Early next year, Celadon Books are due to publish The Last Kings of Hollywood by Paul Fischer: a new biography of Francis Ford
The untold, intimate story of how three young visionaries—Francis Ford Coppola, George Lucas, and Steven Spielberg — revolutionized American cinema, creating the most iconic films in history while risking everything, redefining friendship, and shaping Hollywood as we know it.
In the summer of 1967, as the old Hollywood studio system was dying, an intense, uncompromising young film school graduate named George Lucas walked onto the Warner Bros. backlot for his first day working as an assistant to another up-and-coming, largely unknown filmmaker, a boisterous father of two called Francis Ford Coppola. At the exact same time, across town on the Universal Studios lot, a film-obsessed twenty-year-old from a peripatetic Jewish family, Steven Spielberg, longed to break free from his apprenticeship for the struggling studio and become a film director in his own right.
Within a year, the three men would become friends. Spielberg, prioritizing security, got his seven-year contract directing television. Lucas and Coppola, hungry for independence, left Hollywood for San Francisco to found an alternative studio, American Zoetrope, and make films without answering to corporate capitalism.
Based on extensive research and hundreds of original interviews with the inner circle of these Hollywood icons, The Last Kings of Hollywood tells the thrilling, dramatic inside story of how, over the next fifteen years, the three filmmakers rivaled and supported one another, fell out and reconciled, and struggled to reinvent popular American cinema. Along the way, Coppola directed The Godfather, then the highest-grossing film of all time, until Spielberg surpassed it with Jaws — whose record Lucas broke with Star Wars, which Spielberg surpassed again with E.T. By the early 1980s, they were the richest, best-known filmmakers in the world, each with an empire of their own. The Last Kings of Hollywood is an unprecedented chronicle of their rise, their dreams and demons, their triumphs and their failures — intimate, extraordinary, and supremely entertaining.
Paul Fischer’s The Last Kings of Hollywood is due to be published by Celadon Books in North America and in the UK, on February 2026.
Tomorrow, Lake Union is due to publish the latest novel by Emily Beeker: When We Chased the Light. A new novel set in Golden Age Hollywood, here’s the synopsis:
Next month,
A missing actress, the uncaring world of Hollywood, and the peculiarity of fame in America
A novel about celebrity, fandom, and the price of ambition following a journalist’s obsessive search for a missing Hollywood starlet
Long-time readers of CR will know that I’m a bit fan of Hollywood/Television oral histories, and I’ve been rather enjoying the recent publishing boomlet in the sub-genre — I’ve very much enjoyed recent books about The Office, The Big Bang Theory, The O.C. and others. I discovered TWW in 2001, and I re-watched the show every year (or, at least, all that was available) up until 2016. (I had to take a pause during the Trump years…) When I saw that two cast members from The West Wing had collaborated on a behind-the-scenes history of the show, it became a must-read of the year for me. Melissa Fitzgerald (who played CJ’s assistant Carol) and Mary McCormack (who played Kate Harper) have teamed up for What’s Next. Here’s the synopsis:
An excellent oral history of the development, making, and impact of The O.C.
Next year,
Announced just a few days ago, Tom Hanks‘s new novel The Making of Another Major Motion Picture Masterpiece is due out next year! Reading the synopsis, it’s almost as if the actor/author asked me what kind of novel I’d like him to write… This really does sound tailor-mode for my fiction interests. Here’s the synopsis:
Cut to 1970: The nephew, now drawing underground comic books in Oakland, California, reconnects with his uncle and, remembering the comic book he saw when he was five, draws a new version with his uncle as a World War II fighting hero.
The magic and horror of movie-making…