Suicide Risk, Vol.1 (Boom Studios/Titan Comics)

SuicideRisk-Vol.1-ArtWriter: Mike Carey | Artist: Elena Casagrande

Even when there are only villains, being a hero makes you a…

Super-powered people are inexplicably rising from the streets and there’s a big problem: Too many supervillains, not enough superheroes. Heroes are dying, and cops are dying twofold. Humanity is underpowered in the face of their onslaught, and people are suffering untold casualties trying to stem the flow.

After barely surviving a super-powered bank heist gone horribly wrong, beat cop Leo Winters vowed to try and find a way to stop them. Following a lead, he discovered two lowlifes who seemed to be able to grant a person powers… for the right price. Thing is: you don’t get to choose which power. It’s seemingly random, a crap-shoot, a risk. Will Leo decide to take that risk? And why is it that even the heroes in this world eventually break?

Collects: Suicide Risk #1-4

I have long been a fan of Mike Carey’s work – his comic-series The Unwritten and Lucifer (Vertigo) are easily among my top five favourites; and his most recent novel, The Girl With All the Gifts (Orbit) is one of my favourite reads this year. Carey’s new original ongoing series is a great one. Anyone interested in superheroes should check this out. Continue reading

Princeless Vol.1 – “Save Yourself” (Action Lab)

Princeless-Vol.1Writer: Jeremy Whitley | Art: M. Goodwin

Princeless is the story of Princess Adrienne, one princess who’s tired of waiting to be rescued. Join Adrienne, her guardian dragon, Sparky, and their plucky friend Bedelia as they begin their own quest in this one of a kind, action packed, all-ages adventure!

Collects: Princeless Vol.1 #1-4

This was a very pleasant surprise. It’s a progressive, all-ages comic book that should have massive appeal across age groups. The story is witty, well-written, and the artwork is filled with amusing and eye-catching details. I really enjoyed this, and think a lot of others will, too.

The story and ‘message’ (not wanting to get too academic about this) is also very good. It’s a story about a princess rebelling against the Fantasy/Fairy Tale Archetypes. It begins with her shrewdly pointing out the idiocy of sticking princesses in towers in the middle of nowhere guarded by hungry dragons. It’s the only time the financial flaw in such a plan has been pointed out… The rest of the book picks up on a number of fantasy tropes, not to mention the archaic conventions related to women (young, old, noble, and peasant). There were so many scenes that made me laugh or smile. Not only the moment when our heroine discovered the sword under her bed (“Oooh. Shiny.”); but also the excellent scene in which she acquires her own, proper armour.

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I won’t go into any more detail than that, as I think it would ruin many of the other jokes. You’ll find a great protagonist in Adrienne, you’ll grow attached to her new (almost Chewbacca-meets-dog) dragon companion, her zany new ally, and her brother is pretty great, too. I urge everyone to read this. If it found its way into the hands of young readers everywhere, as well as adults’, then it could do a lot for breaking down gender barriers in storytelling and genre fiction/media (in the long and short term).

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Princeless is a must-read for anyone looking for a progressive, fun comic book. Also perfect for anyone who enjoyed Frozen and other similar movies. I really can’t wait to read volume two. Very highly recommended.

Cemetery Girl, Vol.1 – “The Pretenders” by Charlaine Harris & Christopher Golden (Jo Fletcher Books)

Harris&Golden-CemeteryGirl1-PretendersAn excellent first part in an original graphic novel trilogy by two New York Times bestselling authors

Writers: Charlaine Harris & Christopher Golden | Art: Don Kramer | Colours: Daniele Rudoni | Letters: Jacob Bascle

She calls herself Calexa Rose Dunhill — names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead.

She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead — and because she can see spirits, they can’t hide from her.

Then one night, Calexa spies a group of teenagers vandalizing a grave — and watches in horror as they commit murder. As the victim’s spirit rises from her body, it flows into Calexa, overwhelming her mind with visions and memories not her own.

Now Calexa must make a decision: continue to hide to protect herself — or come forward to bring justice to the sad spirit who has reached out to her for help…

This is Charlaine Harris’s first original graphic novel project. Teaming up with fellow New York Times bestselling author Christopher Golden, they have come up with something pretty interesting, too. The Pretenders is the first part of a trilogy, and as a result does not present a tidy ending. In fact, rather the opposite: by the end of the book, Calexa has helped solve one crime, it’s true, but along the way readers will be confronted by a number of intriguing questions and mysterious goings-on – be they Calexa’s memories or her new-found powers.

The artwork throughout is pretty good – it’s nothing particularly unique, but it is clean and clear; and overall the compositions enrich the story and realise it in a vivid, eye-catching manner. The story itself moves at a good clip: despite the relative slimness of the book, the story doesn’t feel rushed, but not does it feel drawn out. In fact much of the story focuses on Calexa getting used to, and making her life in the cemetery (now you know where the series title comes from), and I actually liked this. The Urban Fantasy equivalent of the Origin Story, perhaps? The synopsis states that she avoids people, which is for the most part true, however, despite her sneaking about, there are a couple of people who learn of her existence and extend a helping hand (albeit clandestinely). For me, it was this part of the story – one of unexpected kindness and help – that stood out. No doubt, with parts two and three, the supernatural shenanigans and Calexa’s past will be unveiled. I’m certainly looking forward to finding out the true about what brought our protagonist to the cemetery in the first place, but in the meantime, The Pretenders is a great introduction to this setting.

Recommended for all fans of Harris’s and Golden’s previous prose-fiction, but also Urban Fantasy as a whole and comics that dabble in similar territories (for example, the Buffy graphic novels, which Golden has also worked on).

Uncanny X-Men, Vol.1 – “Revolution” (Marvel NOW)

UncannyXMen-Vol.01A so-so ‘start’ to a new Uncanny X-Men series…

Writer: Brian Michael Bendis | Artist: Chris Bachalo (1-4), Frazier Irving (#5) | Inks: Jaime Mendoza, Tim Townsend, Al Vey, Victor Olazaba & Frazier Irving | Colours: Chris Bachalo & Frazier Irving

The true flagship X-Men series returns… NOW! In the wake of the Phoenix event, the world has changed and is torn on exactly what Cyclops and his team of outlaw X-Men are – visionary revolutionaries or dangerous terrorists? Whatever the truth, Cyclops, Emma Frost, Magneto, and Magik are out in the world gathering new mutants and redefining the name Uncanny X-Men. But the challenges that they must overcome are fierce: once again, robotic Sentinels hunt the team and the mutants they protect… but when you find out who’s doing the hunting, your jaw will drop! And if that’s not enough, there’s a mole on Cyclops’s team – but who is it?

Collects: Uncanny X-Men #1-5

This is not a bad start to one of the Marvel NOW re-launch titles. Nevertheless, I had some issues with it, but they are more related to the overall direction of the Marvel NOW titles than this series per se. So: some good, some middling.

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Sentinels!

Yes, Uncanny X-Men is quite fun, and this book has a cheeky and gentle wit and humour running throughout – Bachalo’s artwork is a wonderful medium to realise this on the page, too. I’ve really grown to like it from Wolverine & the X-Men, despite initially not being too sure if I did. Speaking of W&tXM, the humour in Uncanny X-Men is very reminiscent of that, so I wonder if it is a conscious effort or just something Bachalo brings to the books he’s working on? Either way, I enjoyed it.

That being said… I understand that Cyclops, Emma Frost and Magick are struggling with their powers – they’re misfiring, malfunctioning, or out of control. They all were infused by the Phoenix Force in Avengers vs. X-Men, after all – and, if I remember correctly, there was a mention of at least Scott’s difficulties coming to terms with his reduced control and powers in AvX: Consequences (or possible in volume one of All-New X-Men?). But… Why is Magneto having difficulty with his powers? He wasn’t taken over by the Phoenix Force. I don’t remember that coming up before, nor any reason being given for it.

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The new mutants Cyclops & Co. have added to their numbers – new young recruits, people manifesting new powers since the arrival and dispersal of the Phoenix Force, are fun. It does mean, though, that we’re seeing another series that is probably trying to attract younger readers, something more in common with Wolverine & the X-Men (another similarity, perhaps only brought to mind lazily by Bachalo’s involvement). This despite fertile ground to explore a number of deeper issues. For example, who is culpable for the whole AvX mess (as they point out, it was Iron Man’s mistake that split the Phoenix Force into five hosts in the first place…). There is plenty they could explore with this series, but instead it looks like they’re going to wander off into other areas (the final chapter of the book turns the focus on to Magick and her misfiring powers). Revolution felt sadly unfulfilling and thin.

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Love this bit. “Did he actually call a time-out?”

I don’t know, ultimately, what I think about this book. Some of it I really liked (the art and humour), but some of it irked me because I think the whole franchise may have made some real problems for itself with these endless mass Events, crossovers, etc. I’ll probably still check out book two, but I’m in no hurry to do so. So this is recommended, but perhaps for real Marvel fans only, and not for just-casual readers.

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Skottie Young’s Variant Cover for #1
[Because I can’t pass up an opportunity to share Young’s work…]

President Obama in Comics: An Interesting and Peculiar Selection from the Sub-Sub-Genre…

President Obama has already featured in a number of comic books: be they comic/graphic adaptations of his life story, campaign-biography style one-shots, or cameos in established series comic series (such as Marc Guggenheim’s Avenging Spider-Man, below). Few presidents have excited the imaginations of such a broad segment of the American public and creative industries as has the 44th president. As someone who is interested in the cross-over areas of politics, media and pop culture, these past five years have been a fertile time for alternative presidential coverage.

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Boom Studios’ Barack Obama 2012 Election Issue

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Barack Obama: The Comic Book Biography (IDW, 2012); Marvel’s Amazing Spider-Man: Election Day Cover, 2008 (above) and interior pages (below)

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Most recently, IDW Comics published The Other Dead (currently at issue #4), which is elevator-pitched as “Zombie Animals Devour the World”. The longer-form description sounds like a familiar, fauna-twist on The Walking Dead:

“As a weary community braces for the onslaught of an incoming superstorm, an even more insidious force grows right under their noses! When a sudden outbreak turns every animal in sight into raging, flesh-craving monsters, a colorful cast of characters will have no choice but to contend with THE OTHER DEAD!”

But, as the series unfolds, and the infection spreads across America, a diverse cast of characters – “ranging from a demon-obsessed death metal band to a paranoid survivalist to the President of the United States himself” – will try to contend with and combat “the most unpredictable zombie outbreak in history.” I don’t have any interior page previews featuring the president, but of the 11 cover variants that have thus-far been revealed for the first four issues, there are two (#1 and #4) that feature President Obama prominently, toting some serious firepower:

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The Other Dead issues #1-4 are out now, published by IDW Comics. The series is written by Joshua Ortega and Digger T. Mesch, cover artwork is by Kevin Eastman, interior artwork is by Qing Ping Mui, and colouring by Blond.

“A1 Annual: The World’s Greatest Comics” (Titan Books)

A1-WorldsGreatestComics-Vol.1An interesting collection, from a broad selection of creators and talents

Writers: RON MARZ, MATT WAGNER, DAVE JOHNSON, DAVE ELLIOTT, TOM RANEY, RUFUS DAYGLO, ANDY KUHN, DAVE DORMAN, MARK A. NELSON, W. H. RAUF AND MORE…

Artists: JIM STERANKO, DAVE WILKINS, SAMI BASRI, ALEX HORLEY, TOM RANEY, BRIAN SMITH, D’ISRAELI, GARRIE GASTONNY, MARK A. NELSON, STANLEY ARTGERM LAU, GARRY LEACH, DAVE JOHNSON, BARNABY BAGENDA, SAKTI YUWONO, DAVE DORMAN, STEVE WHITE, ANDY KUHN, KAI LIM, PHILIP TAN, RHOALD MARCELLIUS, MICHAEL T. GILBERT, SUNNY GHO, DOUG BRAITHWAITE AND MORE…

The exciting return of the award-winning graphic anthology series – for readers who want to see inside the mind of the creator, to see what truly makes them tick and witness them doing what they truly want to do!

From all around the world, the greatest comic talents are given full and free rein to explore the art of graphic storytelling.

Reviewing this book offers an interesting conundrum. It’s very bitty, as can be expected from anything referred to as an “annual”. I do, I must admit, tend to prefer a single, longer (or more substantial, at any rate) story. But there were some interesting offerings in this.

With so many people contributing, how do you select which to discuss, if not all of them? I will, therefore, keep this very short. A1: The World’s Greatest Comics is a great taster volume for all the authors and artists who have contributions printed herein. Where it’s the classic-era Kirby tale that opens the book; or Dave Elliott, Toby Cypress & Sakti Yuwono’s “Odyssey” (a Captain America analog – interesting, but sadly riddled with early typos); or Barnaby Bagenda & Jessica Kholinne’s interesting “Weirding Willows” (just three of sixteen stories included), this is an interesting volume. The artwork is varied, of course, and the stories draw from a broad range of genres. If you’re after a single story, this won’t suit, but if you’re new to comics, or want a selection of short, interesting and entertaining ‘samplers’, then this is a good option.

Lazarus, Vol.1 – “Family” (Image)

Writer: Greg Rucka | Art: Michael Lark, w. Stefano Gaudiano & Brian Level | Colors: Santi Arcas

Forever Carlyle, the Lazarus of the Carlyle Family.

In a dystopian near-future, government is a quaint concept, resources are coveted, and possession is 100% of the law. A handful of Families rule, jealously guarding what they have and exploiting the Waste who struggle to survive in their domains.

Forever Carlyle defends her family’s holdings through deception and force as their protector, their Lazarus. Shot dead defending the family home, Forever’s day goes downhill from there…

Collects: Lazarus #1-4 & “Family: Prelude”

Prior to this, I was perhaps most familiar with Rucka’s first two, excellent Punisher volumes (must remember to finish off that series at some point). On the strength of just those books, I knew I wanted to read more of his work. That’s when I started to read and hear about Lazarus. As soon as this collection was available, I snapped it up and read it in one sitting. All I can say is that the hype is justified. While short, this is a very strong beginning.

The story opens with a pretty long, brutal scene that gives us an eye-popping, wince-inducing introduction to the nature of a Lazarus:

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Despite the above attempted-murder, Forever has plenty of… gumption left in her, and isn’t averse to doling out her blunt Family Justice:

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Over the course of these four issues, we learn about Forever’s psyche – she is unsure about the society in which she lives. She feels disconnected from her family, uncomfortable with her purpose, her nature. One gets the feeling that she’s headed for a break with the Family. It’s going to be an explosive journey, I’m sure.

The book offers a short, tantalizing taste of the Lazarus world, the dystopia controlled by a select few Mafia-on-steroids-like families. We’re not overburdened with world-building, but Rucka gives us just enough in the story to get situated, leaving breadcrumbs for us to follow and keep us guessing and get us hooked. This book is a perfect example of how comics can be used to show us new worlds and stories, without resorting to telling (which I still find strangely common for a visual medium). Forever is sent to parlay with a rival family, the Morrays. We learn through her mission that there is at least one other Lazarus, a member of the Morray family. They have met before, and share a deep affinity for each other’s situation and understanding of their lives – given their nature who else, really, could related? Meanwhile, Forever’s family members, her “brothers and sisters”, are plotting against her, each other, and their father. This does not bode well for the future.

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The pacing is fast but not rushed. It’s a dystopian world, the families appear in total control of the Americas, in a neo-feudal system that benefits the Families, while everyone else is categorised as either “Serfs” or “Waste”. It’s the argument against tyranny and the 1% writ large, exaggerated into a truly crushing social order.

Overall, this book is really quite excellent. I would have preferred a bit more world-building, sure, but I have a feeling this will be unrolled slowly and when necessary over the course of the series. The book is rather slim in length, which might leave people dissatisfied. I certainly would have liked more, but I see why the story was stopped here for the first volume. I can’t wait to read Volume 2. It’s not difficult to see why it has received so much praise. Very highly recommended, but if you need your comics more substantial in length, you may want to wait until the second collection is released/available before diving in them both together.

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You just might just like it…

Witchblade: Rebirth, Vol.1 – “Unbalanced Pieces” (Top Cow/Image)

Witchblade-Rebirth-Vol.01Writer: Tim Seeley | Art: Diego Bernard | Inks: Fred Benes, Alisson Rodrigues | Colors: Arif Prianto of IFS

In the wake of Top Cow’s Rebirth, Sara Pezzini has relocated from New York to Chicago and struggles to adapt to being a private detective. Pezzini quickly discovers that a change of scenery and occupation hasn’t changed one thing… the Witchblade is still a magnet for the supernatural Quickly drawn into a conflict between two mystical gangs, she must once again balance her responsibility as bearer of the Witchblade with her personal life.

Collects: Witchblade #151-155

I haven’t read a great deal of Witchblade comics, or other comics in Top Cow’s universe (Artifacts, The Darkness), but I’m somewhat conversant in the mythology. I read the first book by Ron Marz, which was itself a reboot/jumping-on-point, but then became distracted by the New 52 and a selection of other books (I’m not proud of it, but… Batman, baby!). After it was announced that Tim Seeley was taking over writing duties, my interest was piqued once again, having rather enjoyed his Hack/Slash horror-comedy series. So I dove in… And rather liked what I found.

I’m not sure that this needs a particularly long review. People who know the series already will know pretty much what to expect – it’s dark, gothic, but also slick. The only major difference is the location, as Sara has moved to Chicago (interestingly, that’s also where Dick “Nightwing” Grayson just moved to in the DC New 52). For new readers, this book has a lot of extra material that gives you some background. It’s not essential to read in order to enjoy this, though, as the concepts are pretty tried-and-true, but with some well-conceived and original developments.

Seeley blends a private investigator storyline and feel with just the right amount of weird in the first issue/chapter to get us intrigued. But then things get really weird – Sara tangles with biker witches, age-sucking creatures with a very strange version of their own ‘Witchblade-armour’, and a strange, supernatural beastie with a long history of fighting bearers of the Artifacts…

Things are not going well for Sara in her new environment, and her sense of displacement and ennui is well written. She’s finding her place, and it’s not going particularly well – on the social, financial, and divine purpose fronts. Add to this a policewoman who has it in for Sara, and a rather unsatisfying romantic (un)attachment with a stage magician harbouring an ulterior motive.

The story is well-written, well-paced and well-realised. Despite my aforementioned lack of fore-knowledge of the extended Witchblade mythos, I didn’t have any trouble following this. It’s weird, it’s sometimes amusing, it’s often creepy. The art team does a great job of bringing Seeley’s story to life on the page in crisp, sharp artwork. It’s eye-catching and vivid. I’m very glad I picked up volumes two and three in the ComiXology sale the other day, as I think I’ll be sticking around for a lot more of this series. I may have to try out the Rebirth The Darkness series, too.

If you are a fan of supernatural stories, filled with the occult, magical and gothic weirdness – not to mention a few gribbly beasties – then Seeley’s Witchblade is absolutely for you. Definitely recommended.

Superman, Vol.3 – “Fury at World’s End” (DC Comics)

Superman-Vol.03-ArtWriter: Scott Lobdell | Artist: Kenneth Rocafort (#13-17,19), Aaron Kuder (#18), Tyler Kirkham (#18), Robson Rocha (#18) | Inks: Aaron Kuder (#18), Jaime Mendoza (#18) | Colors: Sunny Goh (#13-16,18), Blond (#17-19)

H’El has come to Earth. When a mysterious ghost from Krypton’s past comes to Metropolis in hopes of finding the lost planet’s last son, his arrival comes with disastrous consequences for not just Superman, but also for Superboy and Supergirl. H’El has decided that Earth is the place to resurrect Krypton, but the price the lives of everyone on the planet! Guest-starring the Justice League, Wonder Woman, Orion and more!

Collects: Superman #13-17 [+ #18-19]

Continuing my attempts to catch up on a few New 52 titles, before I… uh… give them up… I actually quite like the Superman series. It wobbled a bit early on when the DC Powers That Be (DCPTB) decided to tie it in to the daemonite/Helspont mess that dominated the story-arcs of Grifter and Voodoo, but also roped in Stormwatch (and maybe a couple others?). I liked the greater attention paid to Superman/Clark’s everyday life, as a journalist and as someone navigating the changing industry and also his personal relationships. This collection of issues had a lot of this, too, and I’m certainly glad I read it. However, it also features the Superman issues that tie into the Super-family Event, “H’El on Earth”, which presented some issues for me.

As I just mentioned, I really like the focus on Clark’s non-super life. It’s something other readers really didn’t seem to like in earlier issues/books, but I think some of the most interesting content in the Superman mythos and character comes from his interactions with real life, how he handles his gifts, how he struggles to be “normal”, and how his over-developed sense of Right and Justice makes him stand out as a throwback to classic portrayals of the character or what would be considered “goody-two-shoes”, naïve characters today. For example, this monologue on the idealism of journalism:

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Unsurprisingly, Clark loses his job after this…

I’m not sure about the way Clark’s relationship with Lois is being written. His continued difficulty with her moving on, and moving in with Jonathan (although, I can’t remember who that is, exactly), seems forced. Given the timing and the events from the end of Justice League #12 (Superman’s kiss with Wonder Woman, and the start of their relationship), I found it difficult to consolidate his sense of justice and decency and this jealousy (even if it did make him out as more human). I felt bad for Diana, to be honest, that he is with her and yet pining for Lois. Given that the New 52 Superman had been steering clear of a Clark-Lois romance (I thought purposefully), it felt a little bit like a manufactured conflict for Clark. It’s well-written, though. Just felt a little out of place, given the stated intentions of the DCPTB. I would, however, accept that I may have missed something, given how much time lapsed between reading these issues and anything before.

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The “H’El on Earth” stuff, which is woven around and over Clark’s ‘mundane’ life, is kind of a typical, Supehumans-Breaking-Stuff-in-Large-and-Improbable-Manner tale. It’s… fine. But if you think about it, highly over-done. I’m looking forward to an understated Superman story. Something that doesn’t require him to just be invincible and strong enough to bench-press more than the weight of the Earth (as we are informed he apparently can do, at the start of issue #13). The exaggeration is, I understand, part of the charm of Superman – for some, it seems to be all they want. But for me, I would really like some more variation in the approach to the character.

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I do so love Batman’s cavalier attitude…

After “H’El on Earth”, there are two issues of strangeness, involving Orion (who made out with Wonder Woman in her solo series), and Hector Hammond (of the massively-bloated head – who I last saw in Green Lantern pre-New 52, I think… I don’t quite remember). Issue #19 was not too well written, sad to say. It felt clunky, with some info-dumping, and a little too heavy on telling and lesser writing for the first six pages. What happened? Things improved at Lois’s house-warming party. But then everyone starts to act strangely, and the issue ends as Orion catches up with Superman. I was left none-the-wiser as to what was going on. I guess I’ll have to wait until I can pick up the next few issues (those that will comprise volume 4, I suppose).

Not bad, but starting to show cracks. I hope this gets better, and doesn’t end up spinning its wheels, while the DCPTB try to come up with another cross-series Event to generate sales. In the meantime, I shall investigate some of the older Superman stories – for example, For Tomorrow, Lex Luthor, Superman For All Seasons, Secret Identity and maybe some others.

Graphic Novel Round-Up (September)

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I’ve not been keeping on top of graphic novels and comics as I had been – just been too busy and distracted. Nevertheless, this weekend I was able to catch up on some, so I decided to write very quick reviews of those that stood out.

Reviewed: East of West, Vol.1; Wolverine & the X-Men, Vol.3; Astro City, Vol.1, Archer & Armstrong, Vol.1

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EastOfWest-Vol.01East of West, Vol.1 – “The Promise” (Image)

Writer: Jonathan Hickman | Artist: Nick Dragotta

This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.

Collects: East of West #1-5

This is a pretty interesting series. It was much-hyped when it was first published, but I nevertheless waited for the first story-arc/volume to be available. It is a dystopian future, where much of life seems to have been consolidated onto the American continent. There is an apocalyptic storyline that keeps you guessing, as three of the four horsemen ride out (after being reborn) to track down their missing fourth. Death, as it happens, is the MIA horseman, and he is pursuing his own agenda and mission. Specifically, to find his missing love.

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There’s a fair mount going on in the first issues that make up this opening story-arc. It’s well-written and very well-rendered. The artwork is superb, with not a few arresting pages and panels (see, for example, above and below). The story has a lot of influences that one might be able to spot (I couldn’t say for definite if they are genuine influences, or just things I spotted and have associated with my own science fictional/dystopian favourites).

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It’ll certainly be interesting to see how this series shapes up in both the short and long-run. Count me in for the long-haul. This is a must-read for anyone who likes dystopian futures, apocalyptic stories, with a healthy dose of futuristic politics, technology, weirdness, and an expertly written story. The artwork complements Hickman’s narrative excellently. Plenty of surprises, but pleasantly familiar at the same time. Recommended.

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Wolverine&XMen-09Wolverine & the X-Men, Vol.3 (Marvel)

Writer: Jason Aaron | Artists: Chris Bachalo & Nick Bradshaw | Colors:

AvX tie-in! Wolverine is torn between two teams! Cyclops comes to the Jean Grey School to extend an olive branch, but will Wolverine’s X-Men join their estranged ex-teammates against the Avengers? And even if they do, will the students follow their lead? After seeing the events of AvX, the kids have a choice to make – but it may not be what you expect!

Plus: Iceman vs. Red Hulk! Kid Gladiator goes after the Avengers single-handedly! The Shi’ar Death Commandos take on the Phoenix! And the secret history of Warbird!

Collects: Wolverine & the X-Men #9-13

I enjoy this series a lot, actually. At first, I had been left a bit wary by the sense of humour, but it has leveled out very well – it’s quirky, funny, and well written. This volume, however, while still enjoyable, also highlights all of my issues with Marvel’s near-endless cross-title Events. In this case, the too-long-running Avengers vs. X-Men. Now, I was lucky that I had read the AvX twelve-issue mini-series, which meant I did have an overall idea of what was happening. However, without that, this book would have come across bitty and confusing: the characters jump about too much, not to mention suddenly, and it feels very much like only a small part of a larger story. There were also a few moments of fast-forward in order to prepare the characters for the massive Event. This grates, because it means Marvel consciously forced writers to refer everything back to the larger event. Therefore, this is not so much a “tie-in” but a “companion”. A pity. For those who have read the main mini-series, though, this book will give you more context and added depth to the conflicts of the central characters – particularly Wolverine. I also really liked the final chapter/issue collected here, and the background we got for Warbird, Kid Gladiator’s bodyguard. Really good issue – the art, story, everything. Excellent.

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The whole book is brilliantly rendered, actually. The contrast between Bachalo’s and Bradshaw’s artwork, while stark, does not jar when we do shift. Instead, they somehow manage to complement each other rather well. It’s vibrant, eye-catching, amusing, filled with detail and sometimes subtle. Superb support for Aaron’s writing and story, which they both really manage to bring to life.

Volume 4 is also connected to AvX, but I’ll be reading it anyway, given my fondness for the characters involved. The first two volumes focused more on the school and the new students (and the runaway bamfs, who are always amusing, as is Broo), which I hope we’ll return to in the very near future.

Wolverine & the X-Men is one of the few series that continued post-AvX basically unchanged, for which I am glad. I’ll probably read volume 4 this coming week(end).

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AstroCity-Vol.01-ArtAstro City, Vol.1 – “Life in the Big City” (DC Comics)

Writer: Kurt Busiek | Artist: Brent Anderson

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city’s leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

I’m not really sure what to write about this book. It is certainly interesting and worth reading – especially if you are a fan of comic-book heroes in general. The first chapter focuses on a very busy super-hero: he’s super-focused on saving as many people as possible, while also keeping down his job as a fact-checker at a publication. Unfortunately, he never seems to have the time to enjoy his super-powers. Like flying. It’s a very nice story, and the character is re-visited later in the book, when he goes on a date with a heroine of the city. This was an interesting chapter, which looked at the motivations of super-powered vigilantes, and also touched upon some of the classic clichés and patronizing tone leveled at female characters (which is, of course, the point).

The book is filled with nostalgic touches, from the use of a newspaper office as a location (a nod to Superman), but also the “$” signs on the swag bags from the robbery. It’s really quite fantastic. True, I think much of the attraction comes from nostalgia and a wish to peal back the curtain on the lives of super-heroes and those their actions impact.

If you are familiar with classic super-hero tropes, and are looking for both a nod to nostalgia and a development of the lives of these heroes, then Astro City is a must read. This is a really interesting introduction to the series, and I look forward to reading more of it. Certainly recommended.

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Archer&Armstrong-Vol.01Archer & Armstrong, Vol.1 – “The Michelangelo Code” (Valiant)

Writer: Fred Van Lente | Artist: Clayton Henry, Pere Peréz (#3-4) | Colors: Matt Milla

It’s history in the breaking! After years of meditation and training, 18-year-old Obadiah Archer has been dispatched to New York City to carry out the sacred mission of his family’s sect – locate and kill the fun-loving, hard-drinking immortal known as Armstrong! But as this naive teenage assassin stalks his prey, he’ll soon find that both hunter and hunted are just pawns in a centuries-old conspiracy that stretches from the catacombs beneath Wall Street to the heights of the Himalayas. And Archer & Armstrong will have to work together if the future is to stand any chance of surviving the past’s greatest threat!

Collects: Archer & Armstrong #1-4

This is my second Valiant collection, after the somewhat disappointing Bloodshot (sorry, it just didn’t click with me, despite my past fondness for the author’s work). After reading this collection, I must say I remain on the fence. The two protagonists had a lot of potential. Archer is the brain-washed son of a crazy, right-wing, creationist power-couple – the opening pages of the book leave little doubt as to how we’re supposed to think about them (if any member of the GOP needs ‘proof’ that publishing were an anti-conservative brand of the liberal media…). Armstrong is the immortal, and shares not a few characteristics with Obelix. This does not make Archer an Asterix analogue, but their relationship does have shade of the Gaulish favourites. Archer is tasked with killing He Who Must Not Be Names (Armstong), and to that end is shipped off to New York City, that hive of villainy and sin. But, our young crusader quickly comes across evidence that his parents are actually the crazy, evil bastards that he has been brought up to abhor. Naturally, this comes as something of a shock to our highly-gifted, rather deadly young hero. Together with Armstong, he sets off on a mission to save the world from the evil machinations of the Sect, who know nothing of the forces with which they are meddling.

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I’m not sure if this was meant to be taken at all seriously. I get the feeling that Van Lente and Co. are aiming for truth-through-farce, which is something they have certainly managed to achieve. The tone is light throughout – sometimes too light. True, I do like a bit of darkness in my comics, but this title seemed to not quite get the appropriate balance – when a supposedly ‘serious’ scene came along, it was overshadowed by something silly that happened either just before or immediately after. The “commentary” was at times rather forced, blunt, and simplistic, which weakened the impact. The humour ranged from smile-worthy to meh. (That really should be a technical term… Sadly, it just just an onomatopoeic way of indicating my lack of enthusiasm.)

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The story was a bit run-of-the-mill, focusing on one-percenters led mega-conspiracy to keep the masses poor and downtrodden. And yet, despite the unevenness, the lack of preparedness for the tone… I kept reading.

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I really couldn’t say for sure if I thought this was actually good or just so bad it went out the other side and became readable. There are certainly things I didn’t like, and yet it seems to be knowingly poking fun at all of the things I like to poke fun at, too. It’s left me rather unsure what I think. I hate that…

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Will I be reading the next story-arc? Well… maybe. I’m not in any hurry to do so, but given the frequency with which Valiant Comics offers sales on ComiXology, I will probably be tempted in the not-to-distant future.