Superman, Vol.3 – “Fury at World’s End” (DC Comics)

Superman-Vol.03-ArtWriter: Scott Lobdell | Artist: Kenneth Rocafort (#13-17,19), Aaron Kuder (#18), Tyler Kirkham (#18), Robson Rocha (#18) | Inks: Aaron Kuder (#18), Jaime Mendoza (#18) | Colors: Sunny Goh (#13-16,18), Blond (#17-19)

H’El has come to Earth. When a mysterious ghost from Krypton’s past comes to Metropolis in hopes of finding the lost planet’s last son, his arrival comes with disastrous consequences for not just Superman, but also for Superboy and Supergirl. H’El has decided that Earth is the place to resurrect Krypton, but the price the lives of everyone on the planet! Guest-starring the Justice League, Wonder Woman, Orion and more!

Collects: Superman #13-17 [+ #18-19]

Continuing my attempts to catch up on a few New 52 titles, before I… uh… give them up… I actually quite like the Superman series. It wobbled a bit early on when the DC Powers That Be (DCPTB) decided to tie it in to the daemonite/Helspont mess that dominated the story-arcs of Grifter and Voodoo, but also roped in Stormwatch (and maybe a couple others?). I liked the greater attention paid to Superman/Clark’s everyday life, as a journalist and as someone navigating the changing industry and also his personal relationships. This collection of issues had a lot of this, too, and I’m certainly glad I read it. However, it also features the Superman issues that tie into the Super-family Event, “H’El on Earth”, which presented some issues for me.

As I just mentioned, I really like the focus on Clark’s non-super life. It’s something other readers really didn’t seem to like in earlier issues/books, but I think some of the most interesting content in the Superman mythos and character comes from his interactions with real life, how he handles his gifts, how he struggles to be “normal”, and how his over-developed sense of Right and Justice makes him stand out as a throwback to classic portrayals of the character or what would be considered “goody-two-shoes”, naïve characters today. For example, this monologue on the idealism of journalism:

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Unsurprisingly, Clark loses his job after this…

I’m not sure about the way Clark’s relationship with Lois is being written. His continued difficulty with her moving on, and moving in with Jonathan (although, I can’t remember who that is, exactly), seems forced. Given the timing and the events from the end of Justice League #12 (Superman’s kiss with Wonder Woman, and the start of their relationship), I found it difficult to consolidate his sense of justice and decency and this jealousy (even if it did make him out as more human). I felt bad for Diana, to be honest, that he is with her and yet pining for Lois. Given that the New 52 Superman had been steering clear of a Clark-Lois romance (I thought purposefully), it felt a little bit like a manufactured conflict for Clark. It’s well-written, though. Just felt a little out of place, given the stated intentions of the DCPTB. I would, however, accept that I may have missed something, given how much time lapsed between reading these issues and anything before.

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The “H’El on Earth” stuff, which is woven around and over Clark’s ‘mundane’ life, is kind of a typical, Supehumans-Breaking-Stuff-in-Large-and-Improbable-Manner tale. It’s… fine. But if you think about it, highly over-done. I’m looking forward to an understated Superman story. Something that doesn’t require him to just be invincible and strong enough to bench-press more than the weight of the Earth (as we are informed he apparently can do, at the start of issue #13). The exaggeration is, I understand, part of the charm of Superman – for some, it seems to be all they want. But for me, I would really like some more variation in the approach to the character.

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I do so love Batman’s cavalier attitude…

After “H’El on Earth”, there are two issues of strangeness, involving Orion (who made out with Wonder Woman in her solo series), and Hector Hammond (of the massively-bloated head – who I last saw in Green Lantern pre-New 52, I think… I don’t quite remember). Issue #19 was not too well written, sad to say. It felt clunky, with some info-dumping, and a little too heavy on telling and lesser writing for the first six pages. What happened? Things improved at Lois’s house-warming party. But then everyone starts to act strangely, and the issue ends as Orion catches up with Superman. I was left none-the-wiser as to what was going on. I guess I’ll have to wait until I can pick up the next few issues (those that will comprise volume 4, I suppose).

Not bad, but starting to show cracks. I hope this gets better, and doesn’t end up spinning its wheels, while the DCPTB try to come up with another cross-series Event to generate sales. In the meantime, I shall investigate some of the older Superman stories – for example, For Tomorrow, Lex Luthor, Superman For All Seasons, Secret Identity and maybe some others.

Awesome BATGIRL Cover

I haven’t shared any comic cover art recently, After I spotted this one, though, I had to share it (thanks to Abhinav, who shared it on Facebook, which is where I saw it first):

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It’s Alex Garner’s cover for Batgirl #24, which is part of Gail Simone’s “Wanted” storyline. It’s pretty good, no? Internal art is done by Fernando Pasarin and Jonathan Glapion. Batgirl is one of the best DC New 52 titles, and it has rarely dropped below very good. I’m waiting for all the issues in this storyline to be released (Volume 4, in the collected hardcovers), before catching up. I’m rather looking forward to it.

On My Growing Frustration with Marvel & DC Comics…

I’ve been thinking about this a lot over the last few days. I’m not really sure what this post is supposed to achieve, either. But, I thought I’d write it down. Mostly, I think, it indicates a shift in how I’m going to read and review comics.

Since I started reading comics again, in September 2011 with the launch of DC’s New 52 reboot, I have slowly started to become more and more frustrated with the near-endless cross-over events. Sure, this is not a new complaint from comics readers, and certainly it won’t do anything to change things. But, it will change things for me.

I understand the business rationale for cross-over Events: it encourages people to try new series, which in turn could lead to consistent interest in previously-unread series. Or, at the very least, a short-term up-tick in sales that isn’t bad for the publisher, either.

For me, though, it is annoying. I’ve always approached Marvel’s titles with eyebrow firmly raised, because it’s a given that any title will be involved in an Event at least twice a year – and, in 2012-13, it seems like the rate of Events is spiraling so far out of control that the only conclusion is that Marvel’s brain-trust (or, more likely, executives) have zero imagination, and can’t conceive of any title surviving/succeeding on its own. Which is too much cynicism for creativity and long-term success, in my opinion. “Avengers vs. X-Men”, “Age of Ultron”, “Infinity”, and even in the Ultimate Comics line, we had “Divided We Stand/United We Fall” and the Ultimate Comics series will be brought to an end with the “Cataclysm” Event.

Let’s take a look at DC: First, there was the Bat-family “Night of the Owls” Event, which had one tie-in issue per series (more or less). Then there was the larger “Death of the Family” Event, which was pretty good (but a little flat, by the end), and quite expensive for anyone who wanted the whole picture/story. Now, Batman will also have the “Year Zero” event, which will include 10 tie-in issues from other series. Sigh. There was the “Throne of Atlantis” Event, which was relatively short, and only connected two titles together (Aquaman and Justice League). There is the just-completed “Trinity War” Event, tying together Justice League, Pandora, Justice League Dark, Phantom Stranger and Constantine. Now, we have “Forever Evil: Blight” (18 issues, total), which is a cross-over between Constantine, Pandora, Phantom Stranger, and Justice League Dark. In addition to this, there was the early, tedious daemonite cross-over mess that tied together too many series early on in the New 52’s history. Green Lantern series had the Rise of the Third Army and immediately-following Wrath of the First Lantern.

Valiant Comics have had at least two cross-over events, too. Which is rather excessive for a line that has only been going (after a renewal) for little over a year. And all of the Events mentioned in this post don’t account for all of the ones that have been unveiled, or are pending.

This endless crossing over, mixing is just too much. For me, anyway. So, I’m going to stick to a very limited number of New 52 titles, and also Ultimate Comics series, some older Marvel series (mostly Captain America-related), and explore more offerings from other publishers. Perhaps the only exception will be Vertigo Comics (the “mature” imprint of DC Comics), which has some truly excellent series – many of which are already complete, which makes it easier to plan purchases and reading.*

It’s just too expensive to get the whole picture with the Big Two. Marvel have been ridiculous for a long time. DC, after pulling off a great re-boot, seem to have caught the Cross Over Bug a little too hard, which has just killed my enthusiasm to fork over all that money. Getting the whole story is very important to me. As, I’m sure, it is for a lot of reading junkies. If you’re going to pursue a strategy that whiffs of gouging… Count me out. I have rent and food to pay for (which I can barely manage as it is).

So, yeah. I’m not really sure if this post really achieves anything. But there we go.

* That being said, even Vertigo are going to be running a Cross Over: Fables and Unwritten… It’ll hopefully be short, though, and does benefit from being comprised of two of my favourite comics.

Comics Round-Up – Constantine & Lucifer (DC, Vertigo)

Still haven’t been reviewing as many comics as I had been earlier in the year, but I recently started reading two very good series – one brand new and on-going (Constantine), one already completed (Lucifer). I enjoyed them both very much, so I thought I’d show them some brief love on the blog.

CONSTANTINE #1-4

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Writer: Jeff Lemire & Ray Fawkes | Artist: Renato Guedes (#1-3), Fabiano Neves (#4) | Colors: Marcelo Maiolo

Liar, cheater, manipulator… John Constantine is all of these, and yet he uses these skills and more to protect the world from the darkest corners of the DC Universe.

Spinning out of both Hellblazer (which spanned 300 issues, and was Vertigo’s longest-running series) and also Justice League Dark, this series gives John Constantine its entire attention. I’ve only dipped in to Hellblazer, and certainly haven’t read nearly enough to consider myself overly familiar with the character or conversant with his part, but I enjoyed what I had read. The dark focus on the occult and supernatural were like catnip to me, and they were also what made me try Justice League Dark (which I have been enjoying quite a bit, too).

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This series is written by Jeff Lemire, who also recently took over JL Dark. It’s a really good opening to the new series, I think, and we get a good introduction to Constantine’s character. It’s dark, deliciously so, and Constantine is his charming-anti-hero-self throughout. He’s not afraid of sacrificing others for the “greater good”, either – making him not a whole lot better than his antagonists. The end of #1 was particularly gruesome and startling, but these four issues are filled with visually and narratively stunning work. The main villains in this particular story (still incomplete at this stage) is the Cult of the Cold Flame, who have cropped up in JL Dark, too. I’ll certainly be reading more of this series. Recommended.

(Issue #5 is part of the Trinity War story-line, so I’ll be reviewing that as part of an Event review, in a few weeks’ time.)

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Lucifer-Vol.01LUCIFER, Vol.1 – “Devil at the Gates”

Writer: Mike Carey | Artist: Scott Hampton (Sandman Presents…) & Chris Weston | Inks: James Hodgkins | Colors: Daniel Vozzo

From the pages of THE SANDMAN, Lucifer Morningstar, the former Lord of Hell, is unexpectedly called back into action when he receives a mission from Heaven. Given free reign to use any means necessary, Lucifer is promised a prize of his own choosing if he fulfills this holy request. But once he completes his mission, the Prince of Darkness’ demand shakes the foundation of Heaven and Hell. Now as his enemies unite to stop his reemergence, Lucifer gathers his forces as he prepares to launch his new revolution.

Collects: Sandman Presents Lucifer #1-3, Lucifer #1-4

This is an excellent, independently intelligible spin-off from Neil Gaiman’s Sandman (of which I have only read the first book).

In the first of these two story-arcs, we join Lucifer at his Los Angeles club, Lux. I’m not really sure how to review this book. It’s excellent, certainly, and wonderfully dark. It reminded me of Richard Kadrey’s Sandman Slim series (which is excellent and highly recommended). Lucifer is called up to help out Heaven one last time, in return for a particularly generous reward. The former Lord of Hell sets off on a very strange, dream-like journey. People’s wishes are coming true, and the consequences are starting to become devastating. Teaming up with a “victim” of this plague of wish-granting, Lucifer needs to get to the bottom of the mystery, before the world wishes itself into chaos.

In the second story, the first of Lucifer proper, we begin in Hamburg, where a set of mystical Tarot cards tries to influence the world around it. We get some neo-Nazis, hate crimes, and all of the seven deadly sins exaggerated and enhanced by the influence of the Tarot cards. Lucifer intervenes, in order to bring balance back to the world.

I really liked the alternative location – for once, we weren’t in the USA or UK, which I certainly welcomed. It’s still early days, but we start to see how the series will shape up in the future. I don’t want to spoil things (from either of the two stories), so this is perhaps a rather thin, unsatisfactory review. Nevertheless, I think this is an essential read for anyone with a taste for the darker sides of fiction and comics. Heaven and Hell are popular tropes in speculative fiction, but Lucifer Vol.1 offers a genuinely original spin, and is both written and visualised brilliantly.

I liked this so much, I bought volume two before I had even finished it. I’ll be starting that very soon indeed, so will hopefully have a review up in the next week or two. Deliciously dark, this is a must-read.

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Graphic Novel Round-Up (September)

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I’ve not been keeping on top of graphic novels and comics as I had been – just been too busy and distracted. Nevertheless, this weekend I was able to catch up on some, so I decided to write very quick reviews of those that stood out.

Reviewed: East of West, Vol.1; Wolverine & the X-Men, Vol.3; Astro City, Vol.1, Archer & Armstrong, Vol.1

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EastOfWest-Vol.01East of West, Vol.1 – “The Promise” (Image)

Writer: Jonathan Hickman | Artist: Nick Dragotta

This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.

Collects: East of West #1-5

This is a pretty interesting series. It was much-hyped when it was first published, but I nevertheless waited for the first story-arc/volume to be available. It is a dystopian future, where much of life seems to have been consolidated onto the American continent. There is an apocalyptic storyline that keeps you guessing, as three of the four horsemen ride out (after being reborn) to track down their missing fourth. Death, as it happens, is the MIA horseman, and he is pursuing his own agenda and mission. Specifically, to find his missing love.

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There’s a fair mount going on in the first issues that make up this opening story-arc. It’s well-written and very well-rendered. The artwork is superb, with not a few arresting pages and panels (see, for example, above and below). The story has a lot of influences that one might be able to spot (I couldn’t say for definite if they are genuine influences, or just things I spotted and have associated with my own science fictional/dystopian favourites).

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It’ll certainly be interesting to see how this series shapes up in both the short and long-run. Count me in for the long-haul. This is a must-read for anyone who likes dystopian futures, apocalyptic stories, with a healthy dose of futuristic politics, technology, weirdness, and an expertly written story. The artwork complements Hickman’s narrative excellently. Plenty of surprises, but pleasantly familiar at the same time. Recommended.

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Wolverine&XMen-09Wolverine & the X-Men, Vol.3 (Marvel)

Writer: Jason Aaron | Artists: Chris Bachalo & Nick Bradshaw | Colors:

AvX tie-in! Wolverine is torn between two teams! Cyclops comes to the Jean Grey School to extend an olive branch, but will Wolverine’s X-Men join their estranged ex-teammates against the Avengers? And even if they do, will the students follow their lead? After seeing the events of AvX, the kids have a choice to make – but it may not be what you expect!

Plus: Iceman vs. Red Hulk! Kid Gladiator goes after the Avengers single-handedly! The Shi’ar Death Commandos take on the Phoenix! And the secret history of Warbird!

Collects: Wolverine & the X-Men #9-13

I enjoy this series a lot, actually. At first, I had been left a bit wary by the sense of humour, but it has leveled out very well – it’s quirky, funny, and well written. This volume, however, while still enjoyable, also highlights all of my issues with Marvel’s near-endless cross-title Events. In this case, the too-long-running Avengers vs. X-Men. Now, I was lucky that I had read the AvX twelve-issue mini-series, which meant I did have an overall idea of what was happening. However, without that, this book would have come across bitty and confusing: the characters jump about too much, not to mention suddenly, and it feels very much like only a small part of a larger story. There were also a few moments of fast-forward in order to prepare the characters for the massive Event. This grates, because it means Marvel consciously forced writers to refer everything back to the larger event. Therefore, this is not so much a “tie-in” but a “companion”. A pity. For those who have read the main mini-series, though, this book will give you more context and added depth to the conflicts of the central characters – particularly Wolverine. I also really liked the final chapter/issue collected here, and the background we got for Warbird, Kid Gladiator’s bodyguard. Really good issue – the art, story, everything. Excellent.

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The whole book is brilliantly rendered, actually. The contrast between Bachalo’s and Bradshaw’s artwork, while stark, does not jar when we do shift. Instead, they somehow manage to complement each other rather well. It’s vibrant, eye-catching, amusing, filled with detail and sometimes subtle. Superb support for Aaron’s writing and story, which they both really manage to bring to life.

Volume 4 is also connected to AvX, but I’ll be reading it anyway, given my fondness for the characters involved. The first two volumes focused more on the school and the new students (and the runaway bamfs, who are always amusing, as is Broo), which I hope we’ll return to in the very near future.

Wolverine & the X-Men is one of the few series that continued post-AvX basically unchanged, for which I am glad. I’ll probably read volume 4 this coming week(end).

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AstroCity-Vol.01-ArtAstro City, Vol.1 – “Life in the Big City” (DC Comics)

Writer: Kurt Busiek | Artist: Brent Anderson

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city’s leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

I’m not really sure what to write about this book. It is certainly interesting and worth reading – especially if you are a fan of comic-book heroes in general. The first chapter focuses on a very busy super-hero: he’s super-focused on saving as many people as possible, while also keeping down his job as a fact-checker at a publication. Unfortunately, he never seems to have the time to enjoy his super-powers. Like flying. It’s a very nice story, and the character is re-visited later in the book, when he goes on a date with a heroine of the city. This was an interesting chapter, which looked at the motivations of super-powered vigilantes, and also touched upon some of the classic clichés and patronizing tone leveled at female characters (which is, of course, the point).

The book is filled with nostalgic touches, from the use of a newspaper office as a location (a nod to Superman), but also the “$” signs on the swag bags from the robbery. It’s really quite fantastic. True, I think much of the attraction comes from nostalgia and a wish to peal back the curtain on the lives of super-heroes and those their actions impact.

If you are familiar with classic super-hero tropes, and are looking for both a nod to nostalgia and a development of the lives of these heroes, then Astro City is a must read. This is a really interesting introduction to the series, and I look forward to reading more of it. Certainly recommended.

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Archer&Armstrong-Vol.01Archer & Armstrong, Vol.1 – “The Michelangelo Code” (Valiant)

Writer: Fred Van Lente | Artist: Clayton Henry, Pere Peréz (#3-4) | Colors: Matt Milla

It’s history in the breaking! After years of meditation and training, 18-year-old Obadiah Archer has been dispatched to New York City to carry out the sacred mission of his family’s sect – locate and kill the fun-loving, hard-drinking immortal known as Armstrong! But as this naive teenage assassin stalks his prey, he’ll soon find that both hunter and hunted are just pawns in a centuries-old conspiracy that stretches from the catacombs beneath Wall Street to the heights of the Himalayas. And Archer & Armstrong will have to work together if the future is to stand any chance of surviving the past’s greatest threat!

Collects: Archer & Armstrong #1-4

This is my second Valiant collection, after the somewhat disappointing Bloodshot (sorry, it just didn’t click with me, despite my past fondness for the author’s work). After reading this collection, I must say I remain on the fence. The two protagonists had a lot of potential. Archer is the brain-washed son of a crazy, right-wing, creationist power-couple – the opening pages of the book leave little doubt as to how we’re supposed to think about them (if any member of the GOP needs ‘proof’ that publishing were an anti-conservative brand of the liberal media…). Armstrong is the immortal, and shares not a few characteristics with Obelix. This does not make Archer an Asterix analogue, but their relationship does have shade of the Gaulish favourites. Archer is tasked with killing He Who Must Not Be Names (Armstong), and to that end is shipped off to New York City, that hive of villainy and sin. But, our young crusader quickly comes across evidence that his parents are actually the crazy, evil bastards that he has been brought up to abhor. Naturally, this comes as something of a shock to our highly-gifted, rather deadly young hero. Together with Armstong, he sets off on a mission to save the world from the evil machinations of the Sect, who know nothing of the forces with which they are meddling.

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I’m not sure if this was meant to be taken at all seriously. I get the feeling that Van Lente and Co. are aiming for truth-through-farce, which is something they have certainly managed to achieve. The tone is light throughout – sometimes too light. True, I do like a bit of darkness in my comics, but this title seemed to not quite get the appropriate balance – when a supposedly ‘serious’ scene came along, it was overshadowed by something silly that happened either just before or immediately after. The “commentary” was at times rather forced, blunt, and simplistic, which weakened the impact. The humour ranged from smile-worthy to meh. (That really should be a technical term… Sadly, it just just an onomatopoeic way of indicating my lack of enthusiasm.)

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The story was a bit run-of-the-mill, focusing on one-percenters led mega-conspiracy to keep the masses poor and downtrodden. And yet, despite the unevenness, the lack of preparedness for the tone… I kept reading.

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I really couldn’t say for sure if I thought this was actually good or just so bad it went out the other side and became readable. There are certainly things I didn’t like, and yet it seems to be knowingly poking fun at all of the things I like to poke fun at, too. It’s left me rather unsure what I think. I hate that…

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Will I be reading the next story-arc? Well… maybe. I’m not in any hurry to do so, but given the frequency with which Valiant Comics offers sales on ComiXology, I will probably be tempted in the not-to-distant future.

Upcoming: “Coffin Hill” #1 (Vertigo)

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I’m really looking forward to this. Out of all the “bigger” comics publishers, I am really falling for a lot of Vertigo series. COFFIN HILL, which will be published on October 9th 2013, looks like yet another series that will appeal to my (rather dark, twisted) taste.

The cover is by Dave Johnson, and the variant by Gene Ha. Inaki Miranda, who handles art duties on this title, is an awesome artist, and one of my favourite recent finds – she worked on Lauren Beukes’s excellent run on Fairest, and put together some of the most striking panels and full-page spreads I’ve ever seen.

Coffin Hill is written by Caitlin Kittredge (who I have no experience reading). Kittredge is the author of the Black London series.

COFFIN HILL stars Eve Coffin, a rebellious, teenage lowlife from a high-society family with a curse that goes back to the Salem Witch trials.

Following a night of sex, drugs and witchcraft in the woods, Eve wakes up naked, covered in blood and unable to remember how she got there. One friend is missing, one is in a mental ward—and one knows that Eve is responsible.

After a stint as a Boston cop that ends in a bullet wound and unintended celebrity, Eve returns to Coffin Hill, only to discover the darkness that she unleashed ten years ago in the woods was never contained. It continues to seep through the town, cursing the soul of this sleepy Massachusetts hollow, spilling secrets and enacting its revenge.

Set against the haunted backdrop of New England, COFFIN HILL explores what people will do for power and retribution.

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Count me very much looking forward to this. This sounds great. As a bonus, here are the covers (without text, etc.) for the second and third issues:

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Joining in the A-to-Z Meme: Books & Comics

A few days back, I agreed to join in a cross-blog “A-to-Z of Comics” series with Abhinav and Bane of Kings. In keeping with the theme and tradition of Civilian Reader, though, I’ve decided to expand the remit to include fiction and other books. Because, you know, I like to do things my way. And I’m difficult. Probably more the latter… A lot of the answers ended up feeling a little repetitive, but there we go. I also dropped a couple of Letters, because I couldn’t come up with anything. Let us begin.

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AUTHOR YOU HAVE READ THE MOST OF…

Fiction: Easy – Terry Pratchett. I think Bernard Cornwell is runner-up?

Comics: Huh. I’m not actually sure about this. Probably Ed Brubaker (because of his run on Captain America) or Bill Willingham (because of Fables).

BEST SERIES EVER…

Fiction: Terry Pratchett’s Discworld, Anne Rice’s Vampire Chronicles, Bernard Cornwell’s Sharpe, Aaron Dembski-Bowden’s Night Lords trilogy… I’m not very good at all at picking single “Best Of” anything.

Comics: DMZ. Easy. (So maybe I can pick them, sometimes…) This series is absolutely superb, and everyone should read it. I’ve reviewed it all on the blog in the past.

CURRENTLY READING…

Fiction: Lavie Tidhar’s The Violent Century.

Comics: Gregg Hurwitz’s second story-arc on Batman: The Dark Knight, featuring the Mad Hatter. [As an aside – his Scarecrow storyline is one of the best Batman plots I’ve ever read.]

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DRINK OF CHOICE WHILE READING…

Oh, this is probably the easiest question on here: coffee during the day, red wine in the late afternoons and evenings. Always.

E-READER / PHYSICAL…

Fiction: I like both, but recently I’ve been moving more towards Kindle – I have very limited shelf-space, and my 3hr-commute wrecks books (seriously – fantasy books are mammoth!), but not my Kindle.

Comics: I find it easiest to use my iPad for comics. Bigger variety, and all I need is an internet connection, and lots of issues I’d like to read are (eventually) discounted.

GLAD YOU GAVE THIS A CHANCE…

Fiction: Scott Lynch’s The Lies of Locke Lamora – I barely read any fantasy before reading this in 2008. Since then, I’ve been (quite obviously) hooked. Also Stacia Kane’s Downside Ghosts series. Dark, gritty, and thought-provoking Urban Fantasy. I still hold that Chess Putnam is a modern analog for Sherlock Holmes…

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Comics: Fables and Sandman. I am very wary of anything that “everyone loves”. So I took a while to get around to these, and loved them both. Going a bit further back, though, I suppose a number of the New 52 titles back in September-October 2011 – got me back into comics.

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IMPORTANT MOMENT IN YOUR READING LIFE…

Fiction: Chronologically? James Clavell’s Tai-Pan, Anne Rice’s The Vampire Lestat, Bernard Cornwell’s Sharpe’s Tiger, the aforementioned The Lies of Locke Lamora, Michael Chabon’s The Adventures of Kavalier & Clay. Oh, and Terry Pratchett’s Guards, Guards – but I can’t quite remember when I first read it. I must have read it eight times, now?

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Comics: DMZ, Fables, the New 52, and when Myke Cole told me to read Ed Brubaker’s Captain America. Oh, and when I finally bit the bullet and tried Hawkeye – superb.

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JUST FINISHED…

Fiction: Francis Knight’s Before the Fall.

Comics: The first four issues of Constantine and Lucifer Vol.1: Devil at the Gates. Both very good, and the latter will probably become a new addiciton.

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KIND OF BOOK YOU WON’T READ…

Fiction: Romance/Mills & Boon/Supernatural Porn. I’m a prude, when it comes to reading, I guess. I don’t like reading sex scenes. They always read like they were written by a hyperactive, sex-starved teenager who’s never experienced it. I once read a scene in which the protagonist was made to orgasm purely by being touched on their arm. Please. So, if I get the feeling a novel’s plot is just what fills in between ridiculous sex scenes, I’m out.

Comics: Hmm… I wish I could say, “Stuff written by Grant Morrison?” but he’s been involved in so many key Events/storylines that I’ve read a fair bit, now. I don’t like gross-out comics, or sophomoric, but I guess I have to read it to discover if it’s something like that. I’m pretty open-minded, when it comes to comics, actually. Perhaps more so than with fiction. Not sure what that says about me.

LONGEST BOOK/GRAPHIC NOVEL YOU’VE EVER READ…

Ficiton: Either Tai-Pan or Patrick Rothfuss’s Wise Man’s Fear?

Comics: One of the Fables Deluxe Editions, I suppose. Not sure, because I don’t pay attention to page-lengths.

MAJOR BOOK HANGOVER BECAUSE OF:

Fiction: Chabon’s The Amazing Adventures of Kavalier & Clay – I have no idea how I’m going to review this. Not a clue. Loved it. Couldn’t read anything else for over a week after finishing it.

Comics: Irredeemable #12

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NUMBER OF SHELVES I OWN/NEED…

Fiction: Not nearly enough. I actually have five where I’m living at the moment, but I also have seven massive boxes of books (haven’t unpacked from the latest move), and I have a couple shelves and boxes at Alyssa’s. I have books everywhere.

Comics: One long shelf of Hardcovers, special editions and special-to-me trade paperbacks.

ONE BOOK/COMIC YOU HAVE READ MULTIPLE TIMES…

Fiction: Anne Rice’s The Vampire Lestat and Terry Pratchett’s Men At Arms.

Comics: DMZ volume 1, The Definitive Irredeemable Vol.1 (#12 is the only comic to ever make me cry, and choke up when talking about it afterwards).

So much for “one”…

PREFERRED PLACE TO READ…

In bed, in a coffeeshop, on the sofa… But, really, it’s anywhere with Alyssa. [Gross-out-soppy-moment-alert!]

READING REGRET…

Fiction: Not reading some of the classics – of genre fiction, but also some of the classics of literature in general. Unlike most people, I was always in an “experimental” year for English classes, and I seem to have gone through life without reading many of the defining novels.

Comics: Taking so long to discover that there is one hell of a lot on offer in comics.

SERIES YOU NEED TO FINISH…

Ok. Here’s the thing about finishing series: I am terrible at it. Awful. I could list so many series – and especially trilogies – that I have failed to finish. I don’t know why, but this affliction has only grown worse since I started receiving more ARCs. Partly, I think it may be the fear of a story ending, which I know is ridiculous. It’s certainly not because I disliked the story. So, here are a selection of series I really need to finish…

Jon Sprunk’s Shadow Series

Brent Weeks’s Lightbringer Series (have to read book two before third is released)

Daniel Abraham’s The Dagger & the Coin

N.K. Jemisin’s Inheritance trilogy

Joe Abercrombie’s post-First Law novels (they’re kind of a series, right?)

Stacia Kane’s Downside Ghosts (book six is coming out soon, and only read the first two)

Mark Lawrence’s Broken Empire

And so very many more…

Comics: Ongoing series I’m not sure I should count in this, but I do definitely want to catch up on Fables, Batman, The Sixth Gun, and Skullkickers. Already complete series I need to finish include Sandman, Lucifer, and Ed Brubaker’s Captain America.

THREE OF YOUR ALL-TIME FAVOURITE BOOKS/COMICS…

Fiction: Anne Rice’s The Vampire Lestat/Queen of the Damned (I’ve mentioned before – I consider them one, and they’re always read together), Scott Lynch’s The Lies of Locke Lamora, and Terry Pratchett’s Men at Arms.

Comics: DMZ, Fables, The Sixth Gun

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Next to impossible to truly only pick three… I could maybe pick a hundred.

UNAPOLOGETIC FANBOY FOR…

Fiction: Aaron Dembski-Bowden’s Black Library fiction. He is one of the best writers today. It saddens me that people who hate/don’t like/avoid tie-in fiction, or Warhammer 40,000 fiction will never get around to his novels. Think he’s superbly talented fellow.

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Comics: DMZ – love it, love it, love it. Go! Go buy volume one, and thank me later.

VERY EXCITED FOR THIS RELEASE…

Fiction: Mark Charan Newton’s Drakenfeld

Comics: Fables Deluxe Books 7 & 8.

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WORST BOOKISH HABIT…

Fiction: Buying things for my Kindle, and then forgetting they’re on there. Bloody infuriating. Worst thing about Kindles – you can’t glance at one, like a set of shelves, and be inspired to read something. Mind you, buying more books in general is a weakness of mine. There is only so much time in the year/one’s life, after all…

Comics: Splurging on ComiXology’s sales. So many awesome ones, recently (Sweet Tooth, American Vampire most recently).

Mieville-IronCouncilX MARKS THE SPOT: START AT TOP LEFT AND PICK THE 27TH BOOK ON YOUR SHELF…

China Mieville’s Iron Council – the third in the author’s New Crobuzon series, and one I’ve never got around to reading. I thought Perdido Street Station was bloated and rather dull. The Scar, on the other hand, I have read (inhaled, really) three times, and I love it. The other week, I found this book on a Take-One-Leave-One shelf at the start of my commute. Seemed fortuitous. Hopefully I’ll get to this relatively soon.

YOUR LATEST BOOK PURCHASE…

Fiction: Holly Black’s White Cat.

Comics: Hellheim #1-6, the first story-arc for Cullen Bunn’s new series published by Oni Press (who also publish The Sixth Gun).

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ZZZ-SNATCHER BOOK…

Anything I’m reading can keep me awake well into the night. The last two books that really kept me up waaaay past bedtime, though, were Peter V. Brett’s The Daylight War and Joe Abercrombie’s Last Argument of Kings. (I think I went to sleep when my neighbour got up to go to work for both of those…)

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Quick Review: BATMAN #20-21, Annual #2 (DC Comics)

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Writer: Scott Snyder | Artist: Greg Capullo | Inks: Danny Miki | Colors: FCO Plascencia

Witness The New 52 origin of The Dark Knight in BATMAN: ZERO YEAR! Twists and turns are around every corner as Bruce Wayne takes the final steps toward his destiny! And in the backup story, learn more about how different Gotham City was at this dangerous point in time.

The second chapter of “Zero Year” delves into Bruce Wayne’s past with the Red Hood Gang and his run-ins with aspiring District Attorney Harvey Dent! And in the backup story, a secret moment from Bruce’s training abroad is revealed for the first time!

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Covers & Best Variants for #21-22

These three issues comprise the beginning of a new, larger Batman story-arc. I thought I’d pick up with my comics reviewing, again, and this seemed like a perfect place to start. This storyline, “Zero Year”, focuses on Bruce Wayne’s evolution into the Batman. “Wait, hasn’t this been done before?” you may ask. Well, yes, it has. But Scott Snyder seems to have decided to go even further back, and take a little more time investigating Bruce’s change and development of the idea of the Batman.

Scott Snyder did a great job with “Death of the Family” (despite that going on just a teensy bit too long), so I was looking forward to seeing how he would approach the origin and evolution period of Batman. So far, on the strength of these two issues, he’s doing a great job, and I look forward to seeing how the story unfolds.

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The first of these issues starts off with what appears to be a dystopian Gotham City, not dissimilar to a post-apocalyptic New York (think of NYC in the I Am Legend movie), overrun by thugs. I hadn’t expected that. (See images, above.) The story then jumps to a different time, leaving all of my questions unanswered. We learn that Bruce has only been back in Gotham for a few weeks, and Alfred is struggling to understand and accept his ward’s approach to cleaning up the city. Bruce’s Uncle Philip Kane has tracked him down, though, and wants his nephew to take over Wayne Enterprises. Which, of course, Bruce doesn’t want to do. He’s waging his battle against the Red Hood Gang (doing some pretty crazy stunts), which I last read about in Alan Moore’s The Killing Joke.

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In issues #21-22, the story is really only being developed. Bruce is outed by his uncle, Alfred is pushing him to come out of the shadows, to revive the Wayne name and status, and to honour his parents’ legacy and memory. Bruce meets Edward Nygma. And that’s about it, really. A bit tricky to really say much more, as we’re still only seeing the opening moves in a much larger storyline. There will be some cross-over into the other Bat-Family titles, too.

These two issues are pretty good, it’s true, but I think we’re still way too early to be able to write much more than that. As can be expected, the artwork is also top-notch, and I had no complaints in that department at all.

Batman-Annual-02Annual #2:

Story: Scott Snyder & Marguerite Bennett | Writer: Marguerite Bennett | Art: Wes Craig | Inks: Craig Yeung, Drew Geraci, Wes Craig, Jack Purcell, Sandu Florea, Marc Deering | Colours: Ian Hannin

A special “ZERO YEAR” tie-in! Bruce Wayne’s first year as the Dark Knight has just barely begun…and already dangerous elements are coalescing, leading Bruce toward his final destiny.

Despite broadcasting on the cover that this is connected to “Zero Year”, it isn’t, really. There is some mention of Bruce’s early days as a vigilante, as he broke into Arkham Asylum and bumped into the Anchoress. That being said, this is a really good issue – at just six pages longer than a normal issue, I’m not sure it justified its higher price-tag, but I think Bennett (a protégé of sorts of Synder’s) does a great job with the characters and story. Batman has been invited to test the security of an all-new, super-high-tech wing of the Asylum, which is intended to hold the worst of the worst. Unfortunately for Bats, the Anchoress blames him for Arkham’s change in purpose (it really did used to be focused on curing and treating the inmates, rather than merely incarcerating them).

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A solid issue, and certainly well-worth reading, but don’t be fooled by the mentions of “Zero Year”. It is tangentially connected, and not in a way that will be essential to the overall storyline. (Unless something weird happens later, I suppose…)  I certainly look forward to reading more by Bennett.

Two Years (ish) of DC Comics’ New 52

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Someone asked me on Twitter if I was still reading comics (they pointed out I hadn’t posted many reviews of them lately). I have been, but because I’ve been reading them in big chunks, interspersed with work reading, as well as both fiction and (future-work-related) non-fiction books, I’ve been letting the comics reviews slide a fair bit. There is another reason, of course: not all of the comics have been single storylines, or complete storylines, which makes reviewing them really tricky. Once you get to around issue #10, anything you write about the story is likely to throw out spoilers. This, I think, is maybe a weakness of reading and reviewing comics on a weekly basis – and is really why I stopped doing that almost a year ago (that and financial considerations). Regardless, my insatiable need to read All The Things With Words means I have been reading a good number of comics via ComiXology’s app on my iPad. With the exception of the frankly phenomenal Hawkeye, I do not buy any issues full-price. I just can’t afford to. So, as and when things go on sale or are discounted (either one or two months after release), I’ve been collecting issues to read in bursts.

That being said, the number of series I’ve been reading has also been steadily culled. I usually give each series a single “volume” – that is, what would appear in a collected, printed trade hardcover or paperback. It’s been a useful way of separating storylines, as well as providing a “book’s worth” to review. (Ahem, if I bothered to review them, that is…)

So which of DC’s New 52 have I kept reading? Which ones will stay? And which will have to go, and why? Below is a brief run-down (by no means exhaustive) of the titles I’ve been reading, collected by theme/larger series…

[I may add to this, over time, as I remember other titles I’ve tried, or just think of something else I’d like to add.]

GREEN LANTERN SERIES

I’m starting with this one, because I recently completed the vast “Rise of the Third Army” and “Wrath of the First Lantern” cross-title events. It was an epic undertaking, and sadly it sometimes felt like it. Not to mention being rather more expensive than I would have wished (or should have given in to). The two events, really one mega-event, had its interesting and gripping moments, but ultimately outstayed its welcome. By the time it ended, expectations were so high, that it fell a bit flat. This, I’m noticing, is a common feeling at the end of comics Events…

Overall, though, the extended family of Green Lantern titles remain interesting. Not all of them are as consistent or gripping as I would like. Green Lantern is still very good. Red Lanterns is possibly the weakest, now, after what had been a promisingly dark beginning. New Guardians is starting to fizzle a bit, too, despite my continuing interest in the wider spectrum of Lantern corps. Green Lantern Corps has some very good moments, too.

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With Geoff Johns’s run on the flagship title now over (an epic, redefining era for the character and mythos, filled with many exceptional moments), and with each title now having hit their 20th issues, I think I’m going to retire the series from my ‘pull-list’. Mostly, this is a financial decision, but it is also because the story has hit a point when I feel like I’m overdosing, and just simply want a break. The expanded 20th issue of Green Lantern was a nice wander down memory lane, and offered some intriguing hints for what is to come, but I’m just not prepared to dive back in for a little while longer. When I do return, I think only Green Lantern and Green Lantern Corps will be priorities.

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BAT-FAMILY TITLES

The Batman family of titles remain my favourites, and (in my opinion) also the best-written. The flagship title, Batman, still written by the excellent Scott Snyder, continues strongly. In the wake of “Death of the Family”, we got some shorter, stand-alone issues and stories, which offered a nice breather. The latest Bat-event has now begun, though (“Year Zero”), so it’ll be interesting to see how that develops. I’ll be keeping this title on the list, and will actually be writing a review of the first three parts of “Year Zero” in the near future (#21-22 and Annual #2).

I’ve been following Detective Comics, too, but it hasn’t been firing on all cylinders for a little while. I’ll probably stick with it a little while longer, but it may have to go at some point. [As a somewhat related aside, I’m considering delving into the pre-New 52 Detective Comics stories, as some of them sound pretty great.]

BatmanDarkKnight-11-ArtGregg Hurwitz’s Scarecrow story for Batman: The Dark Knight was one of the best Batman storylines I’ve ever read. No joke. Yesterday I picked up the final part of his Mad Hatter story-arc (it’s been discounted on ComiXology), and will be reading it all in one go. I will certainly write a review for it, too. Hurwitz has done a truly fantastic job with this title. Very highly recommended indeed. It’s staying on my to-read list.

Batgirl is still going strong, with some potential closure on the question of Barbara’s serial-killer brother. Gail Simone’s keeping the quality high, and the story engaging and fresh. The artwork, too, remains strong throughout. A keeper, and I’m looking forward to picking up some of the creepier-looking recent issues in the near future.

I’m still enjoying Nightwing, as the story and character remain interesting. Post-“Death of the Family”, Dick Grayson moves to Chicago, which I think will be really great for the character – not only is it a change of pace from Gotham, but it will hopefully open up the possibility for plenty of original stories and enemies. I have every intention of continuing with the series, but I may wait longer chunks of time and binge on a complete story-arc each time I do.

Batwoman-09-ArtI haven’t been keeping up-to-date with Batwoman, despite every intention to do so. I had been waiting for printed collections before I left NYC, but chose to de-prioritize it after “Death of the Family” started, because it wasn’t connected. I enjoyed the more horror-leaning aesthetic and storylines, though, so I do hope to get caught up again. (I’ve read up to issue #9, so there is a fair bit of reading to do before I’m up-to-speed… Won’t be too soon, sadly.) It is probably the most eye-catching, artistically of all the New 52 titles. Really superb, original compositions.

Batwing is in the same position as Batwoman. It’s a series I certainly want to read more of, I just can’t afford to right now. Writing duties have changed hands (#19), and it looks like the new team (Jimmy Palmiotti and Justin Gray) have taken the series in an interesting direction. Hopefully it won’t be too long before I get back to it.

One of my favourite series remains Red Hood & The Outlaws. If I had to say why it remains such a good read for me, I think I’d struggle to say. I like the characters – especially Jason “Red Hood” Todd – and they dynamic between them is really good. It’s a bit different, with a more sci-fi feel to it than other Batman-related titles, but perhaps it’s this difference that gives it a fresher feel? It also tied in really nicely with “Death of the Family”. I imagine this will be a keeper for some time.

I’ve also managed to read the first volume’s-worth of new title Talon. James Tynion III is doing something really interesting with this character, and I hope he becomes a permanent member of the DC stable. The first storyline was a slow-burn narrative, but with plenty of action sequences, as we follow Calvin Rose make a sort-of life for himself, with a couple of allies. And also a rogues’ gallery of his very own. It’s quite different to Batman, and I liked a lot about the series. It took me longer than it perhaps should have to adjust my expectations of story-type (I’d not been sleeping and was exhausted when I read it). Nevertheless, it is a pretty great story. The first book also has one hell of a cliff-hanger ending…

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My favourite series in the Batman family, though, has got to be Batman & Robin. Each issue is superb, but the silent issue #18 (image above), is one of the most powerful comics I’ve read. Absolutely superb, and I’ll be writing reviews of Volumes 2 and 3 in the near future. A must-read series (along with Hurwitz’s Dark Knight).

Teen Titans, led by Tim “Red Robin” Drake, has had a lot of ups and downs. Scott Lobdell’s humour can work pretty well, but overall I just don’t think I care enough about the characters to stick around any longer than I already have. The future storylines, which seem to feature six-eyed demons, also don’t appeal much.

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SUPERMAN FAMILY

Personally, I think there has been too much crossover and needed catch-up to fully follow all the storylines, which is also too much to justify financially.

Superman-11-ArtI actually like the Superman series. I seem to be one of the only people who liked the first story arc, which offered some interesting modern-era-media concerns into the story (I studied the role of the media in politics as part of my PhD, so maybe that’s why I liked it more than some others). I did get bored when the DC Powers That Be tied this series in with the daemonites storyline (which was just dull – sorry, there’s really no other way to describe it other than “just dull”, in the end). I bought the issues for Volume 3 (#13-19), not realising that they were all “H’el on Earth” issues. I have no idea if I have to read the other two Super-titles to ‘get’ the story, but it has made me hesitate (perhaps stupidly, seeing as I do own them)…

What of Superboy? Meh. I lost interest, despite enjoying Volume 1. I just never got around to reading any more of the series. Will I in the future? Perhaps. But probably not in the near future.

I finally read the first volume of Supergirl, and while there was some good stuff therein, it was mainly all-action-all-the-time, which left minimal time and space for actual story. Distracting readers with endless set-piece-battles does not a good story make. I don’t think I’ll be reading any more of the series, sadly.

Which brings us to Action Comics. I remain on the fence: Grant Morrison has finally left the series, but I’m not sure if it’s ok to just dive in with the new writers’ work. And my OCD shudders at the incompletion prospect…

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JUSTICE LEAGUE TITLES

I just finished Justice League #17-19 the other day, aiming to catch up for the latest cross-over event, “Trinity War”. (See? Told you there were a lot of them…) I must say, though, that I was thoroughly underwhelmed with these issues. The story was just weak. The artwork wasn’t great (not to mention schizophrenic, as multiple art-teams were involved). The series has not been without its strong moments, though – for example, when Batman discusses his contingency plans with Superman, and the “Throne of Atlantis” cross-over story.

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Aquaman has been a good title throughout, but due to financial constraints, I haven’t been able to keep up with it as much as I would have liked. It remains a keeper, but not an urgent one. I’ll pick up issues in chunks.

Brain Azzarello’s run on Wonder Woman has been interesting. I have a weakness for anything linked with Mythology (especially Roman, Egyptian, Norse, and as in this case Greek – all of them formed a large part of my youthful and formative reading). The story sometimes veers into the WTF-territory, which I’m not a fan of. But, at the same time, I think the interpretations of the Gods and mythical creatures and characters is really interesting. The first two volumes (“Blood” and “Guts”) were strong, despite a bit of a dip in quality in Volume 2. I’ll keep reading this for at least one more story-arc. And I really do like Cliff Chiang’s artwork.

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For some reason, I haven’t been keeping up-to-date with The Flash. I enjoyed the first volume a good deal. Perhaps it’s my innate caution when a storyline suddenly features Gorillas…? It is becoming clearer to me that I really like my comics a little less ‘out there’, unless they’re obviously meant to be totally out there – Hellboy and Justice League Dark (below), for example. I’d like to catch up with this at some point, though, as I do find the Flash to be an interesting character. Speaking of, though, I picked up a few more of the Flashpoint comics recently (again, a ComiXology sale), so I hope to get those read and reviewed at some point soon.

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THE DARK & EDGE

I really like a lot of Justice League Dark – the artwork is often pretty great, and the story has some great moments. It feels like it’s weakening a bit, but this might be because the creative team had to tread water until the “Trinity War” event could start. I hope it picks up again. I thought Lemire was going to revive it nicely, and on the strength of his first handful of issues, I bought a fair bit of his other work (including Sweet Tooth, which enjoyed an excellent 99c sale on ComiXology not so long ago). We’ll have to wait and see, I guess. I’m sticking around for “Trinity War”, but I will re-assess afterwards.

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The only other series I’ve maintained from these ‘sections’ of the New 52 is Demon Knights. I have the issues for Volume 2, but because I’ve been reading a lot of fantasy fiction, I haven’t felt an urgent need to read these. I will, though, as I like the option of reading some fantasy in my comics. Watch this space, I guess.

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Constantine-01Overall, it looks like I’m losing steam with DC’s wider New 52 line. Some series remain strong, true, but I’m not sure if reading them on an issue-by-issue basis is enough for me. Too often, the story feels incomplete, insufficient, rushed, or what have you. Maybe I just need a bit of a break from them? Who knows. I have picked up some issues from two of the newer series – Constantine and Justice League America – primarily because they are connected to the “Trinity War” event. For some reason, I didn’t feel the need to get The Phantom Stranger or Pandora

Instead of spending my few funds on more super-hero comics, I’ve been picking up some other comics. The aforementioned Sweet Tooth, as well as American Vampire, Locke & Key, and a handful of others. I’m also going to try to get back into the G.I.Joe titles, and maybe dip in to some more Dark Horse (Star Wars and The Massive), Image (Chew, Thief of Thieves) and Zenescope titles. I will also, actually, be delving into the back-catalogues of both DC and Marvel, too – I have a number of older Superman stories, for example, as well as a wealth of X-Men stuff to catch up on.

Does anyone else have any suggestions? Or opinions on the New 52 this far in? Feel free to share in the comments, below, or on Twitter or Facebook.

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“Trinity War” Artwork