?

This is what I do when I am at home alone. I nerd out while listening to Slim Cessna’s Auto Club and think about literary and cinematic Genius Loci. It all comes down to this: the only rule is what works. Now get on it. Make setting as a character work for you. Become the new Hill House. Eris knows, I sure as hell will read you.

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[1] The other novel being Henry James’ The Turn of the Screw. (Danse Macabre, 270.)

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Author Bio: Patty Templeton is roughly 25 apples tall and 11,000 cups of coffee into her life. She wears red sequins and stomping boots while writing, then hits up back-alley dance bars and honky tonks. Her stories are full of ghosts, freaks, fools, underdogs, blue collar heroes, and never giving up, even when life is giving you shit. She won the first-ever Naked Girls Reading Literary Honors Award and has been a runner-up for the Mary Wollstonecraft Shelley Award. There Is No Lovely End is her first novel. Here is the synopsis…

Apparitions! Outlaws! Mediums!

1884. Nathan Garlan hears and sees the dead. Using his uncanny aptitudes to assist society and its specters, he has become the most acclaimed medium in Boston. But not all esteem him. Nathan Garlan’s own mother craves her boy butchered — and she’s not the only one…

Misery! Lust! Murder!

New Haven. Sarah Winchester is the heiress to the Winchester Rifle fortune and a haunted woman. She has searched for release from familial phantoms for two decades, yet found no respite. However, she has heard of a medium in Boston who regularly administers miracles…

Wit! Wonders! Outrage!

Who is the Reverend Doctor Enton Blake? Why does the lawless Hennet C. Daniels search for him? What form of profane curio is a trick box — and what, precisely, does one inter within it? Will Sarah Winchester find serenity through Nathan Garlan’s services? Or will Hester Garlan find her son first?

Star-Studded D&D Audiobook Free for 40 Days! (Audible)

Salvatore-LegendOfDrizztAUD

Caught this offer via Twitter, but thought it was pretty amazing and had to share. I have extremely little experience or familiarity with Dungeons & Dragons (which might seem weird, considering my obvious fondness for SFF). Nevertheless, this caught my attention because of the cast. In celebration of the 40th anniversary of Dungeon & Dragons, Audible are offering The Legend of Drizzt: The Collected Stories for free for forty (40) days, starting August 12th, and ending September 20th, 2014. Here is the cast list and also the synopsis for the audiobook:

The Legend of Drizzt: The Collected Stories expands upon the epic legend of the dark elf with 12 tales performed by the all-star cast of Felicia Day, Dan Harmon, Greg Grunberg, Tom Felton, Danny Pudi, Sean Astin, Melissa Rauch, Ice-T, Wil Wheaton, Al Yankovic, Michael Chiklis, and David Duchovny!

For years, the Legend of Drizzt has included short stories published in Forgotten Realms anthologies and Dragon magazine. Available here for the first time in audio are all the classic stories by the New York Times best-selling author R. A. Salvatore!

From the startling origin of Drizzt’s panther companion, to the tale of Jarlaxle and Entreri’s first encounter with the dragon sisters, the tales in The Collected Stories enrich this vividly-imagined series by building the world around Drizzt through exploring the backstories of side characters and magical locations.

Excerpt: ASSAIL by Ian C. Esslemont (Transworld)

Esslemont-6-Assail

A Novel of the Malazan Empire

Prologue

North territory of a new land

Of the Jaghut wars:

Seventh century of the 12th Lamatath campaign

33,421 years before Burn’s Sleep

The woman ran at a steady unhurried pace. her breath came as long level inhalations through the mouth and out through her wide nostrils. Sweat darkened the front and back of her buckskin shirt. Her moccasins padded silently over stones and pockets of exposed sandy soil. That she was running up a wide rocky mountain slope, and had been for most of the day, attested to iron strength and endurance. She dodged round slim poles of young pine, white spruce and birch. She jumped rocks and slid and scrambled up steep gravel talus fans. She knew she could outpace her pursuers, but that she would never shake them from her trail. Yet still she ran on.

She knew that once they tired of the chase, they would take her. She judged it ironic that the same desperate urge to continued existence that drove her also lay behind their relentless pursuit – though they had relinquished their claim to it long ago.

Still she scrambled on up the slope, for one hope remained. One slim unlikely chance. Not for her survival; she had given that up the moment she glimpsed the hoary eldritch silhouettes of her pursuers. The one slim chance lay for vengeance.

Knife-edged broken rock cut her fingers as she scrabbled for handholds. It flayed her moccasins. The surrounding steep slopes of tumbled stone and talus heaps were just now emerging from winter; ice clung to shadowed hollows and behind the taller boulders. Snow still lay in curved dirty heaps, almost indistinguishable from the surrounding gravel. She took vigour from the chill bite of the high mountain air, knowing it perfectly natural rather than any invoked glacial freeze. Taking cover in a stand of pine, she paused to risk a glance behind: no movement stirred upon the slope below, other than a smallish herd of elk just now clattering their way downvalley. No doubt disturbed by her passage.

Yet she knew she was not alone. She also knew her pursuers needed not to show themselves to run her down. She’d hoped, though, they would at least grant her this one small gesture.

A lone figure did then step out from the cover of tumbled glacial moraine. It was as if she’d willed its appearance. The tattered remains of leathers flapped about its impossibly lean frame. A dark ravaged visage scanned the slope, rising to her. The white bear hide that rode atop the head and shoulders hung as aged and winddried as its wearer. She and he locked gazes across the league that separated them – and across a far larger unbridgeable gulf as well.

So far behind? she wondered. Then she understood and in that instant threw herself flat.

Something shattered against the rocks next to her. Flint shards thinner than any blade sliced her buckskins and flensed the skin beneath.

She jumped to her feet and returned to scrambling up the slope. She reached a ridge that was a mere shoulder of the far taller slope: a jagged peak that reared far above. Here she paused a second time, exhausted, her lungs working, drawing in the icy air.

Then she screamed as a spear lanced through her thigh, pinning her to the bare stony surface. She fell back against a rock and took hold of the polished dark haft to draw it. A skeletal hand knocked hers aside.

The same fleshless visage that had caught her gaze below now peered down at her. Empty dark sockets regarded her beneath the rotting brow of a white tundra bear. Necklaces of yellowed claws hung about the figure’s neck – presumably the claws of the very beast it wore – while the scraped hide of the beast’s forelimbs rode its arms down to the paws tied with leather bindings to its own hands. Ribs darkened with age peeked through the mummified flesh of its torso. Rags of leather buckskin lay beneath the hide, all belted and tied off by numerous leather thongs. A long blade of knapped flint, creamy brown, its tang wrapped in leather, stood thrust through a belt. ‘Why flee you here, Jaghut?’ the Imass demanded.

‘I flee destruction,’ she answered, her voice tight with suppressed pain.

Others of the Imass warband now walked the ridge. The bones of their feet clattered on the rocks like so many stones. ‘Caves above, Ut’el,’ one of their number announced, pointing a flint blade higher up.

The Imass, Ut’el, returned its attention to her. ‘You would seek to lure us to ambush,’ it announced.

‘If you say so.’

‘I am disappointed. You have brought death to your kin as well.’ It faced one of the band. ‘Take scouts. They are occupied?’

This Imass dipped its hoary skull where the flesh and hair had fallen away in patches. ‘Yes, Bonecaster.’

Bonecaster! the woman marvelled. A mage, shaman, of the breed! If she should bring this one to destruction then all would have been worth the struggle.

The Bonecaster returned its attention to her. She sensed its mood of disappointment. ‘I had thought you a more worthy prize,’ it murmured, displeased.

‘As we had hoped for more worthy successors.’

‘Victory is the only measure of that, Jaghut.’

‘So the victors would soothe themselves.’

The undying creature raised its bony shoulders in an eloquent shrug. ‘It is simply existence. Ours or yours.’

She allowed herself to slump back as if in utter defeat. ‘You mean the elimination of all other than you. That is the flaw of your kind. You can only countenance your family or tribe to live.’

‘So it is with all others.’

‘No, it is not. You are merely unable to see this.’

‘Look about, Jaghut. Raw nature teaches us…’ Ut’el’s whisper faint voice dwindled away as he slowly raised his bone and dried tendon features to the higher slope.

‘How fare your scouts, Bonecaster?’ she asked, unable to keep a savage grin from her face.

‘They are gone,’ he announced. His gaze fell to her. ‘Others are there.’ He now shook his nearly fleshless head in admiration, and, it seemed to her, even horror. ‘My apologies, Jaghut. I would never have believed any entity would dare…’ He drew his flint blade. ‘You are a desperate fool. You have doomed us all – and more.’

‘I am merely returning the favour.’

All about, the remaining Imass warriors flinched as if stung, drawing their blades of razor-thin flint. ‘Purchase us what moments you can,’ he told them flatly. His tannin-brown visage remained fixed upon her.

The warriors dipped their heads. ‘Farewell,’ one answered, and they disappeared into snatches of dust.

Above, figures now came pouring from the cave mouths: stone grey shapes that ran on oddly jointed legs, or all four limbs at a time.

‘I am tempted to leave you to them,’ Ut’el said. ‘But we Imass are not a cruel people.’

‘So you would absolve yourselves over the centuries, yes?’ She took hold of the spear haft. ‘That is fortunate. Because we Jaghut are not a judgemental people.’ And she heaved herself backwards in one motion, yanking the spearhead from the ground to tumble off the ledge, spear in hand.

He swung, but the blade cut just short of her as she slipped from the narrow ridge. Her buckskins snapped in the wind. ‘I leave you to…’ she yelled as she plummeted from sight down the sheer thousand-foot drop.

. . . your doom, Ut’el Anag, Bonecaster to the Kerluhm T’lan Imass, finished for her. He turned to face the high slope. The grey tide of creatures had finished his band and now closed upon him.

In what he considered his last moments, he raised his flint blade to his face. He watched how the knapped facets reflected the clouds overhead, how the reflections rippled like waves on clear lake water.

No. This is not yet done. I so swear.

He stepped into the realm of Tellann as the first of the clawed hands snapped closed upon the space he once occupied.

*   *   *

Hel’eth Jal Im (Pogrom of the White Stag)

51st Jaghut War

6,031 years before Burn’s Sleep

Esslemont-6-AssailHere evergreen forest descended mountain slopes to a rocky shore. Shorebirds hunted for crabs and beetles among tide-pools and stretches of black sand beaches. From their perches on tree limbs and among the taller rocks larger birds of prey watched the shorebirds and the glimmer of fingerlings in the shallows.

A morning mist hung over the bay. The air was still enough for sounds to cross from one curve of the shore to the other. The figure that arose from the seaweed-skirted boulders was not out of keeping with the scene. The tattered remains of leathers hung from its withered, mummified shoulders and hips. A nut-brown flint blade hung thrust through a crude twisted-hair belt tied about its fleshless waist. Over its head of patches of stringy hair and exposed browned skull it wore a cap cut from the cured grey hide of a beast more at home on sundrenched savanna than temperate boreal forest.

Similar figures arose, one by one, here and there about the shore. They gathered around the first arrival, and though gender was almost impossible to tell among their fleshless desiccated bodies, skin little more than paper-thin flesh over bone, this one was female and her name was Shalt Li’gar, and she was of the Ifayle T’lan Imass.

‘What land is this?’ one of the band, J’arl, asked. In answer, she raised her head as if taking the earth’s scent through the exposed twin gaps of her nostrils. ‘I know it not,’ she judged. ‘No account of it has been shared with me, nor with those with whom I have shared.’

‘Others of us must have found it before, certainly,’ another, Guth, commented.

‘And what became of them…?’ Shalt answered, thoughtfully, peering into the mist to the far shore of the sheltered bay.

The other ravaged faces turned as well and all were silent and still for a time. So quiet and motionless were they that an eagle flew overhead to stoop the waters, its talons slicing the surface. It rose with a fish struggling in its claws, and perched in a nearby half-dead fir to tear at its meal.

The faces of all the Imass had turned silently to follow the course of its flight.

‘Favourable, or unfavourable?’ J’arl asked into the continued silence.

‘Are we the eagle?’ answered another. ‘Or the fish?’

Shalt extended a withered arm to the bay. ‘Others are fishing as well,’ she pronounced.

They started picking their way round the curve of the shore.

First to emerge from the mist were the prows of hide boats pulled up on the strand of black gravel that climbed steeply to the forested rocky slope. Smoke trailed through the trees. Shalt glimpsed a stout log structure high on the slope. Figures now came running down a trail. They carried spears armed with stone heads, maces of stones tied to wood handles. They wore stained and beaded leathers and animal hide capes.

‘Humans,’ Guth observed, unimpressed. ‘We should search inland.’

‘Pity they choose not to talk,’ Shalt judged, almost with a sigh. ‘We will scout inland.’

J’arl thrust up a withered hand, all sinew and bone. ‘I ask for a pause. There is something…’

Shalt regarded him. She tilted her age-gnawed head. ‘A presence?’

‘Something,’ he repeated, wary, as if unwilling to say more.

The local people had formed a line inland. They yelled and shook their weapons. Shalt studied them: much taller than she and her stock. Prominent jaws, large teeth. Similar in features – probably the descendants of a small breeding population. Such was not so unusual among her own kind, long ago.

Her band was disappearing one by one, moving on, when one of the locals shouted something Shalt understood: ‘Be gone, demons from the outside!’

The words used made all her remaining band reflexively draw their blades. For they were in the Jaghut tongue. Shalt stepped forward. ‘Whence came you by this language?’ she asked in the same tongue.

‘It is known to us of old, demon,’ an elder answered, sneering.

Known? she repeated, wonderingly. How can this be?

‘And we have been warned of your kind,’ he continued. ‘Be gone! You are not welcome here.’

Shalt raised her chin, the flesh worn away from one side of her mandible, and scented again, deeply. What came on the air staggered her, and were she not of the Imass she would perhaps have fainted into unconsciousness from the challenge it presented to her very core.

‘Abomination…’ J’arl breathed in an exhalation of cold air. He raised his blade.

No! Shalt cried to herself. They are human! We mustn’t slide down this path… it will lead us to annihilation.

J’arl started forward and Shalt acted without thought. Her blade sliced through vertebrae at the juncture of neck and shoulder. J’arl slumped, though she knew he was not finished utterly.

Up and down the shore her band exploded into a whirling mêlée of Imass striking Imass. Flint blades clashed and grated in a burst of clamour that sent all the nearby birds skyward in alarm. A group coalesced round Shalt, who directed them into a line defending the milling locals.

‘Flee the coast!’ she shouted to the people as she blocked a strike from Guth. ‘Flee!’

‘They will be found,’ Guth promised her as he strained. ‘If not us, then others.’

Shalt cut him down as well and wept as she fought, for he had been a companion of uncountable years.

She spared the mêlée a glance and despaired. The aggressors far outnumbered the defenders. Yet she was First of the Band for a reason and she fought even as all her allies fell about her. She was last, giving ground, suffering strikes that shaved dried flesh from her limbs and cut rotted hide from her shoulders. Now her skills overcame the constraints of the attackers, who fell one by one before the two-handed blade, so thin as to be translucent, that she flicked and turned as lightly as a green branch.

A blow took her skull. It severed bone down past her right occipital ridge. Yet even as her skull shattered she dropped this last aggressor and wailed at the necessity, for it was Bruj’el, a bull of a warrior, and cousin to her mate gone these many centuries.

She turned to the people. She could sense her animating spirit fleeing its flawed vessel. Her Tellann-provided vision was darkening, withdrawing. She fell to her bony knees. She dropped her blade to brace herself with one hand and breathed out one last fading sigh to the staring, awed figures.

‘Hide yourselves…’

***

Ian C. Esslemont’s Assail is published in the UK tomorrow, by Transworld Books. Esslemont is the author of four other Malazan novels, also published in the UK by Transworld: Night of Knives, Return of the Crimson Guard, Stonewielder, Orb Sceptre Throne, and Blood and Bone.

Esslemont-Malazan-1to5

Another Cool CONSTANTINE Cover (DC New 52)

The New 52 Constantine series has been getting some really cool cover, lately. The piece that will grace the 17th issue – by Juan Ferreyra – is particularly cool, too, because it ties in with the centennial commemoration of World War I…

Constantine-17

The issue – published on this week – is written by Ray Fawkes, with art by Edgar Salazar and Jay Leisten, and colours by Richard and Tanya Horie. Here’s the synopsis:

John Constantine is no stranger to death, but he’s never seen it on this scale – a spell gone terribly wrong has sent him back through time to World War I! Unfortunately, he’s not the only mage in the trenches… and where death has this much power, black magic couldn’t be more dangerous!

You can check out a preview of the issue here.

Mini-Review: “Whiskey Tango Foxtrot” by David Shafer (Mulholland)

ShaferD-WhiskeyTangoFoxtrotA peculiar, but well-written novel

The Committee, an international cabal of industrialists and media barons, is on the verge of privatizing all information. Dear Diary, an idealistic online Underground, stands in the way of that takeover, using radical politics, classic spycraft, and technology that makes Big Data look like dial-up. Into this secret battle stumbles an unlikely trio: Leila Majnoun, a disillusioned non-profit worker; Leo Crane, an unhinged trustafarian; and Mark Deveraux, a phony self-betterment guru who works for the Committee.

Leo and Mark were best friends in college, but early adulthood has set them on diverging paths. Growing increasingly disdainful of Mark’s platitudes, Leo publishes a withering takedown of his ideas online. But the Committee is reading – and erasing – Leo’s words. On the other side of the world, Leila’s discoveries about the Committee’s far-reaching ambitions threaten to ruin those who are closest to her.

This novel was on my radar for quite some time before I managed to get my mitts on a review copy. When I did, it shot to the top of my TBR pile, and I eagerly dove in. What I found was not what I’d expected – in both good and odd ways (not bad, though). Did I enjoy it? Absolutely. Is it well written? Absolutely. Is the story expertly crafted and gripping? Well, sort of.

First thing’s first: Shafer’s prose is excellent. He offers a mixture of tightly-written passages that move the story forward, but also plenty of great turns of phrase and interesting metaphors. The humour is well-deployed and well-written. It’s gentle, I don’t remember any laugh-out-loud moments, and the delivery is wry. His characters are very well-written, and I liked the internal monologues and observations. Their feelings of ennui felt realistic and not adolescent (unless they’re meant to). Shafer offers a mature take on these characters’ sometimes-immature issues.

The story. This is the tricky bit, for me. It sometimes felt like the story was secondary to the characters’ observations of society and surveillance. And, sure, the plot is taken right out of today’s headlines – the consolidation of data, the erosion of privacy, cybersecurity and so forth. All of these issues are well-presented and Shafer offers (though his characters) some well-thought-out observations. And yet… the actually plot only really emerges late in the story, and generally seems tacked on. I’ve seen so many laudatory reviews that gush over the story and so forth – but actually, the story is a little bland.

And yet (again)… I kept reading. Usually, I need the story to be front and centre, or at least as important as the characters. Here, though, I felt quite comfortable reading about these characters and their struggles with finding their places in today’s world.* Shafer writes very well, his prose is fluid and well-crafted. But, for his next novel, I hope he focuses a little more on the story. Bring that up to par with characterisation and prose, and he could be writing some of the best stuff available, I think.

So, a cautious recommendation – if you like novels that focus on its characters, then Whiskey Tango Foxtrot should appeal. If you prefer a story-focused novel, then this might come across as incomplete.

* Probably a result of my own, navel-gazing projections…

A Pair of Upcoming Black Library Novels

It feels like quite some time since I read a Black Library novel. Nevertheless, they keep publishing (or announcing) more that I would like to read. There’s more Gotrek & Felix on the way and also plenty more Horus Heresy fiction coming. Below are new novels in two other series that maybe don’t get as much attention as they deserve…

AHRIMAN: SORCEROR by John French

FrenchJ-A4-AhrimanSorcerorI recently read and reviewed the second Ahriman short story, The Dead Oracle. This despite still not having read the first novel, Ahriman: Exile. Nevertheless, I think French has done a great job of bringing this character to life on the page – at least, this post-Horus Heresy iteration of this character.*

Ahriman, greatest sorcerer of the Thousand Sons and architect of the Rubric that laid his Legion low, continues to walk the path towards salvation, or damnation. Searching for a cure for his Legion, he is forced to consider – was the great ritual somehow flawed from the very beginning? The answer may lie within the mysterious artefact known as the Athenaeum of Kallimakus, a grimoire of forgotten lore which is reputed to contain the exact words of the lost Book of Magnus… or, perhaps, even a transcription of the primarch’s deepest and most secret thoughts.

Ahriman: Sorceror is due to be published in early 2015.

* He first appeared in Graham McNeill’s excellent, New York Times-bestselling A Thousand Sons.

***

DEATHBLADE: A TALE OF MALUS DARKBLADE by C.L. Werner

WernerCL-D-DeathbladeMalus Darkblade made his first appearance in the pages of Inferno!, Black Library’s once-bi-monthly magazine of short fiction and comic strips. It was a comic series written by Dan Abnett. Abnett later adapted the comic into prose, which was later taken on by Mike Lee. Now, C.L. Werner, one of BL’s best writers of horror-tinged Warhammer fantasy fiction, has stepped up to the plate. I’m quite looking forward to this novel, despite not reading many of the Darkblade novels. Maybe this is a good excuse to catch up with them…?

Darkblade must decide where his loyalties lie – will he follow Malekith to the death, or will he finally rise up and try to claim the throne of Naggaroth for himself? And either way, will he survive?

It has taken decades, but Malus Darkblade has finally plotted, schemed and murdered his way to power, as the ruler of the city of Hag Graef and general of the Witch King Malekith’s armies. But his position is imperilled when Malekith orders an all-out assault on Ulthuan – with Darkblade in the vanguard. As he wages war on the high elves, Darkblade must decide where his loyalties lie – will he follow Malekith to the death, or will he finally rise up and try to claim the throne of Naggaroth for himself? And either way, will he survive?

Deathblade is due to be published in February 2015.

Upcoming: THE MECHANICAL by Ian Tregillis (Orbit)

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I am so excited to read this novel. And how cool is that cover? I like that it really pops off the screen, and imagine it will do the same off the shelves. Ian Tregillis’s Milkweed TriptychBitter Seeds, The Coldest War, and Necessary Evil – is one of my favourite trilogies of all time. His writing is superb, his story-telling near-peerless. Now, we have THE MECHANICAL to look forward to.

Orbit are publishing in March 2015, which feels too far away! I wonder who I can bribe for a review copy…? *Ahem* Of course, I would never do that…

Anyway, here’s the synopsis:

My name is Jax. That is the name granted to me by my human masters.

I am a clakker: a mechanical man, powered by alchemy. Armies of my kind have conquered the world – and made the Brasswork Throne the sole superpower.

I am a faithful servant. I am the ultimate fighting machine. I am endowed with great strength and boundless stamina.

But I am beholden to the wishes of my human masters.

I am a slave. But I shall be free.

Also on CR: Guest Post by Ian Tregillis; Reviews of Bitter Seeds, The Coldest War and Necessary Evil

Review: THE MAGICIAN KING by Lev Grossman (Plume/Arrow)

GrossmanL-M2-MagicianKingUSA superb follow-up to The Magicians

Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom.

Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent’s house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.

In an effort to catch up for the third volume in Lev Grossman’s Magicians series, here’s my very quick review of The Magician King: it’s an excellent follow-up to a brilliant first installment. If you haven’t read this series yet, I strongly urge you do so. I don’t think you’ll be disappointed. Continue reading

Guest Post: “Saying Goodbye” by Tom Pollock

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So that’s it then, it’s done.

It’s a strange thing, finishing a trilogy. It comes with a sense of dislocation. I’ve spent the last five years – a sixth of my life – in a dream world: a London where the streets are lit by glass-skinned dancers with phosphorescent blood, and where the statues conceal a priesthood entombed by their Goddess in stone and bronze as a punishment, a London where the scaffolding can slide from the face of a building, rearticulate itself into a snapping, snarling steel wolf, and pounce.

It’s not letting go of the world that’s the strangest thing, though it’s letting go of the people. Because I’ve also spent the last five years in the heads of two teenaged girls. I’ve done my best to feel what they felt as they fell in love, and fought with their friends and were kidnapped by sentient barbed-wire parasites and took on the powers of urban gods. I’ve pretzel-twisted my thoughts into the shapes of theirs. To put it simply, within the bone enclosure of my skull, I’ve been them. And it’s been a trip.

I am little sceptical of the claim that writing is ‘hard.’ I mean, it is, but so is everything. By nature, I’m a monkey that wants to sit in the sun and eat bananas and unselfconsciously scratch unsociable parts of myself when they itch and… that’s it. There is no deviation from that state of simian bliss that doesn’t count as hard for me. However I’m pretty sure writing doesn’t compare to the difficulty, and let’s be honest – the courage – of doing something really difficult, like farming, or teaching or soldiering or midwifery

Still, it’s not all been fun and games and hijinks with blood-chilling monsters. Side effects of fantasy writing may include: fever, cramps, dizziness (from lack of sleep), diahorrea (verbal, about your book, which when it’s half-conceived no one else cares about), hallucinations, an inability to talk in complete sentences and the growing worry that you may not in fact be human.

That last comes from core activity of writing: grubbing around inside yourself for the truest and most important and most human thing you can lay your hands on and putting it on the page, and then showing it to other people. Because there’s a very real possibility they’ll look at that page and say ‘nope, doesn’t seem human to me’ and then what do you do? Like a lot of writers my ego is the size of the Yukon but has the damage resisting qualities of a Kleenex caught outside on a stormy day, and I think that would have felt like the most undeniable judgment, a kind of reverse Turing test, a double-blind, clinical trial of my soul.

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Until now, that was the scariest thing about writing, but now I’ve got something to top it: letting go. I need to stop being these people now, and make up someone else to be. After five years, I won’t lie, that’s a little intimidating.

I’ll do it though. I have to. I’ll put one sentence in front of another until I’m back gibbering incoherent bits of plot to innocent tourists who stop me on the tube to ask for directions. You know, back to normal.

It’s either that or learn to be a teacher, or a soldier, or a midwife. And you know what? I’m not sure I’m up to that.

***

Inventor of monsters, hugger of bears, Tom Pollock is the author of the Skyscraper Thrones series – The City’s Son (shortlisted for the Kitschies Golden Tentacle); The Glass Republic (shortlisted for the British Fantasy Award); and Our Lady of the Streets, which is out in August. All three are published by Jo Fletcher Books in the UK. The City’s Son is also published in the US by Flux Books (cover below).

For news on Tom’s novels and next projects, be sure to check out his blog and the Skyscraper Throne website, and follow him on Twitter. AND, if you’re in London, be sure to go to Tom’s signing at Forbidden Planet, on August 7th.

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Upcoming: “Legacies of Betrayal” (Black Library)

Various-HH-LegaciesOfBetrayalThe 31st book in the formerly-New York Times-bestselling Horus Heresy series!* An anthology, Legacies of Betrayal is due to be published in April 2015. It looks like it’s going to be quite a substantial tome, too…

Only from out of great conflict can true heroes arise. With the galaxy aflame and war on an unimaginable scale tearing the Imperium apart, champions of light and darkness venture onto countless fields of battle in service to their masters. They ask not for remembrance or reward – simply to meet their destiny head-on, and only by embracing that destiny will they come to learn what the unseen future may yet hold for them…

This Horus Heresy anthology contains eighteen short stories by authors such as Graham McNeill, Aaron Dembski-Bowden, Nick Kyme and many more. Also, Chris Wraight’s acclaimed novella Brotherhood of the Storm delves into the nature of the elusive White Scars Legion, and their questionable sense of duty to the Emperor.

Eighteen short stories, huh? Plus Wraight’s Brotherhood of the Storm? I wonder if it will include some of the other formerly-limited-edition novellas? Hope so, as I rather liked the ones I’ve read (including Wraight’s story). Rather looking forward to this. But first, I’ll have to read Graham McNeill’s Vengeful Spirit and David Annandale’s The Damnation of Pythos, both of which I have already.

* It’s been quite some time since they last had one in the NYT charts. I believe McNeill’s A Thousand Suns was the first to land on the list?