Review

Superman, Vol.3 – “Fury at World’s End” (DC Comics)

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Superman-Vol.03-ArtWriter: Scott Lobdell | Artist: Kenneth Rocafort (#13-17,19), Aaron Kuder (#18), Tyler Kirkham (#18), Robson Rocha (#18) | Inks: Aaron Kuder (#18), Jaime Mendoza (#18) | Colors: Sunny Goh (#13-16,18), Blond (#17-19)

H’El has come to Earth. When a mysterious ghost from Krypton’s past comes to Metropolis in hopes of finding the lost planet’s last son, his arrival comes with disastrous consequences for not just Superman, but also for Superboy and Supergirl. H’El has decided that Earth is the place to resurrect Krypton, but the price the lives of everyone on the planet! Guest-starring the Justice League, Wonder Woman, Orion and more!

Collects: Superman #13-17 [+ #18-19]

Continuing my attempts to catch up on a few New 52 titles, before I… uh… give them up… I actually quite like the Superman series. It wobbled a bit early on when the DC Powers That Be (DCPTB) decided to tie it in to the daemonite/Helspont mess that dominated the story-arcs of Grifter and Voodoo, but also roped in Stormwatch (and maybe a couple others?). I liked the greater attention paid to Superman/Clark’s everyday life, as a journalist and as someone navigating the changing industry and also his personal relationships. This collection of issues had a lot of this, too, and I’m certainly glad I read it. However, it also features the Superman issues that tie into the Super-family Event, “H’El on Earth”, which presented some issues for me.

As I just mentioned, I really like the focus on Clark’s non-super life. It’s something other readers really didn’t seem to like in earlier issues/books, but I think some of the most interesting content in the Superman mythos and character comes from his interactions with real life, how he handles his gifts, how he struggles to be “normal”, and how his over-developed sense of Right and Justice makes him stand out as a throwback to classic portrayals of the character or what would be considered “goody-two-shoes”, naïve characters today. For example, this monologue on the idealism of journalism:

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Unsurprisingly, Clark loses his job after this…

I’m not sure about the way Clark’s relationship with Lois is being written. His continued difficulty with her moving on, and moving in with Jonathan (although, I can’t remember who that is, exactly), seems forced. Given the timing and the events from the end of Justice League #12 (Superman’s kiss with Wonder Woman, and the start of their relationship), I found it difficult to consolidate his sense of justice and decency and this jealousy (even if it did make him out as more human). I felt bad for Diana, to be honest, that he is with her and yet pining for Lois. Given that the New 52 Superman had been steering clear of a Clark-Lois romance (I thought purposefully), it felt a little bit like a manufactured conflict for Clark. It’s well-written, though. Just felt a little out of place, given the stated intentions of the DCPTB. I would, however, accept that I may have missed something, given how much time lapsed between reading these issues and anything before.

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The “H’El on Earth” stuff, which is woven around and over Clark’s ‘mundane’ life, is kind of a typical, Supehumans-Breaking-Stuff-in-Large-and-Improbable-Manner tale. It’s… fine. But if you think about it, highly over-done. I’m looking forward to an understated Superman story. Something that doesn’t require him to just be invincible and strong enough to bench-press more than the weight of the Earth (as we are informed he apparently can do, at the start of issue #13). The exaggeration is, I understand, part of the charm of Superman – for some, it seems to be all they want. But for me, I would really like some more variation in the approach to the character.

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I do so love Batman’s cavalier attitude…

After “H’El on Earth”, there are two issues of strangeness, involving Orion (who made out with Wonder Woman in her solo series), and Hector Hammond (of the massively-bloated head – who I last saw in Green Lantern pre-New 52, I think… I don’t quite remember). Issue #19 was not too well written, sad to say. It felt clunky, with some info-dumping, and a little too heavy on telling and lesser writing for the first six pages. What happened? Things improved at Lois’s house-warming party. But then everyone starts to act strangely, and the issue ends as Orion catches up with Superman. I was left none-the-wiser as to what was going on. I guess I’ll have to wait until I can pick up the next few issues (those that will comprise volume 4, I suppose).

Not bad, but starting to show cracks. I hope this gets better, and doesn’t end up spinning its wheels, while the DCPTB try to come up with another cross-series Event to generate sales. In the meantime, I shall investigate some of the older Superman stories – for example, For Tomorrow, Lex Luthor, Superman For All Seasons, Secret Identity and maybe some others.

“Silken Prey” by John Sandford (Putnam/Simon & Schuster)

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Sandford-23-SilkenPreyUKMurder, scandal, political espionage, and an extremely dangerous woman. Lucas Davenport’s going to be lucky to get out of this one alive.

Very early one morning, a Minnesota political fixer answers his doorbell. The next thing he knows, he’s waking up on the floor of a moving car, lying on a plastic sheet, his body wet with blood. When the car stops, a voice says, “Hey, I think he’s breathing,” and another voice says, “Yeah? Give me the bat.” And that’s the last thing he knows.   

Davenport is investigating another case when the trail leads to the man’s disappearance, then — very troublingly — to the Minneapolis police department, then — most troublingly of all — to a woman who could give Machiavelli lessons. She has very definite ideas about the way the world should work, and the money, ruthlessness, and sheer will to make it happen.

No matter who gets in the way.

I’m a huge fan of Sandford’s Minnesota-based crime thrillers. In fact, I would say that he’s probably my favourite thriller author bar none. Silken Prey is the 23rd novel in his Lucas Davenport series, and the series just keeps firing on all cylinders. This time, Sandford turns his attention to politics, which always offers new and ‘exciting’ ways in which an investigation can become muddled, dangerous, or even impossible. Lucas is tasked by the Democratic governor to investigate what appears to be a political framing of the Republican Senator. Making things really tricky, of course, is the fact that they are all in the middle of the election. Party politics, dirty tricks, extreme suspicion, and a deadly killer (or two) operating on the sidelines? This is Davenport. He can handle it. Maybe…

The novel displays Sandford’s easy, inviting prose style, the wry humour that has always made this series stand out, and also his engaging and endearing characters. The friendship between Lucas and his various colleagues feels very natural – after 23 novels, how could it not be? The antagonists of the piece are well-drawn, avoiding cartoon-ish cliché or exaggeration. It was nice to see Kidd and Lauren make an appearance, as it feels like a really long time since we saw them last (the two of them had their own, four-book series earlier in Sandford’s career – and I would highly recommend those, too). The novel is uncluttered, unpretentious, and very focused. It’s not a blockbuster thriller, with a focus on character way more than guns or action-scenes.

The ending was just a smidge muddled, as if the author felt he needed to wrap things up relatively quickly, but I think he nevertheless manages to pull it off, and it wasn’t dissatisfying. It didn’t feel rushed, actually. The conclusion also leaves things open for further exploration in a later book (which I really hope Sandford does). I get the feeling that Sandford has some big plans for Davenport’s future, and I can’t wait to read the next book in the series. This far into a series, it is a testament to the author’s exceptional skill as a writer that he manages to make each new novel as gripping and addictive as the last. Long may this continue!

A short-and-sweet review, this. I don’t want to delve too much into the story, as there are a couple of switches and changes at certain points of the narrative. The synopsis, above, should suffice to give you as much as you need. All I can say is that John Sandford is a superb writer, and Silken Prey is yet another strong addition to his beloved series. I will really have to catch up with the companion series, which follows Davenport’s protégé (of sorts), Virgil Flowers. I’ve read the first in that series, but have six more to catch up on. I may plan to do that over Christmas and New Year.

Very highly recommended for all fans of crime thrillers.

“Scars” Eps.IV-IX by Chris Wraight (Black Library)

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Wraight-Scars(HH)-pt4The next six parts of the serialised Horus Heresy novel

Of all the Legiones Astartes, the White Scars of Jaghatai Khan remain the most enigmatic and elusive. Born of a civilisation that prizes honour, speed and fearsome loyalty, their allegiance has yet remained unclear even as the galaxy is torn apart by Horus’s treachery, and both sides have apparently counted them among their potential allies in the war to come. But when the Alpha Legion launch an unexplained and simultaneous attack against the White Scars and Space Wolves, the Khan must decide once and for all whether he will stand with the Emperor or the Warmaster… or neither.

Originally, I was going to read this serialised novel in chunks of three ‘episodes’. However, after leaving things for a little longer than intended, I ended up blitzing though the middle six parts in one go. While I’m still not entirely sold on the serialisation-aspect of this project, I do believe Scars will shape up to be Wraight’s best Black Library work to date. This is a very good novel (so far).

I’m still not entirely sure how best to approach reviewing these episodes. As with the previous review, it’s a little difficult to decide on what is a spoiler, what isn’t, whether it should be approached as if these were a single, complete book? I’m going to try to walk a middle-ground, and just highlight some of the things I really liked about Scars so far, and some more general observations. The synopsis, above, does a good job of situating the reader, and I think only needs a little bit more for the purposes of the review.

Two of the best things about the novel are, first the plethora of Legions represented (eight with ‘proper’ characters, but another on the sidelines, referred to quite frequently), and second, the continued examination of what the new revolt and civil war has done to the Astartes – collectively and individually. Many of the characters are still struggling with the idea of open warfare between the Legions, how peculiar and abhorrent fighting their own kind, their cousins, is.

Fighting another Legion was an unsettling experience: they thought like he did, were as quick as he was and almost as familiar with the layout of his vessel. It was like fighting a mirror.

The Thousand Sons had been different. They’d already been half beaten once the Space Wolves had made planetfall, and their defence had been desperate and messily, confusedly defiant. The Alpha Legion had no such disadvantages: they were in better shape than the Wolves, better resourced and with the advantage of the initiative. They had come looking for this fight, for reasons that even Russ hadn’t fathomed with any precision.

In addition to the confusion borne of the rebellion, the machinations of the Word Bearers and their allies in the Warp has only increased the problems facing the loyalists. Communications are effectively down – messages through the Astonomican are either delayed, garbled, contradictory, or nonexistent. At one point, the White Scars Primarch’s frustrations bubble over:

“I have the strength of the Legion arrayed before me, ready to strike. The ordu has assembled, and yet none can tell me who the enemy is. Tell them if they cannot interpret correctly then I shall come up to their spires and hammer their dreams into order for them.”

And later, he reflects on the situation:

The Khan almost felt like laughing. Nothing made sense. After years insulated from the rest of the galaxy, locked in a campaign that had promised little glory and much routine hard work, every certainty seemed to have been twisted into a comical level of incongruity.

True, these have become central themes of the Horus Heresy series as a whole, but the fact that it remains interesting after so many novels, from so many authors, is a testament to the skills of the writers involved, but also the strength of the overall project. It’s no mean feat to juggle all these novels, short stories, and audio dramas and maintain the quality (in fact, as I’ve mentioned before on the blog, from Graham McNeill’s A Thousand Sons onwards, the quality has been improving).

Wraight-Scars(HH)These episodes are littered with examples that explain the White Scars’ rarefied position among the Legions. They are set very much apart from their fellows. Sure, the Alpha Legion are mysterious, but they are known. They are infamously opaque and mysterious, and yet known because of that. The White Scars have simply been… absent. Off persecuting their own part of the Crusade, away from their brother Legions, without much support. This makes them very difficult to judge. When orders do arrive for the White Scars, however, and the Emperor and Dorn order the Khan’s Legion to return to Terra, to reinforce the throneworld’s defences, the Khan does not react well:

“I will not take direction from anyone, not even the Throneworld that only now, now that its Legions are tearing one another to pieces, deigns to remember that it has eighteen warrior-sons at its service… You are nobody’s slaves… We take orders from no one. We take no one’s word. We are on our own, just as we have always been, and if there is truth to be found in this, then we will find it for ourselves.”

Jagatai Khan is a pretty interesting Primarch. He’s enigmatic, even after reading this much of the novel. But this is, really, the root of his charm and why he remains a popular figure in Warhammer 40,000 mythology. There’s a great scene in which four Primarchs are gathered, shortly after Horus’s investiture as Warmaster (at Ullanor), and we get some interesting insight into his character. For example, this shrewd observation about his brothers:

Fulgrim and the Angel looked similar in some ways. They had the same sculptural faces, the same flamboyant armour. Where Sanguinius looked as though he had been born wearing gold-rimmed pauldrons, though, the Khan had always thought Fulgrim looked to be trying a little too hard. In the end, he guessed that Sanguinius would have been happy to cast off his trappings; Fulgrim gave the impression that he would rather die.

And then, as the four of them (Mortarian is also there – another Primarch who has remained rather out-of-sight for most of the series) discuss Horus’s new position:

Sanguinius smiled. “My brother, I think you are the most inscrutable of us all. I know what Rogal wants, and I know what Roboute wants, but even after so long I have no idea what you want.”

“He wants to be left alone,” said Fulgrim. “To shoot off into the stars and hunt down xenos on those delightful jetbikes. They’re devilishly fast…”

And we get to see just how fast all of the White Scars’ vessels can be. Much to the Alpha Legion’s surprise and detriment…

Things really start to hot up near the end of Ep.V, when White Scar psyker (or “weather witch” as his fellow Astartes call him) Yesugai stumbles across a Sons of Horus ship, crewed by a small band of Salamanders and Iron Hands, who have recently escaped the massacre on Isstvan V. He learns of the betrayal, putting to rest some of the confusion that has resulted from the White Scars’ isolation. This sets into motion the events of episodes VI-IX, which sees the White Scars hurtling towards revelations upon revelations, disappointments and betrayals. The story is shaping up very nicely indeed, and I can’t wait to read the final three parts of the novel.

As well as these larger issues are unfolding, we start to see more of Shiban’s investigation into the mysterious deaths on Phemus – deaths that appear to have been caused by Legion weapons. This leads him to his Terran friend, another White Scar, who is also an active member of a Warrior’s Lodge. A Lodge who may not be working in accordance with the Khan’s wishes, and are probably being manipulated by… well, long-time readers of the series will no doubt know the answer to that.

Of the other Legions featured in the novel, the Space Wolves come out of this in a very interesting light as well. The timeline places the novel shortly after their attack on Prospero to punish Magnus and the Thousand Sons. They are uncharacteristically somber, introspective, as they see the ripple-effects of their actions (sanctioned though they were), which leaves Leman Russ, their warlike, impulsive Primarch, to lament the state of affairs in the galaxy, of which he played an instrumental part in bringing about. Speaking to Bjorn One-Hand (who is well-known to fans of the tabletop game, as the Space Wolves’ dreadnought character, Bjorn the Fell-Handed – he also featured in Wraight’s SMB novel, Battle of the Fang), he muses:

“I never asked him [the Emperor] what he had in mind for us once the Crusade was over,” Russ went on. “I never asked him if we would be needed. Hardly matters now – if this madness can’t be stopped there will never be a time when we are not needed… The irony of it. Horus has given us the purpose we were beginning to lack. He’s made us useful again… Look what a mess we have made of things – me and my beloved brothers. You will have to pick up the pieces.”

Overall, then, this is shaping up to be another superb addition to the Horus Heresy series. Wraight has really outdone himself. I’m enjoying this a great deal. [But, yes, I would have preferred to read this all in one go, rather than in weekly instalments.] Bring on the final three episodes, and the next book in the series, Dan Abnett’s The Unremembered Empire.

The Horus Heresy: Horus Rising, False Gods, Galaxy in Flames, Flight of the Eisenstein,Fulgrim, Descent of Angels, Legion, Battle for the Abyss, Mechanicum, Tales of Heresy,Fallen Angels, A Thousand Sons, Nemesis, The First Heretic, Prospero Burns, Age of Darkness, The Outcast Dead, Deliverance Lost, Know No Fear, The Primarchs, Fear to Tread, Shadows of Treachery, Angel Exterminatus, Betrayer, Mark of Calth, Promethean Sun [Stefan’s Review], Scorched Earth, Vulkan Lives, Scars (I-III), Unremembered Empire

“The Shining” by Stephen King (Hodder)

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KingS-TheShining2011Perhaps King’s most famous novel. Review by a first-time reader.

Danny Torrance is only five years old, but in the words of old Mr. Hallorann, he “shines” with an exceptional psychic talent. For most of Danny’s life, his clairvoyant abilities have helped him to puzzle out his parents’ troubled relationship, but when his father accepts a position as the winter caretaker for the Overlook Hotel high in the Rocky Mountains, the little boy’s visions spiral into the realm of nightmare.

As blizzards isolate the Torrances, the hotel seems to develop a sinister life of its own. At night, unseen revelers ride the elevators and even the animal-shaped hedges of the topiary prowl the hotel’s grounds like threatening predators. But when Danny meets the woman in room 217, he discovers that the hotel’s phantom guests are more than shadows. Like Danny, the Overlook shines, but the energy it emanates is deadly.

The Shining is one of those novels pretty much everyone knows about. And I wouldn’t be surprised if, like me, they know many references from it without having ever read the book. True, some will know about it from the Kubrick movie (which Stephen King is not too fond of) – although, I haven’t seen that, either. When I got my hands on the novel, I was certainly eager to see what all the fuss was about, and fill in this important gap in my reading history. It is, of course, brilliantly written. But. While it is a fascinating read, there were a couple of things that didn’t quite click for me. I would, however, agree that this is essential reading.

I’m not really sure what to write in this review. It’s a novel that certainly made me think. It’s far more psychological than supernatural (in my opinion). It didn’t “terrify” me, but it was emotionally affecting. Danny, the child, is sympatico, and so many scenes made my heart ache for him. He has “the shine”, a hyper-, supernatural awareness of other people’s emotions, and also telepathic gifts. As he’s only five, he struggles to understand a lot of what he ‘hears’ and taps in to. Jack, his father, is an emotional wreck, fighting against his genetic disposition towards alcoholism and violence. Wendy, Danny’s mother, is the product of a verbally- and emotionally-abusive family (in this case, her mother basically thinks she’s incompetent, a waste of space, and so forth). The majority of the novel is presented through these three filters: Danny’s confusion, his frustration and outright fears; Jack’s suppression of his impulses; Wendy’s self-consciousness and lack of belief in herself. Exacerbating all of their neuroses and hang-ups, is their solitary life at the Overlook Hotel, effectively trapped their during the harsh, inhospitable Coloradan winter. It’s a fascinating, chilling glimpse into the minds of two emotionally damaged parents, and their psychic, confused child.

My ‘issues’ with the novel (for want of a better word) are not with the story, or the majority of King’s approach. It’s a fascinating story of the psychological impact of lifetimes of abuse – both physical and emotional – exacerbated by extreme cabin fever. And some actually supernatural goings on. Maybe. What niggled for me was the relentlessness of King’s characterisation. It was excellently written, and I was engrossed for the majority of the novel, but there were certainly times when I felt that King got into a repetitive cycle – after three or four times of making a point about Jack’s or Wendy’s shortcomings, the fifth and sixth (and sometimes seventh) times around felt like overkill, and the momentum did drop a couple of times. Part One, in particular, was very heavy-handed in its approach to situating the reader in this family’s life and minds. It is a testament to King’s writing skills, though, that he nevertheless brought me back to the story each and every time I started to think things were getting too bogged down.

KingS-TheShining1977Why “maybe”, above, when I mentioned the supernatural? Well, the introduction to the edition I read (Hodder, 2011) could be seen as rather leading. It includes King’s opinion of what actually causes most the weirdness and psychosis in the novel. While I nevertheless came to my own conclusion, and there are certainly some weird and creepy-as-hell goings-on, I think it did prime my impression, or influence how I read the novel. [Maybe it should be an afterword, in future editions?] A really minor complaint, though.

Overall? I’m very glad I finally read this, and I wish I hadn’t taken so long to do so. It’s by no means perfect, but it is frequently engrossing, gripping, and chilling reading. King’s attention to detail throughout is both excellent and also natural. I was reminded of Robert Jackson Bennett’s writing, actually (only, less contemporary than RJB’s), who I read before this. It certainly deserves its place as a literary classic, and an essential read for anyone with an interest in horror, thrillers, psychological tales, and also writing in general. As someone who has read a fair bit of King’s non-fiction (his Kindle Single, Guns, is superb), but never got through the only other novel of his that I’ve tried (Dreamcatcher, which was Messed Up), I’m glad I finally popped my King Fiction Cherry (there has got to be a better way to phrase that…).

I can’t wait to get my hands on Doctor Sleep, the highly-anticipated sequel [oh, I wish I could afford the limited edition of that book…]. Definitely recommended.

***

The Shining was first published by Doubleday in 1977 (cover above). It is now published by Hodder in the UK, and by Anchor in the US.

Comics Round-Up – Constantine & Lucifer (DC, Vertigo)

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Still haven’t been reviewing as many comics as I had been earlier in the year, but I recently started reading two very good series – one brand new and on-going (Constantine), one already completed (Lucifer). I enjoyed them both very much, so I thought I’d show them some brief love on the blog.

CONSTANTINE #1-4

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Writer: Jeff Lemire & Ray Fawkes | Artist: Renato Guedes (#1-3), Fabiano Neves (#4) | Colors: Marcelo Maiolo

Liar, cheater, manipulator… John Constantine is all of these, and yet he uses these skills and more to protect the world from the darkest corners of the DC Universe.

Spinning out of both Hellblazer (which spanned 300 issues, and was Vertigo’s longest-running series) and also Justice League Dark, this series gives John Constantine its entire attention. I’ve only dipped in to Hellblazer, and certainly haven’t read nearly enough to consider myself overly familiar with the character or conversant with his part, but I enjoyed what I had read. The dark focus on the occult and supernatural were like catnip to me, and they were also what made me try Justice League Dark (which I have been enjoying quite a bit, too).

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This series is written by Jeff Lemire, who also recently took over JL Dark. It’s a really good opening to the new series, I think, and we get a good introduction to Constantine’s character. It’s dark, deliciously so, and Constantine is his charming-anti-hero-self throughout. He’s not afraid of sacrificing others for the “greater good”, either – making him not a whole lot better than his antagonists. The end of #1 was particularly gruesome and startling, but these four issues are filled with visually and narratively stunning work. The main villains in this particular story (still incomplete at this stage) is the Cult of the Cold Flame, who have cropped up in JL Dark, too. I’ll certainly be reading more of this series. Recommended.

(Issue #5 is part of the Trinity War story-line, so I’ll be reviewing that as part of an Event review, in a few weeks’ time.)

*

Lucifer-Vol.01LUCIFER, Vol.1 – “Devil at the Gates”

Writer: Mike Carey | Artist: Scott Hampton (Sandman Presents…) & Chris Weston | Inks: James Hodgkins | Colors: Daniel Vozzo

From the pages of THE SANDMAN, Lucifer Morningstar, the former Lord of Hell, is unexpectedly called back into action when he receives a mission from Heaven. Given free reign to use any means necessary, Lucifer is promised a prize of his own choosing if he fulfills this holy request. But once he completes his mission, the Prince of Darkness’ demand shakes the foundation of Heaven and Hell. Now as his enemies unite to stop his reemergence, Lucifer gathers his forces as he prepares to launch his new revolution.

Collects: Sandman Presents Lucifer #1-3, Lucifer #1-4

This is an excellent, independently intelligible spin-off from Neil Gaiman’s Sandman (of which I have only read the first book).

In the first of these two story-arcs, we join Lucifer at his Los Angeles club, Lux. I’m not really sure how to review this book. It’s excellent, certainly, and wonderfully dark. It reminded me of Richard Kadrey’s Sandman Slim series (which is excellent and highly recommended). Lucifer is called up to help out Heaven one last time, in return for a particularly generous reward. The former Lord of Hell sets off on a very strange, dream-like journey. People’s wishes are coming true, and the consequences are starting to become devastating. Teaming up with a “victim” of this plague of wish-granting, Lucifer needs to get to the bottom of the mystery, before the world wishes itself into chaos.

In the second story, the first of Lucifer proper, we begin in Hamburg, where a set of mystical Tarot cards tries to influence the world around it. We get some neo-Nazis, hate crimes, and all of the seven deadly sins exaggerated and enhanced by the influence of the Tarot cards. Lucifer intervenes, in order to bring balance back to the world.

I really liked the alternative location – for once, we weren’t in the USA or UK, which I certainly welcomed. It’s still early days, but we start to see how the series will shape up in the future. I don’t want to spoil things (from either of the two stories), so this is perhaps a rather thin, unsatisfactory review. Nevertheless, I think this is an essential read for anyone with a taste for the darker sides of fiction and comics. Heaven and Hell are popular tropes in speculative fiction, but Lucifer Vol.1 offers a genuinely original spin, and is both written and visualised brilliantly.

I liked this so much, I bought volume two before I had even finished it. I’ll be starting that very soon indeed, so will hopefully have a review up in the next week or two. Deliciously dark, this is a must-read.

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“House Odds” by Mike Lawson (Atlantic)

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Lawson-08-HouseOddsThe Latest Joe DeMarco Political Thriller

Washington D.C. fixer Joe DeMarco has been asked to handle a lot of difficult situations over the years for his boss, congressman John Mahoney. But nothing has ever been quite so politically sensitive, or has hit so close to home, as the task Mahoney hands DeMarco now.

Mahoney’s daughter, Molly, has been arrested and charged with insider trading. An engineer with a high-flying technology firm, she allegedly placed a half-million dollar bet on one of the firm’s clients. DeMarco’s job is to clear Molly’s name and keep his boss clean. But how did Molly get her hands on so much money to invest in the first place? Before long, DeMarco uncovers that there’s far more to Molly’s case than meets the eye, and the risk to Mahoney is more than just a little political embarrassment.

In this eighth novel featuring Congressional fixer Joe DeMarco, we get a look at the sordid underbelly of Beltway politics, complete with manipulative gangsters and politicians, crooks and thieves. I’m a big fan of this series, ever since I read the first in the series, The Inside Ring in a single day. Each new novel has been an addictive, well-written and expertly-plotted thriller. House Odds is no exception.

The synopsis does a great job of providing all of the information you need, so I’m not going to go any deeper than that, and keep the review short. House Odds hooked me from the start, and yet kept me guessing until the end. Things do not play out at all as I expected, as DeMarco comes across a number of liars, conflicting agendas, hidden motives, and the desperation of a powerful family brought low. It’s a novel filled with grey, and very little black or white. Lawson isn’t afraid to let the muck stick to both his protagonists and antagonists, which makes this a very satisfying and more realistic read.

Throughout the novel, as DeMarco tries to first get to the bottom of what Molly allegedly did, to then trying to get her off the hook, he is left questioning who, in fact, are the good guys. The plot is winding, and perhaps more so than previous books in the series, as Lawson keeps us guessing. The first half deals with one mystery, and the second half another, as our hero is faced with a near-impossible job. Strange alliances will be forged, threats will be made, and leverage will be exercised. House Odds shows us just how dirty politics can be.

As with Lawson’s previous DeMarco novels, there’s plenty of good commentary on the American political system – especially the egos involved. In addition, his characters are well-rounded and realistic. The author’s prose is stripped down, streamlined, and well-composed. The plotting is excellent, too, and I blitzed through this.

I really can’t recommend this series enough. If you have any interest in thrillers set in and around the world of American politics, then Mike Lawson is a must read. House Odds is excellent. Very highly recommended.

Short Story Reviews, Flintlock Fantasy Edition: HOPE’S END by Brian McClellan & THE PENITENT DAMNED by Django Wexler

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Two new short stories from the new wave of flintlock fantasy authors

McClellanB-HopesEndHOPE’S END by Brian McClellan

Captain Verundish has two problems. On campaign with the Adran army and far from her homeland, she is helpless when the young daughter she left at home is threatened. To make matters worse, General Tamas has put her lover in command of a Hope’s End — the first charge through a breach straight into the teeth of enemy cannon and sorcery. To save the people she loves, Verundish will have to come up with a deadly solution…

This is a pretty interesting story. A “Hope’s End” is the first charge against a fortress or other reinforced emplacement. It is pretty much guaranteed death. Tamas likes to select those who bought their commissions to lead these hopeless endeavours. In this case, however, Captain Verundish is in love with the man chosen to lead the next Hope’s End. With trouble back home (her husband is an asshole, and threatening the welfare of her daughter), the story actually opens with her contemplating suicide. Instead, she decides to volunteer to take over the Hope’s End, with the expectation of dying and guaranteeing her daughter’s financial future. Naturally, not all plans go according to plan.

Anyone who was disappointed at the lack of female characters in Promise of Blood will be pleased with Captain Verundish. She’s an interesting character, and I like the way she handles the personal and professional tests she’s presented with. The battle scene is pretty good, too – it’s focused, tightly-plotted, and not over-written. It is followed by an example of how good a leader Tamas is off the battlefield. It’s nice that McClellan has actually paid attention to developing our understanding of why Tamas is such a beloved leader – rather than just telling us that he is, and letting that be the end of it. It’s a good story. (This is set when Tamas’s son, Taniel, is only two years old.)

Well written, this is another good introduction to McClellan’s writing and fantasy world. I really like the way the author has been releasing these short stories to add more to our overall picture and understanding of the pre-coup world. Certainly recommended, and a must-read for fans of the novel. This has only increased my anticipation for The Crimson Campaign…

Also on CR: The Girl of Hrusch Avenue Review, Interview with Brian McClellan, Guest Posts Favourite Novel and Protagonist Ages in Epic Fantasy

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Wexler-PenitentDamnedTHE PENITENT DAMNED by Django Wexler

Alex is a master thief, with dark magic to give her an edge. When she goes up against Duke Orlanko’s Concordat secret police, though, she may have taken on more than she bargained for…

I read Wexler’s The Thousand Names recently, and thought it was a very interesting start to a new series. In The Penitent Damned, the author takes us far from the location of his novel, and back to a city under control of Duke Orlanko. Alex, the protagonist, has always had special abilities which have given her an edge in her chosen profession. Schooled by a former master-thief, she has taken a job in the city. Frustratingly, to go into much more detail about the story will ruin it (it’s a very short story). We get a glimpse of more of what is going on behind the scenes. We learn just a little bit more about certain events at the end of The Thousand Names, which opens up some intriguing possibilities for the next book in the series. All very cryptic, but I think if you read the novel, and then this short story, you’ll see why I don’t want to go into too much detail. We get to see more magic in action, this time around (which didn’t feature as much in Thousand Names). And it was very cool, giving rise to some good action scenes.

Even if you haven’t read the novel, though, this is a pretty good introduction to Wexler’s writing style and fantasy world. I’d recommend it to anyone who hasn’t yet decided if they want to read The Thousand Names, as well as fans of the novel. Wexler is, I believe, definitely an author to watch. A very satisfactory short story, discussed in a rather unsatisfactory review. Sorry about that.

Also on CR: Interview with Django Wexler, Guest Post on Terry Pratchett

On “OLYMPUS HAS FALLEN”, “TRANSFER OF POWER” & an Author Appreciation

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OlympusHasFallen-TransferOfPower

Director: Antoine Fuqua | Writers: Creighton Rothenberger, Katrin Benedikt | Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Dylan McDermott, Rick Yune, Angela Bassett

I finally Watched OLYMPUS HAS FALLEN, tonight. I thought it was really good, too. A political Die Hard for the modern age, perhaps? The movie is action-packed, very well-paced (I never got bored, and never felt like the screenplay or movie as a whole was padded with anything that was unnecessary). It is quite brutal, though – but in a “realistic way”, if that makes sense? Gerard Butler (the hero, and a member of the Secret Service) offers a very good portrayal of a hyper-efficient, highly-trained killer (former special ops, etc.). There’s no “flash” to the fight scenes, he doesn’t suddenly break into any wire-work or seamless, stylised martial arts. It’s quite chilling, in its brutal directness. Here’s the extended trailer…

So. Why is there a picture of Vince Flynn’s TRANSFER OF POWER? Well, because there are some startling similarities. Transfer was the first Flynn novel I read, and introduces readers to Mitch Rapp, the CIA’s best operative (translation: assassin). Here’s the synopsis:

What if America’s most powerful leader was also its prime target?

On a busy Washington morning, the stately calm of the White House is shattered as terrorists gain control of the executive mansion, slaughtering dozens of people. The president is evacuated to an underground bunker, but not before nearly one hundred hostages are taken. One man is sent in to take control of the crisis. Mitch Rapp, the CIA’s top counterterrorism operative, determines that the president is not as safe as Washington’s power elite had thought. Moving among the corridors of the White House, Rapp makes a chilling discovery that could rock Washington to its core: someone within his own government wants his rescue attempt to fail.

As I subscribed to the author’s newsletter, I received the email with Flynn’s comment about Olympus Has Fallen (which was, actually, also the first time I heard about the movie). Dated on March 25th, 2013, here is part of “Vince’s Statement On Olympus Has Fallen”, in which he addresses the similarities, mentions White House Down, and also offers some information about the forthcoming American Assassin movie adaptation:

Many of you have emailed me, messaged me on Facebook, posted on my Facebook page and tweeted about the similarities between the new movie Olympus Has Fallen and my book Transfer of Power. My team and I have noticed the similarities as well and know of a second movie coming out this summer also about an attack on the White House. Neither of these movies are Mitch Rapp movies nor do I have any involvement in either project. It is very difficult to prove where a producer, director or screenwriter gets an idea, or to prove how their ideas may have been inspired.

It is exceptionally difficult to prove in court, costs lots of time and money and usually amounts to a great deal of frustration. My team and I have decided to stay focused on the Rapp Franchise – writing one great Rapp novel a year and getting American Assassin made into a movie.

With Bruce Willis signed and on board to play the surly Stan Hurley, a character that I created with him in mind, things are looking good for a fall shoot. Things will start to move quickly in the coming months as Rapp, Kennedy, Stansfield and others are cast. It will be a very exciting time.

I appreciate you looking out for me, and your concern for my intellectual material. In many ways your comments have allowed me to stay calm and focus on what I love most, which is writing a kick ass Rapp novel. For that I offer you my sincere thanks.

I loved Transfer of Power, and blitzed through it in record time. I read it when I hadn’t quite fallen down the Reading Rabbit Hole I obviously inhabit today, but it certainly marked a shift in my reading tastes – after this, I caught up with Flynn’s other books (at the time, only three others had been released), and have read all of Flynn’s novels since, always picking them up on release. That being said, I let things slip for his last two novels, and have been really slow about getting around to The Last Man. Sadly, earlier this year (June 19th) the author lost his three-year battle against cancer. He was only 47. And so The Last Man is also his final novel. There had been plans to publish his work-in-progress, but those plans seem to be on indefinite hiatus. I suppose the publisher and his estate will find someone to finish it off, at some point.

Each of Flynn’s novels has been a tightly-plotted action thriller, firmly rooted in what became the post-9/11 tradition (so yes, the villains are often Middle Eastern terrorists, but a couple of times they are American). Transfer of Power was actually published in 1999, though, which showed a creepy prescience. He was certainly, in my opinion, the best writer among his genre-peers. He was a conservative, politically, but unlike some of his contemporaries, he was always fair in his portrayal of politicians in his novels who held opposing positions to his own or his protagonists’. He was always able to present both sides in an even way. [Some liberal authors could learn something from him on this score – *cough* Eric van Lustbader in The President’s Daughter *cough*]

I will miss having new Rapp novels to read, but I am grateful to have so many to re-read over and over again.

Vince Flynn’s Novels (chronological): American Assassin, Kill Shot, Term Limits, Transfer of Power, The Third Option, Separation of Power, Executive Power, Memorial Day, Consent to Kill, Act of Treason, Protect and Defend, Extreme Measures, Pursuit of Honor, The Last Man

If you like Flynn’s novels already, but want more authors who write in the same (sub-)genre and are worth your time, be sure to check out: Kyle Mills, Andrew Britton (R.I.P.), Alex Berenson (these three are my favourites), Brett Battles, Olen Steinhauer, John Gilstrap (who I’ll be trying out very soon), Daniel Taylor, Brad Thor, Marc Cameron, Tom Cain, Dick Wolf. There are, of course, many others, but these seem to be the best. [Hm. Anyone know any female authors who write in this genre…?]

In case you are interested, here is the trailer for White House Down – which stars Channing Tatum and Jamie Foxx:

Graphic Novel Round-Up (September)

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I’ve not been keeping on top of graphic novels and comics as I had been – just been too busy and distracted. Nevertheless, this weekend I was able to catch up on some, so I decided to write very quick reviews of those that stood out.

Reviewed: East of West, Vol.1; Wolverine & the X-Men, Vol.3; Astro City, Vol.1, Archer & Armstrong, Vol.1

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EastOfWest-Vol.01East of West, Vol.1 – “The Promise” (Image)

Writer: Jonathan Hickman | Artist: Nick Dragotta

This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.

Collects: East of West #1-5

This is a pretty interesting series. It was much-hyped when it was first published, but I nevertheless waited for the first story-arc/volume to be available. It is a dystopian future, where much of life seems to have been consolidated onto the American continent. There is an apocalyptic storyline that keeps you guessing, as three of the four horsemen ride out (after being reborn) to track down their missing fourth. Death, as it happens, is the MIA horseman, and he is pursuing his own agenda and mission. Specifically, to find his missing love.

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There’s a fair mount going on in the first issues that make up this opening story-arc. It’s well-written and very well-rendered. The artwork is superb, with not a few arresting pages and panels (see, for example, above and below). The story has a lot of influences that one might be able to spot (I couldn’t say for definite if they are genuine influences, or just things I spotted and have associated with my own science fictional/dystopian favourites).

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It’ll certainly be interesting to see how this series shapes up in both the short and long-run. Count me in for the long-haul. This is a must-read for anyone who likes dystopian futures, apocalyptic stories, with a healthy dose of futuristic politics, technology, weirdness, and an expertly written story. The artwork complements Hickman’s narrative excellently. Plenty of surprises, but pleasantly familiar at the same time. Recommended.

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Wolverine&XMen-09Wolverine & the X-Men, Vol.3 (Marvel)

Writer: Jason Aaron | Artists: Chris Bachalo & Nick Bradshaw | Colors:

AvX tie-in! Wolverine is torn between two teams! Cyclops comes to the Jean Grey School to extend an olive branch, but will Wolverine’s X-Men join their estranged ex-teammates against the Avengers? And even if they do, will the students follow their lead? After seeing the events of AvX, the kids have a choice to make – but it may not be what you expect!

Plus: Iceman vs. Red Hulk! Kid Gladiator goes after the Avengers single-handedly! The Shi’ar Death Commandos take on the Phoenix! And the secret history of Warbird!

Collects: Wolverine & the X-Men #9-13

I enjoy this series a lot, actually. At first, I had been left a bit wary by the sense of humour, but it has leveled out very well – it’s quirky, funny, and well written. This volume, however, while still enjoyable, also highlights all of my issues with Marvel’s near-endless cross-title Events. In this case, the too-long-running Avengers vs. X-Men. Now, I was lucky that I had read the AvX twelve-issue mini-series, which meant I did have an overall idea of what was happening. However, without that, this book would have come across bitty and confusing: the characters jump about too much, not to mention suddenly, and it feels very much like only a small part of a larger story. There were also a few moments of fast-forward in order to prepare the characters for the massive Event. This grates, because it means Marvel consciously forced writers to refer everything back to the larger event. Therefore, this is not so much a “tie-in” but a “companion”. A pity. For those who have read the main mini-series, though, this book will give you more context and added depth to the conflicts of the central characters – particularly Wolverine. I also really liked the final chapter/issue collected here, and the background we got for Warbird, Kid Gladiator’s bodyguard. Really good issue – the art, story, everything. Excellent.

Wolverine&XMen-12-Internal3

The whole book is brilliantly rendered, actually. The contrast between Bachalo’s and Bradshaw’s artwork, while stark, does not jar when we do shift. Instead, they somehow manage to complement each other rather well. It’s vibrant, eye-catching, amusing, filled with detail and sometimes subtle. Superb support for Aaron’s writing and story, which they both really manage to bring to life.

Volume 4 is also connected to AvX, but I’ll be reading it anyway, given my fondness for the characters involved. The first two volumes focused more on the school and the new students (and the runaway bamfs, who are always amusing, as is Broo), which I hope we’ll return to in the very near future.

Wolverine & the X-Men is one of the few series that continued post-AvX basically unchanged, for which I am glad. I’ll probably read volume 4 this coming week(end).

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AstroCity-Vol.01-ArtAstro City, Vol.1 – “Life in the Big City” (DC Comics)

Writer: Kurt Busiek | Artist: Brent Anderson

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city’s leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

I’m not really sure what to write about this book. It is certainly interesting and worth reading – especially if you are a fan of comic-book heroes in general. The first chapter focuses on a very busy super-hero: he’s super-focused on saving as many people as possible, while also keeping down his job as a fact-checker at a publication. Unfortunately, he never seems to have the time to enjoy his super-powers. Like flying. It’s a very nice story, and the character is re-visited later in the book, when he goes on a date with a heroine of the city. This was an interesting chapter, which looked at the motivations of super-powered vigilantes, and also touched upon some of the classic clichés and patronizing tone leveled at female characters (which is, of course, the point).

The book is filled with nostalgic touches, from the use of a newspaper office as a location (a nod to Superman), but also the “$” signs on the swag bags from the robbery. It’s really quite fantastic. True, I think much of the attraction comes from nostalgia and a wish to peal back the curtain on the lives of super-heroes and those their actions impact.

If you are familiar with classic super-hero tropes, and are looking for both a nod to nostalgia and a development of the lives of these heroes, then Astro City is a must read. This is a really interesting introduction to the series, and I look forward to reading more of it. Certainly recommended.

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Archer&Armstrong-Vol.01Archer & Armstrong, Vol.1 – “The Michelangelo Code” (Valiant)

Writer: Fred Van Lente | Artist: Clayton Henry, Pere Peréz (#3-4) | Colors: Matt Milla

It’s history in the breaking! After years of meditation and training, 18-year-old Obadiah Archer has been dispatched to New York City to carry out the sacred mission of his family’s sect – locate and kill the fun-loving, hard-drinking immortal known as Armstrong! But as this naive teenage assassin stalks his prey, he’ll soon find that both hunter and hunted are just pawns in a centuries-old conspiracy that stretches from the catacombs beneath Wall Street to the heights of the Himalayas. And Archer & Armstrong will have to work together if the future is to stand any chance of surviving the past’s greatest threat!

Collects: Archer & Armstrong #1-4

This is my second Valiant collection, after the somewhat disappointing Bloodshot (sorry, it just didn’t click with me, despite my past fondness for the author’s work). After reading this collection, I must say I remain on the fence. The two protagonists had a lot of potential. Archer is the brain-washed son of a crazy, right-wing, creationist power-couple – the opening pages of the book leave little doubt as to how we’re supposed to think about them (if any member of the GOP needs ‘proof’ that publishing were an anti-conservative brand of the liberal media…). Armstrong is the immortal, and shares not a few characteristics with Obelix. This does not make Archer an Asterix analogue, but their relationship does have shade of the Gaulish favourites. Archer is tasked with killing He Who Must Not Be Names (Armstong), and to that end is shipped off to New York City, that hive of villainy and sin. But, our young crusader quickly comes across evidence that his parents are actually the crazy, evil bastards that he has been brought up to abhor. Naturally, this comes as something of a shock to our highly-gifted, rather deadly young hero. Together with Armstong, he sets off on a mission to save the world from the evil machinations of the Sect, who know nothing of the forces with which they are meddling.

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I’m not sure if this was meant to be taken at all seriously. I get the feeling that Van Lente and Co. are aiming for truth-through-farce, which is something they have certainly managed to achieve. The tone is light throughout – sometimes too light. True, I do like a bit of darkness in my comics, but this title seemed to not quite get the appropriate balance – when a supposedly ‘serious’ scene came along, it was overshadowed by something silly that happened either just before or immediately after. The “commentary” was at times rather forced, blunt, and simplistic, which weakened the impact. The humour ranged from smile-worthy to meh. (That really should be a technical term… Sadly, it just just an onomatopoeic way of indicating my lack of enthusiasm.)

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The story was a bit run-of-the-mill, focusing on one-percenters led mega-conspiracy to keep the masses poor and downtrodden. And yet, despite the unevenness, the lack of preparedness for the tone… I kept reading.

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I really couldn’t say for sure if I thought this was actually good or just so bad it went out the other side and became readable. There are certainly things I didn’t like, and yet it seems to be knowingly poking fun at all of the things I like to poke fun at, too. It’s left me rather unsure what I think. I hate that…

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Will I be reading the next story-arc? Well… maybe. I’m not in any hurry to do so, but given the frequency with which Valiant Comics offers sales on ComiXology, I will probably be tempted in the not-to-distant future.

“Floating City” by Sudhir Venkatesh (Allen Lane)

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VenkateshS-FloatingCityA thoroughly engaging study of hustlers, strivers, dealers, call girls and other lives in illicit New York

After his insider’s study of Chicago crack gangs electrified the academy, Columbia University sociologist Sudhir Venkatesh spent a decade immersed in New York’s underbelly, observing the call girls, drug dealers, prostitutes and other strivers that make up this booming underground economy.

Amidst the trust-funder cocktail parties, midtown strip clubs, and immigrant-run sex shops, he discovers a surprisingly fluid and dynamic social world – one that can be found in global cities everywhere – as traditional boundaries between class, race and neighbourhood dissolve. In Floating City, Venkatesh explores New York from high to low, tracing the invisible threads that bind a handful of ambitious urban hustlers, from a Harvard-educated socialite running a high-end escort service to a Harlem crack dealer adapting to changing demands by selling cocaine to hedge fund managers and downtown artists. In the process, and as he questions his own reasons for going deeper into this subterranean world, Venkatesh finds something truly unexpected – community.

Floating City is Venkatesh’s journey through the “vast invisible continent” of New York’s underground economy – a thriving yet largely unseen world that exists in parallel to our own, at the heart of every city.

I first came across Sudhir Venkatesh’s name in Freakonomics – as, I’m sure, did many non-sociologists. In Levitt’s book, Venkatesh contributed a small selection of his work with the crack gangs in Chicago. This study would go on to form much of Gang Leader For A Day, the author’s previous book. Venkatesh is a rare academic: he can write in such an engaging, riveting style, that his books read almost like novels. In Floating City, the ethnographer turns his gaze on New York City and its underground economy. This is, while flawed in minor ways, easily one of the best non-fiction works I’ve read in a number of years.

It would be easy to share quotations and detailed descriptions of so much of this book and the people Venkatesh got to know. It is a wonderfully-told narrative – from the first chapter, in which he discovers a long-time acquaintance from Harvard is also a high-class New York madam, to the final chapter in which he effectively bids farewell to his contacts and, in truth, new friends. I read the book in three days, blitzing my way through the chapters.

Venkatesh touches not only upon the criminal activities his contacts take part in, but also the economic and social repercussions of the lives they find themselves living. It is sometimes inspirational, but often it is also heart-wrenching, seeing the damage (personal and collateral) that the lives of call-girls, drug smugglers, illegal immigrants, and so forth can cause. True, one must have been living under a rock (or, perhaps, the rarefied penthouses along Central Park) to not be aware, even superficially, in the plight of the poor, the difficulties that face those who are forced by situation to operate in the black markets. Venkatesh is a sympathetic, eloquent guide to the New York underbelly.

The author writes with an almost cheeky sense of humour, too. Amused at the situations he finds himself in, and also the system in which he is operating – from the academic strictures of Columbia University to the illicit systems he sees at work during his fieldwork – which include strip clubs, porn stores in Hell’s Kitchen, Midtown bars in the company of escorts and ‘managers’, to name but three. He doesn’t glamorize what he is reporting on, but nor does he inflect his words with judgement. In fact, as he admits, he

There are a fair few poignant moments, and events that Venkatesh witnesses which are near-universal experiences for those from broken or unhappy homes. For example, he joins a contact’s family for dinner. Because of their difficult situation, however, a fight breaks out, and Venkatesh says he’ll put their awakened son back to bed. The scene is very affecting:

“Joshi refused my offer to read and got down on the floor and took a plastic soldier in each hand, speaking to them softly while moving them across his raised knees. The sight shot the ache of an old memory through me. So many times I did the exact same thing, hiding in my room while my mother raised her voice against my father… With the raised voices of his parents beating through the door, Joshi put his soldiers on sentry duty and got into bed. Would he | remember this moment for the rest of his life? Would part of him always be ten years old and anchored to the battlefield of his bedroom floor, fighting an imaginary war to distract himself from the source of pain?”

VenkateshS-FloatingCityUSThe author frequently mentions and discusses his struggles against academia’s, and especially Columbia’s disdain for “popular” sociology books and articles, aimed at reaching wider markets. If not targeted solely at fellow academics, a study will be dismissed as “journalistic”, as if that were the height of criticism. As someone who very much does not write in a conventional “academic” style, partly due to journalistic training, and partly my belief that hoarding knowledge is a guaranteed path to academic and professional destruction and irrelevance, I found Venkatesh’s style refreshing and quite brave. (True, the events and research he details in the book are from a decade and more ago, but still.) At one point in the book, the author recounts a conversation with the chair of Columbia University’s sociology department, who cautioned him, “It will never take the place of real, deep sociology… Just don’t be confused about that.” Nevertheless, I am very grateful that Venkatesh chose to aim for a broader audience.

His inviting style and approach does often place him at the centre of certain scenes. That does pose issues of academic and/or scientific detachment (recognised by the author), but also move this book beyond pure, accessible sociology and somewhat into the memoir genre. As he says at the end, the book is intended as a research memoir of sorts. It works, in my opinion, and I welcomed the personal reflection, and the Schrödinger-effect his participation clearly created in certain situations. If not for his research, for example, would his drug dealer contact have ever met up with his secretly-a-madam acquaintance at the art gallery? You get a sense of his professional anxieties, how his desire to really pull back the curtain of New York’s illicit subculture for a wider audience, hamstrung by some of his tenured colleagues’ disdain for letting non-academics getting a look at the goods (if you will).

“… tale[s] of improvisation in a world of shifting values and social roles. And if the upper-end madam and the ghetto thug were both improvising their supposedly fixed social-roles, if their way of relating and even their styles were subject to such rapid revisions – as if they were merely a fiction agreed on between two people – then it was a short step to admitting that succeeding in a life of crime wasn’t so different from making art. The global city, like the canvas, provided the structure, but the rest was in the individual’s hands, making each [person]… a kind of artist whose art and job consisted in crafting the latest, most up-to-date version of themselves and offering it to a city for final judgement. Is this the ‘me’ that will finally make it?”

To observe something is to change it. Through Venkatesh’s observations, and the wealth of detail and data he has compiled, perhaps we will see a genuine and positive change in the way society, city and national governments address and understand criminal activity, the ‘war on poverty’, and also the American Dream in the ever-changing, ever-more-complex 21st Century city.

Very highly recommended.

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Floating City is out now – published by Allen Lane/Penguin in the UK, and Penguin Press in the US.