Review

Mini-Review: DEAR COMMITTEE MEMBERS by Julie Schumacher (Doubleday/Friday Project)

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SchumacherJ-DearCommitteeMembersUSAn amusing, epistolary novel of academia, modern life and literature

Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can’t catch a break with his brilliant (he thinks) work “Accountant in a Bordello”, based on Melville’s Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies.

A very quick review, here. I’d heard about this novel a fair bit in the lead-up to publication, and as someone who has spent an awful lot of time at academic institutions, I was intrigued by the premise: a story told through a series of Letters of Recommendation. I was not disappointed. Continue reading →

Batman, Vols. 4-5: Zero Year “Secret City” & “Dark City” (DC Comics)

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Batman-Vol.04&05

Writer: Scott Snyder | Art: Greg Capullo, Danny Miki, FCO Pascencia, Rafael Albuquerque

The New 52 origin of The Dark Knight delves into Bruce Wayne’s past with the Red Hood Gang and his run-ins with aspiring District Attorney Harvey Dent!

Before the Batcave and Robin, The Joker and the Batmobile, there was ZERO YEAR. The Riddler has plunged Gotham City into darkness. How will a young Dark Knight bring his beloved hometown from the brink of chaos and madness and back into the light?

Collects: Batman #21-24 (Vol.4); #25-27, 29-33 (Vol.5)

I’ve always had a soft-spot for origin stories, as I’m sure many fans do. In Zero Year, Snyder et al, have created a very good, more extensive and explanatory take on the origins of Gotham’s Dark Knight. Other stories and collections have touched up this period of Bruce’s development from spoiled rich kid to crime-fighting genius, but none have done it this well. If you haven’t been reading the New 52 Batman, then I’d strongly recommend you start – either here or at the beginning of Snyder’s run. I don’t think you’ll be disappointed.

Volume 4 pretty much re-creates the background portion of Alan Moore’s The Killing Joke, but from Batman’s perspective, and with a little more focus on the wider actions of the Red Hood gang. Their fight against the new vigilante are relentless and bloody (Bruce is really put through the ringer, here). The story is very well-told, too. There are echoes with Nolan’s Dark Knight movie trilogy, but with shades of Fight Club and Gone in Sixty Seconds added in the back-up stories focused on Bruce’s overseas training stops.

Batman-23-Interior3

In Volume 5, things really get tricky for Batman and his new allies: the Riddler takes over the city (there is a strange leap forward in time, which wasn’t handled quite as smoothly or neatly as it could have been), and it is up to them to wrest control of the power grid and save the lives of their fellow Gothamites from the Riddler’s games. The story has an excellent flow to it, and there’s a nice, circular element to the narrative that takes us back to certain events in Volume 4. Snyder et al show us perhaps the most detailed account of the days leading up to the death of Bruce’s parents that I’ve ever seen. (Anyone know if it’s presented in greater detail anywhere else?) I really enjoyed this volume, made even better by the fact that it’s a pretty long book – not once did it feel like the story was dragging, and the creative team have done a wonderful job of making it visually and narratively engaging and attention-grabbing.

Across both books, and their back-ups, the artwork is fantastic – Capullo’s art is consistently brilliant, and the back-up artists (including Rafael Albuquerque, who has worked with Snyder on multiple other projects) offer welcome and refreshing alternatives. There really is nothing bad I can think of saying about the two books’ visuals – it’s all excellent. There were a couple of moments that were clearly meant to be homages to Frank Miller’s Batman work. First, there was this moment (thanks so the Mary Sue for putting together the image – I was reading the digital ARC, which has degraded artwork to prevent sharing, etc.)*:

Batman-Vol.05-MillerHomage1

Miller’s The Dark Knight Returns (left) and the new image

And also this moment, which is another homage to a Dark Knight Returns cover (I put this one together):

Batman-Vol.05-MillerHomage

Snyder’s work on the Batman series continues to impress and entertain, and also expand the Batman mythology brilliantly. I’m concerned about the growing number of Batman titles, though, because I don’t want the story from each to become so cross-pollinated that you can’t properly follow any of them without reading all of them. So, please, just don’t go the way of Marvel?

In all? Batman continues to be very highly recommended. If you’re a fan of the character, you need to be reading Snyder et al’s series.

Batman-Vol.04-Content

Batman, Vol.4 – “Secret City” Contents

Batman-Vol.05-Contents

Batman, Vol.5 – “Dark City” Contents

* That Mary Sure piece also has one other homage example, this time to the first appearance of Batman – also something I spotted, but I thought the Miller homages were far more striking, so decided to share them.

Mini-Review: “Whiskey Tango Foxtrot” by David Shafer (Mulholland)

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ShaferD-WhiskeyTangoFoxtrotA peculiar, but well-written novel

The Committee, an international cabal of industrialists and media barons, is on the verge of privatizing all information. Dear Diary, an idealistic online Underground, stands in the way of that takeover, using radical politics, classic spycraft, and technology that makes Big Data look like dial-up. Into this secret battle stumbles an unlikely trio: Leila Majnoun, a disillusioned non-profit worker; Leo Crane, an unhinged trustafarian; and Mark Deveraux, a phony self-betterment guru who works for the Committee.

Leo and Mark were best friends in college, but early adulthood has set them on diverging paths. Growing increasingly disdainful of Mark’s platitudes, Leo publishes a withering takedown of his ideas online. But the Committee is reading – and erasing – Leo’s words. On the other side of the world, Leila’s discoveries about the Committee’s far-reaching ambitions threaten to ruin those who are closest to her.

This novel was on my radar for quite some time before I managed to get my mitts on a review copy. When I did, it shot to the top of my TBR pile, and I eagerly dove in. What I found was not what I’d expected – in both good and odd ways (not bad, though). Did I enjoy it? Absolutely. Is it well written? Absolutely. Is the story expertly crafted and gripping? Well, sort of.

First thing’s first: Shafer’s prose is excellent. He offers a mixture of tightly-written passages that move the story forward, but also plenty of great turns of phrase and interesting metaphors. The humour is well-deployed and well-written. It’s gentle, I don’t remember any laugh-out-loud moments, and the delivery is wry. His characters are very well-written, and I liked the internal monologues and observations. Their feelings of ennui felt realistic and not adolescent (unless they’re meant to). Shafer offers a mature take on these characters’ sometimes-immature issues.

The story. This is the tricky bit, for me. It sometimes felt like the story was secondary to the characters’ observations of society and surveillance. And, sure, the plot is taken right out of today’s headlines – the consolidation of data, the erosion of privacy, cybersecurity and so forth. All of these issues are well-presented and Shafer offers (though his characters) some well-thought-out observations. And yet… the actually plot only really emerges late in the story, and generally seems tacked on. I’ve seen so many laudatory reviews that gush over the story and so forth – but actually, the story is a little bland.

And yet (again)… I kept reading. Usually, I need the story to be front and centre, or at least as important as the characters. Here, though, I felt quite comfortable reading about these characters and their struggles with finding their places in today’s world.* Shafer writes very well, his prose is fluid and well-crafted. But, for his next novel, I hope he focuses a little more on the story. Bring that up to par with characterisation and prose, and he could be writing some of the best stuff available, I think.

So, a cautious recommendation – if you like novels that focus on its characters, then Whiskey Tango Foxtrot should appeal. If you prefer a story-focused novel, then this might come across as incomplete.

* Probably a result of my own, navel-gazing projections…

Review: THE MAGICIAN KING by Lev Grossman (Plume/Arrow)

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GrossmanL-M2-MagicianKingUSA superb follow-up to The Magicians

Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom.

Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent’s house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.

In an effort to catch up for the third volume in Lev Grossman’s Magicians series, here’s my very quick review of The Magician King: it’s an excellent follow-up to a brilliant first installment. If you haven’t read this series yet, I strongly urge you do so. I don’t think you’ll be disappointed. Continue reading →

Short Story Reviews: David Annandale, Aaron Dembski-Bowden, and John French (Black Library)

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Three good, recent short stories from BL’s Warhammer 40,000 range

Annandale-Yarrick4-TheGallowsSaintDavid Annandale, YARRICK: THE GALLOWS SAINT

Fresh from his victory against traitors on Mistral, Commissar Yarrick deploys to Abydos to watch a great triumph in honour of the forces who liberated the world from the grip of the alien tau. But when the planet’s governor is assassinated, Yarrick is drawn into a political game with deadly consequences for himself, his Steel Legion troops and Abydos itself. Can he unravel the mystery and reveal the true traitors on the world before it is too late?

Continuing his series detailing the career of Commissar Yarrick, Annandale here offers a short tale set after the conclusion of a conflict. On a world recently ‘saved’ from the influence of the Tau, Yarrick stumbles across a mundane, rather parochial conspiracy. The story moves very fast. This was not necessarily a bad thing, but I think it certainly would have benefited from expansion – as it stands, the story is a bit of a whirlwind, and Yarrick’s investigation is executed pretty much by luck and accident. True, there’s no reason to believe such a case could never happen. I think I was just greedy for a longer, more in-depth tale. Luckily, I have the first full-length Yarrick novel (Imperial Creed) to read, which I will be reading ASAP. (I know, I say that a lot.)

Despite this minor complaint, this is a very good story – Annandale continues to improve as a writer, and writes great stories. Let’s hope there are many more from him.

Also on CR: Reviews of The Carrion Anthem, Eclipse of Hope, Yarrick: Chains of Golgotha, The Dark Hollows of Memory, Stormseer; Interview with David Annandale; Guest Post

*

DembskiBowden-Abaddon-ChosenOfChaosAaron Dembski-Bowden, ABADDON: CHOSEN OF CHAOS

In the aftermath of battle, a group of Black Legion warlords – traitors to mankind, drawn from across the Legions of Chaos and sworn to the Warmaster – torture a prisoner, a captain of the Space Marines. Defiant to the last, the son of the Emperor is prepared to die, his duty fulfilled. But Abaddon, the Chosen of Chaos, has other plans for this brave warrior…

A very short story, introducing the post-Horus Heresy Abaddon: master of the Black Legion, and Warmaster of the Traitor Astartes, he has taken over from the slain Horus to wage his eternal war on the forces of the Imperium. This story, while very good, doesn’t really do anything, which was slightly frustrating. As an amuse bouche for Abaddon: Talon of Horus, however, it works very well indeed. As long-time readers of the blog will know, I’m a huge fan of Dembski-Bowden’s novels and writing, and Chosen of Chaos shows everything I’ve come to love about the way he writes. Only… not enough of it to be satisfying. I would, therefore, recommend you read this only when you don’t have a long wait until Talon of Horus.

Also on CR: Reviews of Cadian Blood, Soul Hunter, Blood Reaver, Void Stalker, Armageddon, The First Heretic, Betrayer, The Emperor’s Gift

*

FrenchJ-Ahriman-TheDeadOracleJohn French, Ahriman: The Dead Oracle

Ctesias, an ancient Space Marine and former prisoner of Amon of the Thousand Sons, tells the tale of one of the events that led him to his destiny. After Amon’s demise, Ctesias comes into the service of Ahriman, the exiled First Captain of the broken Legion, and is given power undreamed of – and drawn into a plot involving the otherworldly daemons of the warp, the machinations of Ahriman and the mysterious dead oracle.

This is set after the events of Ahriman: Exile, the first novel in French’s series focusing on the Thousand Sons’ greatest sorcerer. It is not, however, essential to have read Exile in order to follow or enjoy The Dead Oracle – I have yet to read the novel, but I really enjoyed this story. In fact, of these three stories reviewed here, this is by far my favourite. I think French has done a great job with Ahriman, painting him as a rather withdrawn, highly-focused and competent sorcerer, attempting to atone for and remedy what he has wrought on his Legion. The story isn’t from Ahriman’s perspective, however – rather, it is from Ctesias’s P.O.V. Through his eyes, we see how far Ahriman is prepared to go on his path to redemption. We also see just how powerful and learned he is about the way of Chaos. Not to mention how tricksy he can be, fooling even greater daemons of the Warp.

After finishing The Dead Oracle, my interest in reading Exile only grew. It has been moved up my TBR pile.

*

Quick Reviews: THE CUCKOO’S CALLING and THE SILKWORM by Robert Galbraith (Sphere/Mulholland)

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GalbraithR-CS1-CuckoosCallingUKJ.K. Rowling’s new series of London-based PI novels are fantastic.

When a troubled model falls to her death from a snow-covered Mayfair balcony, it is assumed that she has committed suicide. However, her brother has his doubts, and calls in private investigator Cormoran Strike to look into the case.

Strike is a war veteran – wounded both physically and psychologically – and his life is in disarray. The case gives him a financial lifeline, but it comes at a personal cost: the more he delves into the young model’s complex world, the darker things get – and the closer he gets to terrible danger…

I am not entirely sure how to review these novels. To discuss their plots at any length would ruin the plots – something that’s normal, but for some reason feels even more so the case here. The characters, however, are superb – and it is Cormoran Strike, Robin and their supporting cast that make these novels so good. If you haven’t read this series, yet, I strongly urge you to do so. Continue reading →

Mini-Review: “Back Story” by David Mitchell (Audible / Harper)

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MitchellD-BackStoryA marvellous memoir by one of Britain’s best new(ish) comedians

David Mitchell, who you may know for his inappropriate anger on every TV panel show except Never Mind the Buzzcocks, his look of permanent discomfort on C4 sex comedy Peep Show, his online commenter-baiting in The Observer or just for wearing a stick-on moustache in That Mitchell and Webb Look, has written a book about his life.

As well as giving a specific account of every single time he’s scored some smack, this disgusting memoir also details: the singular, pitbull-infested charm of the FRP (‘Flat Roofed Pub’); the curious French habit of injecting everyone in the arse rather than the arm; why, by the time he got to Cambridge, he really, really needed a drink; the pain of being denied a childhood birthday party at McDonalds; the satisfaction of writing jokes about suicide; how doing quite a lot of walking around London helps with his sciatica; trying to pretend he isn’t a total **** at Robert Webb’s wedding; that he has fallen in love at LOT, but rarely done anything about it; why it would be worse to bump into Michael Palin than Hitler on holiday; that he’s not David Mitchell the novelist. Despite what David Miliband might think…

The synopsis does a very good job of suggesting the tone and content of the memoir. But what it doesn’t fully convey is just how good it is. Delivered in Mitchell’s distinctive voice, with just the right amount of sarcasm and cynicism, this could very well be the best memoir I’ve listened to from Audible, or at least an equal to Stephen Fry’s The Fry Chronicles. This memoir had me laughing out loud plenty of times (something only Tina Fey and Jane Lynch have done so far).

I was surprised to learn just how much great television Mitchell has been involved in over his relatively few years of fame and celebrity. That being said, it was the chapters covering his early years that were hilarious – when talking about his successes, he came across as almost embarrassed (which was rather endearing). Tales from his childhood and years at Cambridge were great, and quite relatable. Recounting his post-university years of near-poverty, and his eventual success also gave me a modicum of confidence that I’ll be able to make something of myself, too (though, not in the way Mitchell has, I’m sure).

While the memoir is undoubtedly funny, as one can expect, it is also quite moving. When talking about his friends and colleagues, he is always gracious and warm. His respect and brotherly love for Robert Webb is obvious, and he is particularly heartfelt when talking about his writing/comedy partner’s wedding. The second-to-last chapter of the book, however, was the greatest surprise: in it, he talks about Victoria Coren, who he recently married. It is a very sweet and endearing story of a long courtship, with its ups-and-downs, but also shows Mitchell has a hitherto unseen romantic streak. Very moving.

Overall, and I know this review is relatively short, I loved listening to this. It’s funny, curmudgeonly, honest, and entertaining from beginning to end. There were no drops in momentum or interest. Excellently and clearly performed, great production, and a great story.

Very highly recommended. If you have any interest in comedian/actor memoirs, or comedy, then you must listen to and/or read Back Story.

I liked it so much, I’ve also bought the eBook, so I can read the best bits again, later – I’d like to share some of the best nuggets of wisdom, but I didn’t write any of them down while listening.

***

Back Story is out now – available as an audiobook from Audible, and in print and eBook from Harper.

Review: IMPACT by Adam Baker (Hodder)

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BakerA-4-ImpactUKSuperb fourth novel in Baker’s horror survival series

The world is overrun by an unimaginable horror. The few surviving humans are scattered in tiny outposts across the world, hoping for reprieve – or death. Waiting on the runway of the abandoned Las Vegas airport sits the B-52 bomber Liberty Bell, revving up for its last, desperate mission. On board – five crew members and one 10-kiloton nuclear payload. The target is a secret compound in the middle of the world’s most inhospitable desert.

All the crew have to do is drop the bomb and head to safety.

But when the Liberty Bell crashes, the surviving crew are stranded in the most remote corner of Death Valley. They’re alone in an alien environment, their only shelter the wreckage of their giant aircraft, with no hope of rescue. And death is creeping towards them from the place they sought to destroy – and may already reside beneath their feet in the burning desert sands.

Impact is the gripping, suspenseful fourth novel set in Baker’s post-apocalyptic reality. Everything I liked about Terminus, the previous novel in the series, is evident here: the tightly-plotted story, the stripped-down prose, realistic characters, sinister atmosphere, and addictive, chilling suspense. From the first page until the last, I was hooked. Continue reading →

Mini-Review: “Drama” by John Lithgow (Audible/Harper)

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Lithgow-DramaOne of America’s great contemporary thespians on his actor’s education

Through the vivid stories in Drama, John Lithgow shares a backstage history of his struggle, crisis, and discovery, and the scenes of his early life and career that took place before he became a nationally-known star. Above all, Drama is a tribute to the most important influence in John Lithgow’s life: his father, Arthur Lithgow. An actor, director, producer, and great lover of Shakespeare, Arthur brought theatre to John’s boyhood, where performance and storytelling were a constant and cherished part of family life. Lithgow brings the theatre worlds of New York and London to life as he relives his collaborations with renowned performers and directors including Mike Nichols, Bob Fosse, Liv Ullmann, Meryl Streep, and Brian De Palma. Lithgow’s ruminations on the nature of theatre, performance, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. At once hilarious and reflective, Drama pulls back the curtain on the making of one of our most beloved actors.

This memoir took me a little by surprise. For one thing, Lithgow doesn’t linger so much on the projects in which he has performed – rather, he focuses more on the lessons he’s learned, the experiences he’s enjoyed, and some of the people he has met along the way. It’s an interesting memoir, and a really good listen.

He talks about his peripatetic upbringing, and how he would change school too often to form close bonds – a problem that resolved later in his school years, when he returned to Massachusetts. Lithgow also talks honestly about his early-career luck, and acknowledges that some of his earliest roles he got partly because of his father’s position as a director. At the same time, he later recognises how this spoiled him for his career-proper, and how when he was in New York, he was completely unused to having to go through the auditioning grinder. Lithgow tells us about his time in London, and how he tried to get his draft deferred (successfully, it seems). He’s not proud of it, but he is honest about how afraid he felt about having to go to the jungles of Vietnam. He speaks candidly about his first marriage, and the dalliances that led to its demise.

Delivered in Lithgow’s distinct voice, the emotion in his performance is pretty flat – or, measured, perhaps. It’s not bad by any stretch of the imagination, but I think I could spot the moments he found less interesting. It’s not as humorous as I was expecting, but it didn’t suffer for this.

Definitely recommended, this is another very good memoir – well-written, excellent production, and enjoyable and interesting.

***

Drama is out now, available as an audiobook through Audible, and is published in print by Harper.

Short Fiction Review: “The Bloody Deluge” by Adrian Tchaikovsky (Abaddon)

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Various-JournalOfThePlagueYearA very good post-apocalyptic story from the author of the Shadows of the Apt series

WHEN THE WORLD ENDED…

The Cull swept the world in the early years of the twenty-first century, killing billions and ending civilisation as we know it. Only a fortunate few, blessed with the right blood, were spared. But in times of need, heroes rise. Leaders, soldiers, rebels – even children – take a stand, to hold back the tide of savagery and set a light in the darkness…

Katy Lewkowitz and her friend and old tutor Dr. Emil Weber, fleeing the depredations of the so-called New Teutonic Order, take refuge among the strangely anachronistic survivors at the monastery of Jasna Góra in Western Poland. A battle of faith ensues, that could decide the future of humankind…

This is the first non-fantasy story of Tchaikovsky’s that I’ve read. It is also the first story I’ve read from Abaddon Books’ Afterblight series. With that in mind, I approached it concerned that I would be lost, missing important backstory and context for this post-apocalyptic world. However, I was very pleased to discover that this works perfectly well without past experience with the series. It’s very well-written, and moves at a pretty brisk pace. This is a good story.

Tchaikovsky’s characters are well-drawn and realistic, not to mention plenty of shades of grey. The role of religion in the story was interesting, and I liked the way the author showed how religious organisations could develop in multiple, conflicting ways when presented with the end of the world. Here, we have an Order that seems to feed of the worst historical characteristics of organised religion, fuelled and worsened by intolerance and bigotry. On the flip side, the group occupying Jasna Góra are far more accepting and focused on good works and charity.

There’s an interesting blend of historical/fantasy and post-apocalypse, here, which can be seen most clearly during the siege – bows and arrows from the walls compete against motorbike-mounted “knights” and a tank. Really enjoyed that about this story, the way the future and advancement of the human race came crashing to a halt in the wake of the Cull.

Speaking of bows, I think the only thing that didn’t work for me was Katy’s rather bizarre confusion, when she realised that the people at Jasna Góra used bows for fighting, and not just hunting. For a British-educated postgraduate, the idea that she would have been unaware of archers’ role in warfare was somewhat baffling.

Overall, then, this is not only a good new direction for Tchaikovsky, but also a good introduction (and, no doubt, continuation) of Abaddon Books’ Afterblight series.

It’s not as assured as Tchaikovsky’s Shadows of the Apt epic fantasy series (one that I am woefully behind on, but which comes to an end this year), and I think I preferred his writing and style in that series. Nevertheless, that should not discount The Bloody Deluge – it’s a solid example of post-apocalyptic fiction. If you’re a fan of the genre, then I think you’ll enjoy this, too.

*

You can read an interview with Adrian about this story, here.

The Bloody Deluge has been collected in the Journal of the Plague Year anthology. Here’s the synopsis for the other two stories therein:

Journal of the Plague Year offers three new tales from across the world of The Afterblight Chronicles, from the International Space Station to the wilds of the Australian Outback and beyond.

In Malcolm Cross’s Orbital Decay, the team in the Space Station watch helplessly as the world is all but wiped out. Exiled from Earth, astronaut Alvin Burrows must solve the mystery of the “Pandora” experiment, even as someone on the station takes to murdering the crew one by one.

In C. B. Harvey’s Dead Kelly, fugitive and convict Kelly McGuire returns to the lawless city of Melbourne to be revenged on his old gangmates, and, ultimately, to reveal his own terrible destiny.