Upcoming: “The Cormorant” by Chuck Wendig (Angry Robot)

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This is the third book in Chuck Wendig’s critically-acclaimed Urban Fantasy series. One I have yet to read… (Oh, how many series are there now for which I can say that?) I’ve enjoyed some of Wendig’s vampire fiction for Abaddon Books, so I have no idea why I haven’t read this series, yet… I shall have to get that fixed A.S.A.P. Anyway, I spotted the cover for this novel over on Angry Robot’s website, and had to share it. Once again, the piece has been done by the ever-excellent Joey Hi-Fi, and it’s superb. Here’s the synopsis:

Miriam is on the road again, having transitioned from “thief” to “killer”.

Hired by a wealthy businessman, she heads down to Florida to practice the one thing she’s good at, but in her vision she sees him die by another’s hand and on the wall written in blood is a message just for Miriam.

She’s expected…

File Under: Urban Fantasy [ Plying Her Trade | Inevitable | Touch of Death | No More! ]

The Cormorant is due to be published in at the end of December 2013 (eBook and in US), and the beginning of January (UK).

DC Villains Month: Mr. Freeze, Joker & Court of Owls

I don’t really know what’s going on with “Villains Month” (I haven’t been following comics news as closely these past couple of months, partly because I’ve been reading my favourite series a couple months behind). It seems to be a way to release three extra issues of certain DC comics in a month. Not sure if they’ll tie in directly to the main series story-arcs, or if they’ll work as interesting asides, or side-stories for fans who would like a little bit more.

Whatever the reason/purpose of these issues, I was browsing DC’s press site, and found some interesting artwork, which I thought I’d share here.

First up, this rather good domestic Mr. Freeze page, from Batman: Dark Knight #23.1 – Mr. Freeze:

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Writer: Justin Gray & Jimmy Palmiotti
Artist: Jason Masters
Cover: Guillem March

Next, two twisted and intriguing pages featuring the Joker and the Ape House, from Batman #23.1 – Joker

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Writer: Andy Kubert
Artist: Andy Clarke
Cover: Jason Fabok

And finally, this very moody, sinister page from Batman & Robin #23.2 – Court of Owls:

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Writer: James T. Tynion IV
Artist: Jorge Lucas
Cover: Patrick Gleason & Mick Gray

Three Awesome Comic Covers: EARTH 2 #14-16 (DC Comics)

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I’ve only read the first volume of DC’s Earth 2. There was some great stuff in it (artwork in particular), but also some things that didn’t quite work for me. I’ve been told by a couple of other reviewers that some of the things that niggled are longer-term plot-points – an example of my approach to reading comics perhaps not being the best for seeing the wider picture.

Regardless, it’s a series I’m intrigued by, offering as it does an alternative DC Universe. The series is written by James Robinson. If I ever needed an excuse to catch up and keep reading it, though, the covers for issues #14-16 are it:

Earth2-14

Cover by Kenny Martinez

Earth2-15

Cover by Juan Doe

Earth2-16

Cover by Juan Doe

I love these covers! The colours, the weathered-vintage style, the slight Soviet-influence. Really striking. I have no idea what the story is, by this point, but there are the (rather cryptic) synopses for the issues:

#14The bells of war ring loudly as Green Lantern, The Flash and Doctor Fate attack Steppenwolf head on – with the future of Earth 2 hanging in the balance.

#15Dr. Fate, Red Arrow, The Flash, Green Lantern and The Atom all fall victim to the Hunger Dogs of Apokolips as the war against the forces of Steppenwolf continues.

#16The war against Steppenwolf and the Hunger Dogs is over… all hope is lost!

The first two of these issues have been published, and #16 will be published October 2nd 2013. I will start saving up to catch up… now.

“Cuckoo’s Calling” Art an Homage to Hellblazer? Also, some BAD Journalism.

Not sure why, but the cover art for Robert Galbraith/JK Rowling’s The Cuckoo’s Calling makes me think of Vertigo Comics’ John Constantine/Hellblazer covers.

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The shadowy figure scuttling away, the antique lamppost, the fire-like smog/smoke, the iron wrought fence, London… Ok, so the colour palette is a shade more chirpy than John Constantine’s covers, but if you were to darken it and swap out the birds for bats… Think it would work brilliantly. Below is the closest Hellblazer cover I could find after an admittedly very brief Googling session (by Simon Bisley)…

Hellblazer-SimonBisleyCover

Incidentally, we were finally able to get a copy of The Cuckoo’s Calling (since the big reveal, all of my local booksellers have an abundance of copies), and Alyssa blitzed through it in a single day. She said it was really good. I’ll try to get to it in the next couple of weeks, but I can’t promise anything. (Too. Many. Awesome. Books. To. Read.)

Also, in related news, the article in last week’s Sunday Times about the revelation that “Robert Galbraith” was really JK Rowling was the worst bit of journalism I’ve read in a long while. The article is behind the pay-wall, but here are two choice bits that irked me. First of all, the author of the piece was really scraping the barrel, claiming Rowling-as-Galbraith was an elementary deduction, making the article little more than a piece of I-Am-More-Awesomely-Deductive-Than-Thou puffery. The “killer clue” that tipped them off? Yeah, someone told her outright! But after that, the journalist insists,

“Of course it was JK Rowling. There are only two female authors who could write convincingly about the excesses of super-rich, super-glamorous London… There are only two female authors who could write totally persuasively about being chased by paparazzi and write compassionately about being famous. One is Zadie Smith; the other is JK Rowling. I know Zadie and I knew it wasn’t her…”

So, a nice spot of celebrity name-dropping, and a single-handed writing off of 99.99% of female authors who may wish to ever write about high society in the UK. The Sunday Times has spoken: you will never do it convincingly. If you are male? Well, forget it, too. According to the author of the ST piece, men can’t write women well enough or convincingly. The idea that a debut author couldn’t have done this? Unbelievable. The article got worse, however:

“It all became so obvious: the themes of the books are Rowling’s and are subjects she addressed in last year’s The Casual Vacancy – and in the Harry Potter books: noble small people; ghastly, spoilt wealthy ones; social injustice; race; poverty; being in the wrong family…”

So, going by this ‘logic’, Rowling also wrote Gossip Girl… These are universal, as-old-as-time literary themes, and are not the sole (or even rare) province of Hogwarts…

Cover Reveal: THE WOKEN GODS by Gwenda Bond (Strange Chemistry)

I haven’t managed to keep on top of my Angry Robot/Strange Chemistry reviewing – certainly not as much as I would like. (They have had a considerable number of awesome-sounding titles coming out recently… I really should get my act together and read more of them…)

Nevertheless, one of my favourite debut reads last year was Gwenda Bond’s Blackwood. I was very intrigued, therefore, to learn about Bond’s next novel, The Woken Gods. I didn’t know much about it, but the cover certainly nabbed my interesting…

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The US Congress, the All-Seeing Eye, Egyptian Gods…? Colour me intrigued. The Woken Gods will be published by Strange Chemistry in September 2013. Here’s the synopsis…

Five years ago, the gods of ancient mythology awoke around the world.

This morning, Kyra Locke is late for school.

Seventeen-year-old Kyra lives in a transformed Washington, D.C., home to the embassies of divine pantheons and the mysterious Society of the Sun. But when rebellious Kyra encounters two trickster gods on her way back from school, one offering a threat and the other a warning, it turns out her life isn’t what it seems. She escapes with the aid of Osborne “Oz” Spencer, an intriguing Society field operative, only to discover that her scholar father has disappeared with a dangerous relic. The Society needs it, and they don’t care that she knows nothing about her father’s secrets.

Now Kyra must depend on her wits and the suspect help of scary gods, her estranged oracle mother, and, of course, Oz–whose first allegiance is to the Society. She has no choice if she’s going to recover the missing relic and save her father. And if she doesn’t? Well, that may just mean the end of the world as she knows it.

I’m certainly looking forward to this.

Artwork: Queens of the Stone Age, “… Like Clockwork”

So, a break from book covers and comic artwork, but I first saw this at London Bridge tube station, and it really caught my eye…

QOTSA-LikeClockwork

No idea what the album’s like, and I have to admit they are not a favourite band of mine (in fact, I’ve never liked any of their stuff enough to keep an album…). Just thought I’d share the image, which was done by someone known as “Boneface”.

Here’s the title-track’s music video…

Vampire Dog Humour… (Who knew?)

What started out as a rather distressing page in DC’s New 52 I, Vampire grew into something rather amusing. [Warning, there are some spoilers for the series, so don’t read ahead if you don’t want anything ruined…]

First, Andrew Bennett (who at this point is a badass, evil-as-hell uber-vampire) had a snack…

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Poor Mishkin.

Luckily, we learn later that the dog has been turned! (Vampire dogs – something I’ve been seeing a bit more, lately… Amusing memories of Blade: Trinity: the cross-bred vampire Pomeranian. Heh.) Good ol’ Mishkin gives the good guys a hand.

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Of course, in true apocalyptic-horror-fun, Bennett is no longer a bad-guy, and is fighting for the light side again.

Finally: “Goood vampire-doggy…”

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I, Vampire ended with issue #19, sadly. It was written by Joshua Fialkov, with art by Andrea Sorrentino and Fernando Blanco. I think it was a pretty good comic: the artwork was perfectly suited to the horror and atmospheric storylines, and Fialkov’s writing was top-notch. I’ve read all 19 issues, and none of them were bad. There were moments that were a little cheesy, but I get the feeling Fialkov was aiming for Buffy-esque humour (especially towards the end).

Here’s Andrew and Cain, the first vampire…

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R.I.P. I, Vampire. I’ll miss your nuttiness.