An Interview with JAMES MAXEY

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James Maxey’s Dragon Apocalypse is a series I have been eager to read for a long while. It has been one of many victims of Kindle Invisibility Syndrome (I bought Greatshadow soon after it came out). Now that I have acquired Hush and Witchbreaker, I’ll be sure to blitz through the series, which so many reviewers (many of whom share my tastes in this sub-genre) have enjoyed. So, without further ado, let’s get to the questions…

Let’s start with an introduction: Who is James Maxey?

I’m a guy who daydreams a lot and has enough discipline to write down some of the crazy stuff that crosses my mind.

Your latest trilogy, Dragon Apocalypse, has been published by Solaris. How would you introduce the series to a potential reader?

First, I refrain from calling it a trilogy, and usually only refer to it as a series. The three books out now constitute one arc of a larger story, but there will definitely be future books featuring these characters. It’s a big world with lots of potential, and my eventual story-arc covers decades.

My short pitch for the series is that it’s “X-men meets Tolkien”. The setting and scope of the tale are definitely epic fantasy, but the characters – and to some degree the plot lines – are more superhero inspired. Every major character in the series has some kind of superpower. Instead of battling super villains, they battle dragons, and also each other.

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The first book, Greatshadow, is mainly the story of Infidel, a woman with a mysterious past who is super strong and invulnerable. The story is told by Stagger, her best friend, who is secretly in love with her but never confesses his love until the moment of his death in the middle of the first chapter, after he’s accidentally been stabbed with his own knife. His spirit winds up tied to the knife that killed him, so that he winds up haunting Infidel, witnessing her trying to carry on with her life. After Stagger dies, she feels like she’s done with the life of a vagabond mercenary, and wants to make one last big score so she can be insanely wealthy and retire in peace. To do this, she joins up with a hunt to kill Greatshadow, the primal dragon of fire, with the goal of looting his legendary treasure trove. However, the hunt is being organized by the Church of the Book, the dominant religion of the land and the group responsible for her bearing the nick-name “Infidel”. She has to join a party of knights and priests sworn to kill her if they ever learned her true identity. Complicating matters even further, the leader of the dragon hunt is the legendary knight Lord Tower – the man she left standing at the alter near fifteen years before. Hijinks ensue. It’s a love story.

What inspired you to write the novels? And where do you draw your inspiration from in general?

My previous series, the Dragon Age (not related to the video game), was actually science fiction in fantasy drag. Everything in the books has the look of epic fantasy, but underneath it all there’s scientific explanations grounding how our world became the world of Bitterwood. Having written all those epic fantasy books without any recourse to magic, I wanted to go in the opposite direction and create a world where science just doesn’t have any say in the rules. So, instead of the sun being a giant ball of burning gas, the sun is actually a dragon named Glorious who flies across the sky at the same time every day because he’s kind of obsessive compulsive. Also, the Bitterwood novels were fairly gritty, with a few moments of humor, but mostly a very serious tone. The Dragon Apocalypse is much more humorous. It’s not a parody of the fantasy genre, but it does have a lot of fun playing with some of the more absurdist underpinnings inherent to all fantasy.

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How were you introduced to genre fiction?

Comic books, mostly. Once I discovered superheroes, it was all over for me. My mother worried reading all those “funny books” would warp my mind. Boy, was she right! From comic books, I branched out into reading a lot of science fiction in high school, branching out into more fantasy in college, then, for a long time, settling into reading mostly non-fiction about science, history, geography, etc. I get much more day dream fuel out of reading about the real world than I do reading about made up places.

The Dragon Apocalypse novels are your second series to feature dragons prominently. What draws you in particular to dragons?

As you might suspect from my reading material, I’m something of a nerd. From the time I was in high school until well into my 30s, I played AD&D religiously. Usually, I was DM, so I got to play the roles of all the dragons and other monsters the players would fight. And, dragons really had a lot of questions surrounding them. Just what did they want all that treasure for? If they could talk, did that imply culture? They were pretty smart, genius level in fact, and a lot tougher and stronger than humans. Why weren’t they running the world? Eventually, these musings laid the groundwork for the novels I would go on to write.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

One specific writing practice I engage in is that I never look back. Once I start writing a book, I never read any of the first draft until I get to the end. Forward is the only direction. Also, I try to write as swiftly as possible, since I really think momentum matters. The faster I write, the better the story flows. I get into zones where my own thoughts go silent and it’s like I can hear the characters talking to one another. Which, arguable, is a symptom of an undiagnosed mental illness, but let’s not go there.

As to whether I enjoy it… well, yeah. People often ask me what I’m smiling about, when I’m just sitting around looking like I’m doing nothing. What I’m usually smiling at is something funny one of my characters just said in my head. I hope I never reach an age where I outgrow my imaginary friends.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I wrote a lot of short stories in high school, then a lot of terrible poetry in college. When I was 25, I put butt in chair and vowed to write a novel. It took me two years to accumulate 60,000 words. It was unrelentingly awful in just about every aspect. The characters were cardboard, the plot was random, the style was pretentious and opaque. The best thing about the book is that it taught me a lot about how not to write a book. Failure can be a great roadmap to success.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I confess, I read almost no current fiction. I used to write a book review column for Intergalactic Medicine Show, and reading nothing but new releases for a couple of years left me yearning to read some older material, stuff I’d always meant to get around to reading, but somehow never had. These days, I’m reading classics almost exclusively. Just this week, I finished A Princess of Mars by Edgar Rice Burroughs, and now I’m reading King Solomon’s Mines by H. Rider Haggard. I’ve got a warm place in my heart for these older pulp novels. There’s something charming about reading books from an era when people were still creating the genres of fantasy and science fiction.

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As to where my work fits in, I’d say the writer I’m most often compared to is Terry Pratchett. I mix humor, action, and philosophy and try not to take my books too seriously, while also taking care not to slip into slap-dash silliness. I never want to let the humor get in the way of you caring for a character or undercutting what’s at stake in the plot. Ultimately, I write books that I want to read. I think that my pulp fiction affinities are pretty evident on the page, with my emphasis on larger than life characters having big adventures against exotic landscapes.

What other projects are you working on, and what do you have currently in the pipeline?

My debut novel was a superhero tale called Nobody Gets the Girl, which came out ten years ago this October. I’ll be celebrating the anniversary with a new print edition of the book this October that will include a new story set in that world. After that, I’m kind of at the mercy of publishers to find out what’s coming out next. I’ve got a steampunk novel under consideration by a couple of publishers, and recently finished the first draft of a new superhero novel called Accidental Gods that I’ll be shopping around soon. While those books are working though the publishing pipeline, I plan to work on a new Dragon Apocalypse novel.

What are you reading at the moment (fiction, non-fiction)?

In addition to the pulp novels, I recently read One Flew Over the Cuckoo’s Nest and reread On the Road. On my daily commute, I’m listening to Jane Eyre as an audiobook. My most recent non-fiction was Gulp by Mary Roach, and I just today bought a book called Wretched Writing, which is about, you know, wretched writing. Lately, I’ve been working on three books at once; an audio book while driving, a bedtime book I read on my Kindle, and some kind of non-fiction paperback on hand for the times when I have little snippets of time to kill.

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What’s something readers might be surprised to learn about you?

This July, I wrote an entire first draft of a novel in just 4 days. (The superhero novel I mentioned, Accidental Gods.) Admittedly, non-consecutive days, Monday, Wednesday, Friday, and the following Monday. Four fifteen hour sessions of just typing as fast as I could to never let the story lose it’s flow. I had a small window of time where my old day job ended and my new day job hadn’t started, and wanted to find out if I could use the intervening days for something productive. Now, I entertain fantasies of locking myself in a cabin with a bottle of tequila and a laptop with no internet connection for one long weekend and seeing what I might emerge with…

What are you most looking forward to in the next twelve months?

In March, I turn 50. I’m going to have a huge party the night before, then, the next day, celebrate by taking a 50 mile bike ride. I’ve been building up to it all summer; so far, the longest distance I’ve done is 30 miles, but I think with another six months of training I’ll be able to do it.

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Be sure to check out James Maxey’s website for information about his novels. In addition, The Dragon Apocalypse was recently collected into a handy omnibus eBook.

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Interview with JAMES TREADWELL

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James Treadwell is the author of Advent and Anarchy, two novels that seem to have taken the UK (and perhaps the US?) by storm. In advance of my belated reading of the novels, Hodder were kind enough to hook me up with an interview with James. Read on!

Let’s start with an introduction: Who is James Treadwell?

I think he’s that tall confused-looking bloke in the back row, the one who needs a haircut. He also appears to have bad shoes.

Treadwell-AnarchyAnarchy, the sequel to Advent, was recently published by Hodder. How would you introduce the series and novel to a potential reader?

I’m very bad at these “elevator pitches” … I suppose one way I might do it is by asking someone if they’ve ever wondered what it would be like – what it would really, really be like – if something impossible happened to them.

But if I was trying to give a more general thumbnail description of the books, I’d probably say that they’re about the return of magic to the world. To our world, that is, the real world we live in; the one in which we all know there isn’t actually any magic.

What inspired you to write the novels? And where do you draw your inspiration from in general?

Advent is based on something that’s been in my thoughts for years and years, long before I ever thought there’d be a time when I could try making a book out of it. As far as I can remember it started with an image of a boy walking alone in a wood and meeting something inexplicable on the way. Why that particular image felt like it had a story in it I don’t know, but apparently it did.

Treadwell-AdventIt often seems to start with a small thing like that: a scene, or a particular character, or an event, which somehow feels like it has extra weight. But I don’t really know where stories come from. Philip Pullman once compared it to fishing from a small boat on a big lake. You just sit there, and – if you’re lucky – something eventually grabs the hook, down in that enormous and entirely invisible space beneath you. You can’t make it happen, though. All you can do is concentrate and be patient.

How were you introduced to genre fiction?

Good question. I wish I could remember. One of the very first things I remember reading – some kind of school reading book, I’d have been six or seven years old – must have been a version of the Nibelungenlied, because I remember the name Kriemhild, and a vague but powerful sense of being excited by dragons and heroes and strange quests. I definitely remember being addicted to a lovely paperback retelling of the Norse myths, a few years later, and I loved Narnia as soon as I discovered it. I can’t remember a time when I wouldn’t have chosen those kind of stories over any other. I’ve always wanted to be enchanted, I suppose.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I love being a writer, for all sorts of reasons. The publishing industry is an entirely different matter. Not in a bad way – I have a wonderful agent and editor, and whenever I go into my publishers’ office I’m astonished (and delighted) by how cheerful they all seem to be. But I know nothing at all about the whole business of printing, marketing and selling books. I do writing: anything beyond that is up to someone else.

Everyone has work habits, don’t they? What can I think of that might be a little unusual? I write using pen and paper, which probably counts as a quirk. I always leave the house. I treat first drafts as raw material rather than anything approximating a final product.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I suppose I’ve always liked the idea of trying to tell stories, but the prospect of actually being an author never seemed realistic until a quite unexpected combination of circumstances came about when I was in my mid-thirties.

I did write a sort of sprawling second-hand fantasy epic in my teens. It was inexcusably terrible last time I looked, so much so that I haven’t dared look again for a very long time. But I do have happy memories of the process itself: staying up late(-ish) in my bedroom, letting the imagination work and ignoring everything else.

What’s your opinion of the genre today, and where do you see your work fitting into it?

By “the genre” we mean fantasy, yes? That’s a big and interesting question.

I’m intrigued by the prevailing unseriousness of fantasy these days. A lot of the best work has a kind of knowing, sardonic cool in it somewhere, as if it’s written by a generation hugely influenced by Douglas Adams. I’m thinking of someone like Terry Pratchett, whose version of fantasy is openly satirical. But I’m also thinking of someone like Joe Abercrombie, where you have fairly conventional fantasy material, but treated in a highly ironic manner (like with the title of The Heroes). Even with Neil Gaiman – who I think is an authentic genius, one of the best writers alive – there’s a shimmer of witty brilliance over everything, a sort of dark sparkle. You see much less of the gentle earnest solemnity of Tolkien or Le Guin, these days. Another way of putting it: think about the difference between Frodo Baggins and Tyrion Lannister as fantasy protagonists. Or, think of how much more wisecracking and cheeky Dr. Who has become.

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Part of the reason this intrigues me is that I’m pretty sure my own writing entirely lacks this quality. But I don’t really want to talk about where I fit or don’t fit into a genre: that’s for others to discuss, if they want to. Besides, thinking about my work in relation to Gaiman’s or Le Guin’s is just going to make me sad.

What other projects are you working on, and what do you have currently in the pipeline?

I know what I’m going to do once the Advent trilogy is finished (which will be in a few months). It’s a project that has come about in an utterly extraordinary way, so extraordinary that I really can’t say very much about it. Sorry.

What are you reading at the moment (fiction, non-fiction)?

I’ve just finished Gossip From the Forest, Sara Maitland’s book about fairy tales, which is wonderful. I’m working my way through M John Harrison’s LightNova SwingEmpty Space trilogy, also very remarkable. I particularly like the fact that it features suburbs and streets and train stations from my patch of West London. I’ll never look at the roundabout in Mortlake quite the same way.

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What’s something readers might be surprised to learn about you?

I’m too chicken to read H.P. Lovecraft. It’s true. He gives me nightmares. Quite a few people have told me that my books are rather “dark”, but I’m a total literary coward. I can’t handle any sort of horror.

What are you most looking forward to in the next twelve months?

Probably watching the Winter Olympics on the BBC. Biathlon! Curling! It would be different if it was all the time, but when it’s once every four years you have to grab the opportunity with both fists. Carpe curling, as Horace might have said.

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James Treadwell’s Advent series is published by Atria in the US (artwork below). Advent and Anarchy are available now. Here’s the synopsis for Advent (from Goodreads):

“A drowning, a magician’s curse, and a centuries-old secret.”

1537. A man hurries through city streets in a gathering snowstorm, clutching a box in one hand. He is Johann Faust, the greatest magician of his age. The box he carries contains a mirror safeguarding a portion of his soul and a small ring containing all the magic in the world. Together, they comprise something unimaginably dangerous.

London, the present day. Fifteen-year-old Gavin Stokes is boarding a train to the countryside to live with his aunt. His school and his parents can’t cope with him and the things he sees, things they tell him don’t really exist. At Pendurra, Gavin finds people who are like him, who see things too. They all make the same strange claim: magic exists, it’s leaking back into our world, and it’s bringing something terrible with it.

First in an astonishingly imaginative fantasy trilogy, Advent describes how magic was lost to humanity, and how a fifteen-year-old boy discovers that its return is his inheritance. It begins in a world recognizably our own, and ends an extraordinarily long way from where it started – somewhere much bigger, stranger, and richer.

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An Interview with DAVID TOWSEY

TowseyD-AuthorPicCropDavid Towsey’s debut novel, Your Brother’s Blood caught my attention a few months ago, and ever since I have been eagerly awaiting my chance to read it. Thankfully, I recently got my mitts on a copy, so I hope to start it sometime next week. In the meantime, his publisher has set up this interview, in which I quiz David on his writing, how he got into genre fiction, and more. If you wanted to check out the novel for yourself, be sure to read this excerpt.

Let’s start with an introduction: Who is David Towsey?

I’m twenty-eight. I’m finishing a PhD in Creative Writing at Aberystwyth University – where I’ll start lecturing full-time in September. I guess you could say I’m a geek or nerd – if such labels are helpful. I play computer games, specifically MMOs, which I’ve been a regular player of since I was fourteen and first got hold of Ultima Online. I also enjoy playing Magic: the Gathering at a fairly competitive level. But between all that gaming and writing I try and keep active by playing squash and swimming at least twice a week.

Your latest novel, Your Brother’s Blood, was recently published by Jo Fletcher Books. How would you introduce the novel to a potential reader? Is it intended as part of a series?

When people ask me about the book I tend to see if they’ve read or seen The Road. If they have, I say it’s a lot like that. Except Your Brother’s Blood follows a father and daughter. And the the father is a “zombie”. If they haven’t, it becomes more difficult. It’s a novel that sits somewhere between a road-movie and a zombie-western. For me, it focuses on family relationships that come under strain – sometimes through normal situations and sometimes because of more extreme circumstances. Your Brother’s Blood is the first part of a trilogy that follows a central family, the McDermotts. Continue reading

Quick Q&A with SNORRI KRISTJANSSON

Here’s a quick interview with Snorri Kristjansson, author of Viking-tastic Swords of Good Men, which was published at the beginning of August, by Jo Fletcher Books…

Let’s start with an introduction: Who is Snorri Kristjansson?

Teacher, writer, lover of cake, mild-mannered Viking and all-round enthusiast.

Your latest novel, Swords of Good Men, was recently published by Jo Fletcher Books. How would you introduce the novel to a potential reader?

As a subversive, gritty, Grimdark-with-a-heart genre-buster, straddling the realms of Historical Fiction and Fantasy like a mythical God – or an action book with Vikings. Depends, really.

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Is it part of a series?

It is indeed! Book 2 is currently finished and at the being-beaten-with-sticks-until-it-behaves stage. Work starts on Book 3 at the end of the month.

What inspired you to write the novel?

An abundance of time, a lack of employment and a couple of ridiculous coincidences.

And where do you draw your inspiration from in general?

All around. An awful lot goes in, gets mixed somewhere about an inch behind the right ear and comes back out in idea form. Some of them aren’t very good at all.

Why are Vikings so cool?

Big question. Short answer: A combination of beliefs, actions, ingenuity, style and individuality. Shorter answer: ’coz they are. Wanna fight?

How were you introduced to genre fiction?

We are all children of Tolkien, I suppose. Stacks of Raymond Feist and David Gemmell followed.

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How do you enjoy being a writer and working within the publishing industry?

It’s great. My publisher and her army of Book Ninjas are a terrifying joy to behold. 

Do you have any specific working, writing, researching practices?

I write well in cafés, but I haven’t had the luxury of establishing rituals yet. The time will come, though.

KristjanssonS-AuthorPicWhen did you realize you wanted to be an author, and what was your first foray into writing?

I’ve been writing for a long, long time, but never really viewed it as my Main Thing until relatively recently, when I totaled up the years and brain-miles spent doing text work of one sort or another.

Do you still look back on it fondly?

I’m not big on looking back, truth be told. I’m a forward kinda guy.

What’s your opinion of the genre today, and where do you see your work fitting into it?

The genre’s main problem is that there are way too many clever storytellers out there pumping out great and glorious work, and I don’t have the time to read it all. This is serious, so I would like fellow authors to be less awesome, thank you kindly.

What other projects are you working on, and what do you have currently in the pipeline?

The conclusion to the Valhalla Saga, an outline of another thing that I can’t speak about, a couple of film things with cool kids that I can also not speak about and various other things. This list might have been more interesting in mime.

Sykes-TomeOfTheUndergatesWhat are you reading at the moment (fiction, non-fiction)?

Tome of the Undrgates by Sam Sykes, which is great fun.

I completely agree! What’s something readers might be surprised to learn about you?

I have done a full 50 minute standup show on a warship.

What are you most looking forward to in the next twelve months?

Oh, that list is LONG, but right at this moment I’d say, “Not being in the state of moving house”, which will happen very soon. Oh, and cake.

Craig Ferguson Interviews Stephen Fry (back in 2010). It was Really Interesting…

I’m going to share this video without any commentary, save that it was really interesting, and I like them both as actors, comedians, and interview subjects. They spend a fair amount talking about depression, manic depression, alcoholism. And internet trolling. It’s something they both know a fair bit about. It’s a frank conversation. Really good. Enjoy.

An Interview with PETER LINEY

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Peter Liney’s The Detainee has been on my radar for a little while, now, yet I keep getting distracted from reading it. With this interview, an excerpt and a guest post up on the blog already, I really should get my butt in gear and read the novel. Very soon, hopefully. In the meantime, here is what Peter had to say about his novel, writing, and more…

Let’s start with an introduction: Who is Peter Liney?

Well, first and foremost, he’s a writer. I’ve done all kinds of jobs – selling sewing machines in the Oz Outback, modeling, acting, fashion buying, decorating, teaching, etc., etc. – but the one constant has always been writing, the one dream has always been success. And no, I don’t agree with writing for yourself; no matter what we do, we want to be appreciated for it. Continue reading

An Interview with MICHAEL MARTINEZ

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Michael Martinez is the author of the highly anticipated (in my opinion) The Daedalus Incident. I actually also already have a copy of the book, but have been dreadfully negligent about getting around to actually reading it. I will endeavour to rectify this as soon as possible. In the meantime, I thought it would be nice to interview Michael, as I’ve chatted a fair bit with him via Twitter and he seems like a great fellow. So, read on!

Let’s start with an introduction: Who is Michael J. Martinez?

Well, I’m the new guy on the block, I suppose. I’ve been a professional writer for more than two decades, primarily as a journalist. A few years back, I got it in my head that I could try writing a novel. It seemed healthier and less expensive than your typical mid-life crisis hobbies. To my surprise, it worked out quite nicely

I thought we’d start with your fiction: Your new novel, The Daedalus Incident, was recently published by Night Shade Books. How would you introduce the novel to a potential reader? Is it part of a series?

The Daedalus Incident combines my love of science fiction with my appreciation for that great tradition of British naval fiction – Horatio Hornblower, Jack Aubrey and the like. It’s about two settings: a future mining colony on Mars, and a historical fantasy in the late 18th century in which sailing ships ply the Void between the planets of our Solar System. Thanks to the machinations of an evil alchemist and an alien warlord, the two worlds are colliding – and may be ripped apart in the process.

Honestly, I just tell people I’m crashing a Royal Navy frigate into Mars. That tends to be enough to capture interest.

Ideally, this will be the first of a series. Both C.S. Forester and Patrick O’Brian both produced strong series based on the Napoleonic era, and I hope to do a little of that as well.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

The specific inspiration for the book came from a poster advertising Treasure Planet more than a decade ago. The movie, of course, was deeply flawed, but it gave me the idea of sailing ships in space. I just decided to make it more adult and more realistic, but also an homage to those historical novels as well.

Generally, I find myself inspired by non-fiction, anything from news stories to Wikipedia. Something will just strike me as interesting or cool, and I’ll write it down so I can use it later.

How were you introduced to genre fiction?

StarWars-4-ANewHopeStar Wars and Dungeons & Dragons were pretty much my childhood, so it was easy to go from that to reading great genre fiction. It’s been a constant in my life.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Being a writer and working with the publishing industry are two very different things. I’ve been a professional writer my whole adult life, so my writing practices are pretty well established. I outline in a good amount of detail, and I chunk out the writing into sections that I can clear in a reasonable day’s effort. It’s the journalist in me. I need that sense of accomplishment before I walk away from the keyboard. And I’m an inveterate researcher, again likely due to the journalism background.

Working within the publishing industry is a different beast altogether. The artist in me writes books. My dealings with the industry are pretty much business-focused. I see my publisher as a business partner, with each of us having a vested interest in putting out a great product and treating each other fairly. Thankfully, I have a fantastic agent, Sara Megibow, who pretty much takes care of that aspect of it, and I’m fairly well versed in marketing. So it works out well.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I never really thought I had the chops to be a novelist. I’d written thousands of newspaper articles, dozens of magazine pieces and a couple of non-fiction business books. But I had the idea that became Daedalus for a long time, and it ended up being my first foray into fiction. When I started writing it up, the switch went on. I mean, that first draft was crap, but it was a completed first draft. Getting over that first-draft hump was big for me.

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What’s your opinion of the genre today, and where do you see your work fitting into it?

This is a great time to be writing SF/F. The genre is growing in popularity and becoming more mainstream. There’s genre fiction that is just so amazing and beautiful and well-crafted that it blows my mind. It’s more akin to literary fiction than anything else. And yet you still have that really fun, adventure-driven fiction as well, and Daedalus definitely fits into that latter category. That doesn’t mean you can’t have nuance and craft in adventure stories, but I definitely like a good ride, and that’s what I write.

What other projects are you working on, and what do you have currently in the pipeline?

I’m currently serializing a novella, The Gravity of the Affair, on my website. While Daedalus was delayed, I wanted to give folks a taste of the setting and the style, so I decided to put that story out there. I have a couple other things in the works that…well, there are things afoot, so I don’t want to jinx it. Suffice it to say, the reception Daedalus has garnered is lovely, and has been noticed. ‘Nuff said for now.

What are you reading at the moment (fiction, non-fiction)?

Scalzi-HumanDivisionI’m one of those terrible authors who actually doesn’t read a book a week. Or even a book a month. I’m woefully behind on my fiction reading, but only because I’ve been spending my free time fiction writing. I have a family and a career outside all this, so there’s only so much time in the day! Plus, I’m big on re-reading; it’s like comfort food. In terms of non-fiction, I’ve been doing research on a few different projects. Telling you the exact books would be a bit of a cheat, really. That said, I cleared John Scalzi’s The Human Division in pretty much one sitting, on the trip back from the Nebulas. It’s a very quick read for the length, and I learned some writerly things along the way.

What’s something readers might be surprised to learn about you?

Most of my day-job writing is about business and finance. I could probably go for an MBA if the thought of taking math classes and writing a master’s thesis didn’t put me off. I also brew my own beer and I’m weak around barbecue.

What are you most looking forward to in the next twelve months?

I’m looking forward to attending my first WorldCon in San Antonio in August. And I’ll be very interested to see if I can sell another book, so that I can claim that this whole fiction thing is a repeatable phenomena and not simply a fluke.

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The Daedalus Incident is available now as an eBook, and will be published in physical editions in August 2013.

An Interview with M.L. BRENNAN

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I don’t read much Urban Fantasy. I don’t really know why. But, last week I read ML Brennan’s Generation V, which I found to be a lot of fun. Naturally, after liking the novel, my first inclination was to send the author some interview questions…

Let’s start with an introduction: Who is ML Brennan?

I’m an avid reader, a writer, and in my day job an adjunct professor. A lot of the time I wish there were many more hours in the day, since all three of those occupations have big time requirements!

I thought we’d start with your fiction: Your latest novel, Generation V, was recently published by Roc Books. How would you introduce the novel to a potential reader? Is it part of a series?

Generation V is the first in a series of books. Right now, I’m contracted for three books, but I’m hopeful that the series will do well, because I have ideas and plans for several more.

The elevator pitch of my book is that Fortitude Scott has a useless degree, a minimum-wage job, a cheating girlfriend, and a roommate who stiffs him on the rent. And he’s a vampire… mostly. But when a little girl is kidnapped, suddenly he’s the only one who is willing to try and do something about it, so he teams up with a wise-cracking shapeshifter and heads off for a rescue mission that will very likely kill him.

This is a book with a very non-typical hero – he isn’t the most powerful character, in fact he’s almost on human levels of weakness when the book begins. In order to beat someone, he has to outsmart them, or make friends and alliances that can help him. There’s no “End of the World” peril – instead, the peril at the heart of the book is one that Fortitude could very easily just ignore and it wouldn’t effect his life at all. His entire family urges him to just look the other way, but he doesn’t, and so it’s his own choices that lead to the life-threatening peril. There’s a lot of banter, a bit of dark humor. But at the core, it’s about a person who is afraid of himself and his heritage, who has to decide between the path of least resistance or something harder.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

Inspiration is a tricky thing for me – no one thing inspired me, rather it was a combination of a lot of ideas and topics that I found interesting. Over time I had a lot of scraps of ideas, and they eventually coalesced into the world that Fortitude inhabits.

But I was interested in the idea of family and heritage – Fortitude is a person who has very little in common with his family, and in fact is deathly afraid that he’ll eventually take on the kind of very selfish and harsh worldview that they possess and view as natural. This folds in really well with how I was interested in writing vampires – as dangerous predators, rather than some of their more benign depictions in recent movies. I am also a professor, and one of the things that those of us who teach have really been exposed to in recent years are films, lectures, and books about the idea of an extended adolescence. I also am very personally familiar (through my own experience and those of my friends) with what it can feel like to get a graduate degree and then enter a job market where the only jobs you seem able to find are ones that you could’ve done with a high school diploma. Those things really had a part in how I created Fortitude – he’s twenty-six, underemployed, stuck with a bad roommate and a bad relationship, but his biggest problem is his lack of self-confidence and ownership in his life. Over the course of the book, that starts changing, and it’s a theme that I’m looking forward to exploring in the sequels as well.

How were you introduced to genre fiction?

My brother is older than me by two years, so my first introduction to genre fiction came very much because I was the classic younger sibling: whatever my brother was doing was interesting to me, and whatever he was reading I wanted to read as well. I’m lucky that my brother was fairly tolerant, and he let me borrow all of his books. Thanks to him, I read Ender’s Game, the Death Gate Cycle, Star Trek novels (my favorites were the Peter David ones), and the Thrawn trilogy of Star Wars books. When I was a little older, our tastes and interests diverged, and I headed in the direction of David Eddings, Anne McCaffrey, and Margaret Weis’s Star of the Guardians series.

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How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Very much. Traditional publishing was always my goal, and I worked very hard to achieve it. I spent almost a decade of very serious writing before I sold a book, and I have to say, starting a project feels different when you know for certain that you will be paid for it, and it is a very, very good feeling.

In terms of writing practices, I’m very much a planner. I don’t start writing a book until I have a very clear direction and an overall outline of the book very solidly hammered out. I know other writers who start writing and figure out that plot as they go, and while I respect their process, I know that I’m just too much of an anal-retentive control-freak to try that myself. Sometimes the outlining can take a few months (and sometimes even longer than writing the book itself takes), but it’s the method that works best for me. I like having already ironed out any timeline or motivation issues before I start working, and having an outline in front of me helps figure out if my plot or characters are somehow out of balance.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I’ve always enjoyed reading, and writing is something that I realized very young came pretty easily to me, but I didn’t have much desire to be an author when I was younger. Or, maybe a better way of putting it is that I didn’t want to be solely an author. I grew up in a single-parent household where my mother worked very, very long hours to provide for us, and so I was very leery at the thought of embarking on a career path that didn’t have a solid paycheck and reliability. So, while I did want to write, I always wanted it to be something on the side, with a regular paycheck always there just in case writing wasn’t enough to pay all the bills. I had that plan in mind all through college, in fact, and right up into my first month of law school.

And that first month of law school, unfortunately, is when I realized that I didn’t want the writing to be something that happened on the side – it was what I wanted to do all the time. I wasn’t happy about that realization at the time (as you can imagine, neither was my mother or my spouse), but there it was. I left law school and entered an MFA program, and writing has been the center of my professional life ever since. (In the interests of full disclosure – yes, the pay was every bit as low and unreliable as I’d feared when I was younger.)

What I view as my first serious foray into writing happened when I was an undergraduate in college: a short story that I’d written was published in a literary magazine. I do look back on it very fondly – I had no personal or professional connections to that literary magazine, and I mailed the story to them with just a standard cover letter. My story had already been rejected from easily two dozen other literary magazines, but I kept at it, and I was published. That experience really helped years later when I was trying to get a book published!

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think the genre that I’m working in – urban fantasy – is really exciting. Dip into urban fantasy and you can find everything from hard-bitten, noir-ish police procedurals with monsters, to very sexually-charged paranormal romance. Urban fantasy is a big tent genre, which is why I have so much fun with it.

I think what can potentially be problematic about some urban fantasy is when authors start becoming formulaic in the hopes of getting an audience quickly. I made some decisions in my book that I felt helped make it be what I think urban fantasy should always try to be: something fun and new.

Your novel features vampires. What’s different about your vampires, and why do you think they (and other undead beasties) have been, and continue to be so popular with readers?

I think vampires rest in our cultural consciousness so well because they hit a lot of our buttons. Vampires look human, so they can pass among us unnoticed, and we can’t immediately identify them as a threat. Vampires are traditionally humans who have been changed and converted, so that hits on our fear of treachery, that the person who was an ally, friend, or loved one today might turn on us tomorrow. Vampires feed on human blood – this frightens us because it raises the horror we have of being prey, and of being consumed. Vampires typically have a level of sexualization – this also brings up that fear of not recognizing a threat, and of facing treachery later. I think all of those elements make vampires more popular (and sustain that popularity) over creatures that don’t play on those fears. For example, the Creature From The Black Lagoon: it poses no threat of infiltrating society, it can never betray you since everyone already hates it, while it does have a bit of subliminal sexual horror in that it sure seems to gravitate to pretty women in bathing suits, but it doesn’t seem to possess genitalia, and no one is going to be seduced by it, so no worries there, and finally it doesn’t really seem to eat us – mostly just squeeze us to death, if my memory of the movie is accurate.

So, vampires have a very long-standing appeal. In terms of the vampires in my book, I actually made a lot of changes to the traditional presentation. In the majority of vampire fiction, the vampire is a human who has been transformed into a vampire, and through that transformation process they are now ageless, immortal, and undead. I’ve always found this kind of idea a bit problematic. For one thing, a creature that reproduces just through a tiny blood donation? Talk about a population explosion! For another, a character that never gets older and will never die? That’s a fairly static character with very few outside pressures. I was never interested in writing about an immortal character.

The big change that I made for my vampires is to make them a separate species. These aren’t transformed humans – they have a lifecycle that includes growing up, old age, and ultimately death. They also have a reproductive cycle that is rather finicky and difficult, and it gives a good reason why vampires haven’t just overrun the planet – in fact, my vampires are a species in total crisis, and right on the edge of extinction.

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What other projects are you working on, and what do you have currently in the pipeline?

In the pipeline is Generation V’s sequel IRON NIGHT. It’s with the copyeditor right now, and I’m currently working on the third Fortitude Scott book, which has to be finished by the end of the summer, so that’s pretty much filling most of my days.

What are you reading at the moment (fiction, non-fiction)?

I’m a fairly wide reader, so if you asked me that week-to-week the answer would always be changing. Right now, I’m reading non-fiction, Carl Sagan’s The Demon-Haunted World: Science as a Candle in the Dark. It’s good – very challenging, extremely applicable to a lot of what is happening right now, but ultimately very optimistic. This has been on my stack for a while now. I haven’t read any Sagan before, though I did have a general working understanding of him.

SaganC-DemonHauntedWorldMy first encounter with Carl Sagan was actually thanks to The Far Side comics, which my brother and I used to read in the paper every day and puzzle over. There’s one comic that’s supposed to be Carl Sagan as a kid, and it’s two little kids looking up at the night sky, and one says to the other something like, “Look at all those stars, Susie! There must be hundreds and hundreds of them!” Which is funny, if you know about Sagan’s famous comment “billions and billions.” My mother explained that to us, which led to my brother reading one of Sagan’s books on outer space. I remember looking at the pictures but nothing else…

What’s something readers might be surprised to learn about you?

I guess it would depend on what readers’ expectations of me were. One expectation that I’ve actually encountered a few times (primarily, it must be said, from friends of my parents who don’t do much genre reading), is this idea that if I write about vampires, than I must be an active believer in vampires, ghosts, witches, UFOs, and just about everything else, or that I have some kind of obsession with one of those topics. That’s definitely not the case. While I have an interest, it’s similar to the interest I have when I read about mythology. Curiosity and enthusiasm for Norse myths doesn’t mean that I have an altar to Odin in my closet, or that I’ve decorated my house with runes.

What are you most looking forward to in the next twelve months?

Oh, lots of things! I’m going to my first convention as a writer in just a few weeks – ConnectiCon, and I actually will be on two panels, so I’m extremely excited about that. At the end of the summer I’ll be at WorldCon, which should be pretty amazing. And then Iron Night will be published in January, so I’ve got a lot of really great stuff to be looking forward to!

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Be sure to check out Brennan’s website, Facebook and Twitter for more information about the Generation V series (sometimes called the “American Vampire” series, apparently), and more.

A Q&A with MAX BARRY

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Max Barry is a superb author. I haven’t read as much of his stuff as I would like, and I’m due a re-read of Jennifer Government at some point in the near future. His latest novel, Lexicon, is one of my favourite reads of 2013 so far, and will be reviewed tomorrow. He was kind enough to take some time out of a busy schedule to answer some questions for me…

Let’s start with an introduction: Who is Max Barry?

Max Barry is a Melbourne-based author who runs an online political simulation game in his spare time. Except by “spare time” I mean “time he should be spending writing novels.”

I thought we’d start with your fiction: Your latest novel, Lexicon, was recently published by Mulholland Books. How would you introduce the novel to a potential reader?

I’d probably be all like, “I wrote this book about… stuff.” Because I’m terrible at describing my own work. But someone else said, “Modern-day sorcerers fight a war of words.” That’s not too bad. It’s a thriller.

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Lexicon is about the power of language. What inspired you to write the novel? And where do you draw your inspiration from in general?

The novel came from a lot of little ideas intersecting, one of which was privacy: the notion that so much of what we do is tracked now, and analyzed, and used to figure out what kind of person we are. So what used to be a very personal decision – how and when we reveal ourselves to other people – has been taken away.

How were you introduced to reading and genre fiction?

I’m not sure kids need to be introduced to genre fiction. If you’re an eight-year-old boy and you see a picture of a book with a dragon on it, you want that book. I’ve always loved reading; my parents made sure I was never short of a book.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

BarryM-AuthorPicI have the best job in the world: I get to make up stories all day, I can work in my underwear, and people periodically email me to say, “Hey! Great job!” It’s like the opposite of a real job. Except for the part about making up stories all day. Because I used to work in sales.

I don’t have a formal routine. I do try to make sure I’m at the keyboard, ready to write creatively, every weekday. I don’t force myself to write if it’s not working. But I always give it a shot.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I don’t remember ever not wanting to be an author. I realized it wasn’t a very practical goal, but it was what I wanted. Pretty much all of my formal education was acquired with the aim of staving off homelessness while I wrote novels on the side.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I don’t write to any particular genre. Which is kind of stupid, for both creative and commercial reasons. But I’ve never cared too much about genre. I am usually shelved in the sci-fi section, but I think you can read my books without really noticing their genre.

What other projects are you working on, and what do you have currently in the pipeline?

I no longer talk about books I’m working on. I used to, in great detail, but then it was embarrassing when the book turned out to be unpublishable. So I stopped. Also, I feel authors need a long period of quiet discovery with their books. Talking about them early kills a little of the magic for me.

What are you reading at the moment (fiction, non-fiction)?

I’ve just started Life After Life by Kate Atkinson. The most recent non-fic I’ve read is The Signal And The Noise by Nate Silver, which was really good.

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What’s something readers might be surprised to learn about you?

I can tell what’s wrong with your computer just by listening to it.

That’s not true. I have to SSH in and run some diagnostics. But that’s almost the same thing. I know more about Linux systems administration than is healthy.

What are you most looking forward to in the next twelve months?

Working on a good book.

An Interview with SETH PATRICK

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Anyone who’s been keeping an eye on the SFF online community and blogosphere can’t have totally missed Seth Patrick’s debut, Reviver. I’ve seen posters on rail platforms during my commute into London, and seen mentions in print magazines. It is clearly a hotly-anticipated novel of the year. Despite this, I’ve been slow about getting around to reading it. (Shame on me!) Nevertheless, I’m happy to share with you today a quick interview with Seth, in which he talks about writing, the novel and more…

Let’s start with an introduction: Who is Seth Patrick?

I’m a games programmer by day (on the Total War strategy series for PC), writer by night; father of two; book fan, movie fan, comic fan. Usually lacking sleep.

I thought we’d start with your fiction: Your debut novel, Reviver, was recently published by Macmillan. How would you introduce the novel to a potential reader? Is it part of a series?

Reviver is a supernatural crime thriller, the first of a trilogy, set in a world where some people have found they have the ability to revive the recently dead, but only briefly. Just long enough for their loved ones to say goodbye, but – more importantly for the novel – for forensic specialists to learn as much from murder victims as they can. Jonah Miller is a young forensic reviver, one of the best working for the Forensic Revival Service in the US. While reviving the victim of a brutal murder, he encounters something terrifying that makes him question everything he knows.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

The novel began in a creative writing class hosted by the crime author Peter James, back in 2004. At the time, Peter’s background had been as a horror writer, but he was just launching his first crime novel, a transition that showed in the homework he set the class for the first week: write the first page of a horror novel, introducing your protagonist and a murder weapon.

I wrote the first page of Reviver, and it’s hardly changed since.

The idea itself came from the discovery that I share my birthday with Edgar Allan Poe. Two Poe tales came to mind: The Facts in the Case of Monsieur Valdemar, in which the terminally ill Valdemar is hypnotised at the point of death, but continues to speak long after he’s died; and Murders in the Rue Morgue, widely considered to be the first modern detective fiction.

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These two stories fused, and I had an image of the detective from Murders in the Rue Morgue interviewing the dead Valdemar.

In general, my inspiration is almost entirely from being a constant daydreamer. My mind likes to wander, and continually slams disparate ideas together with absolute glee. I end up with a palette of images and scenarios, snippets of story that I can then use to forge a narrative.

How were you introduced to genre fiction?

My first big reading frenzy started when I was eight, in a bookshop for a Tom Baker signing, where I bought Doctor Who and the Giant Robot. That led to me ploughing through a million Doctor Who novelisations, and 2000AD, then moving on to Stephen King, Greg Bear, Arthur C Clarke, Clive Barker, Alan Moore.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I’m still a total noob, and awed by every aspect of the process. It’s great to meet so many people with such a love of books, and it’s a huge thrill to hang out with other authors.

I’m only on my second novel, and with Reviver I was winging it, learning the craft as I went, so my working method is evolving pretty fast – it has to, really, since the first book took me six years to write, but each of the sequels have less than a year.

But I’m still winging it. It’s fun.

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When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

As a ten year old kid, my favourite homework was always when we could write anything we chose. I’d have asteroid impacts, or being shrunk to the size of a Lego man, all in four sides of scrawled handwriting.

As I got older, doing it in my own time, I struggled to finish anything and had no confidence in what I turned out. Really, I just didn’t appreciate how much work had to be put in after the point I thought something ‘finished’. I ended up trying out other forms, like screenwriting, and my first taste of success was being shortlisted for a BBC competition, with a ghost story screenplay. I’m proud of it; some of the ideas for Reviver were harvested from there.

What’s your opinion of the genre today, and where do you see your work fitting into it?

Reviver is a blend of the Horror, SF and Crime genres, but I’m far more a fan of Horror and SF than crime. I think that’s just because of the total freedom to explore interesting ideas.

Today, genre fiction is strong and varied, possibly more so than it’s ever been. There’s a certain confidence in the field, too; there’s also a degree of insecurity, which means that the old argument about genre-vs.-literary keeps rearing its head.

It stems from the long-standing cold shoulder that genre novels get from the mainstream press, but rather than engage with the underlying reasons for that, some try to push the idea that novels can be both genre and literary, as if that’s the important thing.

It drives me mad, certainly, when ‘literary’ notions are presented as the only thing of any real value, yet are largely equated with being difficult or inaccessible. I’ve no problem with people who rate style and tone over plot and pacing, even to an extreme – that’s when personal taste comes into it – but trying to have genre recognised as having that rather limited kind of merit seems to miss the point of just how wide-ranging its merits actually are.

Genre fiction is easily strong enough to stand on its own terms, chock-full of intelligent and exciting fiction that covers all tastes.

My own work is firmly at the accessible and entertaining end, of course, but genre really does have it all.

What other projects are you working on, and what do you have currently in the pipeline?

Right now, books two and three of Reviver are taking up my full attention, but like I said, I’m a constant daydreamer. I have a few notions for what follows Reviver, enough to know that picking just one will be tough.

What are you reading at the moment (fiction, non-fiction)?

I’ve just finished the excellent London Falling by Paul Cornell, I’m nearly through the also-excellent You Are Not So Smart by David McRaney, and next up for me is Greg Egan’s The Clockwork Rocket.

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What’s something readers might be surprised to learn about you?

One of my top five movies is Muppet Christmas Carol. My absolute favourite is John Carpenter’s The Thing, though. Less of a surprise.

Muppet Christmas Carol has one of my favourite scenes in it – when they ask for more coal, are denied, and “HEATWAVE!” Cracks me up every time…

One final question: What are you most looking forward to in the next twelve months?

It’s going to be busy! Hopefully, there’ll be movement on the Reviver movie; I’ll have finished Book Three, seen Book Two out in hardback, and Book One will be in paperback. I’m also going to the World Fantasy Convention in Brighton in October, by which time I may have convinced myself that this is all real.

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Be sure to check out Seth’s website and Twitter for more information about his books and writing.

Reviver is out now, published in the UK by Macmillan and Thomas Dunne in the US.