Interesting premise, but ultimately a strangely familiar story
TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children.
When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it — and unbeknownst to Harry — Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher.
Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.
One of my most-anticipated novels of the year (yes, I’m a big fan of Hollywood-related books), and this one had a very promising premise. It’s well-written, and the characters are believable and mostly well-composed. However, most of the commentary about and critique of Hollywood felt familiar, which made this a less-satisfying read than hoped. Continue reading
An interesting look at a Hollywood and relationships, told with an unusual premise
The covers for Exit Party, the highly-anticipated next novel by Emily St. John Mandel, were unveiled today by
As Ari Waker unravels the mystery of this inexplicable night, Emily St. John Mandel unfurls a story that takes us from a future America splintered by civil war to the seaside cliffs of Greece where weapons dealers hide in an elegant resort, and from the domed city of Paris to a colony on the moon. An unforgettable literary feat, Exit Party is a novel about the price of safety, the perils of the surveillance state, a requiem for a world not unlike our own, and a breathtaking story of resilience in the face of cataclysmic change.
The Savage, Noble Death of Babs Dionne was the first novel by Ron Currie that I read, and it was an excellent introduction to his work: it was a gripping mystery overlying sharp and empathetic social commentary, populated by engaging and three-dimensional characters. I was therefore pleasantly surprised to learn that the author is returning to the setting, Little Canada, in his next novel: We Will See You Bleed, due out next summer. Definitely one of my now-most-anticipated novels of 2026. Here’s the synopsis:
“The Truman Show meets Game of Thrones in this epic tale of a studio-owned Fantasy world.” While the cover is arresting (that green…), that pitch is what hooked my attention. Long-time readers of CR will know how much I enjoy reading about Hollywood and behind-the-scenes books. So, coupling this with an interest in fantasy fiction (even if it has been waning, recently), means Thomas Elrod‘s upcoming The Franchise is of considerable interest. Really looking forward to giving this a try. Here’s the synopsis:
This Thursday,
Today, we have an excerpt from Ladder to Heaven by Katie Welch: a “speculative story of addiction and resilience, as well as alienation from a bewildering, rapidly-changing world that simultaneously highlights the non-centrality of humans on our planet”. Due out in October, via
On November 11th,
Events in Dalton are coming to a head, as a record-breaking storm rolls in…
A coming-of-age tale, wrapped up in a mystery, with a backdrop of state-of-the-nation and politics