Excerpt: SINKING BELL by Bojan Louis (Dead Ink Books)

LouisB-SinkingBellUKThis Thursday (February 22nd), Dead Ink Books are due to publish a new short story collection by Navajo author Bojan Louis: Sinking Bell. The collection won a Before Columbus Foundation American Book Award, and was selected by NPR as one of their Best Books of 2022. To celebrate the book’s UK release, and to give readers a taste of the collection, the publisher has allowed CR to share the story “Make No Sound to Wake”. Before we get to the story, though, here’s the collection’s synopsis:

An ex-con hired to fix up a school bus for a couple living off the grid in the desert finds himself in the middle of their tattered relationship. An electrician’s plan to take his young nephew on a hike in the mountains, as a break from the motel room where they live, goes awry thanks to an untrustworthy new coworker. A night custodian makes the mistake of revealing too much about his work at a medical research facility to a girl who shares his passion for death metal. A relapsing addict struggles to square his desire for a White woman he meets in a writing class with family expectations and traditions.

Set in and around Flagstaff, the stories in Sinking Bell depict violent collisions of love, cultures, and racism. In his gritty and searching fiction debut, Bojan Louis draws empathetic portraits of day laborers, metalheads, motel managers, aspiring writers and musicians, construction workers, people passing through with the hope of something better somewhere else. His characters strain to temper predatory or self-destructive impulses; they raise families, choose families, and abandon families; they endeavor to end cycles of abuse and remake themselves anew.

And now, on to “Make No Sound to Wake”…

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Quick Review: THRILL ME by Benjamin Percy (Graywolf Press)

percyb-thrillmeAn excellent writing memoir and book of advice

Anyone familiar with the meteoric rise of Benjamin Percy’s career will surely have noticed a certain shift: After writing two short-story collections and a literary novel, he delivered the werewolf thriller Red Moon and the postapocalyptic epic The Dead Lands. Now, in his first book of nonfiction, Benjamin Percy challenges the notion that literary and genre fiction are somehow mutually exclusive. The title essay is an ode to the kinds of books that make many first love fiction: science fiction, fantasy, mysteries, horror, from J. R. R. Tolkien to Anne Rice, Ursula K. Le Guin to Stephen King. Percy’s own academic experience banished many of these writers in the name of what is “literary” and what is “genre.” Then he discovered Michael Chabon, Aimee Bender, Cormac McCarthy, Margaret Atwood, and others who employ techniques of genre fiction while remaining literary writers. In fifteen essays on the craft of fiction, Percy looks to disparate sources such as Jaws, Blood Meridian, and The Girl with the Dragon Tattoo to discover how contemporary writers engage issues of plot, suspense, momentum, and the speculative, as well as character, setting, and dialogue. An urgent and entertaining missive on craft, Thrill Me brims with Percy’s distinctive blend of anecdotes, advice, and close reading, all in the service of one dictum: Thrill the reader.

Benjamin Percy is one of my favourite “new” authors. I only discovered his work upon the publication of Red Moon, which gripped me from very early on. Since reading that novel, I’ve read everything of his that I could get my hands on — The Dead Lands, his two-part story for Detective Comics, his ongoing run on Green Arrow, and now Thrill Me. I wasn’t entirely sure what to expect from this book, but I came away entertained and inspired. Continue reading