Over the weekend, I spotted the trailer for the upcoming film & Sons (probably on Instagram). The name jumped out at me, because back in 2014 I read (and very much enjoyed) a novel of the same name by David Gilbert. And, it turns out, it is indeed an adaptation of that book. I was a little thrown, initially, because the novel is set in Manhattan, but the movie is set in the UK — an interesting choice, and I’m very much looking forward to seeing how this changes the story.

The trailer is above, and here’s the movie synopsis:

A world-renowned but reclusive novelist, convinced he is about to die, summons his estranged sons to his home. But instead of seeking forgiveness for his countless mistakes, he instead reveals a truly unbelievable secret that brings his beloved ex-wife back into his orbit. With decades of resentment, jealousy and rage on the verge of spilling over, this splintered family is forced to face an inevitable reckoning, for better or for worse.

The movie, directed by Pablo Trapero and distributed by Icon, has a stellar cast, too: Bill Nighy, Imelda Staunton, Johnny Flynn, Noah Jupe, George MacKay, and Dominic West.

The movie will open in cinemas on August 21st. (I think it is also going to be on at TIFF, so I’ll do my best to see it then.)

David Gilbert’s & Sons is out now, published by Random House in North America and Fourth Estate in the UK.

Movie: Website, IMDb
Follow the Author: Goodreads

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In the spirit of marking CR’s 20th anniversary, I thought I would take this opportunity to also re-post my review of the novel, which you can find below. Now that I’m based in North America, I’ve swapped out the UK synopsis for the NA version, but otherwise it is as originally published.

Re-reading it now, I think it’s clear I was still finding my way around reviewing books that didn’t have SFF or crime/thriller elements; still trying to figure out how to write about contemporary/literary fiction “world-building”, I suppose. I’m also glad that my memory of the novel has not changed much from what I wrote at the time, and I have often thought about revisiting the book. Maybe the release of the adaptation is a perfect excuse to do so?

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Review: & Sons by David Gilbert (Random House/Fourth Estate)

An intriguing, engaging literary novel

Who is A. N. Dyer?

The funeral of Charles Henry Topping on Manhattan’s Upper East Side would have been a minor affair (his two-hundred-word obit in The New York Times notwithstanding) but for the presence of one particular mourner: the notoriously reclusive author A. N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late.

So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand.

But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

& Sons is a very good novel. It’s a bit tricky to review, though. I was quickly drawn into the story, and the lives of the protagonists. It was by no means perfect, and sometimes downright weird, but Gilbert’s prose and characters were engaging throughout.

This is a peculiar novel, in many ways. Gilbert writes extremely well, but that didn’t stop the beginning from being a bit confusing – specifically, the narrative style wasn’t clear. I wasn’t sure who was narrating the tale. It is presented as if Philip Topping has written an account of the events, but bestowed upon himself omnipotence, able to write inside his subjects’ heads without really any way of knowing what was going on. A strange decision, but one that I quickly got used to and accepted.

It is the story of families, fathers and sons. Philip Topping, never particularly close with his father, was always enamoured of the Dyers – revering Andrew, idolising Richard and Jamie, glomming on to the family as an attempt to become a de facto member. For this desire, he has long been mocked and pranked by the elder two Dyer brothers. It was a strange and sometimes-creepy dynamic. Andrew Jr., the half-brother whose existence cratered A.N. Dyer’s marriage, is probably the best character in the novel, and I enjoyed seeing him navigate his world, and the strange dynamic he had with his father and brothers.

Literary fiction seems to require a peculiarity. I’m not sure why this trope has developed, but almost every literary fiction novel I’ve read contains a truly bizarre element or event, and this can often be the stumbling block that takes a great novel and almost ruins it. With & Sons, the peculiarity is the secret Andrew wishes to share with his sons. I’m not going to spoil it, but it kind of came out of nowhere, and we’re never sure if it’s real or a delusion of the fast-declining Andrew Dyer.

I’m not really sure what else to write about the book without spoiling the twists and turns, or delving too deeply or academically into its contents (which is not something CR has been doing in the past). Needless to say, I enjoyed reading & Sons. There’s a great deal of insight and shrewd observation about families – especially fathers and sons – presented in both remorseful and amusing ways. Despite the muddled narrative voice of the first couple of chapters, this grew to become a very strong novel and engaging read.

Recommended for fans of New York-based literary fiction – for example, Claire Messud’s The Emperor’s Children, Donna Tartt’s The Goldfinch – and also authors such as Michael Chabon, Philip Roth, and Richard Russo.